Get ready, fashion fans! We finally know when we can watch the most talked-about movie of the year from the comfort of our own couches. Disney just announced that The Devil Wears Prada 2 will officially stream on both Disney+ and Hulu starting Wednesday, July 29, 2026.



The movie first came out in theaters on May 1, 2026, and it has been a massive favorite for weeks. It brings back the original team we love, including Meryl Streep as the icy boss Miranda Priestly and Anne Hathaway as Andy Sachs.



If you have not seen it yet, do not worry! The movie is still playing in theaters right now, so you can still enjoy the big screen experience before it moves to streaming.



<h2>Why Is the Movie Such a Big Deal?</h2>



It has been twenty years since the first movie came out in 2006. Fans were a little worried that a sequel might not be as good, but the new film proved everyone wrong.



In the new story, Andy Sachs is no longer a scared assistant. She is now a top editor at Runway magazine, helping Miranda Priestly save her famous fashion company after a giant scandal. Emily Blunt also returns as Emily, who is now a big boss for the clothing brand Dior.



The movie is packed with fun moments, beautiful clothes, and lots of famous guests from the real fashion world, including Lady Gaga and Donatella Versace.



This sequel has been a giant money-maker around the world. It completely shocked Hollywood by bringing in hundreds of millions of dollars in just a couple of months. Total Worldwide Money: $682.1 million



<figure class="wp-block-image size-full"><img loading="lazy" width="1920" height="1080" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/06/23114841/a-2-5-1920x1080.webp" alt="" class="wp-image-96282"><figcaption>&nbsp;(L-R) Anne Hathaway, Stanley Tucci, Meryl Streep and Emily Blunt attend the world premiere of The Devil Wears Prada 2 at Lincoln Center in New York, New York on April 20, 2026. (Photo by Mike Coppola/Getty Images for 20th Century Studios)</figcaption></figure>



<h2>How to Watch</h2>



In Theaters: Available to watch right now at your local cinema.



On Streaming: Releases July 29, 2026, on Disney+ and Hulu.



Physical Copies: You can also buy it on Blu-ray starting July 28 if you like to own your movies.



Whether you want to dress up and go to the theater tonight or wait to watch it in your pajamas next month, The Devil Wears Prada 2 is a must-watch.

‘The Devil Wears Prada 2’ Comes to Streaming This July!

‘The Devil Wears Prada 2’ Comes to Streaming This July! - Spoiler US

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Lionsgate and Atomic Monster unveiled September 24, 2027, as the release date for the next “Blair Witch” film through a mysterious video shared on social media.



<h2>A New Era Begins for the ‘Blair Witch’ Franchise</h2>



The upcoming picture marks the fourth theatrical installment in the “Blair Witch” series and continues a revival effort that has been taking shape behind the scenes for several years. Lionsgate first began developing a new entry in 2022, with the intention of relaunching the property for a new generation of horror audiences.



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><img loading="lazy" width="1280" height="720" data-id="96288" src="https://media.bolavip.com/wp-content/uploads/sites/29/2026/06/23120418/Blair-3-1280x720.webp" alt="" class="wp-image-96288"><figcaption>Source: IMDb</figcaption></figure>
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Filmmaker Dylan Clark is directing the project from a script he co-wrote with Chris Thomas Devlin. Clark first gained widespread attention through the viral 2022 YouTube horror short “Portrait of God,” while Devlin has become a notable name in studio horror after writing Netflix’s “Texas Chainsaw Massacre” and the psychological thriller “Cobweb.” 



While plot details for the new “Blair Witch” remain under wraps, franchise veteran Michael C. Williams previously indicated that the film will not be a remake and will instead bring the Blair Witch mythology back into focus through a new story.



The production team reflects the growing collaboration between some of horror’s most recognizable names. Jason Blum and James Wan are among the producers, alongside Roy Lee, Adam Hendricks, and Greg Gilreath. The project also brings together Blumhouse, Atomic Monster, and Lionsgate.



Several figures closely tied to the franchise’s origins are also involved as executive producers. Original creators Eduardo Sánchez and Daniel Myrick have returned, joined by producer Gregg Hale and original cast members Joshua Leonard and Williams. 



That original movie remains one of the most remarkable success stories in horror history. Produced on a modest budget and propelled by an innovative marketing campaign that blurred the line between fiction and reality, “The Blair Witch Project “became a cultural sensation after its Sundance debut. 



The franchise later expanded with “Book of Shadows: Blair Witch 2” in 2000 and the direct sequel “Blair Witch in 2016.” With a release date now locked in, the next chapter is officially on the calendar, setting the stage for the series’ first theatrical outing in more than a decade.

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The film currently holds a 93% critics score on Rotten Tomatoes, extending a remarkable streak for a franchise that has rarely fallen out of favor with reviewers.



That score, however, does not put the newest installment at the top of the series. Instead, it lands “Toy Story 5” near the bottom of a series whose standards have remained unusually high for more than three decades. Audience reactions tell a slightly different story, with the latest chapter earning a 95% audience score, the strongest audience reception of any mainline “Toy Story” picture so far.



<h2>How ‘Toy Story 5’ Compares to the Previous Movies</h2>



Measured by critics’ scores on Rotten Tomatoes, the original “Toy Story” and “Toy Story 2” remain tied for first place with perfect 100% ratings. Those films continue to set the benchmark for the franchise and are among the most celebrated animated features ever released.



The next highest-ranked entry is “Toy Story 3,” which holds a 98% critics score. The 2010 title was widely praised for delivering an emotionally resonant conclusion to the saga at the time, and it remains one of Pixar’s most acclaimed releases.



“Toy Story 4” follows closely behind with a 97% critics score. Despite questions before its release about whether the franchise needed another sequel, the film earned strong reviews and eventually became one of the best-reviewed entries in the series.



That leaves “Toy Story 5” in fifth place among the five mainline movies, with its 93% critics rating. While that ranking may appear modest compared to its predecessors, the score still places it comfortably within Rotten Tomatoes’ “Certified Fresh” territory and well above the threshold most studios would consider a success.



Audience scores paint a different picture. “Toy Story” stands at 92%, “Toy Story 2” at 87%, “Toy Story 3” at 90%, and “Toy Story 4” at 94%. With a 95% audience rating, “Toy Story 5” currently leads the franchise among moviegoers. The film centers on Jessie, Woody, and Buzz confronting a new challenge as Bonnie becomes attached to a tablet named Lilypad, reflecting the story’s broader focus on technology’s growing role in childhood play.

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For years, many moviegoers viewed “Toy Story 3” as a fitting conclusion to Pixar’s beloved franchise, while “Toy Story 4” was often seen as an undesired epilogue. Yet the early performance of “Toy Story 5” suggests there is still significant demand for more adventures featuring Woody, Buzz, Jessie, and the rest of the gang. 



According to Deadline, the film has already generated $129.3 million worldwide and is now expected to outperform its initial global opening forecast of $275 million.



<h2>‘Toy Story 5’ Is Delivering One of Pixar’s Strongest Starts</h2>



The fifth installment is off to a particularly impressive start in North America, where it collected $71 million on Friday alone. That figure ranks as the second-biggest Friday ever for an animated feature, trailing only “Incredibles 2.” As a result, projections for the domestic opening weekend have climbed considerably, with current estimates ranging between $160 million and $170 million after earlier forecasts hovered closer to $140 million.



Internationally, the picture is proving equally resilient. After expanding into additional territories including the United Kingdom and China, “Toy Story 5” reached 48 markets worldwide. The United Kingdom delivered a $5.5 million opening day, setting a new opening-day benchmark for a Pixar release in the market, while China contributed $7.4 million and secured a leading position at the local box office.



Several major territories have embraced the sequel. Mexico led the way with $11.4 million, while France, Spain, Australia, Brazil, and Italy all posted strong openings. In Argentina, the film recorded one of the country’s best opening days of 2026 and quickly reached a $2 million running total. South Korea also debuted at No. 1 and captured half of the market share on opening day.



The strong results arrive despite years of discussion surrounding the franchise’s future. “Toy Story 5,” directed by Andrew Stanton, takes place two years after the events of “Toy Story 4” and centers on Jessie, Woody, and Buzz as they confront a new challenge in Bonnie’s life: a tablet named Lilypad that becomes her favorite source of entertainment. The story explores the growing role of technology in children’s lives and the struggle of traditional toys to remain relevant in a screen-focused world.



While it remains far from Pixar’s all-time opening record, currently held by “Inside Out 2,” the latest numbers indicate that “Toy Story 5” is positioned for a significantly larger debut than many analysts initially expected. For a franchise that has repeatedly been declared complete, the latest box office figures suggest audiences may not be ready to say goodbye just yet.

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Few storylines in the “Toy Story” franchise carry as much emotional weight as Jessie’s relationship with Emily, the childhood owner who left an enduring mark on the cowgirl’s life. Now, a newly revealed detail shows that Pixar once considered a much more direct reunion between the pair before taking the character in a different direction. 



According to Slashfilm, which highlighted comments from “The Art of Toy Story 5,” co-director and co-writer Kenna Harris revealed that an earlier version of the film would have reunited Jessie with Emily decades after their original goodbye.



<h2>Pixar Once Planned a Direct Reunion Between Jessie and Emily</h2>



In the finished picture, Jessie returns to the farmhouse where Emily once lived. Rather than meeting her former owner, she discovers evidence that Emily carried those childhood memories into adulthood, a realization that becomes a crucial step in her emotional journey.



That was not always the plan. Harris revealed that an earlier draft featured a chance encounter between the two characters years later. “Emily was now a grandmother and introduced her beloved childhood doll to her grandbaby in a touching climactic sequence,” Harris said while discussing development artwork created for the scene.



The filmmaker also recalled exploring the idea visually during production. “I drew this in exploration of that special, nostalgia-filled moment,” Harris explained, referring to concept art depicting the long-awaited reunion. While the sequence never made it into the final version, it remained tied to one of the movie’s central emotional threads.



Even as the story evolved, the creative team never abandoned the importance of Jessie’s connection to Emily. “Though the film ultimately went in a different direction, we always knew that Jessie’s special connection to Emily would be key to ‘Toy Story 5,&apos;” Harris noted.



Released on June 19, “Toy Story 5” follows Jessie, Woody, Buzz, and the rest of Bonnie’s toys as they confront a new challenge in the form of technology’s growing role in children’s lives. Set two years after “Toy Story 4,” the picture places Jessie at the center of the story while revisiting one of the franchise’s most beloved emotional arcs.

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‘Toy Story 5’ Co-Director Kenna Harris Reveals the Emotional Alternate Ending That Was Cut - Spoiler US

According to Deadline, pre-release tracking currently points to an approximately $85 million domestic opening weekend when the film arrives in theaters on July 10.



<h2>Why Disney’s New ‘Moana’ Faces Different Expectations Than ‘Moana 2’ </h2>



The forecast places “Moana” among the stronger family releases of the year, but comparisons to its predecessor are inevitable. “Moana 2” became one of Disney’s biggest recent theatrical successes, launching with a record-breaking Thanksgiving debut that reached $225.4 million over five days in 2024. Against that backdrop, the live-action adaptation is entering theaters with considerably lower early projections.



The upcoming picture revisits the story that first introduced audiences to the Polynesian heroine in 2016. Directed by “Fosse/Verdon” filmmaker Thomas Kail in his feature directorial debut, the movie stars Catherine Laga’aia as Moana, while Dwayne Johnson returns to portray Maui after voicing the character in the animated films. The cast also includes Rena Owen, John Tui, Frankie Adams, and Jemaine Clement, who reprises his role as Tamatoa.



Industry tracking indicates that interest among family audiences remains strong, particularly among women over 25 and younger girls. However, those measurements are currently trailing the levels recorded by “Moana 2” at a similar stage of its release campaign. The production is nevertheless performing ahead of several recent family titles in early audience surveys.



Another factor shaping expectations is the crowded family film marketplace. Disney’s “Toy Story 5” and Universal’s “Minions &amp; Monsters” are also competing for attention during the summer season, creating a highly competitive environment for family audiences. The projected opening for “Moana” is currently comparable to the debut of Universal’s live-action “How to Train Your Dragon,” which opened to $84.6 million.



Announced in 2023, the live action adaptation was produced by Johnson alongside Hiram Garcia, Dany Garcia, Beau Flynn, and Lin-Manuel Miranda. The picture follows Moana as she leaves Motunui and journeys beyond the island’s reef with Maui in an effort to restore balance to her community.

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Disney's Live-Action 'Moana' Gets Modest Box Office Forecast After 'Moana 2' Phenomenon - Spoiler US

According to Deadline, the film earned an estimated $71 million on its first day, including preview screenings, putting it within striking distance of a record that has stood since 2018. The strong debut also positions the sequel for what could become the franchise’s best domestic opening weekend and one of the largest launches of 2026.



<h2>A Massive Opening Puts ‘Toy Story 5’ in Rare Company</h2>



The picture’s estimated $71 million opening day total leaves it just shy of the animated first-day record established by “Incredibles 2,” which opened to $71.2 million including previews. While the difference is minimal, the result still places “Toy Story 5” among the strongest animated launches in box office history and marks the biggest first day for any film since “Deadpool &amp; Wolverine” debuted in 2024.



Industry projections currently point to a domestic opening weekend between $160 million and $170 million. If those estimates hold, “Toy Story 5” will deliver the biggest domestic debut of the year so far and set a new opening weekend record for the long-running Pixar franchise. It would also rank as the second largest three-day opening ever for an animated movie, trailing only “Incredibles 2.”



The film’s momentum extends beyond North America. Since its international rollout began earlier in the week, “Toy Story 5” has accumulated roughly $129.3 million worldwide, giving Disney and Pixar another major theatrical success at a time when established family franchises continue to prove their value at the global box office.



Directed by Andrew Stanton, the fifth installment shifts much of the spotlight to Jessie as she, Woody, Buzz Lightyear, and the rest of Bonnie’s toys face a new challenge: competing with a tablet called Lilypad that becomes Bonnie’s favorite source of entertainment. The story explores the growing role of technology in children’s lives while revisiting many of the beloved characters that helped make the series one of Pixar’s defining franchises.



Audience response appears to be helping fuel the picture’s strong commercial performance. “Toy Story 5” received an A CinemaScore from opening-day moviegoers, continuing the franchise’s long track record of positive audience reactions. With Father’s Day weekend expected to provide an additional boost, all eyes are now on whether the sequel can maintain its momentum and secure a place among the highest grossing animated openings ever.

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Now, after years of uncertainty surrounding its release, “The Room Returns!” is finally heading to the big screen. According to IndieWire, the charity driven remake will premiere on June 26 at Hollywood Forever Cemetery, bringing an unusual new chapter to one of cinema’s most famous cult stories.



<h2>Why ‘The Room Returns!’ Has Taken So Long to Reach Audiences</h2>



Produced by the nonprofit organization Acting For a Cause, “The Room Returns!” takes a distinctive approach to revisiting Tommy Wiseau’s 2003 film. Rather than reimagining the story, the project has its cast perform the original screenplay against green screen backdrops that recreate locations from the cult classic. Odenkirk leads the ensemble as Johnny, the role originally played by Wiseau, while the cast also includes Greg Sestero, Bella Heathcote, Mike Flanagan, Kate Siegel, Cameron Kasky, and director Brando Crawford.



The picture’s arrival comes after a lengthy and often confusing road to release. The remake was first reported in 2023 and was initially expected to debut that same year. Instead, updates arrived only sporadically over the following years. In 2024, Sestero indicated that work on the project was still ongoing, and in 2025 Odenkirk revealed that Wiseau had concerns about the remake’s release, believing it could be interpreted as making fun of the original title.



Despite those delays, the movie eventually surfaced through a handful of special screenings before securing its upcoming premiere. The event will also serve a charitable purpose, with proceeds benefiting amfAR, The Foundation for AIDS Research, and Blue Collaborative, a nonprofit organization that supports independent artists.



Crawford described the project as both a tribute and an experiment. In a statement, he said that “The Room” has spent two decades proving that audiences connect with authenticity rather than perfection, adding that “The Room Returns!” was created to celebrate that legacy while supporting causes important to the filmmakers. He also noted the contrast between the productions, pointing out that Wiseau’s original picture was made over the course of a year with a reported $6 million budget, while the remake was completed in a single day with volunteer participation.



The project’s subject remains one of the most unlikely cult success stories in modern cinema. Released in 2003, “The Room” followed a tragic love triangle involving banker Johnny, his fiancée Lisa, and his best friend Mark. Although widely criticized upon release and frequently labeled one of the worst movies ever made, the film developed a devoted following through midnight screenings and word of mouth. Its legacy later inspired Greg Sestero’s memoir “The Disaster Artist” and the acclaimed 2017 adaptation starring James and Dave Franco.

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In a recent interview with Dread Central, “American Psycho” director Mary Harron addressed the upcoming reimagining of Bret Easton Ellis’ novel and shared her thoughts on the prospect of a new actor stepping into Bateman’s designer shoes.



The comments arrive as interest continues to build around Luca Guadagnino’s forthcoming adaptation, which is being developed for Lionsgate with a screenplay by Scott Z. Burns. Unlike Harron’s 2000 film, the new project is expected to take a different approach to Ellis’ source material rather than revisit the earlier movie’s interpretation of the character.



<h2>Mary Harron Says Christian Bale Is Still Her Patrick Bateman</h2>



Harron was speaking with Dread Central while discussing the theatrical return of her 1996 picture “I Shot Andy Warhol,” recently restored by Janus Films. During the conversation, the subject turned to the future of “American Psycho” and the actor who might inherit one of cinema’s most infamous roles.



For Harron, however, the question barely exists. Reflecting on the casting process that led her to Bale more than two decades ago, she explained that the actor remains inseparable from the character. “Christian Bale is so firmly set in my mind, I can’t imagine anyone else doing it,” she said, before adding, “Once I do casting, I can’t imagine anyone else in the main role.”



Looking back at her work, she noted that once she settles on a lead performer, that choice becomes permanent in her view. “When I’ve done it, it’s like that’s it; that’s the person,” Harron said. “They’re just fixed for me.”



Released in 2000, “American Psycho” transformed Ellis’ novel into a sharp blend of horror and dark satire, with Bale’s portrayal of the image-obsessed investment banker helping the movie achieve lasting cult status.



Meanwhile, speculation surrounding the new adaptation continues. No actor has officially been announced as Patrick Bateman, though Austin Butler and Jacob Elordi have both been linked to the role in industry rumors. For Harron, though, the original remains unchallenged.

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While many assumed the film would echo the tone of “Superman” or James Gunn’s “Guardians of the Galaxy” movies, several first impressions point instead to a grittier cosmic adventure led by Milly Alcock’s Kara Zor-El. 



The picture, directed by Craig Gillespie, arrives in theaters on June 26 and follows Supergirl as she embarks on a galaxy-spanning quest for revenge alongside her dog Krypto.



<h2>Why Everyone Is Comparing ‘Supergirl’ to ‘Mad Max’</h2>



One theme surfaced repeatedly across the first wave of reactions: “Mad Max.” Rather than leaning heavily into colorful space opera territory, several viewers described a harsher universe filled with rough-edged worlds, dangerous characters, and a protagonist carrying significant emotional baggage. 



Journalist Mike Ryan wrote that the film “looks and plays more like a Mad Max movie, with dirty worlds, gross villains and a self destructive hero,” adding that it was far different from what he initially expected.



That darker approach appears to be intentional. Based on the acclaimed comic “Supergirl: Woman of Tomorrow,” the title centers on a version of Kara who endured the destruction of Krypton in a far more traumatic way than her cousin Superman. DC Studios has previously described this incarnation as more jaded and closer to an antihero than the hopeful Kryptonian audiences are accustomed to seeing.



Other reactions highlighted the film’s blend of influences. CineXpress called it “a solid follow-up to last summer’s Superman,” describing the story as an intergalactic road trip that mixes emotional weight with large-scale adventure. The outlet also singled out Alcock’s performance, praising her portrayal of Kara as both “fierce and vulnerable.”



The AU Review similarly pointed to the picture’s darker edge, noting that it carries “MAD MAX vibes” while drawing motivation from a revenge-driven story reminiscent of “John Wick.” The reaction also praised Alcock’s lead turn and highlighted Jason Momoa‘s debut as the bounty hunter Lobo, saying he brings his signature chaotic energy to the DC Universe.



The comparisons align with comments previously made by director Craig Gillespie, who described “Supergirl” as a road movie set across multiple worlds and said the story explores the trauma Kara carries from her childhood. With early reactions emphasizing its rougher tone and Alcock earning consistent praise, “Supergirl” is already shaping up as one of DC’s most unconventional entries yet.

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While agreements have not yet been finalized, Jim Carrey is expected to return as the Grinch, with Ron Howard also poised to reunite with the project as director and producer.



Howard would once again collaborate with longtime producing partner Brian Grazer through Imagine Entertainment, recreating the creative partnership that helped turn the original movie into a worldwide box office phenomenon.



<h2>A Return to Whoville After More Than 25 Years</h2>



Few holiday films have maintained the cultural footprint of “How the Grinch Stole Christmas.” Released in November 2000, the title reimagined Dr. Seuss’ classic tale as a live-action spectacle centered on Carrey’s transformative performance as the green, Christmas hating outsider who eventually discovers the holiday’s deeper meaning.



The picture expanded considerably on the source material, giving audiences a more detailed look at Whoville and introducing a backstory that explored the Grinch’s childhood, his relationship with Martha May Whovier, and the events that shaped his resentment toward the holiday season. Taylor Momsen, Christine Baranski, Jeffrey Tambor, Molly Shannon, and Bill Irwin rounded out the ensemble cast.



The sequel is being written by Alec Berg, Jeff Schaffer, and David Mandel, a trio best known for acclaimed comedy series including “Barry,” “Curb Your Enthusiasm,” “Silicon Valley,” “Veep,” and “Dave.” Their involvement also reconnects them with the Dr. Seuss universe, as all three previously worked on the screenplay for 2003’s “The Cat in the Hat” starring Mike Myers.



The original “How the Grinch Stole Christmas” proved to be one of the defining box office successes of its year. The film earned more than $350 million worldwide and became the highest-grossing movie in the United States in 2000. Despite receiving mixed reviews from critics, it remained a favorite with audiences and later won the Academy Award for Best Makeup and Hairstyling, while also earning nominations for its production design and costumes.



For now, details about the story remain under wraps, and no release date has been announced. However, the prospect of Carrey returning to one of his most iconic roles suggests that Universal is aiming to build on the enduring popularity of a picture that continues to find new audiences every holiday season.

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Twenty-four years ago, Walt Disney Feature Animation took a massive, bizarre gamble. Moving away from the traditional, high-stakes fairy-tale musicals that defined the 90s Renaissance, the studio released a watercolor-painted, deeply localized story about a broken Hawaiian family, an eccentric little girl, and a chaotic blue alien war machine built for pure destruction.



The result was Lilo &amp; Stitch, which officially debuted in theaters in June 2002.



Today, the animated masterpiece celebrates its 24th anniversary, and the franchise finds itself in the middle of an absolute golden age. Far from fading into nostalgic history, Experiment 626 is currently holding down the fort as Disney’s ultimate multi-billion-dollar savior. Following a historic box office run that single-handedly corrected the studio’s theatrical course, a live-action sequel is officially in active development—and a franchise legend is returning to steer the ship.



<h2>Why the Original Animation Stays Iconic: The Elvis Phenomenon</h2>



To understand why a 2002 film about a rogue alien koala still commands billions of dollars in modern merchandise and ticket sales, you have to look at the sheer authenticity of its architecture. Co-creators Chris Sanders and Dean DeBlois broke almost every corporate rule in the book to give Lilo &amp; Stitch its unique soul.



The most brilliant masterstroke of the film’s identity was its soundtrack. Rather than relying entirely on standard Broadway-style character solos, the movie seamlessly integrated the legendary catalog of Elvis Presley.



<ul><li>The Narrative Hook: Lilo’s fierce, lonely obsession with “The King” wasn’t just a quirky character trait—it was a narrative anchor.</li><li>The Musical Atmosphere: Tracks like “Burning Love,” “Suspicious Minds,” and “Heartbreak Hotel” provided a rhythmic, rock-and-roll juxtaposition to the lush, traditional Hawaiian choral music composed by Mark Kealiʻi Hoʻomalu.</li><li>The Thematic Mirror: Elvis, an isolated cultural icon who spent his life searching for a place to truly belong, perfectly mirrored the emotional arcs of both Lilo and Stitch.</li></ul>



<h2>The $1 Billion Redemption: Saving Disney’s Live-Action Slate</h2>



The true testament to the franchise’s eternal power arrived when Disney needed it most. In early 2025, the studio was reeling from a massive financial blow after its hyper-expensive, controversy-plagued live-action Snow White remake severely underperformed at the global box office. With skepticism around live-action remakes hitting an all-time high, the pressure sitting on Lilo &amp; Stitch was astronomical.



Originally conceptualized as a mid-budget streaming exclusive for Disney+, executives made the high-stakes gamble to pivot Dean Fleischer Camp’s live-action version into a wide theatrical summer rollout.



It turned out to be a historic masterstroke. Launching in late May 2025, the film defied all industry cynicism. Carried by the stellar introduction of newcomer Maia Kealoha as Lilo and an incredibly faithful, chaotic CGI rendering of Stitch, the film captured lightning in a bottle. It went on a historic global run, crossing the $1.038 billion mark worldwide and becoming the highest-grossing live-action/animated hybrid in cinema history. It was the exact box office antidote the studio desperately needed.

‘Lilo & Stitch’ is 24 Today: From Elvis Music to a Sequel for the Billion-Dollar Live-Action Hit

‘Lilo &amp; Stitch’ is 24 Today: From Elvis Music to a Sequel for the Billion-Dollar Live-Action Hit - Spoiler US

There is an unwritten law in Hollywood that states all creative properties must eventually yield to the law of diminishing returns. The longer an intellectual property spins its wheels, the more likely it is to suffer from sequel fatigue, cash-grab writing, and cratering critical scores. Yet, for over three decades, Pixar Animation Studios has successfully protected one sacred sandbox from the standard rules of cinematic gravity: the Toy Story universe.



With the first wave of critical reviews officially hitting the internet today, Tuesday, June 16, 2026, the franchise has achieved something entirely unprecedented. Despite expanding into a five-film arc spanning 31 years, the series has maintained its iron-clad position as the highest-rated movie franchise of all time on Rotten Tomatoes.



<h2>The “Lowest” Rated Masterpiece</h2>



On paper, the headline looks like a mild stumble: Toy Story 5 has officially debuted with a 94% score on Rotten Tomatoes (97 reviews), making it the lowest-rated entry in the history of the franchise.



But in the real world, calling a 94% score a “disappointment” is an absolute luxury problem that any other studio in Hollywood would kill to have. The film—which marks the franchise’s first-ever PG-rated entry—is being universally hailed by top trade critics as an absolute triumph of emotional storytelling and relevant cultural satire.



Directed by Pixar vanguard Andrew Stanton (Finding Nemo, WALL-E), the narrative pushes Woody, Buzz Lightyear, and Jessie into the ultra-modern era. This time around, the iconic gang faces their most terrifying existential threat yet: Tech. Playtime is thrown into total chaos when the toys find themselves competing directly against tablets, smart electronics, and the all-consuming allure of screen-time addiction for their child’s attention.



<h2>Rotten Tomatoes Scores</h2>



• ‘Toy Story’ – 100%



• ‘Toy Story 2’ – 100%



• ‘Toy Story 3’ – 98%



• ‘Toy Story 4’ – 97%



• ‘Toy Story 5’ – 94%



<h2>What the Critics are Saying</h2>



Rather than feeling like a tired corporate cash-grab, early reviews indicate that the fifth chapter injects an entirely fresh, urgent emotional weight into the universe. The legendary voice cast—anchored by Tom Hanks and Tim Allen—delivers a performance that seamlessly blends laugh-out-loud physical comedy with the profound, tear-jerking existential dread that Pixar handles better than anyone else.



<h2>When Can You See It?</h2>



The countdown to the official box office rollout is nearly at zero. Packed with a highly anticipated original orchestral score from Oscar winner Randy Newman (which includes the historic, chart-topping Taylor Swift track “I Knew It, I Knew You”), Toy Story 5 is scheduled to hit theaters worldwide this Friday, June 19, 2026.

‘Toy Story 5’ Solidifies Pixar’s Crown as the Highest-Rated Movie Franchise in History

‘Toy Story 5’ Solidifies Pixar’s Crown as the Highest-Rated Movie Franchise in History - Spoiler US

If there is one absolute truth in modern Hollywood, it’s that you never bet against the sheer theatrical drawing power of Christopher Nolan. Fresh off the massive, historic triumphs of his recent filmography, the auteur filmmaker is preparing to drop what is already being labeled his most visually ambitious project to date: The Odyssey.



With the film set to hit theaters everywhere on July 17, 2026, tickets officially went on sale this week—and the response was nothing short of a stampede.



London’s legendary BFI IMAX shattered its all-time 24-hour sales record, shifting a staggering 28,000 tickets in a single day and generating nearly $1 million in revenue. The previous record was held by Dune: Part Two, which sold approximately $490,000 worth of tickets in 24 hours. Servers groaned under the weight of thousands of cinephiles desperate to secure the best seats for what Universal Pictures is hyping as a “game-changing mythic event.” It’s an unprecedented opening salvo that demonstrates audiences are still hungry for massive, grand-scale theatrical spectacles.



<h2>The Weight of a $250 Million Mythic Canvas</h2>



The expectations resting on The Odyssey are entirely cosmic. Budgeted at a staggering $250 million, the movie is an intensive, ground-up adaptation of Homer’s ancient Greek epic poem. The film chronicles the perilous, long journey of Odysseus, the King of Ithaca (played by Matt Damon), as he battles mythical beings, gods, and sirens to reunite with his wife, Penelope (Anne Hathaway), and his son, Telemachus (Tom Holland).



But this isn’t your standard sandals-and-swords period piece. True to form, Nolan has shot the entire project using brand-new, never-before-seen IMAX film camera technology, capturing breathtaking practical locations across the globe. Industry insiders are whispering that the film will rewrite the playbook on how action and practical visual effects interact on the largest possible cinematic canvas.



<h2>What the A-List Cast is Saying From the Set</h2>



With a powerhouse ensemble that features everyone from Robert Pattinson (playing the sleazy suitor Antinous) to Zendaya (as the goddess Athena) and Charlize Theron (as Calypso), the atmosphere on set has been described as a masterclass in creative mutual respect.



Tom Holland recently opened up about the surreal experience of working with childhood heroes like Matt Damon and Hathaway, noting that he approaches the set every single day with a “real sense of purpose and a point to prove.”



However, it is the glowing off-screen chemistry and mutual admiration between the actors that is stealing the headlines. While discussing the production dynamics, Oscar winner Anne Hathaway offered an incredible piece of praise for her The Odyssey co-star Tom Holland, highlighting that his talents extend far beyond his web-slinging blockbusters:



“He is really one-of-one. His ability to be an artist through and through, as well as a legit and successful businessman who sees the whole field and keeps both in appropriate conversation with each other at the level he does? Extremely rare.”



<h2>The Verdict on the Box Office Hype</h2>



By breaking the BFI IMAX record a month ahead of its debut, The Odyssey has effectively silenced any doubts regarding the public’s appetite for original, auteur-driven cinema. In a summer landscape that faces stiff competition from surprise viral micro-budget horror sensations, Nolan is proving that the luxury premium large-format experience is an unshakeable pillar of pop culture.



Get your tickets while you still can—the voyage officially begins on July 17!

Cinematic History in the Making: Christopher Nolan’s ‘The Odyssey’ Shatters BFI IMAX Records Ahead of July Release

Cinematic History in the Making: Christopher Nolan’s ‘The Odyssey’ Shatters BFI IMAX Records Ahead of July Release - Spoiler US

Hollywood’s theatrical rulebook is officially being rewritten. In one of the most fascinating distribution shake-ups of the decade, Netflix is leaning heavily into traditional cinema spaces for its crown jewel fantasy tentpole.



Sony Pictures Entertainment (SPE) will officially handle the international theatrical release of Greta Gerwig’s highly anticipated fantasy epic, Narnia: The Magician’s Nephew.



While Netflix will manage the wide domestic rollout across North America, the partnership with Sony ensures the film receives a full-scale, aggressive global push. The film is officially set to hit IMAX and theaters worldwide on February 12, 2027, before making its streaming debut on Netflix on April 2, 2027.



<h2>The 49-Day Window: A Massive Shift for Netflix</h2>



Historically, Netflix has treated theatrical releases as brief, three-week qualifying runs primarily meant to satisfy awards eligibility, rarely reporting box office numbers. Narnia completely shatters that status quo.



By locking in a February 12 theatrical launch and an April 2 streaming date, the film will enjoy a massive 49-day exclusive theatrical window. This eventized approach gives Gerwig’s vision plenty of breathing room in premium large formats (PLF). To sweeten the deal for theater purists, Sony will actively report the film’s international box office grosses, while exclusive IMAX sneak previews are slated to begin early on February 10, 2027.



The strategy marks an expansion of the existing corporate relationship between the two studios, who already share a lucrative Pay-1 streaming licensing agreement.



<h2>Exploring the Genesis of Narnia</h2>



While previous cinematic iterations of C.S. Lewis’s beloved series jumped straight into the snow-covered woods of The Lion, the Witch and the Wardrobe, Gerwig is choosing to build the universe from its absolute foundations.



The Magician’s Nephew—originally published in 1955—acts as a crucial prequel to the entire franchise. The narrative explores the literal creation of the magical realm by the cosmic lion Aslan and outlines exactly how the comings and goings between our world and Narnia first began.



Gerwig, hot off the historic multi-billion-dollar success of Barbie, is writing and directing the feature. She is bringing along her elite Barbie musical collaborators, Oscar winners Mark Ronson and Andrew Wyatt, to compose the film’s original score.

Sony Partners With Netflix for the Global Theatrical Release of Greta Gerwig’s ‘Narnia: The Magician’s Nephew’

Sony Partners With Netflix for the Global Theatrical Release of Greta Gerwig’s ‘Narnia: The Magician’s Nephew’ - Spoiler US

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