

        


<p>The fallout from the $82.7 billion acquisition of Warner Bros. by Netflix extends far beyond streaming subscriptions, <strong>raising a massive question mark over the future of the cinema experience.</strong> While Netflix is committed to acquiring Warner Bros.’ prestigious film studio and its valuable theatrical slate, the company’s long-standing skepticism toward long, exclusive theater runs has created a direct conflict with the global exhibition industry. </p>



<p>According to Variety, Netflix co-CEO Ted Sarandos insisted that the company has no “opposition to movies in theaters” <strong>but made it clear that the traditional release model is due for a fundamental change. </strong>For moviegoers and theater owners alike, the key takeaway is that while the big screen may not disappear, the time window between a film’s theatrical debut and its arrival on the Netflix platform is about to shrink considerably.</p>



<h2>The Promise of Theaters and the Looming Window Shift</h2>



<p>The initial fear that Netflix would simply send all Warner Bros. blockbusters straight to streaming was immediately addressed by the company. In a statement accompanying the announcement, Netflix confirmed that it <strong>“expects to maintain Warner Bros.’ current operations and build on its strengths, including theatrical releases for films.” </strong></p>



<p>Sarandos further noted on an investor call that <strong>the company plans to honor the existing film life cycle that starts in the movie theater.</strong> This assurance provides an immediate cushion against the fear that major Warner Bros. titles would bypass the big screen entirely, confirming that the commitment to theatrical distribution remains—at least for now.</p>



<p>However, while the support for theaters is promised, the terms of that support are poised to “evolve.” Sarandos was emphatic that the current system of long, exclusive theater runs is unsustainable. The co-CEO made it clear that release windows will <strong>“evolve to be much more consumer friendly, to be able to meet the audience where they are quicker.”</strong> Netflix’s primary objective is to bring first-run movies to its members as swiftly as possible, as that is what their subscribers pay for. That means the traditional 75- to 90-day exclusive theatrical window is now on the chopping block, setting the stage for Warner Bros. films to appear on Netflix far sooner than ever before.</p>



<p>Such aggressive pursuit of a shorter window has made the exhibition industry highly skeptical. <strong>Variety</strong> reported that the Cinema United President and CEO, Michael O’Leary, called the acquisition an <strong>“unprecedented threat to the global exhibition business.”</strong> Theater owners fear that the dramatic shortening of the release window will train consumers to wait just a few weeks for a film to hit streaming, thereby reducing box office revenue and damaging the business viability of countless local cinemas worldwide. O’Leary’s concern is that regulators must look closely at the deal because Netflix’s business model does not inherently support theatrical exhibition.</p>



<p>The most likely outcome, therefore, is that the theatrical run will transition from being an <strong>exclusive window</strong> to being an <strong>initial preview or event</strong> intended to maximize initial hype and revenue. While the biggest films will still open on the big screen, the time before they land on Netflix will likely be measured in weeks, not months. The change, which Netflix insists is necessary for the consumer, effectively subordinates the theatrical experience to the streaming service’s primary goal of providing immediate, exclusive content to its massive global subscriber base.</p>

The Merger of Netflix and Warner Bros: Will Movies Stop Being Released in Theaters?

Netflix Now Owns Warner Bros: Will Your Subscription Price Go Up?

Netflix Buys Warner Bros: When Will HBO Max Shows Be Streamable on the Platform?

The Merger of Netflix and Warner Bros: Will Movies Stop Being Released in Theaters? - Spoiler US

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<p>The landmark agreement between Netflix and Warner Bros. is more than a headline-grabbing corporate merger; <strong>it represents the unification of some of the most influential film and television libraries ever assembled.</strong></p>



<p>Valued at an estimated $82.7 billion, the deal brings a century of Warner Bros. storytelling under the Netflix umbrella, including the studios behind HBO, HBO Max, and Warner Bros.’ extensive film and television catalog. While the full integration depends on the transaction’s closing—expected sometime between late 2026 and mid-2027—the press release makes clear<strong> which major franchises and titles will ultimately become part of Netflix’s ecosystem.</strong></p>



<h2>From “The Sopranos” to “Superman”: Which Iconic Franchises Are Joining Netflix</h2>



<p>In their joint announcement, Netflix and WBD highlighted several cornerstone properties to illustrate the scale of the acquisition, calling the combined libraries an “extraordinary offering for audiences worldwide.” The titles named span prestige television, foundational Hollywood classics, and globally recognized franchises. <strong>These fall into three major categories:</strong></p>



<h3><strong>Prestige Television and Beloved Classics (The HBO Vault)</strong></h3>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79460" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251205_SPEN_79456_HBO1_2a935bb5.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79460"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>One of the most valuable additions to Netflix’s future lineup is the HBO and HBO Max catalog, long considered the gold standard of prestige television. While rights will shift gradually as licensing windows expire, the press release confirms several flagship titles:</p>



<ul><li><strong>Game of Thrones</strong></li><li><strong>The Sopranos</strong></li><li><strong>Friends</strong></li><li><strong>The Big Bang Theory</strong></li><li><strong>Casablanca</strong>, <strong>Citizen Kane</strong>, and <strong>The Wizard of Oz</strong>, representing Warner Bros.’ deep classic film library</li></ul>



<h3><strong>The DC Universe and Blockbuster Films</strong></h3>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79461" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251205_SPEN_79456_HBO2_e3a8afaa.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79461"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>The acquisition also brings the entire <strong>DC Universe</strong> under Netflix’s corporate ownership, giving the streamer access to one of Hollywood’s most valuable franchise ecosystems. While new films will continue receiving theatrical releases, they will ultimately land on Netflix after their theatrical windows.</p>



<p>This includes:</p>



<ul><li><strong>The DC Universe</strong>: Batman, Superman, Wonder Woman, The Flash, and associated films and series</li><li><strong>Harry Potter</strong>: The full film franchise, explicitly referenced in the announcement</li><li><strong>The Wizarding World</strong>: Spin-offs such as <em>Fantastic Beasts</em>, part of Warner Bros.’ ownership</li></ul>



<h3><strong>Major Warner Bros. TV and Animation</strong></h3>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79462" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251205_SPEN_79456_HBO3_2cce5862.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79462"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Beyond the marquee franchises, the merger delivers one of the largest television libraries in the industry. While not individually listed in the release, this includes the broader Warner Bros. Television catalog—content that already fuels significant viewership across platforms.</p>



<p>Among the key assets included:</p>



<ul><li><strong>Warner Bros. Television library</strong>, featuring long-running network hits and syndicated staples such as <em>Two and a Half Men</em> and <em>The West Wing</em>.</li><li><strong>Warner Bros. Animation</strong>, encompassing legacy properties such as <em>Looney Tunes</em> and classic animated films and series</li></ul>

Netflix Acquires Warner Bros: Every Major Franchise Coming to the Platform

Netflix Acquires Warner Bros: Every Major Franchise Coming to the Platform - Spoiler US



        


<p>The announcement that Netflix has acquired Warner Bros., including its film studios and the entirety of the HBO Max library, sent shockwaves across the entertainment world and immediately raised a critical question for every subscriber: <strong>Will this cost me more? </strong></p>



<p>While the prospect of having “Game of Thrones,” the DC Universe, and “Friends” all under one streaming roof is enticing, the price tag of the deal—an estimated $82.7 billion—<strong>has fueled anxiety over inevitable subscription price hikes.</strong> To understand the future of your monthly bill, we must look past the headlines and examine Netflix’s core financial claims in the merger documents: a promised $2-3 billion in annual cost savings and a commitment to delivering “greater value” to consumers.</p>



<h2>Is a Price Increase Inevitable After the $82.7 Billion Deal?</h2>



<p>The financial complexity of the Warner Bros. acquisition makes the outlook for pricing mixed, <strong>but not immediately disastrous for consumers.</strong> </p>



<p>On one hand, Netflix is adding arguably the most prestigious television library in history, a move that provides justification for charging a higher price. Historically, content additions and improved technology are the main drivers for streaming service price increases. However, the official press release highlights that the company expects to generate <strong>at least $2-3 billion of cost savings per year</strong> by the third year post-closing. This synergy, achieved through combining technology stacks, streamlining operations, and eliminating redundancies, could theoretically allow Netflix to absorb the acquisition cost <strong>without passing it entirely to the average user.</strong></p>



<p>A more likely scenario than a blanket price increase is the introduction of <strong>new, differentiated subscription tiers</strong>. The release explicitly mentions that the combination will “allow Netflix to optimize its plans for consumers, enhancing viewing options.” This strongly suggests that Netflix may leverage the premium nature of HBO content <strong>by establishing a new, higher-priced “Netflix Premium Plus” or “Netflix/HBO Tier.” </strong>That would allow the company to realize greater revenue from its most enthusiastic users who want access to every piece of content, while potentially leaving the price of its standard and ad-supported tiers more stable to maintain subscriber volume.</p>



<p>The ultimate determination of pricing will not arrive until the deal is fully closed, which is projected for <strong>late 2026 or mid-2027</strong>. Until that point, both services will continue to operate separately, and immediate price adjustments are not expected. However, once the integration is complete, the company will have a near-monopoly on high-quality content, <strong>giving it significant pricing power.</strong> While the cost savings are a strong mitigating factor, subscribers should anticipate that the enhanced value of the combined service will, in the long run, be reflected in the available subscription options and their respective costs.</p>

Is It or Isn’t It? The 10 Most Debated Christmas Movies

Netflix Now Owns Warner Bros: Will Your Subscription Price Go Up? - Spoiler US



        


<p>In a historic and definitive move that signals a dramatic shift in the streaming wars, Netflix, Inc. and Warner Bros. Discovery, Inc. announced an agreement under which <strong>Netflix will acquire the core Warner Bros. film and television studios, alongside HBO and the HBO Max streaming service. </strong></p>



<p>Valued at an astonishing <strong>$82.7 billion</strong>, this transaction brings together Netflix’s global reach and production power with Warner Bros.’ century-long legacy, which includes beloved franchises like <strong>“Game of Thrones,” “Harry Potter,”</strong> and the <strong>DC Universe.</strong> While the deal promises to simplify streaming choices for consumers and deliver a colossal combined library, subscribers should prepare for a significant waiting period before they can binge their favorite HBO titles on the Netflix platform.</p>



<h2>When Can You Expect HBO Content on Netflix?</h2>



<p>The immediate answer is: <strong>not right away.</strong> Despite the monumental announcement made today, the addition of content like “The Sopranos” or “The Big Bang Theory” to Netflix is tied to a complex, multi-stage process that involves regulatory approvals and a necessary corporate restructuring. The full library integration can only begin <strong>after</strong> the acquisition officially closes, <strong>a date projected to be over a year away. </strong>This timeline is crucial for managing subscriber expectations, as the deal is not instantly complete.</p>



<p>According to the official release, the closing of the acquisition is subject to two major preconditions. First, the deal must pass regulatory and antitrust review—a lengthy process for a transaction of this size and industry significance. Second, Warner Bros. Discovery must first complete the separation of its Global Networks division, an entity known as Discovery Global. This pre-closing corporate split, which involves major brands like CNN and TNT Sports,<strong> is expected to be finished in Q3 2026.</strong></p>



<p>Once the separation is complete, the main transaction can proceed toward finalization. The acquisition is expected to close within a window of <strong>12 to 18 months</strong> from the date of the announcement. This places the earliest likely integration of the full HBO and Warner Bros. library into the Netflix platform in <strong>late 2026 or the first half of 2027</strong>. Until then, the separate HBO Max service is expected to continue its current operations.</p>

16 Behind the Scenes Facts from the Most Beloved Christmas Films

Netflix Buys Warner Bros: When Will HBO Max Shows Be Streamable on the Platform? - Spoiler US



        


<p>Every holiday season brings its own soundtrack, but only a select group of Christmas singles have managed to turn festive cheer into record-breaking sales. From golden-age classics to modern chart-toppers, these songs have dominated airwaves, soundtrack playlists, and stood the test of time. <strong>Here’s a look at the 20 best-selling Christmas singles in the U.S.</strong> based on certification by the RIAA.</p>



<h2>20. Mary, Did You Know – Pentatonix (Platinum)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79430" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251204_SPEN_79397_Pentatonix_4f7e3b2c.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79430"></figure><figcaption>Source: Michael Loccisano/Getty Images</figcaption></figure>
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<p>Pentatonix transformed “Mary, Did You Know” into a soaring a cappella showpiece that resonated far beyond the group’s core fanbase. The arrangement gave the song a spacious, almost cinematic feel that set it apart from other seasonal releases. As their holiday albums became annual staples, this track grew alongside them. </p>



<h2>19. Hallelujah – Pentatonix (Platinum)</h2>



<p>Although not originally a Christmas song, Pentatonix’s dramatic interpretation of “Hallelujah” quickly became tied to the holiday season. Their layered vocals added emotional depth, turning the cover into a wintertime favorite shared on countless playlists and broadcasts. It found new life each year as listeners gravitated toward its reflective tone. </p>



<h2>18. You Make It Feel Like Christmas – Gwen Stefani (featuring Blake Shelton) (Platinum)</h2>



<p>Gwen Stefani and Blake Shelton created an unexpected pop-country fusion that charmed fans from both genres. Their cheerful duet captured the warmth of holiday togetherness, making it a standout on seasonal radio. The song’s playful spirit kept it circulating heavily during the busiest shopping weeks of the year.</p>



<h2>17. A Ghetto Christmas Carol – XXXTentacion (Platinum)</h2>



<p>XXXTentacion delivered one of the most unconventional holiday releases in recent memory with “A Ghetto Christmas Carol.” The track blended his signature rawness with a dark holiday aesthetic that appealed to a specific but passionate audience. Even with its edgy tone, it drew massive streaming numbers throughout the winter months. </p>



<h2>16. What Christmas Means to Me – John Legend (featuring Stevie Wonder) (Platinum)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79412" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251204_SPEN_79397_Music2_f57d02ad.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79412"></figure><figcaption>Source: Kevin Winter/Getty Images</figcaption></figure>
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<p>John Legend revived a Motown favorite with help from Stevie Wonder, creating a vibrant, joyful version that honored the original. The recording radiated a celebratory energy that made it ideal for holiday commercials and playlists. Its polished sound and star-powered collaboration boosted its visibility across platforms. </p>



<h2>15. Cozy Little Christmas – Katy Perry (Platinum)</h2>



<p>Katy Perry embraced holiday cheer with this shimmering, modern pop single that quickly gained traction. Its playful lyrics and warm production made it a frequent choice for seasonal ads and festive social content. Listeners gravitated to its cozy, feel-good vibe as soon as the holiday season kicked off. </p>



<h2>14. Like It’s Christmas – Jonas Brothers (Platinum)</h2>



<p>The Jonas Brothers brought a nostalgic yet upbeat approach to “Like It’s Christmas,” appealing to longtime fans and casual listeners alike. Its cheerful melody made it perfect for holiday parties and family-friendly playlists. The trio’s comeback momentum helped the song gain additional visibility during its release year. </p>



<h2>13. Baby, It’s Cold Outside – Dean Martin (2× Platinum)</h2>



<p>Dean Martin’s silky version of “Baby, It’s Cold Outside” remains one of the most recognizable holiday recordings ever made. His effortless charm and relaxed delivery have allowed the track to endure across generations. Each winter, it re-enters the conversation as both a classic and a cultural touchpoint. </p>



<h2>12. Let It Snow! Let It Snow! Let It Snow! – Dean Martin (2× Platinum)</h2>



<p>This Dean Martin staple captures the essence of mid-century Christmas music, complete with smooth vocals and cozy atmosphere. The song has thrived for decades thanks to its frequent use in films, commercials, and holiday events. As streaming brought classic tracks to younger audiences, its popularity surged once again. </p>



<h2>11. Christmas Canon – Trans-Siberian Orchestra (2× Platinum)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79413" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251204_SPEN_79397_Music3_90344052.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79413"></figure><figcaption>Source: Anna Webber/Getty Images for iHeart Radio</figcaption></figure>
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<p>Trans-Siberian Orchestra reimagined Pachelbel’s Canon as a sweeping holiday piece filled with orchestral drama. The blending of classical elements with modern production gave the song a unique identity within the Christmas catalog. It became a staple of their live shows, which helped drive sustained interest in the recording. </p>



<h2>10. Snowman – Sia (2× Platinum)</h2>



<p>Sia’s “Snowman” emerged as a viral sensation thanks to its whimsical melody and heartfelt lyrics. Social media challenges and fan-made videos pushed it to new heights each holiday season. The song’s gentle, nostalgic style set it apart from her more experimental pop work. </p>



<h2>9. Christmas (Baby Please Come Home) – Darlene Love (3× Platinum)</h2>



<p>Darlene Love’s powerhouse vocals turned this Phil Spector-produced gem into one of the most enduring Christmas recordings of the 1960s. Her yearly performances on television cemented its status as a seasonal tradition. The song’s emotional urgency keeps it relevant even as holiday music evolves. </p>



<h2>8. Sleigh Ride – The Ronettes (3× Platinum)</h2>



<p>The Ronettes injected “Sleigh Ride” with a joyful burst of 1960s pop energy that continues to charm listeners. Its vibrant production and spirited vocals make it instantly recognizable. The track’s resurgence in modern media has fueled its recent streaming growth. </p>



<h2>7. Christmas Eve/Sarajevo 12/24 – Savatage / Trans-Siberian Orchestra (3× Platinum)</h2>



<p>This dramatic instrumental blends rock and classical influences in a way that reshaped holiday music in the ’90s. Its electrifying arrangement became synonymous with light shows and festive displays across the United States. The track’s association with Trans-Siberian Orchestra’s touring extravaganzas helped maintain its visibility. </p>



<h2>6. Mistletoe – Justin Bieber (3× Platinum)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79415" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251204_SPEN_79397_Music4_e276b4c8.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79415"></figure><figcaption>Source: Dimitrios Kambouris/Getty Images for The Met Museum/Vogue</figcaption></figure>
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<p>Justin Bieber introduced a new wave of teen-pop holiday music with “Mistletoe,” which became a massive seasonal hit. Its breezy, romantic vibe helped it dominate Christmas playlists among younger listeners. The song’s catchy chorus made it one of the most replayed tracks of the season in its release year. </p>



<h2>5. Do You Want to Build a Snowman? – Kristen Bell, Agatha Lee Monn and Katie Lopez (4× Platinum)</h2>



<p>This emotional highlight from Disney’s “Frozen” became an instant cultural phenomenon. Families and children embraced the song’s storytelling charm, keeping it in heavy rotation long after the film’s release. Its seasonal appeal grew as the movie became a winter classic. </p>



<h2>4. Santa Tell Me – Ariana Grande (4× Platinum)</h2>



<p>Ariana Grande delivered a modern Christmas anthem with “Santa Tell Me,” blending playful lyrics with polished pop production. The song surged each December as fans embraced its upbeat, youthful energy. It also became a consistent presence on holiday charts around the world. </p>



<h2>3. Rockin’ Around the Christmas Tree – Brenda Lee (7× Platinum)</h2>



<p>Brenda Lee’s irresistible swing on “Rockin’ Around the Christmas Tree” turned it into a jukebox classic almost immediately after its release. The track’s buoyant tempo and Lee’s vibrant delivery have made it a centerpiece of holiday parties and film soundtracks for decades. Seasonal airplay and recurring sync placements have driven streams and sales consistently year after year.</p>



<h2>2. Last Christmas – Wham! (7× Platinum)</h2>



<p>Wham!’s bittersweet holiday classic has grown more iconic with each passing decade. Its synth-pop sound and memorable chorus helped redefine what a Christmas hit could be. Year after year, it dominates global charts and inspires countless covers. </p>



<h2>1. All I Want for Christmas Is You – Mariah Carey (16× Platinum)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79417" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251204_SPEN_79397_Music5_f997a5f6.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79417"></figure><figcaption>Source: Mark Erickson/Getty Images</figcaption></figure>
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<p>Mariah Carey’s holiday juggernaut continues to reign as the undisputed queen of Christmas music. Its blend of modern pop and timeless festive flair has made it a cultural tradition across generations. Each December, the song returns to No. 1 territory as streams and sales skyrocket worldwide. </p>

Is Your Favorite on the List? The 20 Best-Selling Christmas Singles in the U.S.

Is Your Favorite on the List? The 20 Best-Selling Christmas Singles in the U.S. - Spoiler US



        


<p>It has certainly been a rocky week for film-industry gossip. After unveiling his picks for the 20 to 10 best films of the 21st century, Quentin Tarantino revealed his top 10 on The Bret Easton Ellis Podcast a few days ago, and he did not hesitate to deliver <strong>a harsh criticism of Paul Dano’s critically lauded performance in “There Will Be Blood.</strong>“</p>



<p>The director of “Pulp Fiction” placed Paul Thomas Anderson’s film in fifth place and stated, “There Will Be Blood would stand a good chance at being #1 or #2 if it didn’t have a big, giant flaw in it … <strong>and the flaw is Paul Dano.” </strong>The rant didn’t stop there. Tarantino added, “[Dano] is weak sauce, man. He is the weak sister. Austin Butler would have been wonderful in that role. He’s just such a weak, weak, uninteresting guy. <strong>The weakest f**king actor in SAG.”</strong> In response, many stars stepped in to defend Dano. Here’s what they said.</p>



<h2>Simu Liu, ‘Batman 2’ Writer and Dillon Freasier Step Up to Defend Paul Dano</h2>



<p>Hollywood didn’t waste any time pushing back against Quentin Tarantino’s blistering critique. Among the first voices to speak up was <strong>Simu Liu</strong>, who took to X to make his stance unmistakably clear. The “Shang-Chi” star kept it simple but firm, telling followers <strong>“idk man i think paul dano is an incredible actor.”</strong></p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79390" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251204_SPEN_79387_Paul1_c5ccc619.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79390"></figure><figcaption>Source: Cindy Ord/Getty Images</figcaption></figure>
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<p>Another strong defense came from <strong>Mattson Tomlin</strong>, who’s currently co-writing “The Batman Part II” with director Matt Reeves. Tomlin praised not only Dano’s acting but also his work behind the camera, calling him a filmmaker with <strong>“tremendous empathy”</strong> and encouraging fans to revisit <strong>“Wildlife,”</strong> Dano’s directorial debut. Given their collaboration on Reeves’ “Batman” universe—where Dano portrayed a chilling, methodical Riddler—Tomlin’s endorsement carried extra weight.</p>



<p>Support even came from one of the stars who shared the screen with Dano during the very film Tarantino criticized. <strong>Dillon Freasier</strong>, the former child actor who played H.W. Plainview in “There Will Be Blood,” told TMZ the movie remains “perfect” in his eyes. <strong>He credited the film’s enduring power to its “perfect” casting</strong>, making it crystal clear that he believes Dano was exactly where he needed to be.</p>



<p>As the conversation spread, more industry names joined in. Ben Stiller posted on X, <strong>“Paul Dano is f-ing brilliant,”</strong> adding his voice to the growing wave of support. Two other a-listers showed their backing (visually) as well: <strong>Toni Collette</strong> shared a photo of the two filming “Little Miss Sunshine,” topping Dano with a crown emoji, while <strong>Maya Rudolph</strong> posted a shot of him opposite Daniel Day-Lewis in the intense church scene from “There Will Be Blood,” a subtle reminder of the performance Tarantino dismissed.</p>



<p>With actors, writers, and former co-stars stepping in, <strong>the backlash to Tarantino’s comments has turned into a reminder of Dano’s reputation among peers</strong>: a performer consistently praised for commitment, nuance, and a willingness to take risks.</p>

Hollywood Rises for Paul Dano After Tarantino’s ‘Weakest Actor’ Insult: Who Stood Up for Him

Rolling Stone Unveils Top Songs and Films of 2025

Hollywood Rises for Paul Dano After Tarantino’s ‘Weakest Actor’ Insult: Who Stood Up for Him - Spoiler US



        


<p>For decades, the <strong>“Paranormal Activity”</strong> franchise has been a staple of modern horror, known for its eerie found-footage style and jump scares that linger long after the credits roll. The series has built a devoted following, with each installment keeping audiences on edge and sparking endless debates about what’s real and what’s imagined. Its influence on the horror genre is undeniable, shaping the way scares are delivered in countless films that followed. And now, fans have reason to pay close attention again, <strong>as the franchise prepares to take its next step.</strong></p>



<h2>The ‘Paranormal Activity’ Franchise Prepares for a Major Reboot</h2>



<p>According to an exclusive by The Hollywood Reporter,<strong> James Wan is joining forces with Blumhouse to produce a new “Paranormal Activity” movie,</strong> signaling the return of one of horror’s most iconic franchises. The move follows the merger of Wan’s company Atomic Monster with Blumhouse, combining two of the most influential forces in modern horror. </p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79374" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79372_Para2_ff8ec0e9.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79374"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p><strong>Paramount Pictures</strong> is partnering on the project, agreeing to co-finance, co-produce, and distribute the film worldwide. Original creator <strong>Oren Peli</strong> will return as a producer through Solana Films, and Jason Blum is also actively involved. Industry insiders describe the movie as a priority for both Blumhouse-Atomic Monster and Paramount, suggesting the next installment will receive significant resources and attention.</p>



<p>In a statement, <strong>Wan expressed his admiration for the first “Paranormal Activity,” </strong>praising its slow-building tension and the way it made the unseen frightening. He said he is excited to expand the franchise while maintaining the core elements that made it successful. <strong>Blum also shared his enthusiasm,</strong> noting that the collaboration represents the fulfillment of a long-standing vision. Both emphasized that while the budget is far larger than the original fifteen thousand dollar production, the experience of watching it alone will remain just as intense.</p>



<p>Executives at Paramount highlighted the creative strength behind the project. Co-chairs Josh Greenstein and Dana Goldberg praised Wan and Blum as two of the most visionary figures in horror today <strong>and said their combined talents set the stage for a thrilling new chapter.</strong> With such a powerhouse team driving the franchise, the next “Paranormal Activity” is shaping up to be a major cinematic event that could redefine modern scares for a new generation.</p>

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<p>Christmas movies feel effortless on screen, but the stories behind them are often just as memorable as the films themselves. From unexpected on set mishaps to clever filmmaking tricks that brought holiday magic to life, many beloved classics were shaped by moments viewers never got to see. This collection uncovers the hidden tales, creative choices, and surprising challenges that turned these seasonal favorites into timeless staples.</p>



<h2>Donna Reed Didn’t Need Movie Magic for the Famous Window Shot</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79323" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas2_038fadfd.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79323"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>In “It’s a Wonderful Life,” the scene where Mary throws a rock through the Granville house window was supposed to rely on a hidden marksman to break the glass on cue. Instead, Donna Reed shocked the crew by nailing the throw herself, shattering the window in one clean hit. The actress’s unexpected accuracy came from her high school baseball days, giving the classic film one of its most authentic moments.</p>



<h2>Harry and Marv Never Expected Home Alone to Succeed</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79325" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas3_10008c99.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79325"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>While filming “Home Alone,” Joe Pesci and Daniel Stern were convinced the project was nothing more than a small, forgettable comedy. Believing the movie had little chance of becoming a hit, both actors leaned into wildly exaggerated performances, playing Harry and Marv with cartoonish bravado. Their over the top approach ended up becoming one of the film’s defining charms and a key part of its massive, unexpected success.</p>



<h2>Why Die Hard Could Go Wild Inside Its Own Building</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79326" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas4_fa252102.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79326"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>The iconic Nakatomi Plaza seen in “Die Hard” was actually the real headquarters of 20th Century Studios, which meant the production could stage explosive stunts without worrying about renting an outside location. The studio technically charged itself rent, and because some middle floors were already occupied by legal and administrative staff, only the empty levels were used for filming. Even then, scenes involving gunfire had to wait until after hours, since employees working above and below started complaining about the noise.</p>



<h2>Will Ferrell’s Lincoln Tunnel Walk Caused Real Traffic Trouble</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79327" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas5_67307040.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79327"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>While filming “Elf,” Will Ferrell’s stroll through the Lincoln Tunnel in full Buddy costume turned out to be more chaotic than expected. Drivers were so shocked to see a grown man in a bright elf outfit wandering along the roadway that several minor accidents occurred as people slowed down or took their eyes off the road.</p>



<h2>Walking Away from Chevy Chase Led Chris Columbus to a Bigger Christmas Hit</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79329" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas6_c7fdedb7.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79329"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Before “National Lampoon’s Christmas Vacation” could begin filming, original director Chris Columbus quickly realized he could not work with Chevy Chase, whose difficult reputation proved true in their first meetings. Even though he badly needed the job, Columbus chose to quit, fearing the decision might end his career. Instead, John Hughes soon offered him “Home Alone,” which became a runaway sensation the following year.</p>



<h2>Gremlins’ Hometown Is the Same as Hill Valley</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79330" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas7_e7e1fa49.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79330"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>The snowy town of Kingston Falls in “Gremlins” may look familiar because it’s the exact same set used for Hill Valley in “Back to the Future.” Both films were shot on the Universal Studios backlot, where the iconic town square was redressed to transform it from a creature plagued community into a time traveling landmark.</p>



<h2>The Author of The Polar Express Also Created Other Fantastical Worlds</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79332" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas8_6a675a2f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79332"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>“The Polar Express” is based on the beloved children’s book by Chris Van Allsburg, an author whose imagination has shaped several iconic films. Van Allsburg also wrote “Jumanji” and “Zathura,” two stories that, like “The Polar Express,” blend wonder, adventure, and a touch of magic. His ability to craft fantastical worlds made the movie’s leap from page to screen feel perfectly natural.</p>



<h2>Dianne Wiest’s Commitment Helped Edward Scissorhands Come to Life</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79333" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas9_d68e5145.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79333"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Before “Edward Scissorhands” assembled its acclaimed cast, Dianne Wiest was the very first actor to sign on. Tim Burton later praised her enthusiasm, saying she immediately embraced the script and supported the project wholeheartedly. Because Wiest was so widely respected, her early vote of confidence sparked interest from other actors, helping the film attract the talent it needed to become a modern classic.</p>



<h2>Eddie Murphy Had the Perfect Joke About the Cast’s Combined Experience</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79334" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas10_8a0a6737.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79334"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>On “Trading Places,” veteran actors Ralph Bellamy and Don Ameche brought decades of experience to the set, with the film marking Bellamy’s ninety ninth movie and Ameche’s forty ninth. Eddie Murphy, on only his second film, could not resist cracking a joke about the gap in résumés, saying, “Between the three of us, we’ve made one hundred fifty movies!” It became a favorite behind the scenes moment from the Christmas comedy.</p>



<h2>Tim Burton Stopped Disney from Making a CGI Nightmare Before Christmas Sequel</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79335" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas11_cf3a6d8e.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79335"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>In 2001, Disney briefly explored the idea of producing a sequel to “The Nightmare Before Christmas,” but the plan involved abandoning the film’s signature stop motion style in favor of computer animation. Tim Burton stepped in and convinced the studio to drop the project, insisting the original’s charm came from its uniqueness and purity. He later joked that he never wanted to see “Jack visits Thanksgiving World” or any similar spinoff, believing the story was complete as it was and beloved for that very reason.</p>



<h2>Jim Carrey’s Ron Howard Impression Created a New Grinch Moment</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79337" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas12_83b95fba.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79337"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>One memorable scene in “How the Grinch Stole Christmas”—the Grinch directing his dog Max before setting out to steal Christmas—was never in the script. Jim Carrey came up with it while playfully mocking producer and director Ron Howard, mimicking his directing style between takes. Howard found the impression so funny that he decided to put the moment in the movie, turning Carrey’s on set joke into a fan favorite scene.</p>



<h2>Laura Linney Landed the Role Because the Casting Director Reached a Breaking Point</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79338" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas13_48f79181.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79338"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>While casting Sarah in “Love Actually,” Richard Curtis kept auditioning British actresses but repeatedly told the team he wanted “someone like Laura Linney.” After hearing this one time too many, the casting director finally snapped and said they should just bring Linney in. She auditioned soon after and won the role, proving she was exactly who Curtis had been envisioning all along.</p>



<h2>James Stewart Cherished Working with Margaret Sullavan Despite Her Temper</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79340" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas14_1809d5f4.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79340"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>On “The Shop Around the Corner,” Margaret Sullavan was well known for her fiery temperament and her general dislike of Hollywood, which made her a challenging presence on set. Yet James Stewart considered collaborating with her one of the highlights of his career. Because he knew her personally and understood her moods better than most, he was uniquely prepared to handle her emotional outbursts and help keep the production steady.</p>



<h2>Vincente Minnelli’s Eye for Detail Made the Smith Home Feel Real</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79342" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas15_ee6772f0.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79342"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>While filming “Meet Me in St. Louis,” the cast and crew quickly noticed Vincente Minnelli’s remarkable dedication to authenticity. He worked closely with author Sally Benson, who provided vivid descriptions of how the Smith family home should look based on her own experiences, resulting in sets that were nearly perfect for the era. </p>



<h2>A Real Snowstorm Helped Bring The Holdovers to Life</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79344" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas16_3ed0f9bb.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79344"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Many scenes for “The Holdovers” were filmed at Fairhaven High School in Massachusetts during the school’s February break in 2022. By chance, a snowstorm hit the area just as filming began, perfectly matching the movie’s wintery setting. The crew embraced the unexpected weather, so the snow seen on screen is completely real, adding an authentic chill to the film’s atmosphere.</p>



<h2>Klaus Blended Hand-Drawn Animation with Modern CGI Techniques</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79346" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79292_Mas17_06b91719.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79346"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>For “Klaus,” director Sergio Pablos wanted to honor traditional animation while exploring how it might have evolved without the dominance of CGI. The studio combined hand-drawn animation with advanced computer-generated lighting techniques, creating a strikingly unique visual style that feels both classic and modern at the same time.</p>

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<p>The annual Spotify Wrapped campaign has officially arrived, pulling back the curtain on the listening habits that defined 2025 across the globe. This year’s recap reveals a massive victory for a collaboration that blended pop royalty and chart-topping swagger: <strong>“Die With a Smile”</strong> by Lady Gaga and Bruno Mars has clinched the title of the <strong>Most-Streamed Song of the Year</strong>. With over 1.7 billion global streams, the nostalgic, soulful ballad resonated deeply with listeners, solidifying its status as the undeniable soundtrack of the last twelve months and showcasing the enduring power of superstar duets.</p>



<h2>The Story Behind Lady Gaga and Bruno Mars’ Hit Track</h2>



<p>The song began as a late night creative spark that quickly grew into one of the most celebrated collaborations of the decade. <strong>Mars first played the unfinished idea for Gaga during a studio visit, and the pair completed the song in just a few hours.</strong> Their chemistry was instant, and producers Andrew Watt and D Mile helped shape the track with live instruments, warm harmonies and a classic seventies inspired mood.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79266" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251203_SPEN_79261_LadyGaga1_adb2fffb.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79266"></figure><figcaption>Source: Amy Sussman/Getty Images</figcaption></figure>
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<p>Critics praised the song immediately, noting how Gaga’s emotional power blends with Mars’ smooth vocal style. The production leans into pop soul and soft rock, <strong>echoing Gaga’s work on Joanne and Shallow as well as the vintage influences heard in Mars’ Silk Sonic project.</strong> At its heart, the song is an intimate story about holding on to love in moments of uncertainty, using an end of the world scenario to highlight devotion and vulnerability.</p>



<p><strong>The track also became a massive commercial force.</strong> “Die With a Smile” broke streaming records, becoming the most viral song of 2024, the longest running daily number one in Spotify history and the fastest track on the platform to reach three billion streams. It topped charts in more than thirty countries, dominated the Billboard Global 200 for eighteen weeks and earned significant certifications across the world, including multiple diamond awards in Brazil and France along with several platinum honors in Canada, Australia and Portugal.</p>



<p>Its impact continued with a nostalgic music video styled after seventies television specials, featuring Gaga at the piano and Mars on guitar. The duo performed the song together for the first time at a Mars concert in Los Angeles and later in Las Vegas, <strong>where the duet became a fan favorite moment.</strong> Both artists also delivered solo versions on their own stages, and the song earned a nomination for Song of the Year and a win for Best Pop Duo Group Performance at the Grammy Awards, securing its place as a defining musical moment of the mid 2020s.</p>

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<p>According to World of Reel, <strong>Quentin Tarantino has finally revealed his top 10 movies of the 21st century</strong>, following his rundown of numbers 10 through 20 on The Bret Easton Ellis Podcast last week. The filmmaker has long teased the list, often hinting at which modern films he believes measure up to his exacting standards. Now, fans have a clearer picture of the titles he thinks define the era, offering a rare glimpse into the movies that have genuinely impressed him. Here, his absolute <strong>favorites.</strong></p>



<h2>10. Midnight in Paris (Woody Allen)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79135" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino1_7f5e561a.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79135"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Tarantino admits he had a rocky start with <em>Midnight in Paris</em>, largely because he couldn’t stand Owen Wilson’s screen persona. But repeat viewings softened him, and by the third time through, he found himself increasingly drawn to Wilson’s performance. What began as a love-hate experience eventually became an unexpected favorite.</p>



<h2>9. Shaun of the Dead (Edgar Wright)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79136" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino2_3006d9a3.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79136"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>He calls Edgar Wright’s breakout one of the strongest feature debuts of the century, praising its affection for George Romero’s zombie universe. Tarantino loves that it’s not a parody but a full-fledged zombie film with sharp writing and endlessly quotable lines. For him, its sincerity is what elevates it above other genre send-ups.</p>



<h2>8. Mad Max: Fury Road (George Miller)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79137" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino3_4eb0c347.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79137"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Tarantino initially resisted seeing <em>Fury Road</em> because he couldn’t imagine a <em>Mad Max</em> movie without Mel Gibson. But relentless praise—and some nudging from his editor—finally pushed him into the theater. What he found was pure cinematic muscle: a visionary filmmaker working with limitless resources to craft something ferociously original.</p>



<h2>7. Unstoppable (Tony Scott)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79138" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino4_d6b24457.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79138"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>He considers <em>Unstoppable</em> one of the great final films by any director, a late-career Tony Scott triumph he likes more each time he revisits it. The chemistry between the leads and the stripped-down intensity stand out, but Tarantino especially loves the film’s central conceit: the runaway train as a full-on movie monster. In his view, it’s one of the best creature features of the 21st century—even stronger than Godzilla or King Kong.</p>



<h2>6. Zodiac (David Fincher)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79140" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino6_2959d74b.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79140"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Tarantino’s appreciation for <em>Zodiac</em> grew slowly, deepening with each unexpected rewatch on cable over the years. He eventually came to savor its hypnotic pacing and meticulous construction, calling the film a “luxurious experience” that reveals new layers every time. Now, he considers it a mesmerizing masterwork.</p>



<h2>5. There Will Be Blood (Paul Thomas Anderson)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79141" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino7_373e225a.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79141"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>He reveres the film’s craftsmanship and Daniel Day-Lewis’ towering performance, describing it as old-school Hollywood mastery without the nostalgia trappings. Still, Tarantino has one major gripe: he believes Paul Dano is miscast, weakening what should be a true two-hander. Even with that flaw, he says the film could easily rank at the very top of the list.</p>



<h2>4. Dunkirk (Christopher Nolan)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79142" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino8_3b323b8d.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79142"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Like several films on his list, <em>Dunkirk</em> didn’t fully click with him on first viewing. But repeated watches unlocked the movie’s precision and control, revealing a level of mastery he hadn’t initially grasped. By the third and fourth viewing, he found himself completely blown away by Nolan’s achievement.</p>



<h2>3. Lost in Translation (Sofia Coppola)</h2>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79143" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino9_f4528dc3.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79143"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Tarantino recalls falling so hard for <em>Lost in Translation</em> that he wound up falling for its director too, joking about publicly “wooing” Sofia Coppola at events like a character in a Jane Austen novel. He praises the film’s intimate, “girlie” sensibility—done, he says, with exceptional finesse. To him, it’s a rare, beautifully rendered emotional world.</p>



<h2>2. Toy Story 3 (Lee Unkrich)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79144" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino10_a2c8d6bf.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79144"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>He describes the final minutes of <em>Toy Story 3</em> as devastatingly emotional—so powerful he can barely talk about them without choking up. Beyond its heartbreak, he sees the film as nearly perfect, including its comedic beats, which he says never stop landing. In his eyes, it’s the greatest conclusion to a trilogy since <em>The Good, the Bad and the Ugly</em>.</p>



<h2>1. Black Hawk Down (Ridley Scott)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79145" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79134_Tarantino11_42779723.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79145"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Tarantino considers <em>Black Hawk Down</em> a flat-out masterwork, one he initially underestimated because its sheer intensity overwhelmed him on first viewing. Over time, though, he came to see it as the only modern film that truly captures the “Apocalypse Now” sense of purpose and immersive visual force. He praises its relentless pacing, extraordinary direction, and the way it gripped him—heart pounding—for nearly three hours without ever letting go.</p>

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<p>Every holiday season, the same debate resurfaces like clockwork: <strong>which pictures genuinely qualify as Christmas classics</strong>, and which ones are just riding the festive wave? While some films are unambiguously tied to the holiday, others feature Christmas merely as a backdrop—yet inspire fierce loyalty from fans who insist they belong on every December watchlist. </p>



<p>From unlikely action thrillers to unconventional dramas and comedies, these titles sit squarely in the gray area, fueling endless discussions at family gatherings and online. <strong>Here are the 10 most hotly debated Christmas movies </strong>that continue to divide<strong> </strong>viewers year after year.</p>



<h2>Die Hard (1988) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79116" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas1_22795c00.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79116"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>This is the movie that arguably started the entire “Is it a Christmas movie?” debate. Proponents point out that the entire plot takes place during a Christmas Eve party at the Nakatomi Plaza, features constant Christmas music, and revolves around a man trying to reunite with his estranged family for the holiday. Opponents argue that its focus on intense action, terrorism, and an almost complete lack of traditional Christmas cheer makes it a pure <strong>action thriller</strong> that merely uses the holiday as a backdrop for its setting and timeframe.</p>



<h2>The Nightmare Before Christmas (1993) </h2>



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<p>This film is a truly unique case, as its central conflict is literally about Christmas. Jack Skellington, the King of Halloween Town, discovers and attempts to take over Christmas. While it is titled “The Nightmare Before Christmas” and features Santa Claus, its dominant aesthetic—the dark, gothic, and slightly macabre stop-motion animation—leads many viewers to claim it as a quintessential <strong>Halloween film</strong>. The argument centers on whether the <strong>subject matter</strong> (Christmas) or the <strong>mood/tone</strong> (gothic fantasy) should determine its genre.</p>



<h2>Gremlins (1984) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79118" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas3_4907abe4.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79118"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>The entire inciting incident of this film is the acquisition of a mysterious creature, Gizmo, as a Christmas gift. The ensuing chaos and mischief unfold against a backdrop of snowy streets, Christmas lights, and caroling (before the Gremlins take over). Despite the pervasive festive setting, its blend of dark comedy, practical effects horror, and genuinely scary creature mayhem makes it unsuitable for younger audiences and leads traditionalists to disqualify it from the wholesome <strong>holiday film</strong> canon.</p>



<h2>Lethal Weapon (1987) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79119" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas4_f886d7f7.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79119"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p> This film is one of several popular action movies set at Christmas by writer Shane Black. It establishes the holiday immediately, opening with Christmas music and featuring a tense confrontation in a Christmas tree lot. Like “Die Hard,” the core of the film is a <strong>buddy-cop thriller</strong> focused on a serious drug conspiracy and heavy violence. The question is whether the repeated visual and auditory cues of the holiday season elevate it beyond a simple seasonal setting into a true Christmas story.</p>



<h2>Batman Returns (1992) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79121" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas5_4c63f7bb.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79121"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Directed by Tim Burton, the film is lavishly set against a stark, snowy Gotham City during the Christmas season. It includes a key scene with a public Christmas tree lighting ceremony and holiday balls. However, the film’s <strong>dark and bizarre tone</strong>, its focus on psychologically complex villains like the Penguin and Catwoman, and its highly stylized violence argue against its inclusion. For many, the festive decorations serve more as a visually ironic contrast to the story’s grim nature.</p>



<h2>Trading Places (1983) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79123" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas6_800ca8ca.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79123"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>This classic comedy is definitely a <strong>holiday-themed film</strong>, beginning around Christmas and concluding on New Year’s Eve. Key scenes involve a chaotic Christmas party and Dan Aykroyd dressing as a distressed Santa Claus. Proponents argue that its central plot—a high-stakes experiment involving themes of <strong>redemption, class reversal, and goodwill</strong>—perfectly aligns with the spirit of Christmas generosity and change, regardless of its R-rated humor and focus on Wall Street.</p>



<h2>Kiss Kiss Bang Bang (2005) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79125" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas7-1_f3ac235f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79125"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Another entry from writer/director Shane Black, this <strong>neo-noir detective comedy</strong> is explicitly set in Los Angeles during Christmas. Black uses Christmas decorations and themes throughout the dialogue and plot, but the movie is R-rated, cynical, and deeply rooted in the mystery genre. The argument here is whether the holiday setting is used as an integral part of the narrative’s irony, or if its dark, meta-commentary on Hollywood and crime overshadows any holiday classification entirely.</p>



<h2>Edward Scissorhands (1990) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79126" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas8_850aefe2.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79126"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>While the movie’s main plot is a dark fairy tale about an outsider, its most famous and evocative sequence takes place around Christmas. Edward creates a stunning ice sculpture, and the flakes of ice he carves fall as <strong>snow</strong> over the neighborhood—a powerful symbol of his creativity and ultimate loss. This iconic scene provides the quintessential wintery, wistful aesthetic that many associate with the deeper, more melancholic side of the holiday season, even if the primary storyline is non-Christmas focused.</p>



<h2>Eyes Wide Shut (1999) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79127" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas9_3cbcda37.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79127"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Stanley Kubrick’s final and most psychologically intense film is explicitly set over the Christmas and New Year period in New York, with many scenes featuring meticulously decorated backgrounds. The debate stems from the film’s <strong>dark, unsettling, and sexually charged plot</strong>, which is antithetical to the warm, family-friendly mood of traditional Christmas viewing. For those who argue for its inclusion, the holiday setting acts as a stark, ironic contrast, underscoring the secrets hidden beneath a seemingly perfect surface.</p>



<h2>Iron Man 3 (2013) </h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="79128" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251202_SPEN_79107_Christmas10_d28ec8bd.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-79128"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Yet another film from Shane Black (co-written and directed by him), this blockbuster superhero movie takes place during the Christmas season, with Tony Stark dealing with his trauma amidst holiday decorations. For many fans, the prevalence of the holiday setting is sufficient, offering a specific timeframe and a slightly more intimate feel to the action. However, critics argue that the movie is overwhelmingly an <strong>Avengers-universe action film</strong> where the Christmas setting is merely window dressing, lacking any thematic connection to the holiday itself.</p>

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<p><strong>Tom Stoppard</strong>, one of the most influential voices in contemporary theatre and film, <strong>has died at 88</strong>. His career spanned more than six decades, marked by a string of celebrated stage triumphs and a coveted Academy Award for his work on “Shakespeare in Love.” </p>



<p>News of his passing was confirmed by the BBC, with his representatives at United Agents telling Sky News that <strong>he died peacefully at home in Dorset</strong>, surrounded by loved ones. In their statement, the agency praised Stoppard’s unmatched command of language and the enduring warmth and wit that defined both his writing and his life.</p>



<h2>The Life and Legacy of a Playwright Who Redefined Modern Theater</h2>



<p>Sir Tom Stoppard’s life reads like one of his own intricately layered scripts, shaped by displacement, reinvention and a lifelong fascination with ideas. Born <strong>Tomáš Sträussler in Czechoslovakia</strong>, he survived the upheavals of World War II as a young Jewish refugee, eventually resettling in England after years spent in India. That collision of cultures and identities stayed with him, deepening the themes of <strong>exile, duality and searching for belonging</strong> that would later echo throughout his work.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78970" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78968_Leo1_7dceb33f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78970"></figure><figcaption>Source: Justin Tallis – WPA Pool /Getty Images</figcaption></figure>
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<p>Before he became one of the most celebrated dramatists of his generation, Stoppard was a teenage journalist with a knack for wry observation and sharp prose. His early days in Bristol’s newsroom not only trained his ear for language, but introduced him to the theatre world that would soon reorient his life. By 1960, he was writing plays of his own, and within a decade, <strong>“Rosencrantz and Guildenstern Are Dead” </strong>would catapult him onto the global stage with a voice critics instantly recognized as both dazzlingly cerebral and mischievously playful.</p>



<p>The success never slowed. Stoppard spent the next several decades shaping modern theatre with landmark works like <strong>“Jumpers,” “Travesties,” “Arcadia,” “The Real Thing”</strong> and the sweeping trilogy <strong>“The Coast of Utopia.”</strong> At the same time, he became a formidable force in cinema, contributing screenplays to films ranging from <strong>“Brazil”</strong> and <strong>“Empire of the Sun”</strong> to the Oscar-winning <strong>“Shakespeare in Love.”</strong> Even in the projects where he went uncredited, his fingerprints—precision, wit, and a gift for emotional undercurrents—were unmistakable.</p>



<p>As he grew older, Stoppard’s writing softened in its emotional register without sacrificing its intellectual bite. He also used his platform to champion human rights, lending his voice to political dissidents and censored writers across Eastern Europe. His final great stage triumph, <strong>“Leopoldstadt,”</strong> brought him back to his own origins, confronting Jewish identity and generational loss with a clarity and vulnerability that resonated deeply.</p>



<p>When Stoppard died at his home today, <strong>he left behind one of the most decorated careers in modern storytelling</strong>—multiple Tonys, an Oscar, Olivier Awards, and the enduring reverence of actors, directors and audiences worldwide. More than anything, he left a body of work that proved theatre could be both fiercely intellectual and profoundly humane, often in the same breath.</p>

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<p>According to Discussing Film, the animated feature “Zootopia 2” has achieved an unprecedented milestone, <strong>becoming the first Hollywood production to surpass a single-day gross of $100M in the Chinese box office.</strong> This astounding financial performance underscores the sequel’s extraordinary popularity and commercial dominance in the territory, far exceeding previous records for imported pictures. The success firmly establishes the Disney movie as a cultural powerhouse and a key player in the global cinematic landscape, especially as it redefines Hollywood’s earning potential in this vital market.</p>



<h2>Disney Returns to ‘Zootopia 2’ With a Bigger, Bolder Sequel</h2>



<p>“Zootopia 2” <strong>arrives almost a decade after the original hit</strong>, and Disney Animation approaches this sequel with the confidence of a studio expanding one of its strongest modern franchises. </p>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78964" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78962_Zootopia1_51a708cd.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78964"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Jared Bush and Byron Howard return to guide the world of the bustling animal metropolis, and the cast list is packed with familiar and new voices. <strong>Ginnifer Goodwin</strong> and <strong>Jason Bateman</strong> once again lead as Judy Hopps and Nick Wilde, while newcomers such as <strong>Ke Huy Quan</strong>, <strong>Quinta Brunson</strong>, <strong>Andy Samberg</strong> and <strong>Danny Trejo</strong> bring a surge of fresh energy. The film blends comedy, mystery and social commentary, now enriched by the introduction of reptile characters who broaden the cultural landscape of the city.</p>



<p>The picture premiered at the El Capitan Theatre in Hollywood before its nationwide release in the United States. Early reactions from critics were positive, with praise for the brisk pacing, inventive world building and the way the sequel expands on themes introduced in the first movie. <strong>Audiences also responded enthusiastically</strong>, lifting the film to more than two hundred million dollars worldwide within days and positioning it as one of Disney’s most successful recent animated releases.</p>



<p>A large share of attention has focused on <strong>Gary De Snake</strong>, voiced by Ke Huy Quan, who quickly became a standout figure in the new story. His presence brings a new emotional dimension as Judy and Nick are drawn into hidden corners of Zootopia that were only hinted at in the first movie. Returning cast members such as <strong>Idris Elba, Shakira, Bonnie Hunt</strong> and <strong>Alan Tudyk </strong>help the film feel like a natural continuation of a world that audiences already know and love.</p>



<p>Behind the scenes, Disney assembled a creative team filled with familiar names. <strong>Michael Giacchino</strong> returned to compose the score, which echoes the original while exploring new musical ideas. Shakira collaborated with Ed Sheeran to create the song titled <strong>“Zoo,</strong>” which became a major part of the promotional campaign. With an expansive cast, a larger canvas and a story that probes deeper into the city’s history, “Zootopia 2” aims to evolve the franchise in meaningful ways, and early reception suggests that viewers <strong>are eager to follow Judy and Nick into their next adventure.</strong></p>

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<p>The 2025 MAMA Awards concluded its spectacular two-day event in Hong Kong with <strong>Chapter 2,</strong> a ceremony dedicated to recognizing artistic excellence and crowning the biggest winners of the year. </p>



<p>Following Day One’s emotional wins for Song of the Year and Fans’ Choice of the Year, the final night saw the remaining, most coveted Daesang (Grand Prizes)—<strong>Album of the Year</strong> and <strong>Artist of the Year</strong>—handed out. Hosted by actress Kim Hye Soo, the finale featured explosive, highly anticipated stages from groups like <strong>Stray Kids, aespa</strong>, and the legendary <strong>G-Dragon</strong>, all leading up to the announcement of the artists who have defined the sound and style of the K-pop landscape.</p>



<p>The <strong>full list of winners from Day Two</strong> is presented below, confirming the industry’s top achievers in performance, production, and overall artistry.</p>



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<h3>Grand Prizes (Daesang)</h3>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78955" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78950_Mama1-1_80320a64.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78955"></figure><figcaption>Source: Pascal Le Segretain/Getty Images</figcaption></figure>
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<ul><li><strong>Artist of the Year:</strong> G-Dragon</li><li><strong>Album of the Year:</strong> Stray Kids – <em>KARMA</em></li></ul>



<h3>Main Artist &amp; Group Awards</h3>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78956" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78950_Mama2-1_8de5b958.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78956"></figure><figcaption>Source: Dimitrios Kambouris/Getty Images for The Met Museum/Vogue</figcaption></figure>
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<ul><li><strong>Best Male Artist:</strong> G-Dragon</li><li><strong>Best Female Artist:</strong> Rosé</li><li><strong>Best Male Group:</strong> SEVENTEEN</li><li><strong>Best Female Group:</strong> aespa</li><li><strong>Best Collaboration:</strong> Rosé and Bruno Mars – “APT.”</li><li><strong>Best Music Video:</strong> Jennie – “ZEN”</li></ul>



<h3>Performance &amp; Genre Awards</h3>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78957" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78950_Mama3-1_296fd47e.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78957"></figure><figcaption>Source: Netflix</figcaption></figure>
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<ul><li><strong>Best Dance Performance Female Group:</strong> aespa – “Whiplash”</li><li><strong>Best Dance Performance Male Group:</strong> SEVENTEEN – “THUNDER”</li><li><strong>Best Dance Performance Female Solo:</strong> Jennie – “like JENNIE”</li><li><strong>Best Dance Performance Male Solo:</strong> G-Dragon – “TOO BAD (feat. Anderson .Paak)”</li><li><strong>Best Vocal Performance Solo:</strong> Rosé – “toxic till the end”</li><li><strong>Best Vocal Performance Group:</strong> DAVICHI – “Stitching”</li><li><strong>Best Rap &amp; Hip Hop Performance:</strong> BIG Naughty – “MUSIC (feat. Lee Chanhyuk)”</li><li><strong>Best Band Performance:</strong> DAY6 – “Maybe Tomorrow”</li><li><strong>Best Choreography:</strong> aespa – “Whiplash”</li><li><strong>Best OST:</strong> HUNTR/X – “Golden” (<em>KPop Demon Hunters</em> OST)</li></ul>



<h3>Special &amp; Popularity Awards</h3>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78958" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251129_SPEN_78950_Mama4-1_4e01b458.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78958"></figure><figcaption>Source: Pascal Le Segretain/Getty Images for Dior Homme</figcaption></figure>
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<ul><li><strong>Favorite Rising Artist:</strong> izna</li><li><strong>Visa Super Stage Artist:</strong> TXT (Tomorrow X Together)</li><li><strong>Olive Young K-Beauty Artist:</strong> Hearts2Hearts</li><li><strong>Music Visionary of the Year:</strong> “KPop Demon Hunters”</li><li><strong>Favorite Asian Artist:</strong> JO1</li><li><strong>Breakthrough Artist:</strong> ALLDAY PROJECT</li><li><strong>Worldwide KCONers’ Choice:</strong> ZEROBASEONE</li></ul>

2025 MAMA Awards Day One: Full List of Winners

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<p>Few modern sports franchises have managed to blend legacy, reinvention, and blockbuster appeal quite like <strong>“Creed,”</strong> driven in large part by Michael B. Jordan’s vision both on-screen and behind the camera. Over three films, the series has grown from a continuation of the <strong>“Rocky”</strong> saga into its own cultural force, fueled by character-driven storytelling and an ever-expanding world of possibilities. As the series continues to evolve, Jordan’s influence remains at the heart of its momentum, <strong>setting the stage for what comes next.</strong></p>



<h2>Jordan Lays Out His Vision for the Future of the Franchise</h2>



<p>In a recent episode of the Variety Awards Circuit Podcast, Jordan clarified that the franchise isn’t going anywhere. He explained that the series has “been really kind to me in a big way,” and that there’s still<strong> “a bit more story to be mined”</strong> from the world he’s spent the past decade shaping. While he admitted he doesn’t want to be “in the ring boxing for the next 15 years,” he stressed that he still has <strong>“a couple of really good swings”</strong> left in him.</p>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="78943" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251128_SPEN_78939_Michael1_067522e8.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-78943"></figure><figcaption>Source: Alberto E. Rodriguez/Getty Images for CinemaCon</figcaption></figure>
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<p>Jordan also pointed to the ensemble of characters already introduced as fertile ground for new directions. He noted there are <strong>“clever ways and interesting characters we’ve established that we might want to see where that goes,”</strong> hinting that the future of the series won’t rely solely on Adonis stepping back into the spotlight. That creative flexibility, he suggested, is what keeps the franchise feeling fresh rather than formulaic.</p>



<p>A major part of that future involves shifting attention to the next generation. Jordan confirmed that the team is <strong>“spinning off doing Adonis’s daughter, Amara’s story</strong>.<strong>“</strong> These expansions, he said, will show<strong> “different parts of the Creed-verse,”</strong> a term he playfully embraced to describe the growing storytelling landscape.</p>



<p>Ultimately, Jordan’s vision is about sustainability rather than repetition. <strong>“These little IPs are going to keep the universe alive</strong> without it being completely reliant on just me,” he explained, emphasizing that his role moving forward will be more <strong>“adjacent.”</strong> It’s a strategic evolution that keeps him connected to the franchise while opening the door for new characters, new voices, and new creative energy.</p>

Michael B. Jordan Confirms “Creed IV” Plans and Expanding “Creed-Verse” - Spoiler US

Clara is about to graduate with a Bachelor's degree in Writing Arts at the National University of Arts in Buenos Aires, Argentina. In her role as a writer for Spoiler US, she covers movies, TV shows, streaming platforms, celebrities, and other topics of entertainment and general interest. Since 2021, she has been working as a film critic for Bendito Spoiler, Cinema Saturno, and Peliplat, attending festivals, conducting interviews, and regularly participating in cinematic debate podcasts. Her main focus of work is in the horror genre.

Clara Migliardo

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