Eli Roth Makes the Case for ‘Obsession’ and Inde Navarrette at the Oscars

“Obsession should win best [original] screenplay,” he said, putting Curry Barker’s horror film directly into the awards conversation. The movie, which follows a man whose supernatural wish causes his friend to become dangerously obsessed with him, was made on a budget of no more than $750,000 and went on to become a major theatrical success.

He also singled out Inde Navarrette, who plays Nikki, as the performance that deserves the biggest individual recognition. “Inde Navarrette should win best actress,” Roth added. Navarrette has already received significant recognition for the role, including a Best Performance win at the Seattle International Film Festival and Best Actress wins at the Astra Midseason Movie Awards and Critics Choice Super Awards.

Navarrette’s performance has been one of the picture’s most consistently praised elements. The role requires her to shift between Nikki’s recognizable personality and the increasingly disturbing effects of the supernatural wish, with critics highlighting the physical and emotional demands of the part. The film itself has also maintained strong critical support, earning a 94% critics score on Rotten Tomatoes and a 77 out of 100 on Metacritic.

Roth did not stop with the movie’s two biggest awards prospects. “Everyone else should be nominated because it’s that good,” he added, extending his endorsement to the wider “Obsession” team. The comment arrives after the hit became one of 2026’s most successful original horror releases, ultimately reaching $475.3 million worldwide and becoming one of the highest-grossing horror titles ever.

The Labubu Movie Will Explore the Creatures’ Nordic Mythology

In a conversation with Variety, Farnaby explained that Labubu creator Kasing Lung presented the filmmakers with a backstory exploring where the creatures came from. According to Farnaby, that history is rooted in Nordic mythology and gave the writers an unexpectedly rich foundation for the movie. He said the team saw the potential for a story that could be both emotionally engaging and visually suited to the world of Labubu.

That mythology is part of Labubu’s original identity. Lung created the character as part of “The Monsters,” a series influenced by the Nordic folklore and mythology he encountered during his childhood. Labubu and the other creatures were conceived as mischievous, elf-like figures, with their unusual appearances helping distinguish them from more traditional fantasy characters.

The movie will expand that foundation into a feature-length story. Rather than simply placing the popular plush character into a conventional live-action setting, the filmmakers appear to be interested in exploring the fictional world that existed behind the designs. The combination of live action and CGI will allow the creatures to interact with a human world while retaining the distinctive look associated with Lung’s creations.

King’s involvement also gives the project a filmmaker with experience turning whimsical characters and their origins into major studio productions. He directed both “Paddington” movies before making “Wonka.”

According to The Hollywood Reporter, Destin Daniel Cretton is now turning his attention back to the Lionsgate adaptation after releasing “Spider-Man: Brand New Day.” Cretton has been attached to the “Naruto” project since before taking on the Marvel film, and he is set to write and direct the title.

Destin Daniel Cretton Is Returning to the ‘Naruto’ Movie

Cretton’s involvement gives the adaptation a director with recent experience handling a major comic book property. His latest picture, “Spider-Man: Brand New Day,” became a major theatrical success following its July 31 release, starring Tom Holland as Peter Parker alongside Zendaya, Sadie Sink, Jacob Batalon and others.

The filmmaker previously directed “Shang-Chi and the Legend of the Ten Rings,” making “Naruto” his next major franchise project after working within the Marvel Cinematic Universe. His move from one established property to another also places him at the center of a particularly high-profile adaptation, given the worldwide popularity of Masashi Kishimoto‘s manga.

The “Naruto” movie is being developed by Lionsgate, with Avi Arad, Ari Arad and Kishimoto attached as producers. Cretton has also worked directly with Kishimoto on the project, traveling to Tokyo to meet the manga creator and secure his blessing for the adaptation.

The project has also reached the casting stage. A worldwide search is underway for young actors between the ages of 16 and 20 to potentially play Naruto Uzumaki, Sasuke Uchiha and Sakura Haruno, the members of Team 7 at the center of the story’s early chapters.

Anthony Michael Hall Reveals What John Hughes Wanted for the Sequel

Hall played Brian Johnson, the academically driven student who finds himself serving detention alongside Andrew Clark, Claire Standish, Allison Reynolds, and John Bender. The five teenagers initially seem defined by the stereotypes attached to their respective cliques, but spending the day together gradually forces them to drop those labels and confront the problems they have in common.

The possibility of revisiting those characters apparently came up relatively soon after the movie became a hit. Hall recalled that Hughes was thinking about bringing the group together again, but with the characters having moved into adulthood. “It was something that was on his mind, the idea of bringing back the ‘Breakfast Club,’” Hall said. He added that Hughes envisioned “those five characters reunited somehow later in their life and they’re in the workforce and they’re in their 30s.”

The timing of that conversation makes the revelation particularly notable. Hall said his final conversation with Hughes took place in 1988, just three years after “The Breakfast Club” arrived in theaters.

“He called me with John Candy on the phone, and it was about 1988, and we just hung out on the phone for a couple hours, and he talked about [the sequel] at that time,” Hall recalled. The actor also made clear that he does not know how far Hughes had taken the idea, adding, “So I think that it was something he was playing with. I don’t know if he had written it or not.”

The sequel ultimately remained an unrealized idea. Hughes died in 2009, and no follow-up to “The Breakfast Club” was produced. The original, meanwhile, has remained one of Hughes’ defining pictures, earning preservation in the National Film Registry in 2016 and continuing to rank among the most recognized teen movies of the 1980s.

Aaron Pierre Says He Is “Very Locked Into” Fatherhood and His Career

Pierre did not hesitate when Bush-Hager asked the question that had clearly been on the audience’s mind. After being prompted about whether he was single, the actor answered simply, “I am!”

He then made clear where his attention is going at the moment. “I’m just very locked into being the best father I can be, and being the best artist I can be.” The comment came as Pierre continues to build momentum with several major projects on the horizon.

His latest public relationship was with Teyana Taylor. The two first generated dating speculation in early 2025 before making their romance public later that year. Taylor also featured Pierre as her romantic interest in the music video for “Long Time,” released in June 2025. Their relationship ultimately ended in December, with the pair quietly going their separate ways after less than a year together.

The conversation also touched on Pierre’s unexpected status as one of the internet’s current favorite heartthrobs. When Bush-Hager noted that fans have dubbed him “the internet’s boyfriend,” Pierre laughed off the attention rather than shying away from it. “We’re all only human. I would be lying to you if I said it wasn’t warmly received,” he said. “I’m very appreciative of it. It definitely makes me smile.”

For now, Pierre has plenty keeping him busy professionally. He stars as John Stewart in “Lanterns,” HBO’s upcoming DC series alongside Kyle Chandler, which follows the veteran Hal Jordan and new recruit Stewart as they investigate a murder that leads to a larger mystery. The series is coming August 16.

Britney Spears Says She Lost Sight of Who She Really Was

Spears began her post by sharing a photo of her two sons, Sean Preston and Jayden James, before turning to memories of her own childhood and the years that followed. She described herself as “unbelievably intelligent” when she was younger and said she was once “always so eager to please and hungry for life.” She added, “I was unbelievably passionate about everything,” as she recalled a version of herself that she feels became difficult to recognize.

The singer was particularly direct about the difference between that younger version of herself and the person she became during her years in the entertainment industry. “I never got to be me, the real Spears,” she wrote. Spears also said, “Not one time in those 15 years was it ever me,” before adding, “I was shamed, embarrassed, and forced to do all of it.”

Spears connected those memories to the way she believes her personality and choices were controlled. “I feel like the saying ‘when I’m bad I’m BETTER’ is pretty f*****g rad,” she wrote. She then questioned why her efforts to improve herself could have been viewed negatively, asking, “But why was me being better a threat to the country and my own family?”

Her reflections also touched on the emotional cost of losing those years. “I miss the excitement in my eyes being alive when I was younger,” Spears wrote. She continued, “I will never get those years back and I’m proud of bringing it up because it’s honestly unbelievably sad.” She also questioned the nature of celebrity itself, writing, “But what if fame is an illusion? What if none of it is real?”

Spears made clear that she no longer sees the entertainment industry in the same way. “I don’t want to be in the business and frankly the thought of the business,” she wrote, while recalling that her mindset was different when she performed in the past. She also looked toward a life outside celebrity, writing that she has met “the most interesting, intelligent, inspirational people who aren’t famous at all” and would “much rather have a coffee with them.”

Toward the end of the post, Spears turned her attention back to what she wants for herself now. “I want to get closer to God and get my heart in its most beautiful, spiritual way and have dreams again,” she wrote. After years in which her identity was closely tied to being Britney Spears the pop star, she offered a much simpler description of who she considers herself to be today: “I’m simply mamma now.”

Dwayne Johnson Reflects on the Reaction to ‘Moana’

The first critiques gave Johnson plenty of reason for optimism. “Our first two reviews came out,” he recalled, before remembering his reaction at the time: “They were amazing. I was like, wow.” The response did not stay there for long, however. “It went another way,” Johnson added, acknowledging how quickly the conversation surrounding a major theatrical release can change.

The remake arrived in theaters on July 10 with Johnson reprising Maui and Catherine Laga’aia making her feature film debut as Moana. Directed by Thomas Kail, the movie is the first live-action entry in the franchise and was produced on a reported budget of $250 million.

Its theatrical performance has added another layer to the conversation. As of August 5, the picture had earned $265 million worldwide, including $118 million in the United States and Canada. Its $43 million domestic opening also placed it among the lower opening weekends for a Disney live-action adaptation.

The critical response has been similarly uneven. “Moana” currently holds a 32% critics’ approval rating on Rotten Tomatoes, while audiences surveyed by CinemaScore gave it an A- grade. Metacritic has it at 42 out of 100 from critics, putting the remake firmly in the mixed reception category. Johnson, for his part, kept his response measured. “If you love it, great. If you don’t, no problem,” he said.

For Johnson, the remake also carries a personal connection that goes beyond its performance. His Samoan heritage is part of the reason he has repeatedly spoken about the importance of bringing the story’s Polynesian setting and culture to a live-action audience.

That is ultimately where Johnson says his attention remains. “What really mattered,” he continued, was that “the culture really stood up.” He also pointed to the significance of seeing Polynesian representation on a major movie screen, particularly for younger viewers. “That’s us for the first time on a big screen. That’s us up there. How cool is that?”

Nancy Cartwright Thinks Season 40 Could Be the End of ‘The Simpsons’

Cartwright did not frame her prediction as an official announcement. When Rosenbaum followed up to make sure she genuinely believed the show could stop after its 40th season, she made clear that the answer was simply her personal view. “Yeah … It’s my opinion,” she said.

That distinction matters because “The Simpsons” is already guaranteed to reach the milestone Cartwright mentioned. The title was renewed for four additional seasons in 2025, taking it through Season 40. The animated sitcom has also reached a remarkable place in television history, having aired more than 800 episodes since its December 1989 debut. It remains the longest-running American animated series and the longest-running American scripted primetime television series.

Cartwright herself does not appear particularly interested in putting a hard stop on the Springfield story. When asked whether she would continue if the hit moved beyond Season 40, she responded, “Yeah, we’ll keep going then,” before giving an even more definitive answer when Rosenbaum asked whether she would stay as long as the producers wanted. “Absolutely.” Cartwright has been part of the show’s central voice cast since its beginning and remains the voice of Bart, as well as Maggie, Nelson Muntz, Ralph Wiggum and other characters.

There is also a major reason why Cartwright’s prediction should not be mistaken for a confirmed endpoint. “The Simpsons” has been built around a deliberately flexible status quo in which the characters do not age and most episodes return the family to its familiar circumstances. That structure has allowed the series to keep going for decades without needing to move its central characters toward a conventional conclusion.

For now, the show has plenty left on its schedule. Season 38 is set to continue the production’s unprecedented run, while the franchise is also expanding back onto the big screen with a sequel to “The Simpsons Movie” planned for 2027. That means Cartwright’s Season 40 prediction is less a sign that an ending has been decided than an unusually precise guess about where television’s most durable animated family might eventually stop.

Why Olivia Newton-John Almost Turned Down Sandy

Newton-John was 28 when “Grease” went into production and turned 29 during filming, while Sandy was written as a teenager. That age difference made the singer uncomfortable with the idea of stepping into the role, particularly because she had relatively little acting experience at the time. Before “Grease,” her film work had been limited to two movies.

There was another problem to solve. Newton-John did not feel confident that she could convincingly perform an American accent, which created an additional obstacle for a character originally written as an American high school student. The production ultimately found a solution by making Sandy an Australian transfer student, allowing Newton-John to use her natural accent.

A screen test with John Travolta helped settle the question of whether the two performers could work together. Travolta, who was 23 at the time, was already attached to play Danny Zuko, and the test gave Newton-John an opportunity to see how the central pairing would work before she committed to the picture.

The decision paid off for both the flick and Newton-John. Released in 1978, “Grease” became the year’s highest-grossing film and turned its central romance into one of the defining movie musicals of its era. Its soundtrack was also a major success, with “You’re the One That I Want” and “Summer Nights” becoming major hits for Newton-John and Travolta.

Newton-John also negotiated changes to Sandy that made the character better suited to her. Her version of the character was given a more assertive personality, and her transformation into a leather-clad greaser became one of the hit’s most recognizable moments. “Grease” was later selected for preservation in the National Film Registry in 2020 for its cultural, historical or aesthetic significance.

Sadie Sink Says Early Conversations Are Already Shaping Jean Grey’s Future

Asked about working with Schreier on the next phase of Jean Grey’s journey, Sink made it clear that those discussions are already happening. “Yes, she will,” she said when asked whether Jean would return in “X-Men.” Reflecting on the process so far, she added, “It’s been really exciting all the conversations we’ve had, and I feel really lucky that I have this introduction through ‘Spider-Man’ and [her] backstory.”

Sink also shared what has stood out to her as she has explored the mutant team in greater depth. “The more I’ve gotten into it and researched, what makes them special is that they are all incredibly flawed and maybe have done bad things,” she said.

Rather than presenting straightforward heroes, Sink believes those personal struggles are central to the team’s appeal. “That makes them more compelling, complex characters and a more complex hero if they don’t start out that way,” she said. She also pointed to the burden of their abilities, explaining, “They have to find their relationship to their powers. Because it’s not like they’ve asked for this or that these strengths make their lives easier; they make them a lot harder, actually.”

Looking ahead, Sink suggested Jean Grey’s emotional journey will remain a major focus of her next appearance. “Knowing Jean’s struggle will be important in the future of her character and where she goes, just makes her really well-rounded, which I’m excited for.”

Marvel’s untitled “X-Men” film is set to be directed by Schreier from a screenplay by Lee Sung Jin and Joanna Calo, with Sink reprising Jean Grey following her debut in “Spider-Man: Brand New Day.” The cast also includes Samara Weaving as Emma Frost and Kit Connor as Scott Summers/Cyclops.

Sadie Sink Says Marvel Introduced Her to Jean Grey

Before Marvel reached out, Sink says her connection to Jean Grey was practically nonexistent. Although fans had spent years speculating that she could eventually play the iconic mutant, she admitted to Variety, “Honestly, I knew nothing about her.” The online rumors were familiar, but, as she recalled, “that was all I knew about her.”

She also revealed that her introduction to the character did not come through the long-running film franchise. “I had never seen ‘X-Men,’ so I was just like unfamiliar,” she said, explaining that everything changed once Marvel Studios arranged a conversation with Kevin Feige and Louis D’Esposito. According to Sink, the pair “called me, set up a meeting, and just told me about the character, about her role in ‘Spider-Man.'”

That meeting led her to begin exploring Jean Grey’s comic book history on her own. The more she learned, the more convinced she became that the opportunity was the right fit. “Then I did more research on her, and I was like, ‘Oh yeah, this is a no-brainer!'” she recalled.

Sink also spoke about what makes the character so exciting to portray. “She’s such an iconic figure in X-Men and in comics,” she said, adding, “I’m very excited to bring my iteration of her to life.”

Sadie Sink Shares an Update on Marvel’s ‘X-Men’ Production Timeline

While outlining the projects ahead of her, Sink placed Marvel’s mutant reboot at the top of the list. “We’ll shoot X-Men,” she said before revealing that production is expected to take place next year.

The actress also mapped out what comes after her return to the Marvel Cinematic Universe. “Then I’m going to do a series with FX and A24 called The Marriage Plot, so that’ll be next year,” she added, offering a rare look at how her upcoming schedule is shaping up.

Although Marvel Studios has confirmed that the reboot is in development, the studio has remained quiet about when cameras would officially begin rolling. Sink’s comments provide the clearest indication yet that production is expected to get underway next year as work on the franchise’s next chapter moves forward.

Sink made her debut as Jean Grey in “Spider-Man: Brand New Day,” where the young mutant crossed paths with Tom Holland’s Peter Parker before setting up her return in Marvel’s upcoming “X-Men” film. The Spider-Man sequel introduced a new interpretation of the character ahead of the team’s standalone reboot, which will continue Jean’s story in the MCU.

Marvel’s untitled “X-Men” picture will be directed by Jake Schreier from a screenplay by Lee Sung Jin and Joanna Calo. The reboot will focus on younger versions of the mutant heroes, with Sink reprising Jean Grey alongside Samara Weaving as Emma Frost and Kit Connor as Scott Summers, better known as Cyclops.

Simon Farnaby Says ‘Wonka 2’ Remains on Track Despite Recent Confusion

After reports circulated suggesting the sequel had stalled indefinitely, Farnaby addressed fans directly on X to explain that his interview comments had been taken “a little out of context.” He stressed that he “100% did not say Wonka 2 wasn’t happening,” adding that a second film “was always the plan.”

The writer also sought to reassure audiences that the project continues to have the studio’s backing. “Everyone is working really hard on it. WB are committed,” he wrote, revealing that he and director Paul King already have “a great script.”

Farnaby also addressed the question many fans were asking about the film’s star. “Timmy wants to do it,” he said, making clear that Chalamet’s interest has never been the obstacle. Instead, he explained that the team is focused on coordinating schedules while ensuring the sequel reaches the same creative standard as the first picture before cameras roll.

He closed the statement with an apology for the misunderstanding, writing, “Very sorry for any confusion!” His clarification reinforces that “Wonka 2” remains in development rather than canceled or abandoned, even if audiences may have to wait longer before the next chapter of Willy Wonka’s story reaches theaters.

Why Netflix’s Reported ‘Squid Game’ Strategy Has Changed

The reported project was conceived as an English-language extension of “Squid Game,” the South Korean survival thriller created by Hwang Dong-hyuk that became Netflix’s biggest global breakout after debuting in 2021. The series went on to release two additional seasons, with its third and final installment arriving in 2025, cementing its status as one of the platform’s flagship originals.

According to The Playlist’s sources, Fincher’s show was developed during a period when Netflix was actively exploring an American take on the phenomenon. Dennis Kelly, best known for creating the British hit “Utopia,” was reportedly hired to write the project, while the working title “Heckler” surfaced in previous industry reports. However, after several years of development and changes within Netflix’s executive ranks, the company’s priorities for the franchise are said to have evolved.

Rather than building its expansion around a single English-language series, Netflix is reportedly looking at a broader international approach. The report claims the streamer is now more interested in developing country-specific versions for different markets instead of centering its plans on one English-language production. While ideas such as French or Norwegian adaptations have been mentioned as theoretical possibilities, no regional projects have been confirmed.

The project also appears to have lost momentum as Fincher shifted his attention to other work, including “The Adventures of Cliff Booth,” his upcoming Netflix feature starring Brad Pitt. According to The Playlist, that picture recently completed principal photography and is currently undergoing additional filming, leaving the author focused elsewhere.

The comments mark one of his clearest acknowledgments yet that the franchise could have another chapter years after the show wrapped its six-season run in 2015. “Glee” originally premiered in 2009 and became a global hit with its blend of musical performances, comedy, and teen drama, earning multiple Emmy and Golden Globe Awards during its run.

Ryan Murphy Says the Story Would Decide a ‘Glee’ Revival

During the interview, Murphy confirmed that “Glee” remains part of his development conversations. “I’m also considering Glee,” he said before explaining why the idea still resonates with him. Rather than framing it as a nostalgia project, he pointed to the audience that has grown up with the series, noting, “For many, many people now in their 20s, they grew up on that show and it meant something to them. The music meant something.”

Even so, Murphy made it clear that recognition alone would not justify bringing the title back. Any revival would need a compelling creative reason to exist. “It’s always about the story for me. What’s the story? Do I want to tell the story now? Sometimes I want to wait,” he said, adding that the concept is something to “kick around and see what we get.”

The producer also explained that practical considerations now play a major role in deciding what moves forward. He said every project is evaluated based on the strength of the scripts and the realities of production costs, while emphasizing that he is increasingly focused on creating opportunities that keep television production in Los Angeles. Murphy said he wants to help bring projects back to the city so industry workers can remain closer to their families instead of relocating for work.

Although no revival has been officially announced, Murphy described himself as being in a productive creative period. “I am optimist and I love everything I have coming out,” he said, adding that he is currently in “a development phase.” For now, “Glee” remains one of several possibilities on his slate, but his latest remarks suggest the door is no longer closed.

Charlize Theron Didn’t Hold Back When Asked About Facelift Rumors

During her conversation with the beauty magazine, Theron made it clear that she had no interest in pretending time had stood still. “My face is changing, and I love that my face is changing and aging,” she said, before revealing that online speculation often assumed cosmetic surgery was responsible for her appearance.

She dismissed those rumors with characteristic bluntness. “People think I had a facelift. They’re like, ‘What did she do to her face?’ I’m like, ‘B****, I’m just aging! It doesn’t mean I got bad plastic surgery. This is just what happens.'”

The conversation also turned to the different expectations placed on men and women as they age in the entertainment industry. Theron acknowledged that she has long been frustrated by the way aging is perceived, saying, “I’ve always had issues with the fact that men kind of age like fine wines and women like cut flowers.”

Even so, the “Mad Max: Fury Road” star stressed that she does not believe there is a single right way to approach aging. “I despise that concept and I want to fight against it, but I also think women want to age in a way that feels right to them.” She added that people should be “a little bit more empathetic to how we all go through our journey,” a message that continues to resonate as she marks another milestone birthday.

Sam Neill’s Role Remains a Mystery as ‘The Legend of Zelda’ Cast Grows

Neill’s appearance in “The Legend of Zelda” comes after production wrapped in April, months before the actor died on July 13 at the age of 78. The role has not been identified, leaving fans to speculate about how he will fit into the world of Hyrule. His casting joins a lineup led by Benjamin Evan Ainsworth as Link and Bo Bragason as Princess Zelda.

The title is directed by Wes Ball from a screenplay by T. S. Nowlin. Produced by Nintendo, Columbia Pictures, OddBall Entertainment, and Arad Productions, the adaptation marks the first live-action feature based on Nintendo’s long-running fantasy franchise. Shigeru Miyamoto and Avi Arad are producing the project, which has been in development for several years before officially moving forward in 2023.

Neill is also expected to be seen posthumously in “Godzilla x Kong: Supernova” and the romantic comedy “The Last Resort,” making 2027 a year that will feature several of his final completed performances. The actor, best known internationally for the “Jurassic Park” franchise, remained active in film and television until shortly before his death.

Alongside the news of Neill’s casting, additional cast members have also emerged. Uli Latukefu is set to portray Ganondorf, while Dichen Lachman will play Impa. Yvonne Strahovski has also joined the production in an undisclosed queen role. Despite the expanding cast list, Nintendo and Sony have continued to keep the movie’s story largely under wraps ahead of its planned April 30, 2027 theatrical release.

James Gunn Shuts Down Speculation About Two Batman Sequels Filming Together

The rumor gained traction online as “The Batman: Part II” spent years in development, with repeated release date changes prompting fans to search for an explanation. One of the most popular theories suggested Reeves was preparing an ambitious back-to-back production for the second and third films. That speculation reached Gunn on Threads, where a fan asked him whether the reports were true. His response left little room for interpretation: “I can deny.”

The sequel is now in production in London after an extended writing process that Reeves has previously described as deliberate, with the filmmaker choosing to refine the screenplay before cameras rolled.

The upcoming picture brings Robert Pattinson back as Bruce Wayne alongside returning cast members Jeffrey Wright, Andy Serkis and Colin Farrell. New additions include Sebastian Stan, Scarlett Johansson, Charles Dance, Sebastian Koch and Brian Tyree Henry. Set after the events of the first film and Gotham City’s devastating flood, the story will once again follow Batman as he investigates another mystery tied to the city’s corruption.

Released in 2022, “The Batman” introduced Pattinson’s version of the Dark Knight during his second year as Gotham’s vigilante, blending detective noir with a conspiracy centered on the Riddler. The movie earned strong reviews and more than $772 million worldwide, laying the foundation for what Reeves has envisioned as a standalone Batman trilogy. “The Batman: Part II” is currently scheduled to arrive in theaters on Feb. 18, 2028, with a third installment planned to conclude the saga.

Ryan Murphy Already Has a Long-Term Plan for The Shards

Although FX has not announced a second part, Murphy revealed that the creative team never viewed “The Shards” as a one-season project. Recalling his early conversations with Ellis, the producer said the author encouraged him to take ownership of the adaptation instead of closely overseeing every creative decision.

“I just spoke about it and he was like, ‘Okay, go with God,'” Murphy recalled. “Do your thing.” That creative freedom also opened the door to a larger conversation about the future of the show. The producer shared that Ellis believed the novel contained enough material to support multiple installments, telling him, “I think that this story could be multiple seasons.”

Building on that idea, Murphy explained that they envisioned a story unfolding over several years of television. “We had always talked, even in the beginning, briefly, that, in success, this is a three- or four-year series where it takes place over the course of one school year,” he said.

Based on Ellis’ 2023 novel, “The Shards” follows a fictionalized teenage version of the author during his senior year at an elite Los Angeles prep school in 1981. As a mysterious new student joins his circle of friends, Bret becomes convinced the newcomer is connected to a serial killer terrorizing the city.

The adaptation stars Igby Rigney, Kaia Gerber, Homer Gere, Hayes Warner, Graham Campbell, Evan Rachel Wood, and Wes Bentley. With the title only beginning its run, whether Murphy’s multi-season vision becomes reality will ultimately depend on how audiences respond.

Sydney Sweeney Returns to Her Roots as Spokane Faces a Wildfire Crisis

Sweeney’s connection to the region stretches back long before her rise in Hollywood. Born in Spokane in 1997, she spent her early years in the area and was raised near the Washington-Idaho border. Before launching her acting career, she attended Saint George’s School in Spokane and eventually convinced her parents to support her ambitions with a detailed five-year plan that led the family to relocate to Los Angeles while she pursued auditions.

According to TMZ, Sweeney returned to Washington with her boyfriend after learning of the growing destruction caused by the fires. The outlet reported that she has been delivering meals to firefighters working on the front lines, helping prepare and distribute food for affected families, and volunteering with organizations including Second Harvest Food Bank in Spokane and World Central Kitchen.

TMZ also reported that she has been purchasing groceries, coordinating with local restaurants to support displaced residents, and making significant donations to multiple relief organizations. The actress addressed the situation publicly in an emotional social media post, describing Spokane as the place she has always considered home.

The reported volunteer work comes as the Spokane Complex Fire continues to strain emergency resources across the region. The cluster of wildfires has forced approximately 65,000 people to evacuate, destroyed more than 700 structures, and remains only partially contained despite recent progress by firefighting crews. Authorities have also declared a state of emergency, while investigators continue examining the causes of the fires, including an arson case connected to one of the major blazes.

James Gunn’s ‘Man of Tomorrow’ Gets an Early Vote of Confidence

While discussing Warner Bros. Discovery’s upcoming slate, Zaslav shared that he had recently seen images from “Man of Tomorrow,” the sequel to 2025’s “Superman,” and left little doubt about his enthusiasm. “I saw some pictures yesterday that looked amazing,” he said, adding that the project “looks fantastic” and that the company is “super excited about it.”

The executive also highlighted Gunn’s commitment to the production, noting that the filmmaker spent his birthday on set and has been putting in exceptionally long days to keep the movie moving toward its scheduled July 9, 2027 release. The sequel follows a successful relaunch of the iconic hero, as “Superman” introduced David Corenswet‘s Man of Steel and launched the DC Universe’s first chapter. The title grossed more than $618 million worldwide and received largely positive reviews from critics.

Zaslav’s comments extended beyond Superman, offering reassurance that other high-profile DC projects continue to move forward. He confirmed that Matt Reeves is still “working very hard on Batman,” referencing the long-awaited sequel to “The Batman,” while also pointing to “Clayface” and HBO’s “Lanterns” as key pieces of the studio’s expanding lineup.

Taken together, the update paints a picture of a studio eager to emphasize momentum after the successful launch of its new cinematic universe. “DC feels very good, and we have a robust pipeline,” Zaslav said, crediting Gunn and DC Studios co-head Peter Safran for steering the franchise’s next phase as multiple films and series continue to take shape.

Penelope Spheeris Had a Heartwarming Ritual Before Every Day of Filming

The approach reflected the director’s belief that creating the right atmosphere off camera was just as important as what audiences would eventually see on screen. Spheeris later acknowledged that directing such a young cast was the biggest challenge of making the film, since many of the actors were still learning how to deliver dialogue naturally and stay focused throughout long shooting days.

Despite those challenges, the experience became one of the highlights of the production for the filmmaker. Spheeris recalled that the joy she got from working alongside the children was “unbelievable,” a sentiment that matched the playful energy that ultimately defined the finished movie.

Released on August 5, 1994, “The Little Rascals” reimagined the classic “Our Gang” comedy shorts for a new generation. Starring Bug Hall, Travis Tedford, Brittany Ashton Holmes and Ross Bagley alongside a cast of young newcomers, the family comedy followed the adventures of the He-Man Woman Haters Club as friendship, first crushes and a go-kart race turned their world upside down.

The film earned more than $67 million worldwide and has remained a nostalgic favorite for generations of viewers thanks to its memorable characters, quotable moments and enduring charm.

Did Bret Easton Ellis Base The Trawler on a Real Killer?

The short answer is no. The Trawler is not based on one specific serial killer, but rather serves as a fictional antagonist within “The Shards.” Ryan Murphy’s series adapts Ellis’ 2023 novel, which blends autobiography with fiction by following a teenage version of the author during his senior year at Los Angeles’ Buckley School in 1981.

Ellis himself has reinforced the autobiographical nature of the novel. According to The Drift, he rejected the idea that “The Shards” should simply be labeled fiction, saying, “I can’t call this a novel, or fiction, though the lawyers at my publishing house will probably force me to.” He added that it was “basically 99 percent pure autobiography. Everyone is real. Everything happened. All of the scenes actually played out.” Even so, the novel is widely categorized as autofiction, intentionally combining lived experiences with invented narrative elements.

That distinction is particularly important when it comes to The Trawler. Rather than recreating the crimes of a documented murderer, Ellis appears to use the killer to capture the anxiety surrounding Los Angeles during the early 1980s. Growing up in Southern California meant living in the shadow of notorious cases such as the Manson Family murders and the Hillside Str**gler, creating an atmosphere of fear that informs the novel’s suspense even if its central villain is fictional.

Some readers have nevertheless searched for real-life inspirations behind the character. Discussions on Reddit have suggested that aspects of The Trawler’s escalating behavior, including psychological intimidation before the murders, may loosely echo crimes attributed to Los Angeles serial killer Brandon Tholmer, whose attacks took place during the same period.

However, Ellis has never identified Tholmer or any other individual as the direct inspiration for The Trawler. Instead, the character functions as part of the novel’s deliberate blend of memory, imagination, and psychological horror.

The Joker-Inspired Gift That Stayed With Margot Robbie

During the production of “Suicide Squad,” Leto remained in character even when cameras were not rolling, immersing himself in the Joker’s unpredictable personality. As part of that approach, he surprised several cast members with gifts inspired by the Clown Prince of Crime. One of the most memorable was a live rat that arrived for Robbie while she was preparing to play Harley Quinn.

Rather than being alarmed, Robbie decided to keep the animal. Speaking with E! News at the time, she explained that she named it “Rat-Rat” and felt it made perfect sense for Harley Quinn’s world. “If Harley got something from Joker, she’d probably cherish it,” she said.

The rat did not remain with Robbie forever, though. As her work schedule became increasingly demanding, filmmaker Guillermo del Toro eventually adopted the pet, giving the unexpected behind-the-scenes story an equally surprising ending.

Released in 2016, “Suicide Squad” was written and directed by David Ayer and assembled a cast that included Will Smith, Robbie, Leto, Viola Davis, Joel Kinnaman, Jai Courtney, Cara Delevingne and Adewale Akinnuoye-Agbaje. The picture followed a government task force made up of imprisoned supervillains sent on a dangerous mission in exchange for reduced prison sentences.

Despite receiving mixed reviews from critics, it earned more than $749 million worldwide and won the Academy Award for Best Makeup and Hairstyling, while Robbie’s Harley Quinn quickly became one of the DC Extended Universe’s most popular characters.

Why Tom Hardy Left ‘Suicide Squad’

Before cameras rolled, Hardy had signed on to portray Rick Flag, the military leader tasked with keeping Task Force X under control. At the time, the casting reunited him with the DC universe after his memorable turn as Bane in “The Dark Knight Rises,” making the role one of the film’s earliest high-profile announcements.

The plan changed when production on Alejandro González Iñárritu’s “The Revenant” stretched far beyond its original schedule. The extended shoot created a direct conflict with “Suicide Squad,” leaving Hardy unable to participate despite already being attached to the project.

The actor later admitted he was disappointed to step away from the picture, explaining that he was “bummed” to lose the opportunity and especially regretted missing the chance to work with director David Ayer.

Joel Kinnaman ultimately replaced Hardy as Rick Flag and remained with the franchise, reprising the character in 2021’s “The Suicide Squad.” Released on Aug. 5, 2016, the film went on to earn more than $749 million worldwide and won the Academy Award for Best Makeup and Hairstyling, becoming the only title in the DC Extended Universe to receive an Oscar.

Who Is Ella Rubin?

Ella Rubin is an American actress born on September 2, 2001, in New York City. Raised on Manhattan’s Upper West Side, she studied theater and performing arts at the Professional Children’s School before beginning her acting career as a child. Her feature film debut came in “The Rewrite,” where she appeared alongside Hugh Grant and Marisa Tomei.

Before landing the lead role in “Sterling Point,” Rubin built a varied television résumé with appearances in “Difficult People” and “Billions,” followed by recurring roles in Netflix’s “The Chair,” HBO Max’s “Gossip Girl,” and Hulu’s “The Girl from Plainville.” Away from the screen, she also made her Broadway debut in the 2019 revival of Tennessee Williams’ “The Rose Tattoo,” once again sharing the stage with Marisa Tomei.

Her film career has expanded just as quickly. Rubin appeared in Sean Price Williams’ “The Sweet East” before joining the cast of “The Idea of You,” the romantic comedy starring Anne Hathaway. She also played Vera in Sean Baker’s Oscar-winning “Anora,” adding one of the most celebrated films of recent years to her growing list of credits.

Horror fans may already recognize Rubin from two recent genre projects. She starred as Clover Paul in the “Until Dawn” film adaptation and later appeared in Netflix’s “Fear Street: Prom Queen.”

Now, Rubin leads “Sterling Point” as Annie Jacobson, heading an ensemble cast that includes Amélie Hoeferle, Jacob Whiteduck-Lavoie, Keen Ruffalo, Bo Bragason, Daniel Quinn-Toye, Jeffrey Dean Morgan, and Jay Duplass. With all eight episodes now available to stream, the series marks her first opportunity to anchor a television drama from beginning to end, making it a defining moment in her career.

Could ‘Ted Lasso’ Continue Beyond Season 4?

Although Apple TV+ has not officially announced a fifth part, Sudeikis indicated that the crew is already preparing for that possibility. According to The Hollywood Reporter, the writers are expected to reconvene in late August to begin developing a potential fifth entry if everything moves forward as planned. The outlet also reported that unused concepts from previous brainstorming sessions remain on the table, while Sudeikis continues to collect ideas in his personal notes.

The actor also suggested that he is approaching the series with another long-term plan. Rather than viewing season 4 as a final chapter, Sudeikis revealed that he once again has a three-season arc in mind for the current iteration of the show. That roadmap echoes the original vision for “Ted Lasso,” which was initially conceived as a three-season story before returning with its latest installment.

Even with that creative direction, Sudeikis acknowledged that the hit’s future ultimately depends on viewers embracing the new chapter. Speaking about his hopes for what comes next, he said he remains optimistic that audiences will continue following the journey while adding, “I know I needed this. I needed it as much as other people do.”

So, if the current installment performs as expected and the streamer moves forward with another renewal, “Ted Lasso” could continue well beyond season 4, following the multi-season plan its star and co-creator has already envisioned.

Since its debut in 2020, “Ted Lasso” has grown from a sports comedy into one of Apple TV+’s signature original titles. The show follows an American football coach who unexpectedly takes charge of the fictional English soccer club AFC Richmond despite having no experience with the sport. Across its first three entries, its blend of humor, optimism, and character-driven storytelling earned widespread critical acclaim, multiple Emmy Awards, and a devoted global fan base.

How Much of ‘The Shards’ Is Based on Real Life?

Ryan Murphy’s “The Shards” is not based on a true story in the traditional sense, but it is adapted from a novel that draws heavily from its author’s life. The eight-episode FX show is based on Bret Easton Ellis’ 2023 book of the same name, a fictionalized memoir set during his final year at Los Angeles’ elite Buckley School in 1981. Ellis is best known for novels including “Less Than Zero” and “American Psycho,” and much of his work deliberately blurs the boundaries between autobiography and fiction.

That approach is especially evident in “The Shards.” As informed by The Drift, Ellis rejected the idea that the book should simply be classified as fiction. “I can’t call this a novel, or fiction, though the lawyers at my publishing house will probably force me to,” he said, adding that it was “basically 99% pure autobiography. Everyone is real. Everything happened. All of the scenes actually played out.”

Even so, the series is not presenting viewers with a literal account of historical events. The protagonist shares Ellis’ name and background, but the novel is widely categorized as autofiction, a genre that intentionally mixes real experiences with invented characters and situations. The serial killer known as The Trawler, the arrival of transfer student Robert Mallory, and the murder mystery that drives the plot all function within that fictional framework.

Murphy is no stranger to projects that blur the line between reality and dramatization. Beyond “The Shards,” he has built some of television’s most recognizable anthology franchises, including “American Horror Story,” which has occasionally drawn from real-life events and urban legends, and Netflix’s “Monster,” which dramatizes infamous criminal cases. “The Shards,” however, takes a different approach, using Bret Easton Ellis’ semi-autobiographical novel to explore the space between personal memory and fiction rather than recounting documented history.

The film, which debuted on July 31, has already crossed the $1 billion mark worldwide while earning generally positive reviews.

Tom Holland’s Improvised Scene Gave ‘Spider-Man: Brand New Day’ Its Emotional Direction

Cretton recalled that the breakthrough happened on the first dramatic day of filming after production began with action-heavy sequences in Glasgow. The crew spent the day shooting Peter Parker’s visits to Aunt May’s grave across several different points in time, complete with wardrobe changes, makeup adjustments, and varying weather effects. Before wrapping, the director suggested filming one additional version that could potentially serve as the movie’s ending, even though it had never been planned that way.

After completing a scripted take, Holland approached Cretton with an idea of his own. “I’m just going to try some dialogue,” the actor told him before cameras rolled again. The team quickly fitted him with a microphone and let him perform the moment freely.

That decision produced the line that remained in the finished picture: “You’d be happy to know that I’ve decided I’m not going to do this alone anymore.” Cretton admitted he did not immediately recognize its importance while filming, but later realized it captured the story’s central destination.

Looking back, the filmmaker said the improvised dialogue became “the north star of the entire movie.” Rather than building toward an idea that had already been fully defined, the creative team used Holland’s spontaneous performance as the foundation for the rest of the title, working backward to shape the story around that emotional endpoint.

Released as the fourth installment in Marvel Studios and Sony’s MCU “Spider-Man” series, “Spider-Man: Brand New Day” follows Peter Parker four years after the events of “Spider-Man: No Way Home.” Living anonymously after Doctor Strange’s memory-erasing spell, Peter faces a powerful new threat while struggling with isolation, eventually reaching the realization that he no longer has to face everything on his own.

Samantha Morton Opens Up About Life After ‘The Odyssey’

For many actors, starring in one of the year’s most acclaimed films would seem like the ideal launching pad for the next chapter of their career. Morton, however, says that has not been her experience. Reflecting on the months following production, she explained that new roles simply have not materialized.

“I’ve got really good agents and a manager, but at the end of the day, I’m 49,” Morton said, before adding, “I do believe I’m a good actor, [but] there are other good actors out there.”

The comments arrive at a moment when Morton’s work in Christopher Nolan’s “The Odyssey” has earned some of the strongest reviews of her career. Playing the enigmatic goddess Circe, the Oscar-nominated actress was singled out by critics, while Nolan’s epic has become both a critical and box office success since its July release.

Morton has spent decades building one of the industry’s most respected filmographies, with acclaimed performances in “Sweet and Lowdown,” “In America,” “Minority Report,” “Control,” “The Whale,” and television projects including “The Serpent Queen.” She is a two-time Academy Award nominee, a BAFTA Fellow, and a Golden Globe winner, with “The Odyssey” adding another widely praised performance to her résumé.

The Sequel Reunites Two of the Original Film’s Most Memorable Characters

Kevin J. O’Connor is set to reprise his role as Beni Gabor, Rick O’Connell’s former French Foreign Legion companion whose opportunistic nature led him to side with the resurrected Imhotep in the 1999 picture. Oded Fehr will once again portray Ardeth Bay, the leader of the Medjai, the secret order dedicated to preventing the ancient priest’s return. Both characters became fan favorites through their very different relationships with Brendan Fraser’s adventurer.

Released in 1999, “The Mummy” followed Rick O’Connell, librarian and aspiring Egyptologist Evelyn Carnahan, and her brother Jonathan as an expedition to the lost city of Hamunaptra accidentally awakened the cursed high priest Imhotep. The action-adventure hit earned more than $422 million worldwide and launched a long-running franchise that included sequels, spin-offs and a 2017 reboot attempt.

The new installment continues to build around the core cast from the original series. Brendan Fraser returns as Rick O’Connell alongside Rachel Weisz as Evelyn, while John Hannah is also back as Jonathan Carnahan. New additions include Numan Acar and Michael Johnston, with Matt Bettinelli-Olpin and Tyler Gillett of Radio Silence directing from a screenplay by David Coggeshall.

While story details remain under wraps, the sequel is expected to continue the narrative established by “The Mummy Returns,” with reports indicating it will move past the events of “The Mummy: Tomb of the Dragon Emperor.” Production is expected to make use of practical locations in London and Morocco. Universal has scheduled the film for release on October 15, 2027, positioning it for the Halloween movie season.

‘Ready Player Two’ Is Still Moving Forward Behind the Scenes

For fans wondering whether the sequel had quietly faded into development limbo, Penn offered a straightforward update. Asked about the status of the project, the writer replied simply, “I am working on it.” While brief, the comment confirms that the follow-up to Steven Spielberg’s 2018 sci-fi adventure continues to advance behind the scenes.

Penn co-wrote “Ready Player One” alongside author Ernest Cline, adapting the bestselling novel into a film directed by Spielberg. The movie became a global box office success, earning more than $607 million worldwide and receiving praise for its ambitious visual effects and pop culture-driven worldbuilding.

The sequel draws from Cline’s 2020 novel “Ready Player Two,” which revisits Wade Watts after he inherits control of the OASIS and discovers a powerful new technology capable of reshaping both the virtual and real worlds. Cline revealed shortly after the book’s release that discussions with Warner Bros. had begun, later describing the adaptation as being in its “early stages” while Hollywood navigated the uncertainty of the pandemic.

Spielberg has also clarified his role in the next chapter. Rather than returning to the director’s chair, the Oscar-winning filmmaker has said he plans to produce the sequel, leaving the search for a new director open while keeping the franchise connected to its original creative team.

Although Warner Bros. has yet to announce a production schedule, release date, or returning cast, Penn’s latest update suggests the project remains active. For a sequel that has spent years generating speculation with little tangible progress, confirmation that the screenplay is still being developed may be the strongest indication yet that audiences have not seen the last of the OASIS.

Samantha Morton Says Losing ‘Her’ Was Painful Even If She Understood the Decision

Before Scarlett Johansson became the voice audiences associated with Samantha, Morton had already spent months shaping the character alongside Joaquin Phoenix during production. Although the performance was ultimately replaced in post-production, the actress said the creative process itself remains something she values.

Looking back on the change, Morton admitted the news was difficult to process. “I was surprised and a little sad would be an understatement,” she recalled, adding that collaborating with Phoenix and director Spike Jonze on developing the character was “really special.”

Morton also acknowledged that her interpretation differed from what ultimately appeared on screen. “I think my version of Samantha was very ‘she’s English.’ It was just very, very different,” she said, suggesting that her performance took the AI in another creative direction before Jonze opted to recast the role during editing.

Despite the disappointment, the actress expressed admiration for the performer who eventually took over. “I think Scarlett Johansson has a beautiful voice. She’s incredibly evocative. So I got it, but I was sad.” Her comments echoed previous remarks that, while she wished she had been given another opportunity to adjust her performance, she recognized that the final creative decision belonged to the filmmaker.

The recasting became one of the defining behind-the-scenes stories surrounding “Her,” which went on to earn widespread acclaim, receive five Academy Award nominations, and win Best Original Screenplay for Jonze. Johansson’s vocal performance became one of the film’s most celebrated elements, while Morton’s unseen contribution has remained a fascinating footnote in the making of the modern sci-fi classic.

The star’s latest comments come as she enjoys renewed acclaim for her performance as the sorceress Circe in Christopher Nolan’s “The Odyssey.” The blockbuster has become one of the year’s biggest critical and commercial successes, introducing the veteran actress to a new generation of moviegoers while prompting fresh interest in pivotal moments from her decades-long career.

‘Monster’ Season 4 Heads to Netflix With a New True Crime Mystery

Netflix has confirmed that all eight episodes of “Monster: The Lizzie Borden Story” will premiere worldwide on September 17, 2026. The new installment follows the anthology’s previous seasons centered on Jeffrey Dahmer, the Menendez brothers and Ed Gein, continuing the franchise’s focus on notorious homicide cases that have shaped American history.

The upcoming part centers on Lizzie Borden, who lived in Fall River, Massachusetts, and was accused of killing her father, Andrew Borden, and her stepmother, Abby Borden, with a hatchet in 1892. Although she stood trial for the murders, she was acquitted, and no one else was ever convicted in the case. Even so, the investigation and courtroom proceedings became a national sensation, helping transform the Borden case into one of the country’s most enduring true crime stories.

Ella Beatty leads the cast as Lizzie Borden, joined by Vicky Krieps as Bridget Sullivan, the Borden family’s live-in maid. Charlie Hunnam portrays Andrew Borden, while Rebecca Hall takes on the role of Abby Borden. The ensemble also includes Billie Lourd, Jessica Barden and Joey Pollari, with Sarah Paulson set to appear as Aileen Wuornos in a guest role.

Ryan Murphy and Ian Brennan return as co-creators and executive producers for the new chapter. Since debuting in 2022, “Monster” has become one of Netflix’s most successful original franchises, expanding from a limited series into an anthology that revisits high-profile homicide cases across different eras.

A Landmark Release Celebrates Both ‘Star Wars’ and the Welsh Language

The new adaptation assembles a cast of prominent Welsh performers to reinterpret some of the saga’s most recognizable characters. Matthew Rhys will voice Han Solo, while Rhys Ifans takes on Obi-Wan Kenobi. Aimee-Ffion Edwards has been cast as Princess Leia, Osian Morgan will portray Luke Skywalker, and Mark Lewis Jones will lend his voice to Darth Vader. Jones is already familiar to longtime fans after appearing as Captain Moden Canady in “Star Wars: Episode VIII – The Last Jedi.”

The Welsh-language edition, titled “Star Wars: Gobaith Newydd,” is helmed by Ellyn Stern and produced by Michael Kohn, Lucasfilm’s director of distribution operations. Executives said the initiative is intended to support the visibility of the Welsh language while giving audiences an opportunity to experience one of cinema’s defining stories in their native tongue.

The project also arrives as the original picture prepares to mark a major milestone. Released in 1977, George Lucas’ space adventure transformed the film industry with its groundbreaking visual effects, introduced audiences to characters such as Luke Skywalker, Princess Leia, Han Solo and Darth Vader, and became one of the most influential blockbusters in movie history. The film’s enduring success launched a multimedia franchise that continues to expand nearly five decades later.

The Odyssey’s IMAX Frenzy Shows No Signs of Slowing Down

The new tickets went on sale at 2 p.m. local time for screenings at the BFI IMAX in London, home to the largest IMAX screen in the United Kingdom. Reports quickly emerged of tens of thousands of moviegoers waiting in the virtual queue, while the cinema later confirmed that every available ticket had been purchased in less than 30 minutes. The surge in traffic also caused the venue’s website to crash during the sale.

The latest rush follows a series of milestones for the theater, which has become one of the most sought-after destinations for audiences hoping to experience the title in its premium 70 mm IMAX presentation.

Written and directed by Christopher Nolan, “The Odyssey” adapts Homer’s classic Greek epic with Matt Damon leading an ensemble cast that also includes Tom Holland, Anne Hathaway, Robert Pattinson, Zendaya, Lupita Nyong’o, Charlize Theron, Samantha Morton, and John Leguizamo. The production also marked a technical milestone as the first feature filmed entirely with IMAX 70 mm cameras.

The strong demand for premium screenings mirrors the picture’s broader commercial performance. Since opening in July, the hit has earned more than $720 million worldwide, becoming one of 2026’s highest-grossing releases while continuing to draw audiences eager to see Nolan’s latest film in its intended large-format presentation.

Stephen King’s 1996 Horror Novel Is Heading Back to the Screen

Originally published in 1996, “Desperation” occupies a unique place in King’s bibliography. Released alongside its companion novel “The Regulators,” which King published under his Richard Bachman pen name, the two books share many of the same characters while unfolding in alternate realities. The novel previously received a television adaptation in 2006 starring Ron Perlman, Tom Skerritt, Steven Weber, and Annabeth Gish.

The story follows a group of strangers whose road trip through a remote stretch of Nevada takes a terrifying turn after they are detained by the sheriff of the nearly abandoned mining town of Desperation. Their captor is soon revealed to be under the influence of Tak, an ancient supernatural force capable of possessing human hosts and manipulating the desert landscape around it. As more survivors converge in the isolated town, escaping becomes a fight against both the entity and the increasingly hostile environment.

Searchlight’s adaptation also reunites one of horror’s most sought-after directing teams with another major studio project. Lipovsky and Stein emerged as two of the genre’s fastest-rising filmmakers following the critical and commercial success of “Final Destination: Bloodlines.” Before that, the pair earned praise for the sci-fi thriller “Freaks” and have since become attached to high-profile projects including “Metal Gear Solid” and an animated “Venom” feature.

The film will also represent a notable first for Raimi, whose career spans genre-defining horror pictures such as the “Evil Dead” franchise, the original “Spider-Man” trilogy, and his latest hit, “Send Help,” proving he still has a remarkable talent for genre productions. Although he has adapted the work of many writers throughout his career, this will be his first project based on a Stephen King story.

Vincent Pastore Leaves Behind One of Television’s Most Memorable Mob Characters

Although Pastore amassed more than three decades of film and television credits, he became inseparable from “The Sopranos” after joining the acclaimed HBO drama in 1999. His performance as Tony Soprano’s longtime friend Salvatore “Big P***y” Bonpensiero evolved into one of the series’ most emotionally significant storylines, cementing his place in television history.

Before landing the role that defined his career, Pastore steadily built a reputation playing tough-talking gangsters in Hollywood productions. He appeared in Martin Scorsese’s “Goodfellas” and “Carlito’s Way” before taking on a larger role in HBO’s “Gotti.” His filmography later expanded to include titles such as “Shark Tale,” Guy Ritchie’s “Revolver,” “The Hurricane,” “Serving Sara,” “College Road Trip,” and dozens of television appearances ranging from “Law & Order” and “Blue Bloods” to “General Hospital.”

Away from scripted projects, Pastore became a familiar face on reality television. He competed on “Celebrity Fit Club,” briefly joined “Dancing with the Stars” before withdrawing because of the show’s demanding training schedule, and later appeared on “Celebrity Apprentice,” “Celebrity Family Feud,” “Shark Tank,” and “Gordon Ramsay’s 24 Hours to Hell and Back.” He also hosted radio programs and, beginning in 2020, co-hosted the podcast “Fuhgeddaboudit with Vinny Pastore.”

Born in the Bronx on July 14, 1946, Pastore served in the U.S. Navy during the Vietnam War before earning a drama degree from Pace University. Prior to acting, he worked as both a nightclub manager and chauffeur. In later years, he expanded beyond entertainment by launching his own tomato sauce brand. He is survived by his daughter, Renee, and leaves behind a career that made him one of the most recognizable faces associated with the modern gangster genre.

Max Greenfield Suggests a ‘New Girl’ Revival Is Further Along Than Fans Thought

For years, the cast of “New Girl” has spoken warmly about the possibility of reuniting, but Greenfield’s latest comments point to something more concrete. Asked why a reunion was not happening, the actor pushed back on that assumption with a simple response: “As far as I know, it’s happening.” He then added another unexpected detail, revealing, “I’ve seen scripts, they’re amazing.”

The remarks carry extra weight because previous discussions around a revival had largely centered on the cast’s enthusiasm rather than any apparent movement behind the scenes. Greenfield portrayed the impeccably dressed Schmidt throughout the show’s seven-season run, which aired between 2011 and 2018 and followed a close-knit group of Los Angeles roommates navigating careers, friendships, and relationships.

“New Girl” earned a loyal following by treating its ensemble as the hit’s greatest strength. Zooey Deschanel led the series as quirky teacher Jessica Day, whose move into a Los Angeles loft brought her together with Nick Miller, Schmidt and Winston Bishop, while Hannah Simone‘s Cece and Damon Wayans Jr.’s Coach became integral parts of the group as the comedy evolved.

Although the sitcom ended almost a decade ago, its popularity has only grown through streaming, introducing the title to a new generation of viewers. The show’s enduring appeal has also kept its cast connected to the fan base through reunion appearances and the rewatch podcast hosted by several of its stars.

Marlon Jackson Wants to Revisit Joe Jackson’s Legacy After ‘Michael’

Marlon Jackson has partnered with BLK Prime on “The Manager, The Mythology, The Legend,” an eight-episode docuseries that will examine Joe Jackson’s life beyond his public reputation. Longtime Jackson family friend Steven Manning is attached as an executive producer, with the project expected to explore Joe’s early years as the driving force behind the careers of the Jacksons.

Explaining why he wanted to make the show, Marlon said he was “thrilled” to finally tell his father’s story. He described Joe’s life as being “replete with triumphs and challenges” and said the production would offer “a distinctive and accurate portrayal of the man behind our family.” He also expressed hope that audiences would gain “an intimate glimpse into the remarkable individual we knew and loved.”

The timing is significant. Released earlier this year, “Michael” became the highest-grossing biographical film ever after surpassing $1 billion worldwide, but it also sparked debate over its depiction of Joe Jackson. In the film, Colman Domingo portrays the family patriarch as an authoritarian father whose strict discipline shaped Michael Jackson’s early career before the singer eventually distanced himself.

A source familiar with the upcoming series told Page Six that the project was motivated in part by the belief that Joe “was demonized” in both “Michael” and the Broadway production “MJ.” The insider argued that “There’s another side of him that hasn’t been told” before adding, “There’s no manager greater than Mr. Jackson. He created the Jackson Five, Janet and Michael.”

Joe Jackson, who died in 2018 at the age of 89 after battling pancreatic cancer, remains one of the most polarizing figures in music history. His children have offered differing accounts over the years regarding his parenting, with allegations of abuse becoming a defining part of his public image even as others credited his demanding approach for helping build one of entertainment’s most successful family dynasties.

Tony Dalton Wants to Avoid Repeating Lalo Salamanca

Few television villains have left the same impression as Lalo Salamanca, the charismatic cartel figure Dalton portrayed on “Better Call Saul.” The performance earned widespread acclaim and helped launch the actor into high-profile projects including “Sugar,” “Hawkeye,” and “Daredevil: Born Again.” Still, Dalton revealed that the success has also brought a familiar pattern of offers.

Reflecting on the aftermath of the AMC series, Dalton explained that he has repeatedly been approached to play another cruel boss. “I’m trying to stay away from another ‘cartel leader from Mexico,’ which I’ve been offered many times since Better Call Saul.” That was one of the reasons he was drawn to “Sugar,” where he plays corrupt Los Angeles sheriff Ray Vega. While the character is still an antagonist, Dalton pointed out that “it’s not the same guy. It’s a whole different world.”

The actor also shared that he looks for ways to make each role feel distinct, even when the projects come from the same franchise. While portraying Jack Duquesne in Marvel’s “Hawkeye” and “Daredevil: Born Again,” he decided to give the swordsman what he described as a “pseudo-transatlantic British accent.” The unexpected choice even caught producers off guard. “After two weeks, Trinh [and the producers] were like, ‘What are you doing?’… I was like, ‘Well, it’s too late now. We’re going British on this one.'” For Dalton, the decision came down to one simple goal: “I could not be the same guy again.”

Despite wanting to broaden his range, Dalton has no doubts about the impact “Better Call Saul” had on his career. Looking back, he recalled being recognized in places he never expected, from the streets of Budapest to a small shop in northern Norway. “It wouldn’t have been possible if it wasn’t for Better Call Saul. It’s been a blessing for me.”

Ryan Gosling’s Reported Salary Request Is Part of Wider ‘Barbie 2’ Negotiations

The reported pay increase comes after “Barbie” became one of Hollywood’s biggest success stories in recent years. Released in July 2023, Greta Gerwig’s fantasy comedy earned more than $1.4 billion worldwide, became Warner Bros.’ highest-grossing movie at the time, and received eight Academy Award nominations, including Best Picture. Gosling also earned his first Oscar nomination for playing Ken.

While the A-lister’s reported $20 million asking price has drawn attention, the negotiations involve more than his salary. The New York Times reports that key creatives have also discussed receiving a share of future box office revenue if the sequel reaches agreed performance targets. According to the report, Warner Bros. Discovery CEO David Zaslav is reportedly reluctant to approve that level of compensation.

Another major factor is Greta Gerwig and Noah Baumbach’s involvement. The filmmaker and screenwriter reportedly have an idea for the sequel but have not shared it with the studio while negotiations remain unresolved. Securing the pair is considered a priority after their collaboration helped transform “Barbie” into both a commercial blockbuster and an awards contender.

Warner Bros. is also working against the calendar. If agreements are not finalized before the rights revert to Mattel in December, the toy company would regain control of the property and could pursue a new version of “Barbie” with a different creative team and cast. In a statement, Warner Bros. co-chairs Pam Abdy and Michael De Luca confirmed that negotiations are ongoing, saying the studio has made multiple offers but has not yet reached agreements to move the sequel forward.

Inde Navarrette’s Marvel Meeting Fuels X-Men Speculation

The meeting comes at a pivotal moment for Navarrette, whose performance in “Obsession” transformed her into one of the industry’s fastest-rising stars. The supernatural horror film, directed by Curry Barker, became an unlikely box office phenomenon after earning more than $460 million worldwide from a reported budget of under $1 million.

Speaking about life after the picture’s success, Navarrette said her schedule has been filled with opportunities to connect with filmmakers. “I’ve been taking a lot of meetings since ‘Obsession’ came out. That’s been really nice because you get to meet people and ask questions.”

One of those conversations was with Schreier, whose next project is expected to introduce Marvel Studios’ long-awaited version of the X-Men. Navarrette recalled growing up with Fox’s original mutant movies and said she admired the approach Schreier took on “Thunderbolts.” “I thought what Jake brought to ‘Thunderbolts’ was what I used to love about Marvel. It was character-driven, and the whole time I just couldn’t stop yapping about how much I appreciated what he did with Marvel.”

While her comments quickly sparked casting speculation, Navarrette also made it clear that not every meeting leads directly to a role. She described this stage of her career as a chance to meet filmmakers she respects and build relationships, explaining that some conversations are simply about expressing mutual admiration for each other’s work rather than signing onto a project.

Even so, she ended the discussion with a hint that Marvel fans were bound to notice. Asked which mutant she would most like to portray, Navarrette smiled and replied, “I mean, Mystique has always been super cool.”

Chris Pratt Wanted Star-Lord to Inspire Fans Beyond the Screen

Pratt admitted in a 2014 interview that he intentionally held onto Star-Lord’s signature jacket after production wrapped. Rather than keeping it as a personal souvenir, he wanted to have the costume ready in case the film became a success and children in hospitals wished to meet the character in person.

He soon followed through on that plan. After the movie’s release, Pratt appeared in costume during visits to facilities including Children’s Hospital Los Angeles and Christopher’s Haven in Boston, meeting patients as Star-Lord instead of simply attending as himself.

Released in 2014, “Guardians of the Galaxy” transformed a relatively obscure Marvel property into a global phenomenon. Directed by James Gunn, the film introduced Star-Lord, Gamora, Drax, Rocket, and Groot to the MCU and went on to earn more than $773 million worldwide, paving the way for two sequels and cementing the team as one of Marvel’s most beloved franchises.

The picture also marked a turning point for Pratt. Before leading Marvel’s cosmic adventure, he was best known for comedic roles, particularly on “Parks and Recreation.” The success of Star-Lord established him as a leading action star and opened the door to franchises including “Jurassic World” and later Marvel appearances.

How Jason Momoa Rebuilt His Career After ‘Game of Thrones’

Momoa appeared in the first season of “Game of Thrones” as Khal Drogo, the powerful leader of a Dothraki khalasar who enters the story through an arranged marriage to Daenerys Targaryen. Although the character was initially introduced as a fearsome warrior, Drogo gradually developed into one of Daenerys’ strongest supporters, playing a defining role in her personal growth. His death at the end of Season 1 also marked the end of Momoa’s time on the series, even before the fantasy drama became a worldwide phenomenon.

Although “Game of Thrones” launched him onto the global stage, Momoa later explained that finding new acting opportunities proved unexpectedly difficult. He said many casting directors assumed he could not speak English fluently or believed his performance as Drogo reflected the limits of his acting range. During that period, he recalled that his family was deeply in debt and struggling to cover everyday expenses while he searched for consistent work.

His fortunes changed in 2016 when he joined the DC Universe as Arthur Curry, making his debut as Aquaman in “Batman v Superman: Dawn of Justice.” He expanded the role in “Justice League” before leading the billion-dollar hit “Aquaman” in 2018, transforming the superhero into one of the franchise’s signature characters and establishing himself as a leading man in blockbuster filmmaking.

Since then, Momoa has continued to balance franchise roles with original projects. He starred in Apple’s historical drama “Chief of War,” which he also co-created and executive produced, returned to Denis Villeneuve’s “Dune” saga as Duncan Idaho, portrayed Lobo in “Supergirl,” and is set to play Blanka in the upcoming “Street Fighter” reboot.

Gillian Anderson Gives Ryan Coogler’s ‘X-Files’ Reboot a Major Endorsement

Years after wrapping her run as Dana Scully, Anderson has offered one of the clearest signs yet that Coogler’s vision respects the legacy of “The X-Files” while charting a new course. Speaking with Entertainment Tonight, the Emmy-winning actress described the pilot script as “brilliant” and praised the filmmaker leading the revival.

“I cannot think of a better person to take the helm,” Anderson said, before adding that she was “impressed by how different and yet how quintessentially like an X-File it was.” The comments arrive as anticipation continues to build around the reboot, which has already completed production on its pilot.

Rather than bringing back Mulder and Scully as the central investigators, the new series follows two accomplished FBI agents assigned to a reopened division dedicated to unexplained cases. Danielle Deadwyler and Himesh Patel headline the project, while original show creator Chris Carter serves as an executive producer.

Coogler already has plenty of goodwill behind him, having demonstrated his range with pictures such as “Fruitvale Station,” “Creed,” “Black Panther,” “Black Panther: Wakanda Forever,” and the Oscar-winning “Sinners.” The production also stands out for being filmed on large-format 65mm, an unusual choice for a television title.

For Hulu, the reboot represents a fresh chapter for one of television’s defining sci-fi franchises. Premiering in 1993, “The X-Files” followed FBI agents Fox Mulder and Dana Scully as they investigated paranormal cases that blended conspiracy, horror, and science fiction. Over 11 seasons, two feature movies, and multiple revivals, the show became a pop culture landmark, making Anderson’s enthusiastic reaction to the new pilot especially significant.

‘Elden Ring’ Movie Enters Post-Production After Filming Concludes

The update surfaced through Schofield’s Instagram account, where he shared a photo of a message signed by Garland alongside producers Allon Reich, Matthew Penry-Davey, Peter Rice, Andrew Macdonald, and Charlie Reed. The note thanked everyone involved for helping bring the ambitious title to completion.

“Dear cast and crew, thank you for your incredibly hard work on Elden Ring. Your skill, dedication, and all-round professionalism were integral in bringing this unique project to life. We wish you a well-earned rest. Thank you and very best wishes, Alex, Allon, Matthew, Peter, Andrew and Charlie,” the message read.

Schofield also reflected on the experience in the post’s caption, calling it a “Dream job to end all dream jobs” after “Six solid months of blood, sweat and tears making the coolest stuff ever, working alongside the best of the best.” He added that he “Can’t share anything else for a very long time, but I couldn’t be more proud of what we did.” The post was later deleted, and Schofield’s profile was reportedly made private shortly afterward.

The production milestone brings A24’s adaptation one step closer to theaters. Written and directed by Garland, the picture features Kit Connor, Cailee Spaeny, Ben Whishaw, Nick Offerman, Tom Burke, Havana Rose Liu, Sonoya Mizuno, Emma Laird, Peter Serafinowicz, Jonathan Pryce, Ruby Cruz, John Hodgkinson, and Jefferson Hall. Filming began in April across the United Kingdom, with locations including Scotland and North Wales before moving to Iceland.

The movie adapts FromSoftware’s 2022 hit video game, which was directed by Hidetaka Miyazaki with worldbuilding created by George R. R. Martin. Set in the Lands Between, the story follows a Tarnished warrior seeking to restore the shattered Elden Ring and claim the title of Elden Lord.

Since its release, the game has become one of the medium’s defining modern productions, selling more than 30 million copies worldwide and earning widespread acclaim, including numerous Game of the Year honors.

Tom Holland Says Peter Parker Remains the True Role Model

As “Spider-Man: Brand New Day” arrives in theaters, Holland made it clear that the character’s cultural impact is never far from his mind. While discussing the role, he said one of the most meaningful parts of making the films is knowing children look to Spider-Man for inspiration.

“For me, it is the biggest responsibility of making these movies, is making sure that young kids have someone that they can look up to,” Holland shared to People. He quickly added that the admiration should be directed toward Peter Parker rather than himself, emphasizing, “I don’t mean that in me, I mean that in Peter Parker.”

The actor explained that his connection to the Marvel hero began long before he stepped into the suit. “I’ve looked up to him for years and years. He’s been a role model to me since I was a young kid, and even since I started playing him.” Holland also noted that it is “a responsibility that I don’t take lightly, and something that I think is really important.”

The comments arrive as “Spider-Man: Brand New Day” opens a fresh chapter for Peter Parker following the events of “Spider-Man: No Way Home.” Set four years later, the film follows Peter as he continues protecting New York while living in complete anonymity after the world forgot his identity. At the same time, he faces a dangerous new threat as unexpected changes begin affecting his spider-powered abilities.

The latest installment, directed by Destin Daniel Cretton, features the return of Zendaya as MJ and Jacob Batalon as Ned, while adding Sadie Sink, Jon Bernthal, Florence Pugh, Mark Ruffalo, and Marisa Tomei to a cast that pushes Peter into a more mature stage of his journey.

How Jason Momoa’s Famous Scar Became Part of His Look

Long before taking on some of Hollywood’s biggest action roles, Momoa was injured during an altercation at Birds Cafe, a Hollywood venue, on November 15, 2008. He was struck in the face with a broken beer glass, suffering injuries that required about 140 stitches and reconstructive surgery. The wound left the scar that remains visible through his left eyebrow today.

The attack led to criminal charges against Dominic Bando, who was 21 years old at the time and living in Venice Beach, California. According to an Associated Press report cited by IMDb Trivia, Bando was later convicted and sentenced to five years in prison for the assault.

In the years that followed, Momoa’s career continued to gain momentum. After early television roles in “Baywatch Hawaii” and “Stargate Atlantis,” he reached a global audience as Khal Drogo in “Game of Thrones” before becoming the face of Aquaman in DC’s live-action pictures. He has also appeared in “Dune,” “Fast X,” and “A Minecraft Movie.”

Momoa remains active across film and television. He recently starred in Apple TV+’s historical drama “Chief of War,” which he also co-created and executive produced, and took on the role of Lobo in “Supergirl.” He is also set to portray Blanka in the upcoming “Street Fighter” reboot, continuing a career that has expanded well beyond the roles that first made him a household name.

Spider-Man: Brand New Day Opens With Historic Momentum

The record-breaking preview haul places “Spider-Man: Brand New” Day in rare company before its first full weekend in theaters. Industry projections now suggest the film could earn between $260 million and $280 million domestically during its debut, a result that would rank behind only “Avengers: Endgame” among the biggest opening weekends ever. While some forecasts have climbed even higher, Sony has maintained a more conservative estimate in the $190 million to $195 million range.

Even if it falls closer to the studio’s official projection, the picture has already demonstrated extraordinary demand. Only a handful of releases have ever crossed the $200 million mark in their domestic opening weekends, making “Brand New Day” a strong contender to join one of the industry’s most exclusive groups.

The new film also arrives carrying significant expectations after the enormous success of “Spider-Man: No Way Home.” Unlike its predecessor, which reunited Tom Holland with Tobey Maguire and Andrew Garfield, “Brand New Day” follows Peter Parker in the aftermath of Doctor Strange’s memory-altering spell, leaving him to protect New York without the support of those who once knew his secret identity. The story also introduces Sadie Sink as the mysterious Jean Grey while bringing back familiar faces including Zendaya, Jacob Batalon, Jon Bernthal, Mark Ruffalo, and Florence Pugh.

Directed by Destin Daniel Cretton, the fourth MCU Spider-Man movie marks the beginning of a new chapter for Holland’s version of the character. The title centers on a more isolated Peter Parker as he confronts a dangerous new threat while experiencing unexpected changes to his powers, signaling a different direction for the franchise after the events of “No Way Home.”