

        


<p><strong>Tom Stoppard</strong>, one of the most influential voices in contemporary theatre and film, <strong>has died at 88</strong>. His career spanned more than six decades, marked by a string of celebrated stage triumphs and a coveted Academy Award for his work on “Shakespeare in Love.” </p>



<p>News of his passing was confirmed by the BBC, with his representatives at United Agents telling Sky News that <strong>he died peacefully at home in Dorset</strong>, surrounded by loved ones. In their statement, the agency praised Stoppard’s unmatched command of language and the enduring warmth and wit that defined both his writing and his life.</p>



<h2>The Life and Legacy of a Playwright Who Redefined Modern Theater</h2>



<p>Sir Tom Stoppard’s life reads like one of his own intricately layered scripts, shaped by displacement, reinvention and a lifelong fascination with ideas. Born <strong>Tomáš Sträussler in Czechoslovakia</strong>, he survived the upheavals of World War II as a young Jewish refugee, eventually resettling in England after years spent in India. That collision of cultures and identities stayed with him, deepening the themes of <strong>exile, duality and searching for belonging</strong> that would later echo throughout his work.</p>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78970" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78968_Leo1_2fcb5efa.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78970"></figure><figcaption>Source: Justin Tallis – WPA Pool /Getty Images</figcaption></figure>
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<p>Before he became one of the most celebrated dramatists of his generation, Stoppard was a teenage journalist with a knack for wry observation and sharp prose. His early days in Bristol’s newsroom not only trained his ear for language, but introduced him to the theatre world that would soon reorient his life. By 1960, he was writing plays of his own, and within a decade, <strong>“Rosencrantz and Guildenstern Are Dead” </strong>would catapult him onto the global stage with a voice critics instantly recognized as both dazzlingly cerebral and mischievously playful.</p>



<p>The success never slowed. Stoppard spent the next several decades shaping modern theatre with landmark works like <strong>“Jumpers,” “Travesties,” “Arcadia,” “The Real Thing”</strong> and the sweeping trilogy <strong>“The Coast of Utopia.”</strong> At the same time, he became a formidable force in cinema, contributing screenplays to films ranging from <strong>“Brazil”</strong> and <strong>“Empire of the Sun”</strong> to the Oscar-winning <strong>“Shakespeare in Love.”</strong> Even in the projects where he went uncredited, his fingerprints—precision, wit, and a gift for emotional undercurrents—were unmistakable.</p>



<p>As he grew older, Stoppard’s writing softened in its emotional register without sacrificing its intellectual bite. He also used his platform to champion human rights, lending his voice to political dissidents and censored writers across Eastern Europe. His final great stage triumph, <strong>“Leopoldstadt,”</strong> brought him back to his own origins, confronting Jewish identity and generational loss with a clarity and vulnerability that resonated deeply.</p>



<p>When Stoppard died at his home today, <strong>he left behind one of the most decorated careers in modern storytelling</strong>—multiple Tonys, an Oscar, Olivier Awards, and the enduring reverence of actors, directors and audiences worldwide. More than anything, he left a body of work that proved theatre could be both fiercely intellectual and profoundly humane, often in the same breath.</p>

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miniaturas



        


<p>The 2025 MAMA Awards concluded its spectacular two-day event in Hong Kong with <strong>Chapter 2,</strong> a ceremony dedicated to recognizing artistic excellence and crowning the biggest winners of the year. </p>



<p>Following Day One’s emotional wins for Song of the Year and Fans’ Choice of the Year, the final night saw the remaining, most coveted Daesang (Grand Prizes)—<strong>Album of the Year</strong> and <strong>Artist of the Year</strong>—handed out. Hosted by actress Kim Hye Soo, the finale featured explosive, highly anticipated stages from groups like <strong>Stray Kids, aespa</strong>, and the legendary <strong>G-Dragon</strong>, all leading up to the announcement of the artists who have defined the sound and style of the K-pop landscape.</p>



<p>The <strong>full list of winners from Day Two</strong> is presented below, confirming the industry’s top achievers in performance, production, and overall artistry.</p>



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<h3>Grand Prizes (Daesang)</h3>



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<ul><li><strong>Artist of the Year:</strong> G-Dragon</li><li><strong>Album of the Year:</strong> Stray Kids – <em>KARMA</em></li></ul>



<h3>Main Artist &amp; Group Awards</h3>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78956" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78950_Mama2-1_6f45463b.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78956"></figure><figcaption>Source: Dimitrios Kambouris/Getty Images for The Met Museum/Vogue</figcaption></figure>
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<ul><li><strong>Best Male Artist:</strong> G-Dragon</li><li><strong>Best Female Artist:</strong> Rosé</li><li><strong>Best Male Group:</strong> SEVENTEEN</li><li><strong>Best Female Group:</strong> aespa</li><li><strong>Best Collaboration:</strong> Rosé and Bruno Mars – “APT.”</li><li><strong>Best Music Video:</strong> Jennie – “ZEN”</li></ul>



<h3>Performance &amp; Genre Awards</h3>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78957" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78950_Mama3-1_3337f6ec.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78957"></figure><figcaption>Source: Netflix</figcaption></figure>
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<ul><li><strong>Best Dance Performance Female Group:</strong> aespa – “Whiplash”</li><li><strong>Best Dance Performance Male Group:</strong> SEVENTEEN – “THUNDER”</li><li><strong>Best Dance Performance Female Solo:</strong> Jennie – “like JENNIE”</li><li><strong>Best Dance Performance Male Solo:</strong> G-Dragon – “TOO BAD (feat. Anderson .Paak)”</li><li><strong>Best Vocal Performance Solo:</strong> Rosé – “toxic till the end”</li><li><strong>Best Vocal Performance Group:</strong> DAVICHI – “Stitching”</li><li><strong>Best Rap &amp; Hip Hop Performance:</strong> BIG Naughty – “MUSIC (feat. Lee Chanhyuk)”</li><li><strong>Best Band Performance:</strong> DAY6 – “Maybe Tomorrow”</li><li><strong>Best Choreography:</strong> aespa – “Whiplash”</li><li><strong>Best OST:</strong> HUNTR/X – “Golden” (<em>KPop Demon Hunters</em> OST)</li></ul>



<h3>Special &amp; Popularity Awards</h3>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78958" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78950_Mama4-1_7f9e1d97.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78958"></figure><figcaption>Source: Pascal Le Segretain/Getty Images for Dior Homme</figcaption></figure>
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<ul><li><strong>Favorite Rising Artist:</strong> izna</li><li><strong>Visa Super Stage Artist:</strong> TXT (Tomorrow X Together)</li><li><strong>Olive Young K-Beauty Artist:</strong> Hearts2Hearts</li><li><strong>Music Visionary of the Year:</strong> “KPop Demon Hunters”</li><li><strong>Favorite Asian Artist:</strong> JO1</li><li><strong>Breakthrough Artist:</strong> ALLDAY PROJECT</li><li><strong>Worldwide KCONers’ Choice:</strong> ZEROBASEONE</li></ul>

2025 MAMA Awards Day Two: Full List of Winners

2025 MAMA Awards Day One: Full List of Winners

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<p>Few modern sports franchises have managed to blend legacy, reinvention, and blockbuster appeal quite like <strong>“Creed,”</strong> driven in large part by Michael B. Jordan’s vision both on-screen and behind the camera. Over three films, the series has grown from a continuation of the <strong>“Rocky”</strong> saga into its own cultural force, fueled by character-driven storytelling and an ever-expanding world of possibilities. As the series continues to evolve, Jordan’s influence remains at the heart of its momentum, <strong>setting the stage for what comes next.</strong></p>



<h2>Jordan Lays Out His Vision for the Future of the Franchise</h2>



<p>In a recent episode of the Variety Awards Circuit Podcast, Jordan clarified that the franchise isn’t going anywhere. He explained that the series has “been really kind to me in a big way,” and that there’s still<strong> “a bit more story to be mined”</strong> from the world he’s spent the past decade shaping. While he admitted he doesn’t want to be “in the ring boxing for the next 15 years,” he stressed that he still has <strong>“a couple of really good swings”</strong> left in him.</p>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78943" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78939_Michael1_a6611d9c.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78943"></figure><figcaption>Source: Alberto E. Rodriguez/Getty Images for CinemaCon</figcaption></figure>
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<p>Jordan also pointed to the ensemble of characters already introduced as fertile ground for new directions. He noted there are <strong>“clever ways and interesting characters we’ve established that we might want to see where that goes,”</strong> hinting that the future of the series won’t rely solely on Adonis stepping back into the spotlight. That creative flexibility, he suggested, is what keeps the franchise feeling fresh rather than formulaic.</p>



<p>A major part of that future involves shifting attention to the next generation. Jordan confirmed that the team is <strong>“spinning off doing Adonis’s daughter, Amara’s story</strong>.<strong>“</strong> These expansions, he said, will show<strong> “different parts of the Creed-verse,”</strong> a term he playfully embraced to describe the growing storytelling landscape.</p>



<p>Ultimately, Jordan’s vision is about sustainability rather than repetition. <strong>“These little IPs are going to keep the universe alive</strong> without it being completely reliant on just me,” he explained, emphasizing that his role moving forward will be more <strong>“adjacent.”</strong> It’s a strategic evolution that keeps him connected to the franchise while opening the door for new characters, new voices, and new creative energy.</p>

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<p>The mythos of <strong>Jack White</strong> is a fascinating study in controlled chaos and calculated reverence for the ghosts of American music. His is a career built not merely on volume, but on the precise, almost surgical deployment of sonic grit—a lifelong quest to prove that minimalism and maximalist energy are not mutually exclusive.</p>



<p>From the visceral, two-person detonation of <strong>The White Stripes</strong> to the intricate collective roar of T<strong>he Raconteurs </strong>and <strong>The Dead Weather</strong>, he has consistently served as a conduit for forgotten blues wails and garage-rock shrieks, forcing them into sharp, modern relief.</p>



<h2>“Seven Nation Army” (The White Stripes, 2003)</h2>



<p>This isn’t just a song; it’s a cultural phenomenon, a stadium anthem that somehow emerged from two instruments and a voice. Its greatness lies in the singular, instantly recognizable riff—a distorted octave pedal simulating a bass line—that proved White could create a monumental, universal statement out of almost nothing. It stands as the quintessential example of his “less-is-more” philosophy generating maximum impact.</p>



<h2>“Fell in Love With a Girl” (The White Stripes, 2001)</h2>



<p>A hyper-caffeinated, two-minute punk explosion, this track demonstrated the sheer, frantic energy that two people could generate with pure conviction and primal noise. Its greatness is rooted in its breathless urgency and the immediate, infectious simplicity of its structure, which perfectly mirrored the sudden, overwhelming rush of young infatuation. It was the moment the world realized The White Stripes were more than a novelty act.</p>



<h2>“Lazaretto” (Jack White, 2014)</h2>



<p>The definitive statement of his solo career, this track is a sprawling, manic testament to his technical and theatrical virtuosity. The song shifts tones and tempos on a dime, weaving a complex narrative about personal constraint and explosive creative freedom. Its greatness is found in the jarring, almost mechanical precision of the riff contrasted with the raw, spontaneous energy of the lyrical delivery.</p>



<h2>“Steady, As She Goes” (The Raconteurs, 2006)</h2>



<p>This track introduced a new level of sonic maturity and collective power to White’s repertoire. Built on a churning, hypnotic rhythm and a melodic vocal interplay with Brendan Benson, it showed White could thrive within a traditional band structure. It’s a masterpiece of tension, with the music slowly escalating toward a driving, cathartic release.</p>



<h2>“Blue Orchid” (The White Stripes, 2005)</h2>



<p>A savage, angular plunge into industrial-tinged garage rock, “Blue Orchid” is defined by its guttural, fuzzed-out guitar tone that sounds less like an instrument and more like a monstrous beast roaring. Its greatness is its sheer sonic aggression and its successful use of minimalism to achieve maximum, terrifying sonic density.</p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78906_Jack-White-2_92b5250d.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78909"></figure><figcaption>Jack White performs on The Park Stage during day five of Glastonbury Festival in 2022. (Source: Leon Neal/Getty Images)</figcaption></figure>



<h2>“I Cut Like a Buffalo” (The Dead Weather, 2009)</h2>



<p>This track showcases White’s often-overlooked talent as a drummer and collaborator. The song is a slow, swampy, groove-heavy slice of psychedelic blues, with White trading lead vocals with Alison Mosshart. Its greatness is in the thick, oppressive atmosphere it creates, cementing his reputation as a master of the dark, analogue soundscape.</p>



<h2>“We’re Going to Be Friends” (The White Stripes, 2001)</h2>



<p>A deceptively simple acoustic ballad that offers a rare, tender glimpse into White’s sentimental side. Stripped of distortion and theatrics, its greatness lies in its warm, innocent lyricism about childhood, school, and platonic affection. It proves that his emotional power is just as compelling when delivered at a whisper as it is at a scream.</p>



<h2>“Love Is Blindness” (Cover of U2, 2011)</h2>



<p>Though a cover, this track—recorded for the Achtung Baby tribute album—is arguably one of his most profound musical statements. White utterly transforms the U2 original into a staggering, deeply felt blues lament, culminating in a chaotic, emotionally devastating guitar solo. Its greatness is the way he channeled the raw, analogue fury of the blues to express complex heartache.</p>



<h2>“Black Math” (The White Stripes, 2003)</h2>



<p>A quintessential moment of garage punk brilliance, “Black Math” is a frantic, dizzying track that highlights the raw, almost violent synergy between Jack and Meg White. The greatness here is the controlled demolition of the song’s structure, propelled by jagged riffs and shouted vocals, perfectly embodying the unpolished energy of Detroit rock.</p>



<h2>“Sixteen Saltines” (Jack White, 2012)</h2>



<p>From his debut solo album, Blunderbuss, this track is a showcase of his ability to blend bizarre, almost surreal lyrical imagery with a punchy, irresistible groove. It’s dirty, chaotic, and relentlessly catchy, demonstrating that even when working on his own, White remains committed to the visceral, immediate impact of hard rock and blues.</p>

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<p>Beneath the blinding stage lights and the distortion of feedback pedals, the personal life of <strong>Jack White</strong> has moved to an altogether different rhythm. Over the years, his relationships have unfolded not as tabloid headlines but as quiet chapters that often echo through the music itself.</p>



<p>The emotional contrasts — <strong>love, tension, collaboration, separation</strong> — have shaped more than just private moments: they have threaded themselves through creative choices, band dynamics and the emotional texture of his work.</p>



<p><strong>From early romances in small-town bars to high-profile partnerships</strong> played out in media glare, his love life offers a map of transformation, both personal and artistic. Each relationship seems to leave a subtle imprint on the man behind the riffs.</p>



<h2>Meg White: The Primary-Color Muse and Rhythmic Foundation</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78914_Meg-and-Jack-White_1c3a7a69.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78924"></figure><figcaption>(Source: Evan Agostini/Getty Images)</figcaption></figure>



<p>The marriage between <strong>Jack and Meg White</strong>, which lasted from 1996 to 2000, may have been brief, but their ensuing musical partnership, The White Stripes (1997–2011), became the defining cultural and sonic movement of the early 2000s. </p>



<p>The enduring mystique of the band was largely fueled by the public confusion over their familial status—the consistent denial of their divorce and the insistence that they were simply siblings—which perfectly mirrored the raw, secretive urgency of their music. </p>



<p>Meg’s simple, powerful drumming was the vital, immovable force that allowed Jack’s explosive guitar work to sound so monumental. This relationship laid the essential bedrock for his entire career mythology, resulting in primal, iconic albums like White Blood Cells and stadium-filling anthems like “Seven Nation Army”, all forged in the furnace of their complicated, post-marital collaboration.</p>



<h2>Karen Elson: The Statuesque Bride and Analog Collaborator</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78914_Jack-White-and-Karen-Elson_690087a1.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78923"></figure><figcaption>(Source: Gareth Cattermole/Getty Images)</figcaption></figure>



<p>Jack White married British model and singer <strong>Karen Elson</strong> in June 2005 during a famous, unorthodox ceremony conducted by a traditional Amazonian shaman in Manaus, Brazil. This era coincided with his expansion beyond The White Stripes into the complex dynamics of The Raconteurs and The Dead Weather, showcasing his transition into a globally recognized rock statesman. </p>



<p>Elson became intimately integrated into the Third Man Records universe; she was signed to the label and White personally produced her critically acclaimed 2010 debut album, The Ghost Who Walks. The couple had two children: a daughter born in May 2006 and a son born in August 2007.</p>



<p>Their separation in 2011, finalized by an infamous “Divorce Party” in Nashville to celebrate their friendship and commitment to co-parenting, defined a period of public maturity for him, influencing the more complex, world-weary arrangements found in his collaborative and early solo efforts.</p>



<h2>Olivia Jean: The Third Man Family Connection</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78914_Jack-White-and-Olivia-Jean_7b74ca6f.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78922"></figure><figcaption>(Source: Arturo Holmes/Getty Images)</figcaption></figure>



<p>The most recent public chapter in Jack White’s romantic life began dramatically in April 2022 when he spontaneously proposed to musician <strong>Olivia Jean</strong> on stage during a performance of “Hotel Yorba” in his hometown of Detroit, immediately followed by an on-stage wedding ceremony minutes later.</p>



<p>Jean, a talented guitarist and singer, is a prominent artist on his Third Man Records label and has been a close musical associate, performing with his touring bands and leading the Third Man house band, The Black Belles. </p>



<p>This relationship demonstrates his continued commitment to marrying artists who are thoroughly integrated into his creative and business spheres, underscoring the fundamental truth that for Jack White, romance and artistic partnership are often one and the same.</p>

Inside Jack White’s Romantic Past: A Look at His Love Life Through the Years

Inside Jack White’s Romantic Past: A Look at His Love Life Through the Years - Spoiler US



        


<p>The world of K-pop turned its attention to Hong Kong as the <strong>2025 MAMA Awards</strong> (Mnet Asian Music Awards) kicked off its first night, Chapter 1, celebrating the global achievements and artistry of the industry’s biggest stars.</p>



<p>Day one of the prestigious ceremony, <strong>hosted by Park Bo Gum</strong>, delivered a stunning array of performances and emotional moments, while also announcing the winners of several major categories. As the industry’s top acts—from influential veterans to sensational new rookies—were recognized for their impactful music and dedicated fandoms, the stage was set for a fierce competition and a night of high-profile wins.</p>



<p>Below is the <strong>complete list</strong> of all the artists and songs that took home an award on Day One of the 2025 MAMA Awards.</p>



<h2>Top Honors</h2>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78880" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78859_MAMA1_877ce437.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78880"></figure><figcaption>Source: Han Myung-Gu/Getty Images for Mulberry</figcaption></figure>
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<ul><li><strong>Song of the Year:</strong> Rosé &amp; Bruno Mars – “APT.”</li><li><strong>Fans’ Choice of the Year:</strong> ENHYPEN</li></ul>



<h2>Artist &amp; Group Categories</h2>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78881" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78859_MAMA2_ad74e02f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78881"></figure><figcaption>Source: Victor Boyko/Getty Images</figcaption></figure>
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<ul><li><strong>Favorite Male Group:</strong> BOYNEXTDOOR</li><li><strong>Favorite Female Group:</strong> IVE</li><li><strong>Favorite Global Performer:</strong> IVE</li><li><strong>TELASA Favorite Global Artist:</strong> ENHYPEN</li><li><strong>Inspiring Achievement Award:</strong> Super Junior</li></ul>



<h2>Rising Talent</h2>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78882" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78859_MAMA3_ae741953.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78882"></figure><figcaption>Source: Amy Sussman/Getty Images</figcaption></figure>
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<ul><li><strong>Best New Artist:</strong> CORTIS, Hearts2Hearts</li></ul>



<h2>Trend &amp; Impact</h2>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78883" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78859_MAMA4_8aea3259.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78883"></figure><figcaption>Source: Chung Sung-Jun/Getty Images</figcaption></figure>
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<ul><li><strong>Global Trend Song:</strong> IVE – “REBEL HEART”</li></ul>



<h2>Fan-Voted Rankings</h2>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78884" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78859_MAMA5_6b1db0d0.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78884"></figure><figcaption>Source: Eugene Gologursky/Getty Images for Empire State Realty Trust</figcaption></figure>
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<ul><li><strong>Fans’ Choice Male Top 10:</strong><br>Baekhyun, SEVENTEEN, Jin, ENHYPEN, G-Dragon, j-hope, NCT DREAM, RIIZE, Stray Kids, ZEROBASEONE</li><li><strong>Fans’ Choice Female Top 10:</strong><br>Irene, IU, ILLIT, aespa, BABYMONSTER, Hearts2Hearts, I-dle, ITZY, LE SSERAFIM, TWICE</li></ul>

2025 MAMA Awards Day One: Full List of Winners - Spoiler US



        


<p>James Cameron has never shied away from ambitious worlds, sweeping emotions or stories that demand a big-screen experience, but even for the filmmaker behind “Titanic,” “Terminator” and “Avatar,” <strong>there was once a fantasy realm he nearly stepped into. </strong></p>



<p>Long before the long-awaited “Wicked” movies took shape, <strong>Cameron found himself drawn to the iconic tale of Oz</strong>, its characters and its larger-than-life scope. And while the idea of the blockbuster visionary tackling one of Broadway’s most beloved musicals sounds like a natural fit, his journey toward the Emerald City took an unexpected turn.</p>



<h2>James Cameron Opens Up About the Musical He Almost Made</h2>



<p>Cameron revealed that his brush with “Wicked” came during a creative crossroads nearly 15 years ago, at a moment when he was still exploring what his next big storytelling world might be. Speaking on The Town with Matt Belloni, in remarks recovered by Deadline, he said, <strong>“I almost made Wicked back when,”</strong> adding that he has always been drawn to expansive, immersive films. “The kind of movies that I like to watch, let’s say Dune or even Wicked,” he explained, noting that the story had captured his imagination long before the current adaptation existed.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78854" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78846_James1_3fde6273.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78854"></figure><figcaption>Source: Chung Sung-Jun/Getty Images</figcaption></figure>
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<p>He confirmed that he met with Universal Pictures to discuss what his version might look like. Cameron said he <strong>“really loved the story”</strong> and admired how Gregory Maguire’s world-building and character arcs could translate to the screen. He could already picture the visual possibilities of a reinvented Oz, but despite that excitement he hit an unexpected creative barrier. As he put it, he <strong>“couldn’t find the song,” </strong>which left him unsure about guiding the emotional and musical language that anchors a project like this.</p>



<p>Even so, Cameron made it clear that his hesitation was not due to a lack of affection for musicals. During the podcast, he reminded listeners that <strong>“my favorite movie is a musical, Wizard of Oz,”</strong> a detail that reveals a deep and long standing connection to the genre. That admiration may have been what compelled him to consider “Wicked” in the first place, even if the timing or creative spark was not fully there.</p>



<p><strong>Cameron also suggested that he has not completely ruled out trying a musical someday. </strong>His career is full of moments where he returned to genres he once avoided and surprised audiences with risks that reshaped modern cinema. If he ever does attempt a musical, it would likely carry the same ambition, emotional sweep and sense of scale that have defined his films for decades.</p>

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James Cameron Says He Nearly Directed ‘Wicked’ - Spoiler US



        


<p>Today marks what would have been the 95th birthday of <strong>Bruce Lee</strong>, a man who transcended the boundaries of film and martial arts to become a singular, global icon. Though his life was tragically cut short, the legend of the Little Dragon endures, cemented by his groundbreaking work as an actor, director, and philosopher. </p>



<p>To celebrate the enduring legacy of the man who introduced Jeet Kune Do to the world and changed Hollywood forever, we look back at the <strong>ten legacy-defining performances </strong>that enshrined Bruce Lee as a cinematic and cultural immortal.</p>



<h2>Enter the Dragon (1973)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78794" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce1_e1f856ef.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78794"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>This remains Bruce Lee’s most definitive film and his only major completed American-produced feature. As an undercover agent infiltrating a martial arts tournament on a mysterious island, the performance synthesized his speed, philosophy, and charismatic screen presence for a global audience. Released posthumously, the film was a massive international success that permanently cemented Lee as an unrivaled cinematic and cultural icon.</p>



<h2>Fist of Fury (1972)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78795" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce2_9aaeba2c.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78795"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Lee’s intense, emotional portrayal of Chen Zhen—an avenging student who defends the honor of his people against foreign aggressors—resonated deeply with audiences. The film is a landmark in martial arts cinema for its visceral action and strong nationalist themes. Lee’s performance is marked by a powerful combination of vulnerability and explosive, unmatched fury, making it one of his most beloved and often-imitated roles.</p>



<h2>The Way of the Dragon (1972)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78799" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce3_ce738762.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78799"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>This performance is critical because Lee served not only as the star but also as the writer and director, giving him total creative control over the action and story. The film culminates in his iconic, philosophical showdown with Chuck Norris in the Roman Colosseum, a fight that showcases Lee’s mastery of choreography and his ability to infuse action with dramatic weight. It remains a testament to his creative vision outside of the Hollywood or studio system.</p>



<h2>The Big Boss (1971)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78802" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce4_1434dd02.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78802"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>This was Bruce Lee’s breakout hit in Hong Kong cinema after returning from the US, marking the true beginning of his superstar career. His character, Cheng Chao-an, is a peaceful man forced to break his vow of non-violence to fight corruption and defend his family. The film shattered box office records across Asia, establishing his unique, realistic, and brutally efficient fighting style that instantly set him apart from previous martial arts stars.</p>



<h2>Game of Death (1978)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78803" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce5_e11160ce.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78803"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Though tragically incomplete at the time of his death, the footage Lee shot for his original vision is indispensable to his legacy. This performance is most famous for the final sequences where he wears the iconic yellow tracksuit, symbolizing his journey through different martial arts styles represented by the opponents in the pagoda. This concept visually represented the philosophical progression of Jeet Kune Do and became an enduring symbol of Bruce Lee himself.</p>



<h2>The Green Hornet (TV Series, 1966–1967)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78804" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce6_a4205a9c.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78804"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>As Kato, the masked crime-fighting sidekick, Bruce Lee introduced authentic, lightning-fast Chinese martial arts to a wide American television audience. While the show focused on the Hornet, it was Lee’s magnetic screen presence and groundbreaking action sequences that stole the spotlight. His work here laid the foundational groundwork for the massive kung fu craze that would hit the West a few years later.</p>



<h2>Longstreet (TV Series, 1971)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78805" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce8_ec8eb8af.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78805"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Lee’s recurring guest role as martial arts instructor Li Tsung was crucial for showcasing his philosophical side to American audiences. Instead of merely demonstrating combat, Li Tsung used martial arts to teach the title character about self-awareness, adaptation, and finding inner strength. These scenes were a platform for Lee to articulate the core principles of Jeet Kune Do, making this performance important for his legacy as a thinker.</p>



<h2>Marlowe (1969)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78806" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce9_146f0514.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78806"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>In this film noir, Lee delivered an unforgettable, albeit brief, cameo as a volatile martial arts specialist hired to intimidate the detective. His scene is legendary for the speed, precision, and sheer violence of his movements as he destroys a private investigator’s office. It was a potent, shocking display of martial arts for Hollywood standards at the time and strongly hinted at the power he was capable of unleashing on screen.</p>



<h2>An Orphan’s Tragedy (1955)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78807" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce10_2705b59d.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78807"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>This dramatic performance is a highlight of Lee’s early career when he was a celebrated child actor in Hong Kong cinema. Playing the lead role, he demonstrated significant emotional depth and dramatic talent, earning critical praise. This work is essential to his legacy as it shows his respected status as a serious actor long before his martial arts fame, providing context for his full range of abilities.</p>



<h2>The Kid (1950)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78808" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251127_SPEN_78779_Bruce11_30c5173f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78808"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>One of the earliest surviving feature film roles of Lee’s childhood career, he played an orphaned street urchin alongside a major star of the era. Credited as Lee Siu Lung (Little Dragon), this performance marks the true beginning of his lifelong commitment to acting. It stands as a foundational piece of his legacy, showing his natural charisma and screen magnetism from a very young age.</p>

Bruce Lee Would Turn 95 Today: His 10 Legacy-Defining Performances

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<p>This time, the rumor that Miley will be one of the Headliners is not just industry chatter; it’s fueled by a viral tease from the festival itself.</p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78675_1-6_9897d137.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78682"></figure><figcaption>Miley Cyrus performs onstage during the 66th GRAMMY Awards at Crypto.com Arena on February 04, 2024 in Los Angeles, California. (Photo by Amy Sussman/Getty Images)</figcaption></figure>



<p>The speculation began when the official Rock in Rio Instagram account (@rockinrio) replied directly to a fan comment asking about the pop icon’s presence. The festival’s cryptic and thrilling response: <strong>“2026 is the year to make dreams come true.”</strong> This non-denial has sent fan excitement into overdrive, suggesting that the three-time Grammy winner is indeed in advanced talks to perform on the main stage.</p>



<h2>What It Means to Play Rock in Rio</h2>



<p>Performing at Rock in Rio is one of the highest honors in the global music industry. Launched in 1985 in Rio de Janeiro, Brazil, the festival is renowned for its immense scale, often spanning multiple weekends and demanding a performer with a universally recognized catalog—both qualities Cyrus possesses.</p>



<p>The festival takes place at the custom-built City of Rock (Cidade do Rock), which has capacity for approximately 100,000 to 120,000 attendees per day. Over the course of the multi-day event (typically held in September), Rock in Rio draws over 700,000 people, guaranteeing a massive live audience for its headliners.</p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78675_1-4-1_85eaef19.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78679"></figure><figcaption>General view taken as Brazilian singer Ivete Sangalo performs on the opening day of the Rock in Rio music festival on September 13, 2013 in Rio de Janeiro, Brazil. (Photo by Buda Mendes/Getty Images)</figcaption></figure>



<h2>Miley’s Place Among Legends and Women in Rock</h2>



<p>A headline slot would place Miley Cyrus among the elite roster of artists who have commanded the Rock in Rio stage. Historically, the festival was dominated by male-led rock acts, but female artists have increasingly shattered these ceilings. Previous women who have held the prestigious headlining slot include global stars like Beyoncé, Rihanna, Dua Lipa, and Katy Perry. Cyrus’s performance would celebrate her successful pivot into rock-infused pop and her powerful vocals, adding her name to a list of powerful women who have headlined the massive Brazilian festival.</p>



<h2>Confirmed Headliners and the Global Stage</h2>



<p>While Miley Cyrus remains heavily rumored, the festival has already announced several massive, diverse headliners for the Rio de Janeiro edition, which will take place over two weekends in <strong>September 2026</strong>.</p>



<p>The announced headliners include:</p>



<ul><li><strong>Elton John:</strong> The music legend will perform on September 7th in what is confirmed as his only scheduled show in Brazil for 2026 following his retirement from touring in 2023.</li></ul>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78675_1-1-3_fda508cf.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78676"></figure><figcaption>Elton John speaks onstage during the 38th Annual Rock &amp; Roll Hall Of Fame Induction Ceremony at Barclays Center on November 03, 2023 in New York City. (Photo by Theo Wargo/Getty Images for The Rock and Roll Hall of Fame )</figcaption></figure>



<ul><li><strong>Stray Kids:</strong> The K-pop powerhouse will headline the September 11th show, making history as the <strong>first K-pop act ever</strong> to headline the massive festival.</li></ul>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78675_1-2-2_5ada45d6.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78677"></figure><figcaption>Changbin, Lee Know, I.N, Hyunjin, Seungmin, Felix, Bang Chan and Han of Stray Kids attend The 2024 Met Gala Celebrating “Sleeping Beauties: Reawakening Fashion” at The Metropolitan Museum of Art on May 06, 2024 in New York City. (Photo by Dia Dipasupil/Getty Images)</figcaption></figure>



<ul><li><strong>Gilberto Gil:</strong> The Brazilian music icon and former Minister of Culture will share the stage with Elton John on September 7th, ensuring a powerful local presence.</li></ul>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78675_1-3-3_35fdca0c.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-78678"></figure><figcaption>Gilberto Gil performs during the 2025 Global Citizen Festival: Amazonia at Mangueirao stadium on November 01, 2025 in Belem, Brazil. (Photo by Alexandre Schneider/Getty Images for Global Citizen)</figcaption></figure>

Miley Cyrus Is Rumored to Headline Rock in Rio 2026

Miley Cyrus Is Rumored to Headline Rock in Rio 2026 - Spoiler US



        


<p>Before they were household names, some of Hollywood’s biggest stars were just regular teens navigating cafeteria drama, math homework, and early ambitions—often alongside someone who would also become famous. From future Oscar winners to chart-topping musicians, these celebrity classmates crossed paths long before fame found them, creating unlikely high-school pairings that make their success stories even more fascinating. <strong>Here are 20 stars who once shared the same school halls with another major celebrity.</strong></p>



<h2>Ben Affleck and Matt Damon</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78648" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78644_Friends2_153d0b14.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78648"></figure><figcaption>Source: Michael Loccisano/Getty Images for SXSW</figcaption></figure>
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<p>The Hollywood friendship that launched a thousand scripts started in the halls of Cambridge Rindge and Latin School in Massachusetts. The lifelong friends didn’t just attend the same high school; they collaborated on early acting projects and eventually co-wrote and starred in Good Will Hunting, which earned them an Academy Award for Best Original Screenplay. They remain close friends and frequent collaborators in the film industry.</p>



<h2>Adam Levine and Jonah Hill</h2>



<p>These two stars have a history that dates all the way back to Brentwood High School in Los Angeles, where they were childhood best friends. The Maroon 5 frontman and the Oscar-nominated actor grew up together, and Jonah Hill’s father even managed the band before they hit it big. They have spoken fondly about their carpool days and mutual love for music as high schoolers.</p>



<h2>Gwyneth Paltrow and Kerry Washington</h2>



<p>The Oscar-winning actress and the Scandal star were both students at the all-girls preparatory school Spence School on the Upper East Side of Manhattan. In a fun twist, Paltrow was the president of the a cappella group Triple Trio, which Washington aspired to join and eventually became co-president of herself. This surprising connection showcases the close-knit world of New York’s elite schools.</p>



<h2>Ansel Elgort and Timothée Chalamet</h2>



<p>Before they were both nominated for major awards in the same year, these two heartthrobs were competing for attention at Fiorello H. LaGuardia High School of Music &amp; Art and Performing Arts in New York City. The two are graduates of the prestigious performing arts school and even played on the basketball team together. They represent a new generation of talent emerging from the same famous alma mater.</p>



<h2>Tupac Shakur and Jada Pinkett Smith</h2>



<p>The legendary rapper and the prominent actress/talk show host shared a close bond as high school classmates at the Baltimore School for the Arts. Jada has described her relationship with Tupac as “the greatest love” and a deeply spiritual connection. Their friendship is a well-documented and bittersweet piece of music and film history.</p>



<h2>Cameron Diaz and Snoop Dogg</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78649" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78644_Friends3_9b3d5315.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78649"></figure><figcaption>Source: Scott Gries/Getty Images</figcaption></figure>
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<p>Believe it or not, the actress and the rapper were classmates at Long Beach Polytechnic High School in California, though they were a year apart. It’s a truly unexpected pairing from the 1980s high school scene.</p>



<h2>Zach Braff and Lauryn Hill</h2>



<p>The Scrubs actor and the Fugees singer both grew up and attended Columbia High School in Maplewood, New Jersey. They were close friends in high school, with Braff even attending Hill’s Bat Mitzvah. </p>



<h2>Jay-Z and Busta Rhymes</h2>



<p>Before they were hip-hop titans, these two New York rappers were students at George Westinghouse Career and Technical Education High School in Brooklyn. The story goes that they even had a legendary rap battle in the school cafeteria. Jay-Z won the battle, but both went on to become icons of the music industry.</p>



<h2>Neil Patrick Harris and Freddie Prinze Jr.</h2>



<p>Both actors attended La Cueva High School in Albuquerque, New Mexico, in the late 1980s and early 1990s. While not in the same graduating class, they both started their careers around the same time and rose to teen idol fame. This makes for a surprising connection between a sitcom star and a teen movie lead.</p>



<h2>Kate Hudson and Zooey Deschanel</h2>



<p>The two actresses attended Crossroads School for Arts &amp; Sciences in Santa Monica, California, which is known for its celebrity alumni. They were classmates and even performed in a high school production of Man of La Mancha together, where Deschanel played a horse and Hudson played the niece of Don Quixote.</p>



<h2>Lady Gaga and Nicky Hilton</h2>



<p>The pop superstar and the Hilton heiress both attended the Convent of the Sacred Heart, an exclusive all-girls Catholic school on the Upper East Side of Manhattan. Though they didn’t run in the same circles, they were certainly aware of each other. This high school connection provides a fascinating contrast between two different types of celebrity fame.</p>



<h2>Lenny Kravitz and Nicolas Cage</h2>



<p>The rock musician and the Oscar-winning actor were classmates at the prestigious Beverly Hills High School in the 1980s. They were classmates and even worked together on a high school production of “Oklahoma!”, where Kravitz played drums in the orchestra pit and Cage was on stage.</p>



<h2>Rami Malek and Rachel Bilson</h2>



<p>The Oscar-winning Bohemian Rhapsody actor and The O.C. star both attended Notre Dame High School in Sherman Oaks, California. They were classmates and were even in the same friend group, even starring as the leads in their senior year production of The Crucible.</p>



<h2>Nicole Kidman and Naomi Watts</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78650" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78644_Friends4_6fe18db7.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78650"></figure><figcaption>Source: Jon Kopaloff/Getty Images for AFI</figcaption></figure>
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<p>The Australian-born actresses became friends long before they graced Hollywood’s red carpets, having met while attending North Sydney Girls High School. Their enduring friendship is one of the most heartwarming in the entertainment world.</p>



<h2>Camila Mendes and Cole Sprouse</h2>



<p>The Riverdale stars have a history that predates their hit CW show, as they both attended New York University’s Tisch School of the Arts drama program. They weren’t close friends then and Cole has said he doesn’t remember her. Mendes has said she would see Sprouse around campus, and they had classes in the same building at one point, but they did not form a friendship at the time.</p>



<h2>Ed Helms and Brian Baumgartner</h2>



<p>Similar to their The Office co-stars John Krasinski and B.J. Novak, these two actors share a high school history. They were both members of the a capella group at The Westminster Schools in Atlanta, Georgia. Their shared background in music and performance led them both to careers in comedy and television.</p>



<h2>Scarlett Johansson and Jack Antonoff</h2>



<p>The actress and the Grammy-winning musician and producer attended the Professional Children’s School in New York City, a private school for aspiring young performers. Not only were they classmates, but they also dated briefly in high school and even attended prom together. </p>



<h2>Jennifer Aniston and Chaz Bono</h2>



<p>The Friends star and the activist/actor/musician were both students at Fiorello H. LaGuardia High School of Music &amp; Art and Performing Arts in New York City. They were in the same friend group and would often hang out at Cher’s house after school.</p>



<h2>Eddie Redmayne and Prince William</h2>



<p>This unusual pairing saw the future Oscar winner and the future King of England as schoolmates at Eton College, the prestigious all-boys boarding school in Windsor, England. They were classmates, played on the same rugby team, and were both elected members of the elite Eton Society, an exclusive group of senior prefects.</p>



<h2>John Krasinski and B.J. Novak</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78651" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78644_Friends5_e5a3694e.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78651"></figure><figcaption>Source: Michael Buckner/Getty Images</figcaption></figure>
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<p>Known for their roles on The Office, these two were friends long before they played co-workers on a hit show. They attended Newton South High School in Newton, Massachusetts, together and were in the same class. In a fun coincidence, they ended up acting together on the show and B.J. Novak served as a writer and director.</p>

Macaulay Culkin Says He’d Return to a ‘Home Alone’ Sequel — and He Already Has the Plot

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<p>Macaulay Culkin, the actor whose resourceful young hero Kevin McCallister became a Christmas film icon in the original “Home Alone” movies, has sent shockwaves through the pop culture landscape <strong>by expressing his willingness to return to the beloved franchise.</strong> </p>



<p>Decades after the first film premiered, the star confirmed that he is not only open to reprising the role that made him famous <strong>but has also thought of a modern plot</strong> <strong>for a potential sequel,</strong> immediately fueling fan excitement and speculation about what an adult Kevin’s new, and likely trap-filled, predicament might look like.</p>



<h2>The New Face of ‘Home Alone’: Macaulay Culkin Reveals Sequel Pitch</h2>



<p>The long-standing fan hope for Macaulay Culkin’s return to the role of Kevin McCallister<strong> just moved from fantasy to near-reality.</strong> As reported by Variety, the star of the original “Home Alone” films confirmed at a recent stop on his “A Nostalgic Night with Macaulay Culkin” tour that he is not entirely “allergic” to the idea of a sequel. </p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78641" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78639_Kevin1-1_fd16d97c.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78641"></figure><figcaption>Source: Neilson Barnard/Getty Images for Vanity Fair</figcaption></figure>
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<p>While Culkin stressed that any potential project “would have to be just right” to earn his participation, <strong>he didn’t leave the possibility vague</strong>: he immediately unveiled a full, emotionally resonant concept that could successfully bring the beloved franchise back for a new generation.</p>



<p>Culkin’s pitch features a brilliant twist on the classic formula: the tables are turned on the original architect of domestic chaos. The actor envisions his character as an adult dealing with family troubles, explaining, <strong>“I’m either a widower or a divorcee. I’m raising a kid and all that stuff.” </strong>He said the central conflict sees Kevin preoccupied with work and neglecting his child, leading to a delightful inversion of the 1990 film where the adult Kevin is the one locked out. <strong>“I get locked out. [Kevin’s son] won’t let me in… and he’s the one setting traps for me,”</strong> Culkin clarified. Instead of Wet Bandits, the adult McCallister must contend with a family member utilizing his own childhood methods in a high-stakes holiday lockout.</p>



<p>However, the idea goes deeper than simple nostalgic role reversal. Culkin explained that the familiar house, which serves as the physical setting for this domestic skirmish, is actually a metaphor for their relationship. The actor clarified that Kevin’s struggle to re-enter his home is symbolic of his need to <strong>“get let back into [his] son’s heart.”</strong> This emotional underpinning suggests a narrative maturity that Hollywood often misses in reboots. With the original star having provided a solid, workable “elevator pitch” that combines comedy and heart, the window for a legitimate “Home Alone” sequel is now officially wide open.</p>

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Macaulay Culkin Says He’d Return to a ‘Home Alone’ Sequel — and He Already Has the Plot - Spoiler US



        


<p>Born on November 26, 1939, <strong>Anna Mae Bullock</strong>—the singular force of nature the world would come to know as Tina Turner—<strong>would have celebrated her 86th birthday today. </strong>Rising from humble beginnings in Tennessee to become the undisputed “Queen of Rock ‘n’ Roll,” Turner captivated the globe with her raw, electrifying stage presence, powerful voice, and indomitable spirit. </p>



<p>While her life was marked by incredible resilience and a triumphant career resurgence, <strong>her legacy is defined by a powerhouse catalog of hits.</strong> To honor the enduring influence of this global icon, we look back at ten songs that not only defined her decades-long career but also cemented her eternal place as a true music legend.</p>



<h2>“A Fool in Love” (1960)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78591" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina1_c00f5866.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78591"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>This explosive debut single, credited to Ike &amp; Tina Turner, was the world’s introduction to Anna Mae Bullock’s astounding vocal power. Tina’s raw, gospel-inflected delivery over the R&amp;B track immediately set her apart from her contemporaries, establishing the signature sound and sheer intensity that would characterize the first phase of her career and launch the Ike &amp; Tina Turner Revue onto the national stage.</p>



<h2>“River Deep – Mountain High” (1966)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78594" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina2_28efd2d8.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78594"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Produced by eccentric studio visionary Phil Spector, this track is one of the purest examples of his “Wall of Sound” technique, pairing Tina’s searing, full-throttle vocal with towering layers of instrumentation. Although it initially underperformed in the U.S., it became a major hit in the UK and later a critical landmark that helped position Tina as a commanding force bridging soul, rock, and pop.</p>



<h2>“Proud Mary” (1971)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78602" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina6_e6d06d05.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78602"></figure><figcaption>Source: John Lamparski/Getty Images</figcaption></figure>
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<p>Tina transformed Creedence Clearwater Revival’s hit into a monumental stage spectacle, opening with the now-iconic line, “We never ever do nothing nice and easy,” before launching into a blazing gospel-rock groove. The performance became a definitive showcase of the Revue’s explosive energy and choreography, cementing the song as a live classic and one of Tina’s most enduring signatures.</p>



<h2>“Nutbush City Limits” (1973)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78599" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina5_afd0b987.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78599"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>A deeply personal, semi-autobiographical track, this funk-rock anthem was written entirely by Tina herself — a rare authorial credit during her years with Ike. Its choppy rhythm, quirky details, and vivid references to Nutbush, Tennessee capture a playful, nostalgic portrait of the rural town where she grew up.</p>



<h2>“Let’s Stay Together” (1983)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78603" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina7_3408fbfe.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78603"></figure><figcaption>Source: Pascal Le Segretain/Getty Images</figcaption></figure>
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<p>This Al Green cover, bathed in sleek synths and polished ’80s production, became the unexpected breakthrough that ignited Tina’s solo comeback. It reintroduced her to a new generation and showcased her remarkable versatility, proving that the Queen of Rock ’n’ Roll could slide effortlessly into contemporary pop and new wave — paving the way for her global takeover with <em>Private Dancer</em>.</p>



<h2>“What’s Love Got to Do with It” (1984)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78604" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina8_75ae594f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78604"></figure><figcaption>Source: Sean Gallup/Getty Images</figcaption></figure>
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<p>The undisputed centerpiece of her solo career, this song became Tina’s first and only U.S. No. 1 single and won the Grammy for Record of the Year. Its cynical yet defiant message, combined with her mature, emotionally resonant vocal performance, resonated with millions, symbolizing her personal triumph and becoming the anthem for her incredible, hard-won resurgence.</p>



<h2>“Private Dancer” (1984)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78605" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina9_68d14cf1.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78605"></figure><figcaption>Source: Giuseppe Cacace/Getty Images</figcaption></figure>
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<p>Written by Dire Straits’ Mark Knopfler, this sophisticated, atmospheric track tells the story of a woman who dances for money, rendered with a quiet sadness and emotional distance. Tina’s nuanced, soulful performance gives the song its profound emotional weight, showcasing her gift for inhabiting complex narratives and helping elevate Private Dancer into one of the decade’s defining albums.</p>



<h2>“We Don’t Need Another Hero (Thunderdome)” (1985)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78595" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina3_a41a73a4.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78595"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>An epic, cinematic rock anthem that served as the theme for the movie <em>Mad Max Beyond Thunderdome</em>, in which Tina also starred. The song’s powerful, almost orchestral arrangement and inspirational message made it a massive global hit, further cementing her status as a pop culture icon whose star power transcended music and successfully crossed into film.</p>



<h2>“The Best” (1989)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78606" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina10_9955949d.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78606"></figure><figcaption>Source: Kevin Winter/Getty Images</figcaption></figure>
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<p>Originally recorded by Bonnie Tyler, Tina’s version transformed the song into a towering, stadium-ready anthem of adoration and empowerment. Its soaring chorus and big, late-’80s production helped make it one of her most recognizable hits worldwide and an enduring symbol of confidence and uplift.</p>



<h2>“GoldenEye” (1995)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78598" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251126_SPEN_78585_Tina4_a020d6be.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78598"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Tina joined the elite roster of James Bond theme vocalists with this brooding, sensual track, written for her by Bono and The Edge of U2. Her commanding performance over the film’s dark, elegant soundscape reaffirmed her status as a timeless powerhouse perfectly suited to one of cinema’s most iconic franchises.</p>

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