<p>Ahead of its April 3, 2026 release, A24 has pulled back the curtain on <em>The Drama</em>, a genre-bending romantic thriller starring Zendaya and Robert Pattinson. From secret confessions to “radical acceptance,” we’re breaking down the trailer, the cast, and why this is the must-watch movie of the spring.</p>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/03104124/a-10-1920x1080.webp" alt="" class="wp-image-84556"></figure></div><figcaption>IMDb // A24</figcaption></figure>



<h3><strong>The Premise: Love, Lies, and “Radical Acceptance”</strong></h3>



<p>Written and directed by Kristoffer Borgli (<em>Dream Scenario</em>), <strong><em>The Drama</em></strong> follows Emma Harwood (Zendaya), a bookstore clerk from Louisiana, and Charlie Thompson (Robert Pattinson), a museum director from London. The film begins with the two as a seemingly perfect, happily engaged couple preparing for their big day. However, as the wedding week begins, the dream quickly shifts into a nightmare.</p>



<p>The official trailer reveals a chilling turning point during a dinner with friends when the group decides to share the worst thing they have ever done. While the audience doesn’t hear Emma’s specific confession, the shocked and outraged reactions of the table—and Charlie’s subsequent emotional spiral—suggest a secret so dark it threatens to dismantle their entire future. As Charlie struggles with the concept of radical acceptance, the film explores the terrifying question of how well you truly know the person you are about to marry.</p>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/03103713/The-Drama-1-1920x1080.webp" alt="" class="wp-image-84555"></figure></div><figcaption>IMDb</figcaption></figure>



<h3><strong>The Cast: An A24 Powerhouse</strong></h3>



<p>The film features an ensemble of buzzy talent and frequent A24 collaborators. Zendaya stars as Emma Harwood, a woman whose mysterious past becomes a destructive force in her present life. Robert Pattinson brings his trademark intensity to the role of Charlie Thompson, the increasingly unhinged fiancé. Pattinson recently shared that the script was so complex he spent hours on the phone with Zendaya before filming to find the true meaning behind their most difficult scenes.</p>



<p>The supporting cast is equally impressive, featuring Mamoudou Athie and Alana Haim as the couple’s close friends who witness the ill-fated confession. Zoë Winters, known for her role in <em>Succession</em>, plays a wedding photographer who provides meta-commentary on the fracturing relationship, while Hailey Gates and Sydney Lemmon round out the ensemble in undisclosed but pivotal roles.</p>



<h3><strong>The Trailer: A Masterclass in Tension</strong></h3>



<p>Released just this morning, <strong>February 3, 2026</strong>, the official trailer has already set social media ablaze.</p>



<p>Produced by Ari Aster (<em>Hereditary</em>), the trailer carries the signature unsettling humor of a Borgli-Aster collaboration, where the mundane becomes monstrous in the blink of an eye. The visuals reflect on the complications of true love, even as the footage suggests an escalating tension that might prevent the couple from ever reaching the altar.</p>



<h3><strong>2026: The Year of Pattinson and Zendaya</strong></h3>



<p>For fans of this duo, <strong><em>The Drama</em></strong> is just the beginning of a massive cinematic year. This film marks the first of three major collaborations between the stars scheduled for 2026. Following this April release, the two will reunite in Christopher Nolan’s epic <strong><em>The Odyssey</em></strong> in July. To close out the year, they will appear together in Denis Villeneuve’s <strong><em>Dune: Part Three</em></strong> this December, where Pattinson is rumored to be joining the sci-fi franchise in a central role alongside Zendaya’s Chani.</p>


A Wedding Week Gone Wrong: Everything to Know About A24's 'The Drama'

A Wedding Week Gone Wrong: Everything to Know About A24's 'The Drama' - Spoiler US

thumbnail

<p>In the history of transgressive cinema, few films have maintained such a potent ability to shock and intellectually provoke as “A Clockwork Orange.” Released 55 years ago—premiering in New York in December 1971 followed by a wide rollout in early 1972—Stanley Kubrick’s adaptation of Anthony Burgess’s novel was more than a movie; it was a cultural explosion. </p>



<p>Its exploration of a youth culture fueled by “ultraviolence” and a government willing to strip away humanity in the name of order remains a cornerstone of film studies and sociopolitical discourse. As we commemorate this milestone, we revisit the elements that transformed a controversial X-rated feature into an immortal piece of art.</p>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02084554/A-Clockwork-Orange-2-1920x1080.webp" alt="" class="wp-image-84430"></figure></div><figcaption>IMDb</figcaption></figure>



<h2><strong>The Vision of Stanley Kubrick</strong></h2>



<p>By 1971, Stanley Kubrick was already a titan of cinema, but <em>A Clockwork Orange</em> proved he was willing to descend into the darkest corners of the human psyche. Kubrick acted as a one-man army for the production, serving as director, producer, and screenwriter to ensure his specific, stylized vision of a near-future Britain was uncompromising. His decision to blend graphic brutality with the high-art grace of Beethoven created a sensory dissonance that had never been seen on screen before. Today, his meticulous framing and use of wide-angle lenses remain the gold standard for creating a sense of “clinical” unease in film.</p>



<h2><strong>Malcolm McDowell’s Definitive Performance</strong></h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02084434/A-Clockwork-Orange-1920x1080.webp" alt="" class="wp-image-84428"></figure></div><figcaption>IMDb</figcaption></figure>



<p>The film’s success rests entirely on the shoulders of Malcolm McDowell, whose portrayal of Alex DeLarge is widely considered one of the greatest acting feats in history. McDowell brought a terrifying charisma to a character who, by all accounts, should be irredeemable, forcing the audience into an uncomfortable alliance with a monster. His physical commitment was legendary, including enduring real corneal damage during the famous “Ludovico Technique” scene. Decades later, McDowell’s smirk into the camera remains the definitive face of cinematic psychopathy and youthful defiance.</p>



<h2><strong>The Controversy and the UK Ban</strong></h2>



<p>Upon its release, <em>A Clockwork Orange</em> became a lightning rod for moral outrage, leading to it being blamed for “copycat” crimes across the United Kingdom. The pressure on Kubrick and his family became so intense—including death threats and protestors at their home—that the director personally requested Warner Bros. withdraw the film from British circulation in 1973. For 27 years, the movie was effectively “banned” in its home country, only becoming legally available again after Kubrick’s death in 1999. This self-imposed exile only added to the film’s mystique, cementing its status as the ultimate “forbidden” masterpiece.</p>



<h2><strong>The Ethics of the Ludovico Technique</strong></h2>



<p>At the heart of the film is a profound philosophical question: Is a man who is forced to be good better than a man who chooses to be evil? The “Ludovico Technique”—an experimental aversion therapy used to “cure” Alex—serves as a chilling critique of behaviorism and state-sponsored dehumanization. In an era of modern algorithms and data-driven social engineering, the film’s warning about the “clockwork” nature of a society that sacrifices free will for safety feels more relevant than ever. Kubrick’s refusal to provide a happy or redemptive ending ensures the debate remains open and haunting.</p>



<h2><strong>A Soundtrack of Synthetic Classical</strong></h2>



<p>The music of <em>A Clockwork Orange</em> was as revolutionary as its imagery, featuring a groundbreaking score by Wendy Carlos. By reimagining the works of Beethoven and Rossini through the Moog synthesizer, Carlos created a “retro-futuristic” soundscape that mirrored the film’s cold, plastic aesthetic. This juxtaposition of classical high culture with modern technology and primal violence helped define the “Kubrickian” sound. Fifty-five years later, the use of the “Ode to Joy” continues to evoke the specific, unsettling atmosphere of the Korova Milkbar and the world of the Droogs.</p>


The Enduring Legacy of 'A Clockwork Orange' After 55 Years

The Enduring Legacy of 'A Clockwork Orange' After 55 Years - Spoiler US

<p>Every year, the<strong> Super Bowl </strong>becomes more than a championship—it transforms into the <strong>most coveted stage for Hollywood’s marketing blitz</strong>. Between touchdowns and halftime spectacles, millions of viewers tune in not just for the game but for the first glimpses of the season’s most anticipated films.</p>



<p>Movie studios meticulously craft trailers to premiere during the broadcast, knowing that even thirty seconds of imagery, music, and dramatic reveals can ignite social media storms and set cultural conversations ablaze.</p>



<p>For the 2026 edition, the pattern continues, with a carefully curated lineup of trailers poised to debut. From blockbuster sequels to original cinematic events, each spot offers a glimpse into worlds that will soon demand full attention in theaters.</p>



<h2>Star Wars: The Mandalorian and Grogu</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02154147/Star-Wars_-The-Mandalorian-and-Grogu-1920x1080.webp" alt="" class="wp-image-84481"></figure></div><figcaption>(Source: IMDb)</figcaption></figure>



<p>In 2026, one of Star Wars’ most beloved duos makes the leap from streaming to the silver screen. The Mandalorian &amp; Grogu reunites Din Djarin and his apprentice Grogu in a standalone theatrical adventure, set for release on May 22, 2026, marking the first major Star Wars film since 2019’s Rise of Skywalker. </p>



<p>The project carries the weight of high expectations—not only expanding its narrative universe beyond Disney+ but also offering audiences a cinematic experience steeped in both nostalgia and new galactic stakes. With a Super Bowl trailer likely, Lucasfilm is poised to leverage the biggest TV moment of the year to underscore this film’s reach and emotional potential.</p>



<h2>Disclosure Day</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02154142/Disclosure-Day-1920x1080.webp" alt="" class="wp-image-84480"></figure></div><figcaption>(Source: IMDb)</figcaption></figure>



<p>Steven Spielberg returns to wide‑release cinema with Disclosure Day, a big‑budget science fiction thriller that has been pegged for a Super Bowl trailer rollout. </p>



<p>With screenplay and star power aimed at blending thoughtful narrative with commercial spectacle, the film is expected to explore what happens when earth‑shaking information about extraterrestrial life becomes public. </p>



<p>Studios see the Super Bowl as an ideal platform for movies like this that straddle commercial appeal and serious cinematic craftsmanship, turning trailer spots into cultural talking points well before the summer box office race begins.</p>



<h2>The Super Mario Galaxy Movie</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02154016/The-Super-Mario-Galaxy-Movie-1920x1080.webp" alt="" class="wp-image-84478"></figure></div><figcaption>(Source: IMDb)</figcaption></figure>



<p>Nintendo’s intergalactic jump comes courtesy of The Super Mario Galaxy Movie, slated for April 1, 2026, which broadens the scope of the 2023 animated blockbuster into cosmic arenas drawn from one of the most beloved video games in franchise history. </p>



<p>With animation by Illumination and a voice cast led by Chris Pratt and Anya Taylor‑Joy, the film intertwines high‑stakes rescue missions with whimsical planetary worlds. </p>



<p>Because the Super Bowl audience skews family‑friendly and mainstream, this title’s trailer is expected to highlight color, adventure, and recognizable characters that can ignite anticipation across generations.</p>



<h2>Minions 3</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02154022/Minions-1920x1080.webp" alt="" class="wp-image-84479"></figure></div><figcaption>(Source: IMDb)</figcaption></figure>



<p>The Minions are back, and this time their yellow chaos hits big‑screen screens on July 1, 2026. Minions 3 continues the long‑running spin‑off saga of Illumination’s animated franchise, a staple of summer cinema that has grossed billions worldwide. </p>



<p>Given the brand’s historic box‑office success and universal appeal, a Super Bowl teaser would serve as a strategic amplifier for family audiences already primed for blockbuster season. Between slapstick antics and new narrative twists, the trailer is poised to underscore why these pint‑sized characters have become global cultural fixtures.</p>



<h2>Michael</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02153902/Michael-1-1920x1080.webp" alt="" class="wp-image-84477"></figure></div><figcaption>(Source: IMDb)</figcaption></figure>



<p>Lionsgate’s biographical drama Michael—a cinematic exploration of the life, music, and complexities of Michael Jackson—is another contender for Super Bowl ad space in 2026. </p>



<p>With a release date later in the spring and fresh buzz from early promotional materials, the film seeks to balance reverence with storytelling edge. A trailer debut during the Super Bowl would aim to crystallize both the pop legend’s enduring influence and the film’s narrative scope, inviting viewers into the world of an artist whose cultural imprint remains contested and compelling.</p>



<h2>Toy Story 5</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02154302/Toy-Story-5-1920x1080.webp" alt="" class="wp-image-84483"></figure></div><figcaption>(Source: IMDb)</figcaption></figure>



<p>Pixar’s enduring franchise takes its next chapter in Toy Story 5, another tentpole for 2026 with a June release. This installment reportedly continues to explore themes of change, belonging, and the bittersweet evolution of play as toys and their owners grow up together. </p>



<p>Given the Super Bowl’s track record for high‑impact trailer debuts and the franchise’s multi‑generational fan base, the trailer is likely to emphasize both emotional resonance and imaginative visuals—reminding audiences that these beloved characters continue to matter in a rapidly shifting cultural landscape.</p>



<h2>Scream 7</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02154256/Scream-7-1920x1080.webp" alt="" class="wp-image-84482"></figure></div><figcaption>(Source: IMDb)</figcaption></figure>



<p>The Scream franchise has reinvented itself through multiple eras of horror cinema, and Scream 7 enters 2026 as another exercise in meta‑slasher tradition. With a February release date shortly after the Super Bowl, Paramount’s timing for a trailer debut is strategic: the brief glimpse of Ghostface and his latest game of cat‑and‑mouse could spark buzz within weeks of its wide release. </p>



<p>For genre fans and casual viewers alike, the Super Bowl teaser will likely capitalize on familiar scares while teasing new twists, reinforcing why Scream remains a durable franchise in horror’s evolving landscape.</p>


All the Major Movie Trailers Expected During Super Bowl 2026

All the Major Movie Trailers Expected During Super Bowl 2026 - Spoiler US

<p>Nearly two decades after <strong>The Devil Wears Prada</strong> turned the fashion world into a battlefield of sharp heels and sharper dialogue, the story is officially returning. A sequel set for 2026 brings back a film that defined mid-2000s pop culture, reshaping how workplace ambition, style, and power were portrayed on screen. </p>



<p>As production moves forward, time itself becomes part of the narrative. <strong>Anne Hathaway, Meryl Streep, Emily Blunt and Stanley Tucci </strong>are no longer the same artists audiences first met nearly 20 years ago, and neither is the industry they inhabit.</p>



<h2>The Cast’s Ages Then and Now</h2>



<p>The upcoming The Devil Wears Prada 2 is set to hit theaters on May 1, 2026, nearly 20 years after the original fashion-world sensation debuted in 2006. Looking back at the ages of the core cast then and now offers a striking portrait of how time has shaped both the actors and the cultural milieu they helped define.</p>



<p>At the time of the original release,<strong> Anne Hathaway</strong>—who plays Andrea “Andy” Sachs—was 23 years old, just stepping into major Hollywood stardom. Born on November 12, 1982, she will be 43 by the 2026 premiere, returning to the role with two decades of experience and a broader screen presence.</p>



<p><strong>Emily Blunt</strong>, who portrayed Emily Charlton in the first film, was 23 or 24 during the original’s run, having been born on February 23, 1983. That makes her 43 as Prada 2 nears release—a seasoned performer whose career has stretched well beyond the fashion satire that helped launch her international profile.</p>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/02/02135231/emily-blunt-1920x1080.webp" alt="" class="wp-image-84450"></figure></div><figcaption>Emily Blunt in The Devil Wears Prada 2 (Source: IMDb)</figcaption></figure>



<p><strong>Meryl Streep</strong>, the indelible Miranda Priestly, was 56 when the first film reached audiences; born in 1949, she’ll be 76 as she reprises her iconic role in the sequel. Her return brings a wealth of decades-worth of awards, roles, and cultural impact back to the world of Runway magazine.</p>



<p><strong>Stanley Tucci</strong>, Nigel Kipling—the voice of dry wit and unshakeable poise—was 45 in 2006 and will be 65 by the time The Devil Wears Prada 2 lands in theaters. His presence continues to bridge the worlds of style and seasoned craftsmanship that the franchise has come to represent.</p>



<p>These age shifts aren’t just numbers; they signal a deeper shift in perspective. What was once a tale of relentless ambition among fresh faces has grown into a story about influence, legacy, and how the priorities of fashion and media evolve with time—mirroring, in many ways, the real lives of its performers.</p>


The Devil Wears Prada 2 Is Coming in 2026: The Cast’s Ages Then vs. Now

The Devil Wears Prada 2 Is Coming in 2026: The Cast’s Ages Then vs. Now - Spoiler US



        


<p>Hollywood has spent staggering amounts of money on pictures that seemed destined to become major events. While some blockbusters justify their enormous costs with cultural impact and long-term popularity, <strong>others quickly fade from public memory</strong> despite lavish productions and ambitious marketing campaigns. </p>



<p>In many cases, these movies earned decent box office returns but failed to leave a lasting impression on audiences. <strong>Here are 10 of the most expensive films ever made that are rarely talked about today.</strong></p>



<h2>How Do You Know (2010)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><img loading="lazy" width="1280" height="720" data-id="84361" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/31075122/How-1280x720.webp" alt="" class="wp-image-84361"><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>It is rare for a contemporary romantic comedy to command a nine-figure price tag, yet this James L. Brooks production managed to burn through $120 million. Despite featuring an A-list ensemble of Reese Witherspoon, Owen Wilson, Paul Rudd, and Jack Nicholson, the film’s massive costs were primarily driven by high talent salaries and a meticulous, slow-paced production schedule. Today, it is largely viewed as a footnote in its stars’ careers, lacking the quotability or staying power of the genre’s more modest classics.</p>



<h2>Mortal Engines (2018)</h2>



<p>Produced by Peter Jackson with a staggering budget estimated between $100 million and $150 million, this steampunk epic was designed to launch a sprawling new franchise based on Philip Reeve’s novels. The film boasted breathtaking visual effects of traction cities roaming a post-apocalyptic wasteland, but the spectacle failed to resonate with audiences, leading to one of the biggest box office losses in history. While the technical craftsmanship is undeniable, the characters and plot have almost entirely faded from the collective memory of sci-fi fans.</p>



<h2>The 13th Warrior (1999)</h2>



<p>This Viking-era action film, starring Antonio Banderas, is a textbook case of a production spiraling out of control, with its final costs reportedly ballooning toward $160 million after extensive reshoots and marketing. Directed by John McTiernan and based on a Michael Crichton novel, the movie suffered from a troubled post-production phase that saw the original score replaced and the tone heavily altered. Despite its gritty atmosphere and impressive practical sets, it failed to secure a foothold in the cultural landscape of the late ’90s.</p>



<h2>Battleship (2012)</h2>



<p>Universal Pictures spent an eye-watering $209 million to turn a simple board game into a sci-fi blockbuster involving alien invaders and the U.S. Navy. While the film was clearly aiming for the same toy-to-titan success as the <em>Transformers</em> series, it arrived to middling reviews and a lukewarm audience reception. Even with Rihanna making her theatrical debut and Peter Berg at the helm, the movie’s generic CGI mayhem has left it adrift in the sea of forgotten 2010s blockbusters.</p>



<h2>Mars Needs Moms (2011)</h2>



<p>Disney’s foray into performance-capture animation cost $150 million to produce, yet it resulted in one of the most significant financial disasters in the studio’s history. The film’s uncanny valley visual style was often cited as a deterrent for families, and its story failed to capture the imagination of its target demographic. The studio’s image-mo-cap division was shuttered shortly after, and the film is now almost never mentioned alongside Disney’s legendary animated catalog.</p>



<h2>King Arthur: Legend of the Sword (2017)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><img loading="lazy" width="1280" height="720" data-id="84363" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/31080345/King-1-1280x720.webp" alt="" class="wp-image-84363"><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Guy Ritchie attempted to give the Arthurian legend a kinetic, modern makeover with a $175 million budget that was intended to kickstart a six-film cinematic universe. Starring Charlie Hunnam and Jude Law, the movie featured high-octane editing and massive magical creatures, but it was crushed at the box office by heavy competition. Because the planned sequels were immediately scrapped, this expensive reimagining exists as a solitary, largely forgotten curiosity of mid-2010s studio ambition.</p>



<h2>Transcendence (2014)</h2>



<p>Marking the directorial debut of Christopher Nolan’s longtime cinematographer Wally Pfister, this cerebral sci-fi thriller cost $100 million and starred Johnny Depp as an AI-uploaded consciousness. Despite its high-concept premise and an impressive supporting cast including Morgan Freeman and Rebecca Hall, the film was criticized for being emotionally cold and narratively sluggish. It vanished from theaters quickly and has since failed to develop the cult following often enjoyed by similar high-budget genre experiments.</p>



<h2>John Carter (2012)</h2>



<p>Though it is often cited in industry circles as a cautionary tale of marketing failure, the actual content of this $264 million Martian epic has largely slipped from public consciousness. Director Andrew Stanton brought Edgar Rice Burroughs’ seminal sci-fi world to life with incredible detail, but the film struggled to distinguish itself from the many franchises it had originally inspired. Despite a dedicated small circle of defenders, the general public has mostly forgotten the sweeping landscapes and creature designs of Barsoom.</p>



<h2>Stealth (2005)</h2>



<p>At the time of its release, this high-tech thriller about a sentient, rogue fighter jet was one of the most expensive movies ever made, with a budget of roughly $135 million. Directed by Rob Cohen, the film relied heavily on early-2000s CGI and an MTV-style aesthetic that aged almost instantly. While it was intended to be a summer tentpole, it was panned by critics and ignored by audiences, leaving it to gather dust as a relic of an era obsessed with military-themed techno-thrillers.</p>



<h2>Chaos Walking (2021)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><img loading="lazy" width="1280" height="720" data-id="84362" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/31075310/Chaos-1280x720.webp" alt="" class="wp-image-84362"><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Even with the star power of Tom Holland and Daisy Ridley at the height of their respective <em>Spider-Man</em> and <em>Star Wars</em> fame, this YA adaptation struggled through years of delays and reshoots. The production costs climbed to $100 million as the studio tried to fix the unfilmable concept of characters’ thoughts being audible to everyone. By the time it finally hit theaters during a difficult release window, the hype had evaporated, and the film left no lasting mark on the genre it hoped to redefine.</p>


The 10 Most Expensive Movies That Barely Anyone Remembers

‘John Wick’ Hit With $10 Million Lawsuit Over Alleged Script Theft

‘The Critic’ Reboot Nears Reality as Creator Says It’s “Never Been Closer”

The 10 Most Expensive Movies That Barely Anyone Remembers - Spoiler US

<div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/ozzy-osbourne-tribute-at-the-2026-grammys-will-feature-slash-post-malone-and-more" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/29131052/Ozzy-200x200.webp" excerpt="Rock and roll royalty will gather under the bright lights of Los Angeles to honor the incomparable legacy of the Prince of Darkness.
" title="Ozzy Osbourne Tribute at the 2026 GRAMMYs Will Feature Slash, Post Malone and More" publication_id="SPEN#/celebrities/ozzy-osbourne-tribute-at-the-2026-grammys-will-feature-slash-post-malone-and-more"></div>

        <div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/10-famous-actors-who-went-to-acting-school-and-10-who-didnt" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/28170239/Adam-200x200.webp" excerpt="Some Hollywood stars sharpened their craft in classrooms and conservatories, while others broke in with nothing but raw talent, ambition, and a willingness to learn on the fly.
" title="10 Famous Actors Who Went to Acting School — and 10 Who Didn’t" publication_id="SPEN#/celebrities/10-famous-actors-who-went-to-acting-school-and-10-who-didnt"></div>


<p>This year’s induction into the National Film Registry highlights the incredible breadth of the American experience, bridging the gap between the dawn of silent cinema and the high-concept blockbusters of the 21st century. By selecting 25 films based on their enduring cultural, historical, or aesthetic importance, the Library of Congress continues its mission to preserve the nation’s film heritage. From the martial arts lessons of the 1980s to the philosophical questions of reality TV, <strong>these titles represent the evolving soul of domestic filmmaking.</strong></p>



<h2>The Truman Show (1998)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><div><figure class="image"><img loading="lazy" width="1280" height="720" data-id="84293" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/29134123/Truman-1-1280x720.webp" alt="" class="wp-image-84293"></figure></div><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Jim Carrey’s transition into more dramatic territory remains a prophetic look at a society obsessed with surveillance and reality television. Director Peter Weir crafted a world that feels both comforting and claustrophobic, questioning the boundaries between private life and public entertainment.</p>



<h2>The Tramp and the Dog (1896)</h2>



<p>As the oldest entry in this year’s class, this brief silent work from William Selig provides a rare window into the very first years of motion pictures. It captures a simple, comedic interaction that demonstrates the early narrative instincts of American filmmakers. </p>



<h2>Inception (2010)</h2>



<p>Christopher Nolan’s cerebral heist film challenged the traditional structure of summer blockbusters by weaving a complex narrative through multiple layers of dreams. Its breathtaking visual effects and Hans Zimmer’s booming score created a unique sensory experience that dominated cultural conversations for years. </p>



<h2>The Maid of McMillan (1916)</h2>



<p>Recognized as the first recorded student film, this silent short was produced by a drama club at Washington University in St. Louis. It follows a whimsical romance involving a track team captain and a fellow student, showcasing the creative spirit of early amateur filmmakers. </p>



<h2>The Karate Kid (1984)</h2>



<p>Few films have permeated the cultural lexicon as deeply as this underdog story, which turned “wax on, wax off” into a household phrase. Beyond the iconic tournament scenes, the movie is a poignant exploration of mentorship and the immigrant experience through the bond between Daniel LaRusso and Mr. Miyagi. </p>



<h2>The Grand Budapest Hotel (2014)</h2>



<p>Wes Anderson’s meticulous visual style reached a pinnacle in this vibrant, multi-layered tale of a legendary concierge and his lobby boy. The director utilized the Library of Congress’s own photochrom collections to research the film’s stunning European landscapes and architecture. </p>



<h2>White Christmas (1954)</h2>



<p>This holiday staple was the first film released in VistaVision, a high-definition widescreen process developed by Paramount to compete with television. Starring Bing Crosby and Danny Kaye, the musical numbers and Technicolor palettes have become synonymous with American Christmas traditions. </p>



<h2>The Incredibles (2004)</h2>



<p>Brad Bird’s Pixar masterpiece redefined the superhero genre by focusing more on the mundane struggles of family life than on the powers themselves. With its retro-futuristic design and sophisticated humor, the film appealed to adults and children alike while pushing the boundaries of computer animation.</p>



<h2>The Oath of the Sword (1914)</h2>



<p>This silent production is a landmark of Asian American cinema, featuring a Japanese lead and focusing on themes of cultural identity and honor. Produced by the Japanese American Film Company, it represents a vital and often overlooked chapter in the history of ethnic representation on screen. </p>



<h2>Clueless (1995)</h2>



<p>Amy Heckerling’s brilliant reimagining of Jane Austen’s <em>Emma</em> perfectly captured the fashion and vernacular of the 1990s Beverly Hills teen scene. Alicia Silverstone’s performance as Cher Horowitz created an iconic protagonist who was far more perceptive and kind-hearted than her airhead exterior suggested.</p>



<h2>Frida (2002)</h2>



<p>Salma Hayek’s passionate portrayal of artist Frida Kahlo brought the painter’s vibrant and often painful life to a global audience. Directed by Julie Taymor, the film utilizes creative visual transitions that mimic the surrealist nature of Kahlo’s own artwork. </p>



<h2>The Thing (1982)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><div><figure class="image"><img loading="lazy" width="1280" height="720" data-id="84295" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/29135541/Thing-1280x720.webp" alt="" class="wp-image-84295"></figure></div><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>John Carpenter’s masterwork of practical effects and mounting paranoia was initially misunderstood by critics but has since been hailed as a horror classic. Set in a remote Antarctic research station, the film uses its shape-shifting antagonist to explore themes of isolation and distrust. Ennio Morricone’s haunting, minimalist score perfectly complements the film’s bleak and terrifying atmosphere.</p>



<h2>Before Sunrise (1995)</h2>



<p>Richard Linklater’s dialogue-driven romance captured the fleeting, magical chemistry of two strangers meeting on a train in Vienna. By focusing almost entirely on the conversation between Julie Delpy and Ethan Hawke, the film elevated the walk and talk style of indie filmmaking. </p>



<h2>The Lady (1925)</h2>



<p>This silent drama starring Norma Talmadge was once considered partially lost until a recent restoration by the Library of Congress. It tells the story of a woman’s struggles through various hardships, showcasing the emotional range that made Talmadge one of the biggest stars of her era. </p>



<h2>Philadelphia (1993)</h2>



<p>As one of the first major Hollywood films to directly address the HIV/AIDS crisis, this legal drama played a crucial role in shifting public perception and awareness. Tom Hanks earned an Academy Award for his performance as a lawyer fighting a wrongful termination suit based on his diagnosis. </p>



<h2>High Society (1956)</h2>



<p>This musical remake of <em>The Philadelphia Story</em> features an incredible ensemble cast including Frank Sinatra, Bing Crosby, and Grace Kelly in her final film role. With a sophisticated score by Cole Porter, it represents the height of mid-century cinematic glamour and star power. The film remains a quintessential example of the polished, high-budget studio productions of the 1950s.</p>



<h2>Glory (1989)</h2>



<p>This powerful historical epic tells the story of the 54th Massachusetts Volunteer Infantry, one of the Union Army’s first African American regiments during the Civil War. Denzel Washington’s breakout performance and the film’s harrowing battle sequences brought a long-neglected chapter of American history to life. It continues to be praised for its technical achievement and its tribute to the heroism of Black soldiers.</p>



<h2>The Big Chill (1983)</h2>



<p>By gathering a group of friends following a funeral, Lawrence Kasdan’s film perfectly captured the anxieties and shifting values of the Baby Boomer generation. Its ensemble cast and legendary Motown soundtrack defined the reunion subgenre of drama for years to come. </p>



<h2>Say Amen, Somebody (1982)</h2>



<p>This acclaimed documentary celebrates the world of gospel music through the lives of its pioneers, including Thomas A. Dorsey and Willie Mae Ford Smith. It captures the spiritual energy and historical roots of the genre with intimacy and joy, preserving vital performances for posterity. </p>



<h2>The Hours (2002)</h2>



<p>Linking the lives of three women across different time periods through the work of Virginia Woolf, this film is a profound exploration of mental health and stifled desires. The central performances by Meryl Streep, Julianne Moore, and Nicole Kidman provide a masterclass in nuanced, dramatic acting.</p>



<h2>Sparrows (1926)</h2>



<p>Mary Pickford stars in this gothic-tinged silent thriller as a young woman protecting a group of orphans from a villainous farm owner. The film is notable for its atmospheric set design and its departure from Pickford’s more typical, lighthearted America’s sweetheart roles. </p>



<h2>The Loving Story (2011)</h2>



<p>This documentary provides a moving and factual look at Richard and Mildred Loving, the couple whose legal battle led to the landmark Supreme Court decision against anti-miscegenation laws. Using archival footage and personal photographs, it humanizes a pivotal moment in the American civil rights movement. </p>



<h2>Brooklyn Bridge (1981)</h2>



<p>Ken Burns’ first major documentary explored the engineering marvel and the cultural symbolism of New York’s most iconic bridge. It established the filmmaker’s signature style of using archival materials to tell a compelling narrative about American progress and ingenuity. </p>



<h2>The Wrecking Crew (2008)</h2>



<p>This documentary shines a much-deserved light on the unsung session musicians who provided the backing tracks for countless hits in the 1960s and 70s. From The Beach Boys to Frank Sinatra, these versatile players shaped the sound of American popular music behind the scenes. </p>



<h2>Ten Nights in a Barroom (1926)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><div><figure class="image"><img loading="lazy" width="1280" height="720" data-id="84294" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/29135032/Nights-1280x720.webp" alt="" class="wp-image-84294"></figure></div><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>As a rare surviving example of a race film, this production featured an all-Black cast and was intended for Black audiences during the era of segregation. The film adaptation of the popular temperance play offers a fascinating look at the social messaging and independent filmmaking of the 1920s. </p>


The National Film Registry Adds ‘Karate Kid,’ ‘Truman Show,’ and 23 Other Films to Its Collection

10 Famous Actors Who Went to Acting School — and 10 Who Didn’t

Ozzy Osbourne Tribute at the 2026 GRAMMYs Will Feature Slash, Post Malone and More

The National Film Registry Adds ‘Karate Kid,’ ‘Truman Show,’ and 23 Other Films to Its Collection - Spoiler US

<div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/george-r-r-martin-calls-the-unfinished-a-song-of-ice-and-fire-his-biggest-career-regret" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/24113054/Knight-3-200x200.webp" excerpt="The man behind the Iron Throne admits that the race against his own television adaptation is a battle he never expected to lose.
" title="George R.R. Martin Calls the Unfinished ‘A Song of Ice and Fire’ His Biggest Career Regret" publication_id="SPEN#/celebrities/george-r-r-martin-calls-the-unfinished-a-song-of-ice-and-fire-his-biggest-career-regret"></div>

        <div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/10-artists-who-were-working-on-their-greatest-album-just-before-dying" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/23163155/David-200x200.webp" excerpt="Some albums carry an added weight when you know they were created under the shadow of an ending the artist never lived to see.
" title="10 Artists Who Were Working on Their Greatest Album Just Before Dying" publication_id="SPEN#/celebrities/10-artists-who-were-working-on-their-greatest-album-just-before-dying"></div>


<p>The fire has been relit as production officially kicks off on the highly anticipated live-action sequel. Dean DeBlois, the creative force behind the original animated trilogy, shared the news via Instagram with a photo of himself wielding the clapperboard on set. His caption, <strong>“Back in the saddle! Day 1 of principal photography on HTTYD2! The adventure begins……..,”</strong> has sent ripples of excitement through the fanbase.</p>



<h2>Returning to the Skies of Berk</h2>



<p>This milestone marks a rapid progression for the franchise as it transitions from animation to live action. While the first picture is still fresh in the minds of audiences, the decision to move straight into the sequel <strong>suggests a massive vote of confidence from the studio in the vision of DeBlois.</strong> The production is expected to utilize cutting-edge visual effects to recreate the diverse species of dragons that made the 2014 animated film a global phenomenon.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><div><figure class="image"><img loading="lazy" width="1280" height="720" data-id="84160" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/27153954/Train1-1280x720.webp" alt="" class="wp-image-84160"></figure></div><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Details regarding the specific casting for the new characters in the sequel remain under wraps, but the atmosphere on set appears to be one of focused ambition. <strong>The sequel traditionally introduces higher stakes, more complex emotional themes, and a significantly expanded world beyond the shores of Berk. </strong>Fans are particularly curious to see how the live action adaptation will handle the iconic flight sequences and the introduction of Valka, a pivotal character in the second installment.</p>



<p>As filming continues, the production will likely face the monumental task of balancing nostalgic reverence with the technical demands of a high fantasy epic. With DeBlois at the helm, there is a palpable sense of continuity that reassures fans the heart of the story remains in safe hands. The journey has only just begun, but the sight of that first clapperboard <strong>confirms that the dragons are indeed ready to fly once more.</strong></p>


Live-Action ‘How to Train Your Dragon 2’ Officially Begins Filming

10 Artists Who Were Working on Their Greatest Album Just Before Dying

George R.R. Martin Calls the Unfinished ‘A Song of Ice and Fire’ His Biggest Career Regret

Live-Action ‘How to Train Your Dragon 2’ Officially Begins Filming - Spoiler US

<p>As we look toward the February ceremony, the race for the mask is officially on.</p>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/27085100/BAFTA-3-1920x1080.webp" alt="" class="wp-image-84129"></figure></div><figcaption>(Photo by Eamonn M. McCormack/Getty Images for P&amp;O Cruises)</figcaption></figure>



<p>The wait is over for film fans across the pond. This morning, <strong>Tuesday, January 27, 2026</strong>, actors Aimee Lou Wood and David Jonsson took to the stage in London to unveil the nominations for the <strong>79th EE BAFTA Film Awards</strong>. While last week’s Oscar nominations saw Ryan Coogler’s <em>Sinners</em> make history with 16 nods, the British Academy has shifted the narrative, placing Paul Thomas Anderson’s black comedy <strong><em>One Battle After Another</em></strong> at the top of the leader board with <strong>14 nominations</strong>. A total of 46 films were recognized this year, showcasing a “bold and uncompromising” year for cinema that spans from the gritty streets of Manchester to the surreal heights of the multiverse.</p>



<h3><strong>The Frontrunners: A Tight Race at the Top</strong></h3>



<p>The 2026 nominations are dominated by four major titles that have consistently defined this awards season. However, the order of dominance at the BAFTAs suggests a slightly different critical leaning than their American counterparts:</p>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/27084753/BAFTA-1-1920x1080.webp" alt="" class="wp-image-84128"></figure></div><figcaption>IMDb</figcaption></figure>



<p><strong>14 Nominations:</strong> <strong><em>One Battle After Another</em></strong> — Paul Thomas Anderson’s sprawling action-thriller dominated the technical and acting categories alike.</p>



<p><strong>13 Nominations:</strong> <strong><em>Sinners</em></strong> — Ryan Coogler’s blues-infused vampire drama continues its powerhouse run, though it fell one shy of the top spot today.</p>



<p><strong>11 Nominations:</strong> <strong><em>Hamnet</em></strong> and <strong><em>Marty Supreme</em></strong> — Chloé Zhao’s Shakespearean family drama and Josh Safdie’s ping-pong odyssey both secured double-digit nods, proving their status as “prestige” locks.</p>



<h3><strong>Key Category Highlights</strong></h3>



<ul><li><strong>Best Film:</strong> <ul><li><em>Marty Supreme</em></li><li><em>One Battle After Another</em></li><li><em>Sentimental Value</em></li><li><em>Sinners</em></li><li><em>Hamnet</em></li></ul></li><li><strong>Leading Actor:</strong> <ul><li>Timothée Chalamet (<em>Marty Supreme</em>)</li><li>Leonardo DiCaprio (<em>One Battle After Another</em>)</li><li>Ethan Hawke (<em>Blue Moon</em>)</li><li>Michael B. Jordan (<em>Sinners</em>)</li><li>Robert Aramayo (<em>I Swear</em>)</li><li>Jesse Plemons (<em>Bugonia</em>)</li></ul></li><li><strong>Leading Actress:</strong><ul><li>Rose Byrne (<em>If I Had Legs I’d Kick You</em>)</li><li>Kate Hudson (<em>Song Sung Blue</em>)</li><li>Jessie Buckley (<em>Hamnet</em>)</li><li>Chase Infiniti (<em>One Battle After Another</em>)</li><li>Renate Reinsve (<em>Sentimental Value</em>)</li><li>Emma Stone (<em>Bugonia</em>)</li></ul></li><li><strong>Best Director:</strong><ul><li>Chloé Zhao (<em>Hamnet</em>)</li><li>Josh Safdie (<em>Marty Supreme</em>)</li><li>Yorgos Lanthimos (<em>Bugonia</em>)</li><li>Paul Thomas Anderson (<em>One Battle After Another</em>)</li><li>Joachim Trier (<em>Sentimental Value</em>)</li><li>Ryan Coogler (<em>Sinners</em>)</li></ul></li></ul>



<h3><strong>BAFTA Redemption: Surprises and Snubs</strong></h3>



<p>As is tradition, the BAFTAs provided “redemption” for several performers overlooked by the Academy Awards last week:</p>



<ul><li><strong>Paul Mescal</strong> (<em>Hamnet</em>) and <strong>Odessa A’Zion</strong> (<em>Marty Supreme</em>) both secured nominations today after being surprisingly shut out of the Oscar shortlists.</li></ul>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/27084506/BAFTA-1920x1080.webp" alt="" class="wp-image-84127"></figure></div><figcaption>Ariana Grande and Cynthia Erivo in Wicked: For Good (2025) // IMDb</figcaption></figure>



<ul><li><strong>Wicked: For Good</strong> found more love in London than in L.A., picking up nods for Costume Design and Makeup &amp; Hair, though stars Ariana Grande and Cynthia Erivo were once again left out of the acting categories.</li><li><strong>British Gems:</strong> Homegrown films like the biker romance <strong><em>Pillion</em></strong> and the musical drama <strong><em>The Ballad of Wallis Island</em></strong> both earned three nominations each, proving the Academy’s dedication to supporting independent UK cinema.</li></ul>



<p>The winners will be revealed on <strong>Sunday, February 22, 2026</strong>, at London’s Royal Festival Hall. The ceremony will be hosted by <strong>Alan Cumming</strong>, promising a night of wit and Scottish charm.</p>


BAFTA Nominations 2026: 'One Battle After Another' and 'Sinners' Lead the Way

BAFTA Nominations 2026: 'One Battle After Another' and 'Sinners' Lead the Way - Spoiler US

<p>As the 2026 awards circuit intensifies, the <strong>Denver Film Critics Society (DFCS)</strong> announced its winners last night, further cementing the hierarchy of this year’s cinematic heavyweights. In a year defined by bold genre-bending and auteur-driven epics, Ryan Coogler’s <strong>“Sinners”</strong> emerged as the night’s big victor. Coming off the heels of a historic 16 Academy Award nominations, the film’s success in Denver serves as a strong indicator of its broad critical appeal. </p>



<p>While <em>Sinners</em> took home the top prizes, the ceremony also recognized a diverse array of talent, from <strong>Timothée Chalamet’s</strong> high-energy turn in <em>Marty Supreme</em> to the technical wizardry of the latest <em>Avatar</em> installment.</p>



<h3><strong>The Big Winner: <em>Sinners</em> Takes Seven</strong></h3>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/26095431/Sinners-1-1-1920x1080.webp" alt="" class="wp-image-84071"></figure></div><figcaption>IMDb</figcaption></figure>



<p>Ryan Coogler’s Southern Gothic horror-thriller was the undisputed champion of the evening. <em>Sinners</em> claimed a total of <strong>seven awards</strong>, including:</p>



<ul><li><strong>Best Film</strong></li><li><strong>Best Director</strong> (Ryan Coogler)</li><li><strong>Best Original Screenplay</strong></li><li><strong>Best Ensemble</strong></li><li><strong>Best Horror Feature</strong></li><li><strong>Best Original Score</strong> (Ludwig Göransson)</li><li><strong>Best Cinematography</strong> (Autumn Durald Arkapaw)</li></ul>



<p>Critics praised the film for revitalizing the horror genre with prestige filmmaking, noting that Coogler’s vision has created a rare “consensus hit” that appeals to both genre fans and high-art critics alike.</p>



<h3><strong>Acting Honors: Chalamet and Buckley Lead the Pack</strong></h3>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/26095441/Marty-Suprem-1920x1080.webp" alt="" class="wp-image-84072"></figure></div><figcaption>Timothée Chalamet in Marty Supreme (2025) / IMDb</figcaption></figure>



<p>The lead acting categories saw two of the season’s most celebrated performers take the top spots. <strong>Timothée Chalamet</strong> won <strong>Best Lead Performance by an Actor</strong> for his portrayal of a 1950s ping-pong hustler in <em>Marty Supreme</em>, adding another trophy to his increasingly crowded mantle. On the female side, <strong>Jessie Buckley</strong> was awarded <strong>Best Lead Performance by an Actress</strong> for her devastatingly beautiful work in <em>Hamnet</em>.</p>



<p>In the supporting categories, the DFCS opted for veteran excellence:</p>



<p><strong>Best Supporting Performance by an Actor:</strong> Benicio Del Toro (<em>One Battle After Another</em>)</p>



<p><strong>Best Supporting Performance by an Actress:</strong> Amy Madigan (<em>Weapons</em>)</p>



<h3><strong>Genre and Technical Standouts</strong></h3>



<p>The society also recognized excellence across specific genres and technical disciplines, highlighting the diversity of the 2025-2026 film slate:</p>



<ul><li><strong>Best Animated Film:</strong> <em>KPop Demon Hunters</em></li><li><strong>Best Sci-Fi Film:</strong> <em>Bugonia</em></li><li><strong>Best Comedy:</strong> <em>Wake Up Dead Man</em></li><li><strong>Best Non-English Language Feature:</strong> <em>Sentimental Value</em></li><li><strong>Best Visual Effects:</strong> <em>Avatar: Fire and Ash</em></li><li><strong>Best Stunts:</strong> <em>Mission: Impossible – The Final Reckoning</em></li></ul>



<h3><strong>The Road to the Oscars</strong></h3>



<p>The other awards mirror several trends seen in the recent Oscar nominations, specifically the overwhelming momentum for <em>Sinners</em> and <em>One Battle After Another</em>. As the industry heads toward the Academy Awards on March 15, 2026, these regional critics’ wins provide crucial “second-wave” momentum for films looking to convert their nominations into gold.</p>


Denver Film Critics Society 2026 Winners Revealed

Denver Film Critics Society 2026 Winners Revealed - Spoiler US

<p>Today Nintendo and Illumination shattered the internet by releasing the second official trailer for <strong><em>The Super Mario Galaxy Movie</em></strong>. Expanding on the billion-dollar foundation of the 2023 original, this sequel isn’t just staying in the Mushroom Kingdom—it’s heading into the deep reaches of space. In a move that surprised fans, Nintendo also confirmed the film will move up its launch, landing in theaters on <strong>April 1, 2026</strong>.</p>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/25185622/1-2-1-1920x1080.webp" alt="" class="wp-image-84025"></figure></div><figcaption>IMDb</figcaption></figure>



<h3><strong>The Trailer: A Galactic Feast for the Eyes</strong></h3>



<p>The new footage leans heavily into the “Galaxy” and “Odyssey” inspirations, showcasing Mario (Chris Pratt) and Luigi (Charlie Day) navigating the gravity-defying physics of the <strong>Comet Observatory</strong>. The standout moment of the trailer, however, belongs to a certain green dinosaur. After being teased at the end of the first film, <strong>Yoshi</strong> finally makes his “proper” debut, seen hatch-ling and helping Mario navigate the Sand Kingdom’s Inverted Pyramid.</p>



<p>Fans also caught glimpses of:</p>



<ul><li><strong>The Lumas:</strong> The adorable star-shaped creatures who empower Mario with his signature “spin” attack.</li><li><strong>New Power-Ups:</strong> Appearances of the <strong>Frog Suit</strong> and <strong>Ice Flower</strong> suggest the brothers are digging deep into their power-up inventory for this mission.</li><li><strong>Nostalgic Hardware:</strong> In a blink-and-you’ll-miss-it moment, Yoshi is seen holding a <strong>Super Scope</strong>, a nod to the classic SNES accessory.</li></ul>



<h3><strong>New Faces in the Starry Cast</strong></h3>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/25183956/1-1-1-1920x1080.webp" alt="" class="wp-image-84024"></figure></div><figcaption>Sebastian Maniscalco, Jack Black, Seth Rogen, Charlie Day, Anya Taylor-Joy, Chris Melendandri, CEO of Illumination, Chris Pratt and Nintendo’s Shigeru Miyamoto attend a Special Screening of Universal Pictures’ “The Super Mario Bros. Movie” at Regal LA Live on April 01, 2023 in Los Angeles, California. (Photo by Amy Sussman/Getty Images)</figcaption></figure>



<p>While the original voice cast returns—including <strong>Anya Taylor-Joy</strong> as a combat-ready Princess Peach and <strong>Jack Black</strong> as a still-imprisoned (but vengeful) Bowser—two major additions have fans talking:</p>



<p><strong>Brie Larson as Rosalina:</strong> The Academy Award winner joins the fray as the cosmic protector and mother of the Lumas. The trailer showcases a more “action-oriented” Rosalina, seen defending the observatory with star-powered shurikens.</p>



<p><strong>Benny Safdie as Bowser Jr.:</strong> Stepping out of his father’s shadow, Bowser Jr. is the primary antagonist this time around. Armed with his magic paintbrush and his iconic Koopa Clown Car, he is on a mission to free his father from the “dollhouse” prison at Peach’s Castle.</p>



<h3><strong>What to Expect: Expectations for 2026</strong></h3>



<p>With the first film grossing over $1.36 billion, the expectations for <em>The Super Mario Galaxy Movie</em> are astronomical. Director duo Aaron Horvath and Michael Jelenic have promised a “broader canvas,” utilizing a 70-piece orchestra to blend Brian Tyler’s new score with the legendary themes of <em>Super Mario Galaxy</em> and <em>Super Mario Odyssey</em>.</p>


'THE SUPER MARIO GALAXY MOVIE' Blasts Off with New Trailer

'THE SUPER MARIO GALAXY MOVIE' Blasts Off with New Trailer - Spoiler US

<p>As the 2026 awards season reaches a fever pitch, the spotlight has shifted from established veterans to a fresh face that even Leonardo DiCaprio admits he’s in awe of. DiCaprio took a moment during the press circuit to champion his co-star, <strong>Chase Infiniti</strong>, whose film debut in Paul Thomas Anderson’s <em>One Battle After Another</em> has been nothing short of a revelation. </p>



<p>Despite the film’s massive ensemble cast—including Sean Penn, Benicio del Toro, and Teyana Taylor—it is the young newcomer Infiniti who has captured the heart of DiCaprio.</p>



<h2><strong>DiCaprio’s Heartfelt Tribute</strong></h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/25095328/Leonardo-DiCaprio-and-Chase-Infiniti-3-1920x1080.webp" alt="" class="wp-image-84003"></figure></div><figcaption>IMDb</figcaption></figure>



<p>Speaking with the Associated Press following the announcement of the 98th Academy Award nominations, DiCaprio was candid about the monumental effort Infiniti put into her role as Willa. Refuting any narrative that she was just a “supporting” player, DiCaprio insisted she was the very foundation of the project:</p>



<blockquote class="wp-block-quote"><p>“She was the fabric of this movie. She was the heart and soul. There would be no ‘One Battle After Another’ without the performance that she gave… A young actress coming in to fill a role that was her first film and carrying the entire emotional weight of this movie was a near-impossible task. She should be so proud of herself and we’re all so proud of her.”</p></blockquote>



<p>The veteran actor, who earned his eighth Oscar nomination for his role as “Bob” in the film, expressed particular disappointment over Infiniti’s narrow miss for a Best Actress nomination, calling her performance the “main force” that held the sprawling, chaotic story together.</p>



<h2>However, No Oscar Nomination</h2>



<figure class="wp-block-image size-full"><div><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/25095337/Leonardo-DiCaprio-and-Chase-Infiniti-1-1920x1080.webp" alt="" class="wp-image-84004"></figure></div><figcaption>IMDb</figcaption></figure>



<p>While the Oscars snubbed Infiniti in the Lead Actress category, the rest of the industry has been far more observant. Chase Infiniti has already secured:</p>



<ul><li><strong>National Board of Review:</strong> Breakthrough Performance (Winner)</li><li><strong>Chicago Film Critics Association:</strong> Most Promising Performer (Winner)</li><li><strong>Critics’ Choice Movie Awards:</strong> Best Actress (Nominee)</li><li><strong>Golden Globe Awards:</strong> Best Actress in a Motion Picture – Musical or Comedy (Nominee)</li></ul>



<p>The film itself has become a juggernaut, leading the 2026 Academy Award field with <strong>13 nominations</strong> (<em>Sinners</em> has 16), including <strong>Best Picture</strong>, <strong>Best Director</strong>, and <strong>Best Actor</strong> for DiCaprio. Many insiders believe the film’s “Ensemble” wins at earlier ceremonies like the Astra Film Awards and the St. Louis Film Critics Association were largely due to the “electric” chemistry between DiCaprio and his protege.</p>


Leonardo DiCaprio Crowns Co-Star Chase Infinity the "Heart and Soul" of One Battle After Another

Leonardo DiCaprio Crowns Co-Star Chase Infinity the "Heart and Soul" of One Battle After Another - Spoiler US

<div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/sam-raimi-says-he-almost-made-a-batman-movie-and-still-wants-a-dc-project" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/24105320/Sam-2-200x200.webp" excerpt="The master of campy horror and superhero spectacle is ready to trade his webs for a cape if the right script lands on his desk.
" title="Sam Raimi Says He Almost Made a Batman Movie and Still Wants a DC Project" publication_id="SPEN#/celebrities/sam-raimi-says-he-almost-made-a-batman-movie-and-still-wants-a-dc-project"></div>

        <div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/10-artists-who-were-working-on-their-greatest-album-just-before-dying" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/23163155/David-200x200.webp" excerpt="Some albums carry an added weight when you know they were created under the shadow of an ending the artist never lived to see.
" title="10 Artists Who Were Working on Their Greatest Album Just Before Dying" publication_id="SPEN#/celebrities/10-artists-who-were-working-on-their-greatest-album-just-before-dying"></div>


<p>The daughter and grandsons of the man who inspired <strong>“Marty Supreme”</strong> have expressed deep outrage over a production they claim was made without their involvement, consent, or compensation. <strong>They allege that the studio deliberately avoided the family to evade responsibility</strong>, all while utilizing Reisman’s life milestones and a close physical resemblance to the athlete. The family is now calling for Hollywood to correct the record regarding a movie they believe misrepresents his legacy for financial gain.</p>



<h2>A Legacy at Odds with Hollywood Fiction</h2>



<p>The Reisman family is particularly distressed by the film’s choice to paint a world-class athlete as a “lowlife.” According to his daughter Debbie, the cinematic version of her father is a far cry from the man she knew growing up. <strong>“My father wasn’t like that. He made me feel so special when I was growing up. I want people to know that,”</strong> she told the Daily Mail. The family believes the studio intentionally bypassed them to avoid creative oversight, with grandson Josh suggesting that “maybe there were some things they were going to portray we wouldn’t have approved.”</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><div><figure class="image"><img loading="lazy" width="1280" height="720" data-id="83984" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/24123203/Marty-4-1280x720.webp" alt="" class="wp-image-83984"></figure></div><figcaption>Marty Reisman (Source: IMDb)</figcaption></figure>
</figure>



<p>The discrepancy between the film and reality extends to Reisman’s personal relationships and character. His grandson Roger, a former teacher, notes that the movie’s depiction of affairs has no basis in their family history. “His relationship with my mother and grandmother was not depicted accurately,” Roger explains, adding that <strong>“there was no liaison with a movie star in any family stories.”</strong> Instead of the “selfish” and “mean-spirited” figure seen on screen, Roger recalls a man with a “brilliant sense of humour” and a “deep sense of justice.”</p>



<p>Perhaps the most visceral pain stems from specific scenes of physical degradation that the family finds inexcusable. Josh highlighted a scene involving a financier and a table tennis paddle<strong> as a point of peak “humiliation,”</strong> noting that “to spank him with a paddle, an instrument that took him around the world and changed his entire life” was “unbelievable.” Debbie shared this sentiment of disgust, simply stating, <strong>“That was awful. That was humiliating.”</strong> For the people who loved him most, the film feels less like a tribute and more like a betrayal of a man who “would have been mortified” by such a portrayal.</p>



<p>Ultimately, the Reismans are calling for a shift in how Hollywood handles the lives of real people. They argue that the filmmakers <strong>“profited while externalising harm”</strong> and “invoked Marty’s name without attribution or compensation.” As Debbie left the theater in tears, her primary fear remained that the public would accept this “lowlife” caricature as the truth. Now, the family wants future productions to work with relatives and properly credit their sources, instead of hiding behind disclaimers to reshape who a person truly was.</p>


Family of Marty Reisman, the Real Figure Behind ‘Marty Supreme’, Calls the Film ‘Humiliating’

Sam Raimi Says He Almost Made a Batman Movie and Still Wants a DC Project

Family of Marty Reisman, the Real Figure Behind ‘Marty Supreme’, Calls the Film ‘Humiliating’ - Spoiler US

<div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/10-artists-who-were-working-on-their-greatest-album-just-before-dying" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/23163155/David-200x200.webp" excerpt="Some albums carry an added weight when you know they were created under the shadow of an ending the artist never lived to see.
" title="10 Artists Who Were Working on Their Greatest Album Just Before Dying" publication_id="SPEN#/celebrities/10-artists-who-were-working-on-their-greatest-album-just-before-dying"></div>

        <div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/tv/2026-oscar-snubs-the-15-major-movies-that-didnt-get-a-single-nomination" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/22150829/Superman-1-200x200.webp" excerpt="Despite dominating the cultural zeitgeist, several of last year’s most ambitious films vanished entirely from the Academy’s final ballot.
" title="2026 Oscar Snubs: The 15 Major Movies That Didn’t Get a Single Nomination" publication_id="SPEN#/tv/2026-oscar-snubs-the-15-major-movies-that-didnt-get-a-single-nomination"></div>


<p>The <strong>“Sonic the Hedgehog”</strong> franchise is quickly becoming the crown jewel of Paramount’s theatrical slate, moving from a successful trilogy into a full-scale cinematic universe. Following the immense hype surrounding the third installment, the studio has effectively mapped out a long-term strategy to keep the momentum going. This strategy includes not only the expected continuation of the main storyline but also high-stakes event films and mysterious side projects that aim to replicate the interconnected success of major superhero franchises.</p>



<h2>A Growing Slate of High-Speed Adventures</h2>



<p>The current roadmap for the franchise is becoming increasingly crowded, with <strong>“Sonic the Hedgehog 4”</strong> already locked in for a <strong>March 19, 2027</strong>, release date. While details on that film remain under wraps, it is widely expected to introduce new fan-favorite characters like Amy Rose or Metal Sonic to the live-action fold.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><div><figure class="image"><img loading="lazy" width="1280" height="720" data-id="83959" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/24103006/Sonic1-1280x720.webp" alt="" class="wp-image-83959"></figure></div><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>However, the most intriguing news comes from the scheduling of a “<strong>Sonic Event Movie”</strong> set to dominate the holiday box office on <strong>December 22, 2028.</strong> This title suggests a massive crossover or a pivotal story beat that could unite multiple corners of the franchise’s growing lore.</p>



<p>Beyond these two confirmed windows, industry insiders are now pointing toward <strong>a third unannounced Sonic movie that is currently in early development.</strong> Unlike the 2027 and 2028 projects, this film does not yet have a formal release year, leaving it as a “To Be Determined” wildcard on the production calendar. Speculation among the community is already reaching a fever pitch, with many wondering if this project will serve as a solo vehicle for Keanu Reeves’ Shadow the Hedgehog or perhaps a spin-off featuring the chaotic Team Chaotix.</p>



<p>This aggressive expansion reflects Paramount’s confidence in the brand’s ability to draw audiences outside of the traditional sequel structure. By alternating between core entries and event films, the studio is positioning Sonic as a year-round powerhouse in the entertainment landscape. For fans of the series, the message is clear: <strong>the race is only just beginning,</strong> and there are plenty of secret projects still waiting in the wings to be revealed.</p>


Beyond ‘Sonic 4’: Paramount Reportedly Has Another Sonic Movie in the Works

2026 Oscar Snubs: The 15 Major Movies That Didn’t Get a Single Nomination

Beyond ‘Sonic 4’: Paramount Reportedly Has Another Sonic Movie in the Works - Spoiler US

<div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/tv/2026-oscar-snubs-the-15-major-movies-that-didnt-get-a-single-nomination" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/22150829/Superman-1-200x200.webp" excerpt="Despite dominating the cultural zeitgeist, several of last year’s most ambitious films vanished entirely from the Academy’s final ballot.
" title="2026 Oscar Snubs: The 15 Major Movies That Didn’t Get a Single Nomination" publication_id="SPEN#/tv/2026-oscar-snubs-the-15-major-movies-that-didnt-get-a-single-nomination"></div>

        <div class="wp_fsn_relatedlinks" use="SEO" link="https://spoiler.bolavip.com/en/celebrities/razzie-awards-2026-all-the-movies-and-stars-nominated-for-worst-of-the-year" image="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/21085834/Snow-1-200x200.webp" excerpt="Hollywood’s favorite night of shame is back.
" title="Razzie Awards 2026: All the Movies and Stars Nominated for Worst of the Year" publication_id="SPEN#/celebrities/razzie-awards-2026-all-the-movies-and-stars-nominated-for-worst-of-the-year"></div>


<p>In an exclusive report from Variety, it has been confirmed that Warner Bros. is doubling down on its awards season dominance by bringing Ryan Coogler’s <strong>“Sinners”</strong> and Paul Thomas Anderson’s <strong>“One Battle After Another”</strong> back to IMAX 70mm screens. </p>



<p>The limited engagement is timed specifically to capitalize on the massive momentum following the Academy Award nominations, <strong>where both films emerged as the clear frontrunners of the pack.</strong> For cinephiles, this represents a rare opportunity to see these projects in their native, large-format glory before the gold statues are handed out in March.</p>



<h2>A Massive Night for 70mm Cinema</h2>



<p>The decision to re-release these titles comes as no surprise given their historic performance during yesterday’s Oscar announcement. Ryan Coogler’s supernatural thriller “Sinners” officially shattered records by earning 16 nominations,<strong> the most for any single movie in the history of the Academy</strong>. Starring Michael B. Jordan in a dual role, the film was shot entirely on IMAX 70mm cameras, and the studio is eager to remind voters and audiences alike why it is the definitive technical achievement of 2025.</p>



<p>Not far behind is Paul Thomas Anderson’s “One Battle After Another,” which secured 13 nominations of its own. The sprawling black comedy action film, featuring Leonardo DiCaprio, <strong>utilized the rare VistaVision format to capture its visceral, countercultural energy. </strong>By returning these two heavy hitters to the few dozen 70mm-capable IMAX theaters globally, the studio is ensuring that the big screen experience remains at the heart of their Best Picture campaigns.</p>



<p>Industry analysts suggest that this strategic move is designed to fend off competition from streaming contenders and smaller indie darlings. While both films are currently available for home viewing on Max, the sheer scale of a 15/70mm projection<strong> offers a level of immersion that a living room simply cannot replicate.</strong> </p>


‘Sinners’ and ‘One Battle After Another’ Returning to IMAX 70mm During Oscar Run

Razzie Awards 2026: All the Movies and Stars Nominated for Worst of the Year

‘Sinners’ and ‘One Battle After Another’ Returning to IMAX 70mm During Oscar Run - Spoiler US



        


<p>In the streaming era, films that once looked like costly misfires have found entirely new audiences through word of mouth, algorithmic discovery, and the comfort of home viewing. <strong>Here are 10 pictures that got a second chance after leaving cinemas behind.</strong></p>



<h2>Argylle</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><img loading="lazy" width="1280" height="720" data-id="83805" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/21162931/Argylle-1280x720.webp" alt="" class="wp-image-83805"><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Apple’s $200 million spy thriller was widely dismissed in February 2024 after a lackluster theatrical run that failed to recoup its massive investment. However, once the film landed on Apple TV+, its colorful, meta-narrative and Sam Rockwell’s kinetic performance found a much more forgiving audience. Free from the burden of high ticket prices, home viewers embraced the movie’s chaotic energy, propelling it to the top of the global streaming charts for weeks and proving that Matthew Vaughn’s quirky style is a perfect fit for the comfortable binge environment.</p>



<h2>The Fall Guy</h2>



<p>Despite a glowing 82% critical rating, David Leitch’s love letter to stunt work underperformed in the summer of 2024, leaving Universal with an estimated $50 million loss. The narrative shifted dramatically when it arrived on Peacock and later Prime Video, where it shattered debut records previously held by <em>Oppenheimer</em>. The undeniable chemistry between Ryan Gosling and Emily Blunt seemed to resonate more deeply with audiences in a home setting, where the film’s romantic-comedy bones could shine without the blockbuster expectations that hampered its theatrical launch.</p>



<h2>The Northman</h2>



<p>Robert Eggers’ brutal, $90 million Viking saga was far too uncompromising for the mainstream 2022 theatrical audience, grossing just $70 million worldwide. Yet, in 2023, the film saw a massive resurgence on Max, frequently appearing in the global Top 10 alongside family-friendly animated hits. Its atmospheric world-building and Alexander Skarsgård’s visceral transformation have turned it into a digital cult classic.</p>



<h2>Dungeons and Dragons: Honor Among Thieves</h2>



<p>Paramount’s 2023 fantasy heist was a critical triumph but a commercial casualty, largely due to a release window sandwiched between <em>John Wick 4</em> and <em>The Super Mario Bros. Movie</em>. Since then, the film has become a permanent fixture on Paramount+, consistently racking up millions of hours viewed well into 2025. This steady digital performance has kept the brand alive in the cultural conversation, turning what was once a financial disappointment into a cornerstone of the platform’s library.</p>



<h2>Babylon</h2>



<p>Damien Chazelle’s polarizing, three-hour epic about the decadence of early Hollywood was declared dead on arrival in 2022 after grossing a mere $15 million domestically. However, the film has undergone a stunning reputational pivot on Paramount+ and Netflix, where its maximalist visuals and Margot Robbie’s volcanic performance have garnered a massive following. What was once considered overindulgent for a theater seat has become must-watch spectacle for home viewers who appreciate the ability to pause and absorb the picture’s dizzying scale.</p>



<h2>The Bikeriders</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><img loading="lazy" width="1280" height="720" data-id="83806" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/21163148/Bike-1280x720.webp" alt="" class="wp-image-83806"><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Jeff Nichols’ gritty look at 1960s counterculture featured an A-list cast including Austin Butler and Tom Hardy, yet it struggled to make a dent at the 2024 box office. The film found its stride almost immediately upon its digital release on Peacock, where it was discovered by a wider audience that had missed its brief theatrical window. The movie’s focused, character-driven storytelling proved to be exactly what home viewers were looking for, transforming a quiet theatrical exit into a loud streaming success.</p>



<h2>Madame Web</h2>



<p>Often cited as a punchline for its 2024 box office failure, this Spider-Man spinoff ironically became a viral sensation once it hit Netflix. While it couldn’t convince audiences to buy theater tickets, its meme-able dialogue and unique tone made it an irresistible click for curious streamers. By mid-2025, it had become one of the most-watched Sony titles on the platform, proving that even a critical drubbing can lead to high-volume viewership in the age of ironic streaming.</p>



<h2>Horizon: An American Saga – Chapter 1</h2>



<p>Kevin Costner’s ambitious return to the Western genre was a risky theatrical gamble that didn’t immediately pay off in 2024 ticket sales. However, the film’s transition to Max saw a level of engagement that mirrored the success of Costner’s television work like <em>Yellowstone</em>. The saga format, which felt daunting in a theater, felt perfectly natural for home audiences who treated the three-hour epic as a premium miniseries event, validating Costner’s long-term vision.</p>



<h2>The First Omen</h2>



<p>Released into an oversaturated market for religious horror in 2024, this prequel was largely overlooked by the general public during its initial run. Once it migrated to Hulu and Disney+, word-of-mouth regarding its high-brow cinematography and terrifying practical effects finally caught fire. By 2025, it was being cited as one of the best horror prequels of the decade, seeing viewership numbers that far eclipsed its modest box office earnings.</p>



<h2>Borderlands</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><img loading="lazy" width="1280" height="720" data-id="83807" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/01/21163358/Border-1280x720.webp" alt="" class="wp-image-83807"><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Released in August 2024, Eli Roth’s star-studded adaptation of the looter-shooter game was met with a chorus of critical groans and a disastrous $33 million worldwide haul against a $110 million budget. However, late 2025 data revealed a massive curiosity surge once the film landed on digital platforms. Despite the negative reviews, the combined star power of Cate Blanchett, Kevin Hart, and Jack Black acted as an effective click-magnet, making it one of the most-watched action titles for home viewers who simply wanted to see if the backlash was justified.</p>


Box Office Redemption: 10 Flops That Became the Most-Watched Movies on Streaming

Miley Cyrus Reveals She Wants to Cover George Michael’s ‘Father Figure’ From a Female Perspective

The Nepo Twist: 10 Celebrities More Famous Than Their Famous Parents

Box Office Redemption: 10 Flops That Became the Most-Watched Movies on Streaming - Spoiler US

Latest news from Movies. Find out about all the news related to Movies on spoiler.bolavip.com/en

Movies - Page 18