

        


<p><strong>Peter Greene</strong>, a familiar face to moviegoers for his intense portrayals of volatile and often menacing characters, <strong>has died at the age of 60.</strong> The actor, best known for memorable roles in films such as “Pulp Fiction” and “The Mask,” was found dead on Friday, December 12, in his Manhattan apartment. His passing was confirmed by his manager, Gregg Edwards, with Deadline reporting the news. While no cause of death has been disclosed, Greene leaves behind a body of work that made him a standout presence in some of the most distinctive films of the 1990s—<strong>an on-screen journey worth revisiting in full.</strong></p>



<h2>Peter Greene, the Relentless Face of ’90s Movie Villainy</h2>



<p>Peter Greene carved out a singular place in American cinema as a character actor who brought unsettling intensity to some of the most memorable films of the 1990s. Audiences may not have always known his name, <strong>but they remembered his face</strong>—and the danger it seemed to carry. From the snarling bravado of Dorian Tyrell in “The Mask” to his deeply disturbing turn as Zed in Quentin Tarantino’s “Pulp Fiction,” Greene specialized in characters who lingered long after the credits rolled.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80236" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251213_SPEN_80232_Peter1_7805306a.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-80236"></figure><figcaption>Source: Bryan Bedder/Getty Images</figcaption></figure>
</figure>



<p>His rise was anything but conventional. Born in Montclair, New Jersey, Greene ran away from home as a teenager and spent years homeless before discovering acting in his mid-20s. <strong>That late start did little to slow his momentum.</strong> By the early ’90s, he was appearing in striking indie projects like “Laws of Gravity” and “Clean, Shaven,” the latter showcasing a raw, fearless performance that hinted at far greater depths than the typical “heavy” roles he would later become known for.</p>



<p><strong>Hollywood soon took notice.</strong> Greene stacked up credits in major studio releases and cult favorites alike, including “Judgment Night,” “Under Siege 2: Dark Territory,” “The Usual Suspects,” “Blue Streak,” and “Training Day,” <strong>often playing criminals, corrupt cops, or volatile enforcers.</strong> Even when his characters occupied limited screen time, Greene had a way of dominating scenes through sheer presence. Television roles followed, from “The Black Donnellys” to “Life on Mars” and later appearances in “For Life” and “The Continental,” proving his ability to adapt across eras and formats.</p>



<p>Behind the scenes, Greene’s life was marked by personal struggles, including long battles with addiction that disrupted his career but never fully extinguished it. He continued working steadily, <strong>returning again and again to the kinds of hard-edged roles that mirrored his own turbulent path.</strong> Found dead yesterday, Greene leaves behind a body of work that stands as a testament to the power of character acting.</p>

Peter Greene, Actor in ‘Pulp Fiction’ and ‘The Mask,’ Dead at 60

Idris Elba Says He Plans to Retire From Acting and Focus Fully on Directing

Michael B. Jordan Says Sharing a Name With Michael Jordan Affected His Childhood

Peter Greene, Actor in ‘Pulp Fiction’ and ‘The Mask,’ Dead at 60 - Spoiler US

miniaturas



        


<p>This year’s edition of Variety’s Actors on Actors pairs two of Hollywood’s most compelling talents as they reunite nearly 15 years after <strong>“Friday Night Lights”</strong> to reflect on the projects defining their careers in 2025. </p>



<p><strong>Michael B. Jordan</strong> is featured to discuss <strong>“Sinners,”</strong> the critically acclaimed horror-thriller directed by Ryan Coogler in which he delivers a dual performance as Mississippi twins confronting supernatural forces — a film that has become one of the season’s major awards contenders. </p>



<p>Meanwhile, <strong>Jesse Plemons</strong> joins him fresh from <strong>“Bugonia,”</strong> Yorgos Lanthimos’ genre-bending sci-fi black comedy about two conspiracy-obsessed young men who kidnap a powerful CEO they believe to be an alien, co-starring Emma Stone.</p>



<p>In the midst of their wide-ranging conversation about identity, craft and competition, <strong>Jordan offered a revealing reflection on how something as simple as a name shaped his drive.</strong></p>



<h2>Michael B. Jordan Reflects on Growing Up With a Famous Name</h2>



<p>The moment turns personal when Jesse Plemons asks Michael B. Jordan who his heroes were growing up. Jordan admits he never really had idols as a kid, explaining, <strong>“I always feel bad, because I didn’t look up to a lot of people,”</strong> adding that his parents were his main reference point for how to move through the world. That perspective, he says, was shaped early on by something he only fully understands now.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80218" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251213_SPEN_80214_Michael1-2_85dd6681.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-80218"></figure><figcaption>Source: Dia Dipasupil/Getty Images</figcaption></figure>
</figure>



<p>Looking back, Jordan acknowledges that growing up with the name Michael Jordan “affected things in a way that, in hindsight, I can talk about.” At the time, he did not fully grasp it, but he now believes<strong> “your name is important,”</strong> because it is how you introduce yourself and how the world responds to you. Knowing there was already <strong>“another guy out there who’s the guy,”</strong> he says, quietly pushed him in a different direction.</p>



<p>That pressure became motivation. Jordan describes it as <strong>“a healthy chip on my shoulder,”</strong> one that made him want to be competitive and to build <strong>“your own identity in a way.”</strong> Even before he knew what his path would be, he remembers feeling a clear drive: <strong>“I wanted to be great at something, and I didn’t know what it was going to be. I just wanted to be great at it.”</strong></p>



<p>The exchange ends on a lighter note, but still rooted in reflection. After revealing that his father’s name is also Michael Jordan, he shrugs it off with humor and acceptance. <strong>“It was all meant to be, real talk,”</strong> Jordan says, embracing the strange alignment of fate that gave him a famous name and the determination to make it his own.</p>

“Makes No Sense to Me”: Russell Crowe Slams ‘Gladiator 2’

Michael B. Jordan Says Sharing a Name With Michael Jordan Affected His Childhood - Spoiler US



        


<p>Box office numbers often decide a movie’s fate, but they do not always determine its legacy. Over time, shifting tastes, home video, streaming, and word of mouth have given certain films a second life, allowing them to be reappraised and celebrated long after their initial release. These movies may have stumbled financially when they first hit theaters, <strong>yet years later they are quoted, studied, and revered as classics</strong> that outlasted their opening weekend disappointments.</p>



<h2>The Big Lebowski (1998)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80208" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/13102846/Big-1280x720.webp" alt="" class="wp-image-80208"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>This Coen brothers dark comedy about an unemployed Los Angeles slacker known as “The Dude” was met with mixed reviews and modest commercial returns upon its release, confusing many mainstream viewers accustomed to more traditional narratives. </p>



<p>Over time, its endlessly quotable dialogue, surreal subplots, and charismatic performances fostered a massive global cult following, complete with annual conventions and its own tongue-in-cheek philosophy. The film was made for a budget of <strong>$15 million </strong>and earned around <strong>$46.1 million</strong> worldwide, an underwhelming performance that belied its eventual status as one of the most iconic comedies of the late 1990s.</p>



<h2>Blade Runner (1982)</h2>



<p>Ridley Scott’s dystopian science fiction masterpiece struggled commercially against lighter sci-fi films like <em>E.T. the Extra-Terrestrial</em>, with its dark, complex narrative, slow pace, and contested studio-mandated ending confusing many mainstream viewers upon release. </p>



<p>Over time, thanks to cable airings and the eventual release of the definitive <em>Director’s Cut</em>, the film’s stunning visual style, philosophical depth, and groundbreaking production design cemented its status as one of the most influential works of science fiction cinema. The film’s <strong>production budget was approximately $30 million</strong>, and it earned an initial US box office gross of only <strong>$27.6 million</strong>.</p>



<h2>Fight Club (1999)</h2>



<p>David Fincher’s nihilistic critique of consumer culture was met with poor box office performance and divisive reviews, primarily due to an aggressive marketing campaign that misrepresented the film as a conventional action movie and its controversial, dark subject matter. </p>



<p>The film’s eventual rise to classic status began almost immediately with its massive success on DVD, where its anti-establishment themes and iconic dialogue found an ardent, younger cult following. Against a hefty <strong>budget of $63 million</strong>, the film grossed approximately <strong>$37.1 million worldwide</strong> during its initial run.</p>



<h2>Donnie Darko (2001)</h2>



<p>Released shortly after the September 11 attacks, this unsettling sci-fi psychological thriller featuring a plane engine crash was barely released in theaters and was an outright box office bomb, failing to gain traction with audiences still processing real-world tragedy. </p>



<p>The unique, reality-bending story of teenage angst, time travel, and existential mystery, combined with a breakout performance by Jake Gyllenhaal, resonated powerfully with viewers on the home video circuit. On a micro-scale <strong>budget of $4.5 million</strong>, the movie finished its initial US theatrical run with a disappointing gross of about <strong>$517,375</strong>.</p>



<h2>The Shawshank Redemption (1994)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80207" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/13102633/Shaw-1280x720.webp" alt="" class="wp-image-80207"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Despite now topping nearly every “Greatest Films of All Time” list, Frank Darabont’s prison drama, adapted from a Stephen King novella, was a significant disappointment at the box office, struggling to find an audience when pitted against major releases that year. Its lack of immediate commercial appeal was largely attributed to a poor marketing campaign and a difficult-to-market title.</p>



<p>The film was produced with a <strong>budget of $25 million</strong> but only managed an initial theatrical gross of around <strong>$16 million</strong>; however, its subsequent success on home video and cable television transformed it into a beloved classic celebrated for its powerful themes of hope and perseverance.</p>



<h2>The Thing (1982)</h2>



<p>John Carpenter’s visceral horror-sci-fi adaptation received negative reviews and performed poorly at the box office, suffering from being released alongside the much more family-friendly alien movie <em>E.T.</em> that same summer. </p>



<p>Critics and audiences were unprepared for its relentless paranoia, bleak ending, and gruesome practical effects that were deemed excessive at the time. Reappraisal over the decades has elevated it to a high-water mark of the horror genre, now celebrated as a masterpiece of suspense. The film was made with an estimated <strong>budget of $15 million</strong> and only grossed around <strong>$13.7 million</strong> in US theaters.</p>



<h2>Children of Men (2006)</h2>



<p>Alfonso Cuarón’s dystopian masterpiece, set in a world grappling with two decades of human infertility, was acclaimed by critics for its gritty realism, profound themes, and revolutionary single-shot sequences. However, it struggled to find a mainstream audience during its initial theatrical run. </p>



<p>The film was produced on a budget of approximately <strong>$76 million</strong> but only managed to gross around <strong>$70 million</strong> worldwide, failing to recoup its production costs in theaters. Despite this, the film later found greater success on home video and streaming platforms, where its complex themes and visual style gained a devoted following.</p>



<h2>Scott Pilgrim vs. the World (2010)</h2>



<p>Director Edgar Wright’s hyper-stylized adaptation of the graphic novel series, blending comic book aesthetics with video game logic, was praised by critics for its kinetic energy and inventive visual style. Despite the acclaim, the film’s niche appeal and unconventional presentation failed to translate into a mainstream hit, resulting in a significant box office loss. </p>



<p>Produced for an estimated <strong>$85 million</strong>, the movie earned only about <strong>$47.8 million</strong> worldwide during its theatrical run. In the years that followed, strong home video sales, streaming exposure, and fan enthusiasm transformed it into a modern cult favorite.</p>



<h2>Office Space (1999)</h2>



<p>Mike Judge’s satire of white-collar mediocrity and corporate drone culture struggled to find an audience during its brief theatrical release, showing little immediate commercial impact. The film’s reputation was reshaped through its remarkable second life on home video and cable television, where it became a cultural touchstone for disaffected workers and office humor. </p>



<p>Made on a modest <strong>$10 million</strong> budget, <em>Office Space</em> earned only about <strong>$12.2 million</strong> worldwide in theaters, yet its legacy has endured through endless quotes, memes, and its iconic red stapler.</p>



<h2>Citizen Kane (1941)</h2>



<p>Often cited by critics as the greatest film ever made, Orson Welles’ directorial debut revolutionized cinema with its deep-focus cinematography and complex, non-linear storytelling. Its initial box office performance was undermined by a targeted campaign from newspaper magnate William Randolph Hearst, whose publications largely refused to promote the film, limiting its exposure and commercial potential. </p>



<p>Produced for <strong>$839,727</strong>, the film earned approximately <strong>$1 million</strong> at the US box office during its original run, a disappointing result at the time. In the decades since, <em>Citizen Kane</em> has been reevaluated and celebrated as one of the most influential and important films in cinema history.</p>



<h2>It’s a Wonderful Life (1946)</h2>



<p>Frank Capra’s timeless Christmas drama, starring James Stewart as the despairing George Bailey, was a box office disappointment for RKO Radio Pictures, falling short of covering its production costs during its initial release. The film’s challenging themes of existential dread and suicide may have deterred post-war audiences seeking lighter fare, and its relatively modest performance in theaters initially contributed to its financial struggles. </p>



<p>However, its eventual lapse into the public domain in the 1970s led to ceaseless television airings every holiday season, where it found its true audience and became a holiday classic. The movie was produced on a budget of approximately <strong>$3.18 million</strong> and earned around <strong>$3.3 million</strong> in its initial theatrical release. While the film didn’t recoup its production costs initially, it is now one of the most beloved and enduring films of all time.</p>



<h2>Willy Wonka &amp; the Chocolate Factory (1971)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80209" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/13103053/Willy-1280x720.webp" alt="" class="wp-image-80209"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>This beloved musical fantasy, featuring Gene Wilder’s iconic performance, was not a commercial success upon its theatrical debut and was considered a failure by its distributors, Paramount Pictures. The film’s limited and ineffective marketing campaign, coupled with mixed critical reception, contributed to its underperformance. </p>



<p>However, <em>Willy Wonka &amp; the Chocolate Factory</em> eventually found a massive audience and cult following thanks to repeated annual television broadcasts and phenomenal success in the home video market. Produced on a modest budget of <strong>$3 million</strong>, the movie earned approximately <strong>$4 million</strong> at the worldwide box office during its initial release. Despite its underwhelming performance at first, it has since become a much-loved classic.</p>



<h2>Brazil (1985)</h2>



<p>Terry Gilliam’s surreal, dystopian sci-fi masterpiece was famously caught in a severe distribution battle with Universal Pictures studio head Sid Sheinberg, who demanded major cuts to give it a more marketable “happy ending.” The contentious fight over the final cut severely limited the film’s theatrical release in the U.S., despite its positive critical reception. </p>



<p>This battle contributed to the film’s underperformance at the box office, but it later achieved cult status. The movie was made on an estimated budget of <strong>$15 million</strong> and earned a modest <strong>$9.9 million</strong> at the U.S. box office. While it didn’t fare well commercially at the time, <em>Brazil</em> is now considered a landmark film for its unique narrative style and dystopian vision.</p>



<h2>Waterworld (1995)</h2>



<p>Infamously known as the most expensive film ever made at the time, this Kevin Costner-led post-apocalyptic epic faced massive cost overruns, production difficulties on the open sea, and poor press, earning it the nickname “Fishtar.” While it grossed over its production budget worldwide, its massive total outlay, including marketing costs, meant it failed to break even during its theatrical run.</p>



<p>Despite its initial struggles, <em>Waterworld</em> has since gained a strong following due to its ambitious scope and production design. The film was produced on a massive budget of <strong>$172 million</strong> but only earned a worldwide box office gross of <strong>$264.2 million.</strong> When factoring in marketing and other expenses, the film was a financial disappointment during its theatrical run, though it later found success in the home entertainment market.</p>



<h2>Zodiac (2007)</h2>



<p>David Fincher’s meticulous, process-driven procedural about the hunt for the Zodiac Killer was critically hailed as a masterpiece upon release for its historical accuracy, suspense, and slow-burn approach. However, the film failed to become a major box office draw due to its lengthy run time, complex narrative structure, and lack of conventional action, which hindered its appeal to a wider audience.</p>



<p>The movie was made on an estimated budget of <strong>$65 million</strong> and earned <strong>$84.7 million</strong> at the worldwide box office, which was underwhelming considering its critical acclaim. While <em>Zodiac</em> didn’t perform well commercially, it has since been regarded as one of the best crime thrillers of the 2000s and a critical darling.</p>



<h2>Harold and Maude (1971)</h2>



<p>Hal Ashby’s dark, romantic comedy about the unlikely relationship between a death-obsessed young man and a life-affirming 79-year-old woman received poor initial reviews and struggled commercially upon release, with Paramount Pictures unsure how to market its subversive themes and unconventional tone.</p>



<p>The film’s offbeat sensibility and bleak humor alienated many mainstream audiences at the time. However, it gradually found a passionate following through midnight-movie screenings across the United States, transforming it into a definitive cult classic celebrated for its unique blend of dark humor and emotional depth. Made on a modest budget of approximately <strong>$1.1 million</strong>, the film earned around <strong>$1.18 million</strong> during its initial theatrical run.</p>



<h2>Heaven’s Gate (1980)</h2>



<p>Michael Cimino’s ambitious Western epic became one of the most infamous financial disasters in Hollywood history and played a major role in the collapse of United Artists, marking a turning point in how studios approached director autonomy. Massive cost overruns, an extended runtime, and scathing initial reviews contributed to its disastrous box office performance. </p>



<p>In the decades since, the film has undergone significant critical re-evaluation, particularly following the release of restored cuts that highlighted its sweeping visuals, meticulous craftsmanship, and thematic ambition. Its budget reportedly ballooned to as much as <strong>$44 million</strong>, while its initial U.S. box office gross amounted to only about<strong> $3.5 million.</strong></p>



<h2>Fear and Loathing in Las Vegas (1998)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80210" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/13103501/Deep-1280x720.webp" alt="" class="wp-image-80210"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Terry Gilliam’s chaotic adaptation of Hunter S. Thompson’s cult novel polarized critics and struggled commercially upon release, with its frenetic structure and hallucinatory visuals proving challenging for general audiences. While the film failed to make an impact at the box office, it gradually built a devoted following among fans of Thompson’s work and admirers of Gilliam’s visual ambition, particularly through home video. </p>



<p>Produced on an estimated <strong>$20 million budget</strong>, the film earned approximately <strong>$20.4 million</strong> worldwide, but its cultural reputation has grown substantially in the years since.</p>

18 Movies That Became Classics After Being Box Office Disasters

10 Actors Who Lost Roles Due to Discrimination

Hollywood’s Smartest Stars: 10 Celebrities with High IQs

18 Movies That Became Classics After Being Box Office Disasters - Spoiler US



        


<p>HBO’s <strong>“It: Welcome to Derry”</strong> has become one of the biggest surprise hits of the year, drawing strong reviews, steady buzz, and a growing fanbase as it expands the mythology of Stephen King’s iconic horror universe. </p>



<p>With the prequel series now racing toward its highly anticipated final episode this Sunday, viewers have been praising everything from its period setting to Bill Skarsgård’s chilling return as Pennywise. And just as excitement peaks around the show, director <strong>Andy Muschietti </strong>has reignited interest in another long-discussed project: his dream of creating a massive, never-before-seen extended cut combining both “IT” movies.</p>



<h2>Muschietti Says the Supercut Is “Still a Big Dream of Mine”</h2>



<p>In a new Ask-Me-Anything chat on Reddit this week, Andy Muschietti surprised fans by confirming that he still hopes to assemble <strong>a massive extended cut that blends “IT” and “IT: Chapter Two” into one epic feature.</strong> Though the idea was first floated back in 2019, many assumed it had quietly died as the director moved on to other projects.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80191" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251212_SPEN_80183_it1_c2709f56.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-80191"></figure><figcaption>Source: Araya Doheny/Getty Images for HBO</figcaption></figure>
</figure>



<p>Muschietti explained that the main reason the supercut hasn’t materialized <strong>is simply time </strong>— especially with the demanding production of “It: Welcome to Derry,” which he developed alongside Barbara Muschietti and Jason Fuchs. Between directing multiple episodes and guiding the show’s creative direction, the project left little room to revisit the films.</p>



<p>Despite that, Muschietti made it clear the desire hasn’t gone away. In the AMA, he called the supercut <strong>“still a big dream of mine,”</strong> adding that he’s hopeful he’ll eventually find the space to finally execute it. His comment immediately reignited speculation within the fandom, especially as the series continues to deepen the lore of Pennywise and Derry.</p>



<p>For now, <strong>Muschietti is focused on celebrating the strong reception to “Welcome to Derry,”</strong> which has become a standout entry in the franchise. But with the show bringing renewed attention to the world he built, fans are more curious than ever whether the long-discussed, never-before-seen supercut might one day become a reality.</p>

Andy Muschietti Wants to Make a Giant, Never-Before-Seen Extended Cut of the ‘IT’ Movies

Sydney Sweeney Says Her TikTok Feed Is “Full of Hate” About Her

Andy Muschietti Wants to Make a Giant, Never-Before-Seen Extended Cut of the ‘IT’ Movies - Spoiler US



        


<p>Vanity Fair’s Lie Detector Test has certainly given us many interesting insights about the actors and actresses dominating Hollywood at the moment. In its latest edition, <strong>Amanda Seyfried</strong> and <strong>Sydney Sweeney</strong> appeared to promote their upcoming film <strong>“The Housemaid,”</strong> set to be released on December 19, and the <strong>“Euphoria”</strong> star revealed what shows up in her TikTok feed — a rather sad answer.</p>



<h2>Why Social Media Has Become a Hostile Space for Sydney Sweeney</h2>



<p>Sydney Sweeney’s recent appearance on Vanity Fair’s Lie Detector Test highlighted just how relentless online negativity toward her has become. When asked what appears on her TikTok For You Page, she admitted that it’s filled with <strong>“a lot of hate,”</strong> a revelation confirmed by the polygraph. The moment even shocked her co-star Amanda Seyfried, underscoring how unexpectedly harsh the actress’s digital environment has grown.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80180" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251212_SPEN_80174_Syd1-6_925f39d6.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-80180"></figure><figcaption>Source: Maya Dehlin Spach/Getty Images</figcaption></figure>
</figure>



<p>A significant portion of that criticism stems from viral moments that spiraled beyond her control. <strong>Her American Eagle jeans campaign became a major flashpoint</strong>, with the pun-based slogan sparking widespread backlash. What was intended as a playful marketing idea ended up being dissected and misinterpreted across social platforms, generating a wave of commentary that Sweeney later described as surprising and unfair.</p>



<p>On top of that, Sweeney continues to face constant scrutiny over her appearance, with online users circulating old and new photos to fuel rumors about cosmetic procedures. She has openly pushed back on these claims, <strong>calling some of the speculation “insane.”</strong> Combined with the backlash from the campaign and the noise amplified by social media algorithms, it becomes clearer why her TikTok feed—and her online experience in general—has become such a hostile space.</p>

Feeling Nostalgic Yet? 25 Blockbuster Movies Turning 50 Next Year

Sydney Sweeney Says Her TikTok Feed Is “Full of Hate” About Her - Spoiler US

15 Facts About Milly Alcock, James Gunn’s Supergirl

Feeling Nostalgic Yet? 25 Blockbuster Movies Turning 50 Next Year - Spoiler US



        


<p>For more than two decades, <strong>Idris Elba</strong> has been one of the most recognizable and versatile figures in modern cinema, effortlessly transitioning between gritty television dramas like <strong>“Luther”</strong> and <strong>“The Wire,”</strong> and major blockbuster franchises like the Marvel Cinematic Universe and “<strong>Fast &amp; Furious.”</strong> </p>



<p>Having proven his ability to anchor any project, the actor has consistently expanded his artistic portfolio to include music, producing, and filmmaking. Now, as one of Hollywood’s most in-demand stars looks ahead to his next creative chapter, <strong>he has revealed an aspiration that will redefine his role in the industry.</strong></p>



<h2>Why Elba is Drawn to Filmmaking</h2>



<p>According to the Daily Mail, Idris Elba revealed his long-term intention to retire from acting entirely and focus solely on his work as a director. The news is likely to send shockwaves through his audience, but the star was quick to offer a reassuring message, saying, “I’m hoping that my fan base as an actor isn’t mad at me, <strong>but eventually I want to transfer to be a director fully.”</strong></p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="80071" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251212_SPEN_80059_Idris1_33164924.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-80071"></figure><figcaption>Source: Andreas Rentz/Getty Images</figcaption></figure>
</figure>



<p>Elba, who has already directed the 2018 film <strong>“Yardie”</strong> and recently screened his short film <strong>“Dust To Dreams,”</strong> explained that his desire to move behind the camera is driven by a need for new creative challenges. While he still holds his primary profession in high regard, he feels drawn to the different kind of control that directing offers. <strong>“I’ve been acting for a long time. I love it still,”</strong> he stated as he contrasted the two roles.</p>



<p>For Elba, directing isn’t a rejection of his acting career, but an evolution. He feels it engages a different part of his artistic mind, which he is eager to explore fully. He noted, <strong>“I think directing allows me to flex slightly different muscles and just be a part of the set in a different way. I really enjoy it.”</strong> So, while this is not an immediate retirement announcement—fans can still look forward to upcoming projects in front of the camera—it establishes a clear trajectory for the star’s future. </p>

Idris Elba Says He Plans to Retire From Acting and Focus Fully on Directing - Spoiler US



        


<p>Before she takes flight as the Girl of Steel, <strong>Milly Alcock</strong> has already proven she can command a global audience. While many recognize her as the defiant young Rhaenyra Targaryen from “House of the Dragon,” her casting in James Gunn’s revamped DC Universe marks a bold new chapter for the iconic superhero.</p>



<p> Moving away from the traditional girl-next-door archetype, Alcock brings a gritty, battle-hardened edge to the character of <strong>Kara Zor-El</strong>. From her humble beginnings in Sydney to her meteoric rise in prestige television, these fifteen facts explore the journey of the actress set to redefine what it means to be a hero in the modern age.</p>



<h2>She is an Australian Native</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79961" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11112523/Mill1-1-1280x720.webp" alt="" class="wp-image-79961"></figure><figcaption>Source: Roy Rochlin/Getty Images for Netflix</figcaption></figure>
</figure>



<p>Amelia “Milly” May Alcock was born on April 11, 2000, and grew up in the Sydney suburb of Petersham. She first found her footing in Australia’s television scene, where early roles helped launch the career that would eventually earn her international attention.</p>



<h2>Her Acting Journey Began in an Early School Production</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79962" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11112606/Mill3-1280x720.webp" alt="" class="wp-image-79962"></figure><figcaption>Source: Frazer Harrison/Getty Images</figcaption></figure>
</figure>



<p>Milly Alcock’s first introduction to the world of acting occurred during her formative school years in a memorable, playful performance. She took on the role of Little Red Riding Hood in Taverners Hill Infants School’s distinctive production of Little Red Rocking Hood, which was a key moment in discovering her passion for performance.</p>



<h2>Her Breakthrough Came in Westeros</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79963" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11112755/Mill4-1280x720.webp" alt="" class="wp-image-79963"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Milly Alcock achieved widespread international fame for her portrayal of the young Princess Rhaenyra Targaryen in the critically acclaimed HBO series, <em>House of the Dragon</em>.<sup></sup> Her intense and compelling performance in the first season of the <em>Game of Thrones</em> prequel instantly propelled her into the Hollywood spotlight.<sup></sup></p>



<h2>James Gunn Was Her Champion for Supergirl</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79964" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11112838/Mill5-1280x720.webp" alt="" class="wp-image-79964"></figure><figcaption>Source: Frazer Harrison/Getty Images</figcaption></figure>
</figure>



<p>DC Studios co-CEO James Gunn reportedly had his eye on Milly Alcock for the role of Supergirl almost immediately.<sup></sup> He has stated that she was his first choice to play the iconic Kryptonian hero in the new DC Universe.<sup></sup></p>



<h2>She Decided to Drop Out of High School</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79967" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11112952/Mill6-1280x720.webp" alt="" class="wp-image-79967"></figure><figcaption>Source: Dominik Bindl/Getty Images</figcaption></figure>
</figure>



<p>In 2018, while she was still in her final year, Milly made the difficult decision to leave Newtown High School of the Performing Arts to commit full-time to her career.<sup></sup> This early commitment to her craft was driven by securing the main role in the Australian drama <em>Upright</em>.<sup></sup></p>



<h2><em>Upright</em> Was a Pivotal Early Role</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79968" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113136/Mill7-1280x720.webp" alt="" class="wp-image-79968"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>The Australian comedy-drama series <em>Upright</em> saw Alcock play the main role of Meg Adams, a runaway teenager who embarks on a cross-country adventure.<sup></sup> Her performance opposite co-star Tim Minchin earned her significant praise, including a nomination for a Best Comedy Performer AACTA Award.<sup></sup></p>



<h2>The Casting Guild of Australia Recognized Her Talent Early</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79969" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113248/Mill8-1280x720.webp" alt="" class="wp-image-79969"></figure><figcaption>Source: Jerod Harris/Getty Images</figcaption></figure>
</figure>



<p>Even before her major international breakthrough, her burgeoning career was highlighted with a significant honor. In 2018, Alcock was named one of the “Rising Stars” by the Casting Guild of Australia for her work across various television projects.<sup></sup></p>



<h2>She Was Washing Dishes When She Got the Call for Rhaenyra</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79970" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113338/Mill9-1280x720.webp" alt="" class="wp-image-79970"></figure><figcaption>Source: Gareth Cattermole/Getty Images</figcaption></figure>
</figure>



<p>Showing the sudden nature of her life-changing success, Milly Alcock shared that she was working as a dishwashing maid in a Sydney restaurant when she received the news about her casting in <em>House of the Dragon</em>. </p>



<h2>Her Supergirl Will Be Distinctly Jaded</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79971" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113529/Mill9-1-1280x720.webp" alt="" class="wp-image-79971"></figure><figcaption>Source: Jon Kopaloff/Getty Images</figcaption></figure>
</figure>



<p>The DCU’s take on Kara Zor-El is characterized by a more hardened and world-weary persona compared to her cousin, Superman. This version of the character, whose story is adapted from the comic <em>Supergirl: Woman of Tomorrow</em>, was raised on a shard of Krypton and saw everyone around her die, leading to a much more “attitudinal” hero.</p>



<h2>Her Very First Television Appearance Was in 2014</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79972" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113642/Mill10-1280x720.webp" alt="" class="wp-image-79972"></figure><figcaption>Source: Victor Boyko/Getty Images for Miu Miu</figcaption></figure>
</figure>



<p>Milly Alcock made her small-screen debut as a teenager in an episode of the Australian romantic comedy series <em>Wonderland</em>.<sup></sup> This small but important role marked the official beginning of her professional career.</p>



<h2>She Has Performed on the West End Stage</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79973" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113732/Mill11-1280x720.webp" alt="" class="wp-image-79973"></figure><figcaption>Source: Stuart C. Wilson/Getty Images</figcaption></figure>
</figure>



<p>Beyond her television and film work, Alcock has also demonstrated her skills in live theatre. She made her London West End debut in 2023, starring as Abigail Williams in the Gielgud Theatre’s production of Arthur Miller’s classic play, <em>The Crucible</em>.</p>



<h2>She Has Received Multiple Award Nominations</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79974" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113836/Mill12-1280x720.webp" alt="" class="wp-image-79974"></figure><figcaption>Source: Brendon Thorne/Getty Images for AFI</figcaption></figure>
</figure>



<p>Her impactful performance as Princess Rhaenyra earned her several accolades, including a nomination for Best Supporting Actress in a Drama Series at the Critics’ Choice Television Awards. </p>



<h2>She Moved to London After <em>House of the Dragon</em></h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79975" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11113944/Mill13-1280x720.webp" alt="" class="wp-image-79975"></figure><figcaption>Source: Brent Lewin/Getty Images for AFI</figcaption></figure>
</figure>



<p>Following the explosive success of the HBO fantasy series, Alcock left her family home in Sydney and relocated to the UK.<sup></sup> She first lived in the Primrose Hill area before eventually settling into a flat in East London.<sup></sup></p>



<h2>She Appeared in Various Commercials Early in Her Career</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79978" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11114050/Mill14-1280x720.webp" alt="" class="wp-image-79978"></figure><figcaption>Source: Dominik Bindl/Getty Images</figcaption></figure>
</figure>



<p>Like many actors, she gained experience and exposure through commercial work for major brands while building her profile.<sup></sup> Her early resume includes appearances in advertisements for companies such as Cadbury, KFC, and Woolworths.<sup></sup></p>



<h2>She Got Her Supergirl Cameo in <em>Superman</em></h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79981" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/11114257/Mill15-1280x720.webp" alt="" class="wp-image-79981"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Milly Alcock was first officially introduced as Kara Zor-El in a cameo appearance at the end of James Gunn’s <em>Superman</em>, which helped establish her in the new DC Universe. This brief introduction set the stage for her character’s much larger role in her own subsequent solo movie.</p>

20 Celebrities Who Changed Their Names (and Why)

15 Facts About Milly Alcock, James Gunn’s Supergirl - Spoiler US



        


<p><strong>Behind many iconic names lies a story of reinvention</strong>. Some celebrities changed their names to stand out, honor family, simplify a tricky surname, or create a persona that felt truly their own. From classic stars to modern icons, these transformations show how identity, branding, and self-expression go hand in hand in the world of fame.</p>



<h2>Elton John</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79884" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name1_1b144894.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79884"></figure><figcaption>Source: Noam Galai/Getty Images for TIME</figcaption></figure>
</figure>



<p>Elton John changed his name from Reginald Kenneth Dwight because he wanted a fresh start to escape his unhappy childhood and create a new, iconic persona. He combined elements from his bandmates in Bluesology—saxophonist Elton Dean and singer Long John Baldry—to form “Elton John,” while adding the middle name “Hercules” from a TV show. </p>



<h2>Audrey Hepburn</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79910" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name20_ecea4e3a.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79910"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Born Audrey Kathleen Ruston, she inherited the surname “Hepburn-Ruston” after her father, Joseph Ruston, added “Hepburn” to his name because he believed he was descended from a Scottish noble family. During the German occupation, her mother briefly changed Audrey’s name to “Edda,” fearing that “Audrey” sounded too English and could draw unwanted attention. When she began her acting career, Audrey dropped “Ruston” and chose to go by Audrey Hepburn, adopting the elegant name that would become world-famous.</p>



<h2>Martin Sheen</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79885" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name2_66932c5c.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79885"></figure><figcaption>Source: Cindy Ord/Getty Images for CNN</figcaption></figure>
</figure>



<p>Martin Sheen, born Ramón Gerard Antonio Estévez, changed his name at the start of his acting career in the late 1950s because he feared anti-Hispanic prejudice in Hollywood would limit his opportunities. He chose “Martin” from a supportive casting director, Robert Dale Martin, and “Sheen” from the televangelist Bishop Fulton J. Sheen, whom he admired. While the change helped him succeed professionally, he now deeply regrets it and has encouraged his sons to keep their real names and honor their heritage.</p>



<h2>Charlie Sheen</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79889" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name3_1c87d0d6.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79889"></figure><figcaption>Source: Bryan Steffy/Getty Images</figcaption></figure>
</figure>



<p>Following his father’s example, Charlie Sheen, born Carlos Estévez, adopted the surname “Sheen” early in his career. Martin Sheen had changed his own name to avoid anti-Hispanic prejudice in Hollywood, and Charlie wanted a fresh start while taking advantage of his father’s established reputation. He felt the name “Sheen” sounded more marketable for his acting career, though he has occasionally used “Carlos Estévez” on projects to honor his heritage.</p>



<h2>Marilyn Monroe</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79909" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name19_08003c94.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79909"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Born Norma Jeane Mortenson, she changed her name after studio executive Ben Lyon decided her birth name wasn’t glamorous enough for Hollywood. He helped her create the now-iconic stage name “Marilyn Monroe” in 1946, combining the first name of Broadway star Marilyn Miller with her mother’s maiden name. She officially changed it in 1956 for her acting career.</p>



<h2>Bruno Mars</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79890" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name4_f5515422.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79890"></figure><figcaption>Source: Kevin Winter/Getty Images for The Recording Academy</figcaption></figure>
</figure>



<p>Bruno Mars, born Peter Gene Hernandez, adopted his stage name to avoid being stereotyped in the music industry, since he felt his Hispanic last name led people to expect him to sing Latin music. He took “Bruno” from a childhood nickname and added “Mars” because he thought his real name lacked flair — and because girls often told him he seemed “out of this world.”</p>



<h2>Natalie Portman</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79891" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name5_d853d9be.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79891"></figure><figcaption>Source: Pascal Le Segretain/Getty Images for Christian Dior</figcaption></figure>
</figure>



<p>Natalie Portman, born Neta-Lee Hershlag, changed her name as a young teenager to protect her privacy and establish a professional identity when she began acting, choosing “Portman,” her paternal grandmother’s maiden name, to separate her public life from her personal one while she was still in school. The shift coincided with her breakout role in “Léon: The Professional,” giving her a more mature, polished stage name that helped create a clear boundary between “Natalie Portman” the actress and “Natalie Hershlag” the student.</p>



<h2>Vin Diesel</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79894" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name6_0f9352c1.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79894"></figure><figcaption>Source: Emma McIntyre/Getty Images for American Cinematheque</figcaption></figure>
</figure>



<p>Vin Diesel, born Mark Sinclair, changed his name to create a tougher, more memorable persona while working as a bouncer in New York City clubs. “Vin” came from his stepfather’s last name, Vincent, and “Diesel” was a nickname from friends for his high energy and muscular build, helping him establish a new identity for acting.</p>



<h2>Jamie Foxx</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79895" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name7_57bff0c3.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79895"></figure><figcaption>Source: Joe Maher/Getty Images</figcaption></figure>
</figure>



<p>Born Eric Marlon Bishop, he tried a new name after noticing female comedians were called to the stage first during open-mic nights. With a gender-neutral name, he improved his chances of performing. The star chose the surname “Foxx” as a tip of the hat to his favorite comedian, the trailblazing Redd Foxx (real name John Elroy Sanford).</p>



<h2>Kirk Douglas</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79896" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name8_6d8e0105.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79896"></figure><figcaption>Source: Frazer Harrison/Getty Images for AFI</figcaption></figure>
</figure>



<p>Kirk Douglas changed his name from Issur Danielovitch because he felt his birth name sounded “too Jewish” and too difficult for Hollywood, which he feared would limit his chances of getting roles. He chose a more American-sounding name to improve his prospects and build a career, though he later expressed regret and grew to fully embrace his heritage.</p>



<h2>Meg Ryan</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79897" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name9_a46060d0.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79897"></figure><figcaption>Source: Dia Dipasupil/Getty Images</figcaption></figure>
</figure>



<p>Meg Ryan changed her name from Margaret Mary Emily Anne Hyra to Meg Ryan when she started acting, using “Ryan” from her maternal grandmother’s maiden name and shortening “Margaret” to “Meg,” primarily for a professional, stage-friendly identity that was easier to remember and say for her acting career,</p>



<h2>Joaquin Phoenix</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79898" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name10_3a973e72.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79898"></figure><figcaption>Source: Amy Sussman/Getty Images</figcaption></figure>
</figure>



<p>Joaquin Phoenix changed his name twice: born Joaquin Rafael Bottom, he first chose the name “Leaf” as a child so he could match his siblings’ nature-themed names—River, Rain, Liberty, and Summer. After his family left the Children of God cult, his parents changed their surname from Bottom to Phoenix to symbolize a rebirth and a fresh start. He used “Leaf Phoenix” during his early acting years, but as he grew older, he embraced his original identity and eventually returned to using Joaquin while keeping the Phoenix surname.</p>



<h2>Tina Turner</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79899" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name11_fa6f6029.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79899"></figure><figcaption>Source: Kevin Winter/Getty Images</figcaption></figure>
</figure>



<p>Tina Turner, born Anna Mae Bullock, received her stage name from her then-husband Ike Turner in the early 1960s, who crafted “Tina Turner” for their act and even trademarked it to maintain control if she ever left the band. Inspired partly by the comic book heroine Sheena, Queen of the Jungle, he shaped the name to fit the image he wanted—and to keep the “Turner” brand tied to him. After their divorce, she fought to reclaim the name for herself, ultimately turning it into a symbol of independence and owning her identity as a solo artist.</p>



<h2>Diane Keaton</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79900" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name12_2f3b4c73.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79900"></figure><figcaption>Source: Jerod Harris/Getty Images</figcaption></figure>
</figure>



<p>Diane Keaton, born Diane Hall, changed her name because another actress was already registered with the Actors Guild under that name. She adopted her mother’s maiden name, Keaton, for her acting career, and the choice ended up fitting perfectly for her role in “Annie Hall.”</p>



<h2>Nicolas Cage</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79901" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name13_8262778b.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79901"></figure><figcaption>Source: Tristan Fewings/Getty Images for The Red Sea International Film Festival</figcaption></figure>
</figure>



<p>Nicolas Cage changed his name from Nicholas Coppola to avoid accusations of nepotism as Francis Ford Coppola’s nephew and to establish his own identity in Hollywood. Inspired by Marvel’s Luke Cage and avant-garde composer John Cage, he chose a name that felt bold, unique, and memorable.</p>



<h2>Michael Keaton</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79902" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name14_6ad986ba.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79902"></figure><figcaption>Source: Olivia Wong/Getty Images</figcaption></figure>
</figure>



<p>Because his birth name, Michael Douglas, was already registered with the Screen Actors Guild, Michael Keaton had to choose a new professional name when he started acting. He landed on “Keaton” after finding it in a phone book. Last year, the a-lister shared that he plans to shift toward using “Michael Keaton Douglas” to honor his original family name.</p>



<h2>John Legend</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79903" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name15_3e0aa96a.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79903"></figure><figcaption>Source: Jeff Schear/Getty Images for Ronald McDonald House Charities</figcaption></figure>
</figure>



<p>John Legend changed his name from John Stephens because friends in the studio, particularly spoken-word artist J. Ivy, started calling him “the legend” due to his old-school soul sound, and the nickname caught on, eventually becoming his stage name as a way to challenge himself to live up to the title. Kanye West further popularized it on mixtapes, and Legend decided to embrace the bold name to push his career forward.</p>



<h2>Mindy Kaling</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79904" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name16_b2ebc072.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79904"></figure><figcaption>Source: Amy Sussman/Getty Images</figcaption></figure>
</figure>



<p>Mindy Kaling, born Vera Mindy Chokalingam, shortened her name because her full surname was difficult for Americans to pronounce, leading to awkward moments and jokes during her early comedy work. She realized that people treated her more kindly and that her career moved more smoothly when she used a simpler, Anglicized name, something she later noted is a common experience for many people of color in Hollywood.</p>



<h2>Demi Moore</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79905" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name17_a0203545.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79905"></figure><figcaption>Source: Tim P. Whitby/Getty Images for Paramount+</figcaption></figure>
</figure>



<p>Demi Moore, born Demetria Gene Guynes, adopted the last name of her first husband, musician Freddy Moore, whom she married as a teenager. She kept the name professionally even after their divorce because it was already established and worked well for her career. Later, she legally changed her surname to Kutcher when she married Ashton Kutcher, but continued using Moore in her professional life.</p>



<h2>Emma Stone</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79906" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251210_SPEN_79821_Name18_0a26ed60.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79906"></figure><figcaption>Source: Jamie McCarthy/Getty Images</figcaption></figure>
</figure>



<p>Emma Stone changed her name from Emily Jean Stone because another actress had already registered “Emily Stone” with the Screen Actors Guild, so she was required to choose a new one. After briefly trying “Riley Stone” and finding it didn’t feel right, she settled on “Emma” as a tribute to her childhood idol, Baby Spice (Emma Bunton). </p>

Hollywood Rises for Paul Dano After Tarantino’s ‘Weakest Actor’ Insult: Who Stood Up for Him

20 Celebrities Who Changed Their Names (and Why) - Spoiler US



        


<p><strong>“Gladiator II”</strong> has enjoyed a strong debut, delivering epic spectacle to global audiences and securing a healthy box office total alongside generally favorable reviews. However, the film now faces a powerful public critique from the star of the original masterpiece, <strong>Russell Crowe.</strong> </p>



<p>The actor, who won an Oscar for his unforgettable role as <strong>Maximus Decimus Meridius</strong>, has delivered disapproving commentary, asserting that those behind the sequel failed to grasp the very foundation that made the 2000 classic resonate.</p>



<h2>The Undermining of a Hero’s Integrity</h2>



<p>Crowe’s primary contention with “Gladiator II” is the film’s failure to understand the fundamental character of Maximus. Speaking to <strong>Triple J (via The Playlist)</strong>, Crowe did not mince words about the sequel, saying the creative team in the <strong>“engine room [is] not actually understanding what made the first one special.”</strong> He stressed that the original film’s success was never about the action or spectacle, but its <strong>“moral core,”</strong> which he believes the sequel compromises entirely.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79818" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251209_SPEN_79808_Paul-1_bd99f924.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79818"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>His most pointed criticism targets the plot twist suggesting that Paul Mescal’s Lucius is the illegitimate son of Maximus. This revelation, which was never implied in the first film, dismantles the purity of Maximus’s character, whose entire drive for vengeance was rooted in the fierce, uncorrupted loyalty to his murdered wife and son. Crowe struggled openly with the idea that the sequel would imply such an affair with Lucilla, dismissing the idea outright: <strong>“Makes no sense to me.”</strong></p>



<p>The actor’s frustration is rooted in his personal effort to maintain the character’s integrity during the filming of the 2000 classic. Crowe revealed he had to engage in a <strong>“daily fight on that set”</strong> to maintain the sanctity of Maximus’s moral compass, often pushing back against attempts to diminish his character. He specifically cited suggestions for sex scenes, arguing, <strong>“you’re taking away his power”</strong> and asking: <strong>“What are you talking about? It’s crazy.”</strong></p>



<p>Ultimately, by introducing a twist like Lucius’ parentage and implying infidelity, the sequel risks trading the profound tragedy and virtue of Maximus’s story for dramatic convenience. Crowe maintains that the film sacrificed the one essential element that gave the first movie its lasting power: <strong>the uncorrupted moral integrity that defined the fallen General.</strong></p>

Ana de Armas Says Her ‘Blonde’ Oscar Nod Didn’t Shift Her Career: “Some People Feel It Was a Fluke”

“Makes No Sense to Me”: Russell Crowe Slams ‘Gladiator 2’ - Spoiler US



        


<p>In Hollywood, a director’s name is meant to be a stamp of authorship and a promise of vision and intent. But not every finished film reflects what its creator set out to make, <strong>and some directors have been unusually candid about that fact. </strong>Whether caused by studio interference, rushed productions, or regret in hindsight, these are the rare cases where filmmakers openly disowned movies that no longer represent their work.</p>



<h2>David Lynch – <em>Dune</em> (1984)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79772" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09105430/Disown2-1280x720.webp" alt="" class="wp-image-79772"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Lynch has openly admitted he never should have taken the job due to the lack of final cut. He felt forced into compromises that betrayed the story he wanted to tell. He still considers it the one film he cannot stand behind creatively.</p>



<h2>Stanley Kubrick – <em>Fear and Desire</em> (1953)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79773" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09105551/Disown3-1280x720.webp" alt="" class="wp-image-79773"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Kubrick was so embarrassed by his first feature that he tried to pull it from circulation for decades. He believed it exposed his inexperience and lacked artistic merit. Even after becoming a celebrated auteur, he still preferred the film remain unseen.</p>



<h2>Tony Kaye – <em>American History X</em> (1998)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79774" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09105820/Disown4-1280x720.webp" alt="" class="wp-image-79774"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Kaye fought with the studio over Edward Norton’s involvement in the editing process. He disliked the final cut and tried to replace his name with “Humpty Dumpty.” When the studio refused, he publicly disowned the film entirely.</p>



<h2>David Fincher – <em>Alien 3</em> (1992)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79771" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09105305/Disown1-1280x720.webp" alt="" class="wp-image-79771"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Fincher has said he had no creative control over <em>Alien 3</em>, calling the experience “a lesson in adversity.” The studio constantly rewrote the script during shooting, leaving him to direct scenes that didn’t make sense. To this day he refuses to view the film as his own work.</p>



<h2>Paul Schrader – <em>Dominion: Prequel to the Exorcist</em> (2005)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79775" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09110046/Disown5-1280x720.webp" alt="" class="wp-image-79775"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Schrader’s subdued psychological version didn’t satisfy producers, who replaced him and reshot the movie with a different director. When his original cut was later released, he made it clear his preferred version was the one audiences never initially saw. He has since distanced himself from the final theatrical film.</p>



<h2>Kevin Smith – <em>Cop Out</em> (2010)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79776" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09110337/Disown6-1280x720.webp" alt="" class="wp-image-79776"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Smith clashed heavily with star Bruce Willis throughout production. He later said the movie was one of the worst experiences of his career. He often jokes that he barely claims it as part of his filmography.</p>



<h2>Joel Schumacher – <em>Batman &amp; Robin</em> (1997)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79777" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09110729/Disown7-1280x720.webp" alt="" class="wp-image-79777"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Schumacher apologized multiple times for the movie’s campy tone. He said he was pressured to make it more toy-friendly and less dramatic. Looking back, he considered it a film that never aligned with his instincts as a director.</p>



<h2>David O. Russell – Accidental Love (2015)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79780" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09110931/Disown8-1280x720.webp" alt="" class="wp-image-79780"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Russell abandoned the movie mid-production due to budget problems and studio interference. It was eventually finished without him and released under a pseudonym. He has never claimed ownership of the final product.</p>



<h2>Guillermo del Toro – Mimic (1997)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79781" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09111223/Disown9-1280x720.webp" alt="" class="wp-image-79781"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Del Toro has said Miramax interfered heavily with his ideas, leaving him devastated during production. He believed the final cut lost the emotional depth he wanted. It remains the one movie he openly regrets making.</p>



<h2>Richard Donner – Superman II (1980)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79782" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09111457/Disown10-1280x720.webp" alt="" class="wp-image-79782"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Donner was fired halfway through production and replaced by another director. When the film was released, he felt it no longer reflected his intended tone. Only decades later did he get to release a “Donner Cut,” which he considers the real version.</p>



<h2>David Lean – Ryan’s Daughter (1970)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79783" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09111711/Disown11-1280x720.webp" alt="" class="wp-image-79783"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>After harsh critical reviews, Lean expressed regret over the project. He felt the film’s pacing and tone were misunderstood and blamed himself for losing perspective. The backlash led him to distance himself from the movie for years.</p>



<h2>Walter Hill – Supernova (2000)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79784" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09111918/Disown12-1280x720.webp" alt="" class="wp-image-79784"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Hill left the project during post-production due to studio demands. The film underwent massive re-editing and reshoots without his involvement. When released, Hill disowned it and requested his name be removed.</p>



<h2>Terry Gilliam – The Brothers Grimm (2005)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79785" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09112045/Disown13-1280x720.webp" alt="" class="wp-image-79785"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Gilliam fought constantly with the Weinsteins over script changes and casting. He felt creatively suffocated throughout the process. By release day, he had emotionally walked away from the film.</p>



<h2>Michael Bay – Transformers: Revenge of the Fallen (2009)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79788" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09112408/Disown14-1280x720.webp" alt="" class="wp-image-79788"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Bay has repeatedly criticized the movie’s rushed schedule due to the writers’ strike. He said the script was unfinished and the story suffered. He considers it one of the weakest films he has ever directed.</p>



<h2>William Friedkin – <em>The Guardian</em> (1990)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79790" src="https://media.bolavip.com/wp-content/uploads/sites/29/2025/12/09112843/Disown15-1280x720.webp" alt="" class="wp-image-79790"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Friedkin faced constant studio pressure to make the film more commercial. He did not like the final shape of the project and felt it was far from his original idea. He later said he wished it had never been released.</p>

15 Directors Who Publicly Disowned Their Own Movies

10 Celebrity Couples Who Are Childfree by Choice

‘Hunt for Gollum’ Will Recast Aragorn: 10 Actors Fans Think Could Inherit the Sword

15 Directors Who Publicly Disowned Their Own Movies - Spoiler US



        


<p><strong>Ana de Armas</strong> is opening up about the complicated aftermath of her “Blonde” awards run, revealing that her acclaimed performance as <strong>Marilyn Monroe</strong> — which earned her a Best Actress Oscar nomination — didn’t lead to the career shift many expected. Speaking at the Red Sea Film Festival, the a-lister reflected on the doubts that surrounded her casting, the isolation she felt during the film’s awards push, and the surprising reality that the industry hasn’t treated her any differently since.</p>



<h2>The Star Stated She’s Still Waiting for Hollywood to See Her Range</h2>



<p>According to Variety, De Armas says the recognition for her turn in “Blonde” didn’t translate into a wave of new opportunities. <strong>“Some people feel like it was a fluke, like somehow I did it”</strong> she stated, noting that she still feels she has to prove herself with every new project. Even action-heavy roles like “John Wick” spinoff “Ballerina,” she stressed, don’t represent the full range of what she can offer.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79600" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251206_SPEN_79595_Ana1_0ce2674d.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79600"></figure><figcaption>Source: Tristan Fewings/Getty Images for The Red Sea International Film Festival</figcaption></figure>
</figure>



<p>The actress also revealed that the skepticism started long before the film’s release. During early pre-production meetings, <strong>not everyone involved in “Blonde” supported her casting as Marilyn Monroe.</strong> “I get it — a Cuban playing Marilyn is very strange,” she recalled, admitting that her early accent work was “a disaster.” But director Andrew Dominik, who’d spent a decade searching for his lead, insisted she was the only choice.</p>



<p>While De Armas was grateful for her nomination, <strong>she admitted the awards season felt unexpectedly lonely.</strong> She was the only member of the film’s team recognized, leaving her to navigate the attention — and the controversy — alone. “We wanted more for the movie,” she said, adding that several departments deserved the recognition she received.</p>



<p>Still, she looks back on the experience with perspective and gratitude. Aware that awards campaigns are unpredictable, she acknowledged that she may never be in that room again. <strong>“Maybe that’s the one and only time,”</strong> she added. <strong>“So I really enjoyed that tiny campaign.”</strong></p>

20 One-Hit Wonders from the ’80s You Forgot You Loved

Ana de Armas Says Her ‘Blonde’ Oscar Nod Didn’t Shift Her Career: “Some People Feel It Was a Fluke” - Spoiler US



        


<p><strong>Sydney Sweeney</strong> is directly addressing the widespread backlash she faced following the release of her high-profile American Eagle campaign this past summer. </p>



<p>The star of “Euphoria” found herself at the center of a social media storm after the denim brand launched its <strong>“Sydney Sweeney Has Great Jeans”</strong> campaign on July. In an exclusive interview with PEOPLE, Sweeney expressed her genuine surprise at the negative response and clarified her stance to counter what she describes as false accusations and motives assigned to her.</p>



<h2>Why Sweeney Broke Her Silence on the Ad</h2>



<p>The actress explains that her initial motivation for partnering with the brand <strong>was solely rooted in her love for the product</strong>, not any controversial statement.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79592" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251206_SPEN_79587_Syd1-5_91eb595f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79592"></figure><figcaption>Source: Amy Sussman/Getty Images</figcaption></figure>
</figure>



<p>Sweeney tells PEOPLE that she was genuinely taken aback by the heated reaction to the advertisement. “I did it because I love the jeans and love the brand,” she stated. She quickly distanced herself from any politically charged interpretations, adding, <strong>“I don’t support the views some people chose to connect to the campaign.</strong> Many have assigned motives and labels to me that just aren’t true.”</p>



<p>The a-lister felt compelled to break her long-standing practice of ignoring both positive and negative media coverage <strong>to actively dispel negativity and clarify her character.</strong> Asserting that she is someone who always “leads with kindness,” Sweeney wants the public to understand that her actions are always guided by a desire for unity, not separation.</p>



<p>She firmly stated, “Anyone who knows me knows that I’m always trying to bring people together.<strong> I’m against hate and divisiveness.”</strong> Sweeney concluded by expressing hope that her decision to finally speak out will help close the divide, noting that her prior “silence regarding this issue has only widened the divide, not closed it.” She hopes the new year will foster a focus on shared connections rather than differences.</p>

Sydney Sweeney Confronts Accusations Over American Eagle Ad: ‘I Never Intended to Divide People’

Is It or Isn’t It? The 10 Most Debated Christmas Movies

Sydney Sweeney Confronts Accusations Over American Eagle Ad: ‘I Never Intended to Divide People’ - Spoiler US



        


<p>From the shimmering heights of New Wave to the power ballads of the hair-metal era, <strong>the 1980s were defined by artists who captured lightning in a bottle exactly once.</strong> While these musicians may not have built lifelong dynasties, their singular hits became the permanent soundtrack to prom nights, arcade hangouts, and VHS montages. We’re dusting off the vinyl to revisit the tracks that you definitely sang at the top of your lungs—even if the artist’s name has slipped your mind.</p>



<h2>Tom Johnston – “Savannah Nights” (1980)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79572" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251206_SPEN_79557_80s1_d697bca8.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79572"></figure><figcaption>Source: Theo Wargo/Getty Images for Songwriters Hall Of Fame</figcaption></figure>
</figure>



<p>This breezy soft-rock tune gave the Doobie Brothers frontman a brief solo moment in the spotlight before slipping into obscurity. Its warm guitar lines and gentle groove captured a very specific early-’80s radio vibe. </p>



<h2>Bourgeois Tagg – “I Don’t Mind at All” (1987)</h2>



<p>A delicate, melancholic ballad that stood out from the decade’s louder hits, it rose quickly and faded just as fast. Its soft harmonies and bittersweet tone still resonate, even if most listeners haven’t thought about it since 1987.</p>



<h2>Re-Flex – “The Politics of Dancing” (1983)</h2>



<p>This synth-pop track was everywhere for a short stretch but never cemented itself as a long-term ’80s essential. Its glossy production and dancefloor sheen fit perfectly into its moment. </p>



<h2>The Outfield – “Your Love” (1986)</h2>



<p>Despite its massive chart impact (peaking at #6), “Your Love” is the song that transcended their other hits and remains the only one most listeners instantly recall. The track’s soaring chorus became a mid-’80s standout, but the band’s momentum in the public eye fizzled quickly. It remains beloved and stands as their lone cultural mega-hit.</p>



<h2>Spider – “New Romance (It’s a Mystery)” (1980)</h2>



<p>This punchy, new-wave track had all the makings of a breakout hit, briefly suggesting Spider might become a bigger name. Instead, it faded as quickly as it arrived. </p>



<h2>When in Rome – “The Promise” (1988)</h2>



<p>A warm, atmospheric synth-pop single that briefly became a romantic staple, it marked the band’s quick rise and even quicker disappearance. Its lush melody still hits, but it never joined the ranks of timeless ’80s staples.</p>



<h2>Felix Cavaliere – “Only a Lonely Heart Sees” (1980)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79577" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251206_SPEN_79557_80s4_aaac0cf7.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79577"></figure><figcaption>Source: Rick Diamond/Getty Images</figcaption></figure>
</figure>



<p>A rare solo hit for the former Rascals frontman, this smooth ballad floated into the Top 40 on its delicate keys and heartfelt performance. It stood out in the moment but never became a decades-long staple. </p>



<h2>Robbie Dupree – “Steal Away” (1980)</h2>



<p>A quintessential yacht-rock moment, “Steal Away” drifted up the charts with ease thanks to Dupree’s velvety vocal and the song’s sunny groove. But unlike other hits from the genre, it didn’t stay in heavy rotation. </p>



<h2>Utopia – “Set Me Free” (1980)</h2>



<p>Todd Rundgren’s band scored a concise power-pop hit with driving guitars and a hooky chorus that hinted at stadium potential. The song landed well in its moment but never translated into enduring mainstream attention, leaving it as a smart footnote in Rundgren’s wide career.</p>



<h2>Boys Don’t Cry – “I Wanna Be a Cowboy” (1985)</h2>



<p>A goofy, deadpan novelty track that unexpectedly climbed the charts, it became a brief MTV oddity before vanishing. Its campy humor and spoken-word delivery made it instantly memorable but impossible to replicate. </p>



<h2>Rick Pinette &amp; Oak – “King of the Hill” (1980)</h2>



<p>This upbeat pop-rock track hit big for a moment, powered by its distinctive chorus and friendly radio sound. But the band never replicated the success, and the song slowly disappeared from ’80s retrospectives. </p>



<h2>The Church – “Under the Milky Way” (1988)</h2>



<p>A haunting, atmospheric rock single that became the band’s lone major U.S. hit, it drifted through late-’80s radio with a dreamy elegance. The Church remained influential, but never commercially matched this moment. </p>



<h2>Rodney Crowell – “Ashes by Now” (1980)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79573" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251206_SPEN_79557_80s2_d72bb7c7.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79573"></figure><figcaption>Source: Paul Morigi/Getty Images for Blackbird Productions</figcaption></figure>
</figure>



<p>Before Crowell became a Nashville legend, he scored a rare crossover hit with this moody, rhythm-driven single. Its blend of rock, country, and pop felt ahead of its time but didn’t stick in the broader cultural memory. </p>



<h2>Larsen-Feiten Band – “Who’ll Be the Fool Tonight” (1980)</h2>



<p>With its blend of jazz and soft-rock, this single offered something slick, breezy, and quietly infectious. It made a respectable chart impact but didn’t break through into long-term recognition. </p>



<h2>Sniff ’n’ the Tears – “Driver’s Seat” (1979)</h2>



<p>A laid-back, soft-rock groove that quietly climbed the charts, “Driver’s Seat” had its moment before fading almost completely from collective memory. Its smooth vocals and understated melody make it one of those songs people recognize only once it starts playing.</p>



<h2>Nu Shooz – “I Can’t Wait” (1986)</h2>



<p>A sleek, club-ready blend of synths and funk, this track became a dance-floor smash before fading from everyday playlists. Its futuristic vibe felt cutting-edge at the time but didn’t translate into lasting hits for the duo. </p>



<h2>The Jags – “Back of My Hand” (1979)</h2>



<p>This punchy power-pop track flirted with chart success before vanishing from radio entirely. Today it feels like a time capsule of early-’80s new wave—catchy, energetic, and largely forgotten outside of diehard vinyl collectors.</p>



<h2>Kon Kan – “I Beg Your Pardon” (1989)</h2>



<p>A quirky blend of synth-pop and country samples, this track felt like a strange little experiment that somehow cracked the Top 20. Its collage-like production was ahead of its time, but the duo couldn’t replicate the formula. </p>



<h2>Diesel – “Sausalito Summernight” (1981)</h2>



<p>This breezy rock tune broke into the U.S. charts despite the band being virtually unknown stateside. Its upbeat riff and California-coast vibe gave it short-lived momentum before it disappeared. </p>



<h2>Johnny Hates Jazz – “Shattered Dreams” (1988)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79574" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251206_SPEN_79557_80s3_1f43bdc2.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79574"></figure><figcaption>Source: Matthias Kern/Getty Images Europe</figcaption></figure>
</figure>



<p>A sleek, polished pop track that peaked at #2 and dominated adult-contemporary radio. It hinted at long-term superstardom that never materialized on a comparable scale. The band’s momentum fizzled quickly after their debut. Today, it remains their most recognizable song and a classy but faintly remembered cultural mega-hit that defines the late ’80s “sophisti-pop” sound.</p>

‘House of the Dragon’ Will End With Season 4, Showrunner Confirms

‘Avatar: Fire and Ash’ Crosses $1 Billion at the Global Box Office

20 One-Hit Wonders from the ’80s You Forgot You Loved - Spoiler US



        


<p>The 2025 Critics Choice Awards nominations have set the stage for a thrilling awards season, spotlighting a diverse array of cinematic achievements. From the period horror of “Sinners” to the long-awaited sequel “Wicked: For Good,” <strong>the ten most nominated films represent the height of last year’s storytelling, acting, and filmmaking craft.</strong> Here, the complete list. </p>



<h2>Sinners (17 Nominations)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79489" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251205_SPEN_79486_Critic1_b3f8b44e.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79489"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>With a staggering <strong>17 nominations</strong>, Ryan Coogler’s <em>Sinners</em> is the most-nominated film of the year. This period drama horror is set in the 1932 Mississippi Delta and stars Michael B. Jordan in dual roles as criminal twin brothers who return to their hometown, only to be confronted by a terrifying supernatural evil. The picture’s critical success highlights its ambitious blend of genre elements with a potent exploration of historical setting and familial conflict, establishing it as a formidable presence across technical and major categories.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>, <strong>Best Director</strong> (Ryan Coogler), <strong>Best Actor</strong> (Michael B. Jordan), <strong>Best Original Screenplay</strong> and <strong>Best Cinematography</strong>.</p>



<h2>One Battle After Another (14 Nominations)</h2>



<p>Paul Thomas Anderson’s latest epic, <em>One Battle After Another</em>, secured <strong>14 nominations</strong> by captivating critics with its complex narrative and powerhouse performances. The film follows a washed-up revolutionary who is forced back into action after his daughter goes missing and his nemesis resurfaces. Starring Leonardo DiCaprio and Sean Penn, the movie delves into themes of paranoia, radicalism, and the enduring consequences of a fractured past, all delivered with Anderson’s characteristic directorial flair.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>, <strong>Best Director</strong> (Paul Thomas Anderson), <strong>Best Actor</strong> (Leonardo DiCaprio), <strong>Best Supporting Actor</strong> (Sean Penn and Benicio Del Toro), <strong>Best Adapted Screenplay</strong>, and <strong>Best Score</strong>.</p>



<h2>Frankenstein (11 Nominations)</h2>



<p>Guillermo del Toro’s masterful adaptation of Mary Shelley’s classic, <em>Frankenstein</em>, tied for the third-highest total with <strong>11 nominations</strong>. Starring Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Creature, the film is a gothic science fiction drama that follows the egotistical scientist as his experiment in creation leads to the tragic undoing of both himself and his creation. Del Toro’s signature visual style and deeply empathetic approach to the monstrous have clearly positioned this adaptation as a major technical and artistic achievement.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture, Best Director (Guillermo del Toro), Best Supporting Actor</strong> (Jacob Elordi), <strong>Best Adapted Screenplay</strong>, <strong>Best Production Design</strong>, and <strong>Best Visual Effects</strong>.</p>



<h2>Hamnet (11 Nominations)</h2>



<p>Also netting <strong>11 nominations</strong> is Chloé Zhao’s historical drama, <em>Hamnet</em>. Based on the novel by Maggie O’Farrell, the film explores the largely fictionalized, yet deeply resonant, marriage of William Shakespeare and Agnes Hathaway (played by Paul Mescal and Jessie Buckley). It focuses on the devastating impact of the death of their 11-year-old son, Hamnet, and how that profound grief may have ultimately inspired Shakespeare’s most famous play, <em>Hamlet</em>.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>, <strong>Best Actress</strong> (Jessie Buckley), <strong>Best Actor</strong> (Paul Mescal), <strong>Best Director</strong> (Chloé Zhao), and <strong>Best Adapted Screenplay</strong>.</p>



<h2>Marty Supreme (8 Nominations)</h2>



<p>Director Josh Safdie returns with the sports-comedy-drama <em>Marty Supreme</em>, which earned <strong>8 nominations</strong>. Set largely in a meticulously recreated 1950s Brooklyn, the film stars Timothée Chalamet as Marty Mauser, a fast-talking, egotistical table tennis star whose journey from a shoe salesman to an international competitor is defined by his reckless ambition and self-sabotage. Critics have praised Safdie’s anxiety-inducing style and Chalamet’s nuanced performance as a flawed but charismatic anti-hero.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>,<strong> Best Director</strong> (Josh Safdie), <strong>Best Actor</strong> (Timothée Chalamet), <strong>Best Original Screenplay</strong>, and <strong>Best Score</strong>.</p>



<h2>Sentimental Value (7 Nominations)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79490" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251205_SPEN_79486_Critic2_14f33a03.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79490"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>The Norwegian comedy-drama <em>Sentimental Value</em> from director Joachim Trier received <strong>7 nominations</strong>. The film centers on a fractured relationship between an acclaimed film director and his two estranged daughters, which is further complicated when the director decides to make a personal film about their complicated family history. The movie is noted for its emotionally mature script and stellar performances, particularly from Renate Reinsve, as it explores the uneasy tension between artistic expression and genuine personal connection.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>, <strong>Best Director</strong> (Joachim Trier), four different <strong>acting nominations</strong> (including Best Supporting Actress), and <strong>Best Original Screenplay</strong>.</p>



<h2>Wicked: For Good (7 Nominations)</h2>



<p><em>Wicked: For Good</em>, directed by Jon M. Chu, also garnered <strong>7 nominations</strong>. This musical fantasy continues the story of Elphaba and Glinda as they navigate the shifting landscape of Oz following the events of the first film. The sequel is celebrated for expanding the musical’s universe with the same visual spectacle and beloved songs, continuing to explore the themes of friendship, courage, and kindness.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>, <strong>Best Song</strong> (The Girl in the Bubble), <strong>Best Costume Design</strong>, and <strong>Best Production Design</strong>.</p>



<h2>F1 (7 Nominations)</h2>



<p>Joseph Kosinski’s thrilling sports drama <em>F1</em> raced to <strong>7 nominations</strong>. The film stars Brad Pitt as Sonny Hayes, an aging former Formula One prodigy who comes out of retirement after a 30-year absence to save his former teammate’s struggling team, APXGP. With high-octane racing sequences and an emotional arc that focuses on mentorship and redemption, the movie successfully uses the backdrop of the Formula One world to deliver a compelling, high-stakes narrative.</p>



<p><strong>Key Nominations:</strong> <strong>Best Cinematography</strong>, <strong>Best Editing</strong>, <strong>Best Sound</strong>, <strong>Best Visual Effects</strong>, and <strong>Best Score.</strong></p>



<h2>Train Dreams (5 Nominations)</h2>



<p>Clint Bentley’s quiet, reflective drama <em>Train Dreams</em> secured <strong>5 nominations</strong>. Adapted from the novella by Denis Johnson, the film is a sweeping character study that follows the life of Robert Grainier, a train laborer in the American West during the early 20th century, from birth to death. The film uses dreamlike visuals and introspective narration to meditate on the themes of progress, destruction, and the indelible marks of personal guilt and trauma on an ordinary life.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>, <strong>Best Actor</strong> (Joel Edgerton), <strong>Best Adapted Screenplay</strong>, and <strong>Best Cinematography</strong>.</p>



<h2>Jay Kelly (4 Nominations)</h2>



<p>Noah Baumbach’s comedy-drama <em>Jay Kelly</em> received <strong>4 nominations</strong>. The film follows famous movie star Jay Kelly (George Clooney) and his devoted manager Ron (Adam Sandler) as they embark on a journey of self-discovery through Europe. As they travel, they reflect on their life choices and legacies. The film is a gentle Hollywood satire that showcases disarming vulnerability from Clooney and an impressive dramatic turn from Sandler.</p>



<p><strong>Key Nominations:</strong> <strong>Best Picture</strong>, <strong>Best Supporting Actor</strong> (Adam Sandler), and <strong>Best Original Screenplay</strong>.</p>

Critics Choice Awards 2025: The 10 Most-Nominated Films

Critics Choice Awards 2025: The 10 Most-Nominated Films - Spoiler US

Clara is about to graduate with a Bachelor's degree in Writing Arts at the National University of Arts in Buenos Aires, Argentina. In her role as a writer for Spoiler US, she covers movies, TV shows, streaming platforms, celebrities, and other topics of entertainment and general interest. Since 2021, she has been working as a film critic for Bendito Spoiler, Cinema Saturno, and Peliplat, attending festivals, conducting interviews, and regularly participating in cinematic debate podcasts. Her main focus of work is in the horror genre.

Clara Migliardo

experience

latest articles by clara migliardo