<p>The debut of <strong>Vince Gilligan’s</strong> highly-anticipated new series, <strong><em>Pluribus</em></strong>, on <strong>Apple TV</strong> has made an immediate and massive impact, shattering the streaming service’s record for a series launch. </p>



<p>The show, which re-teams the acclaimed creator of <em>Breaking Bad</em> and <em>Better Call Saul</em> with star <strong>Rhea Seehorn</strong>, presents a mind-bending, post-apocalyptic science fiction premise where nearly all of humanity has been assimilated into a peaceful, relentlessly optimistic <strong>hive mind</strong> known as the “Others.” </p>



<p>Critics have universally praised the show’s originality, stylistic depth, and Seehorn’s powerhouse performance as Carol Sturka, one of only a handful of immune individuals grappling with the existential loneliness and philosophical complexity of this new reality. The overwhelming viewership success confirms <em>Pluribus</em> as the latest must-watch sensation from one of television’s most compelling storytellers.</p>



<h2>The Phenomenon of ‘Pluribus’</h2>



<p>The show’s instant record-breaking success is a testament to the immense anticipation surrounding Vince Gilligan’s <strong>first series following the conclusion of the <em>Breaking Bad</em> universe</strong>, as well as the strong critical reception. </p>



<p>The nine-episode first season premiered with two episodes on November 7, 2025, and logged an astounding <strong>6.4 million hours watched in its first week in the U.S.</strong>, according to Pop Tingz on X. This performance instantly surpassed the previous Apple TV record holder—the second season premiere of <em>Severance</em>—for viewership, highlighting not only Gilligan’s creative cachet but also the magnetic appeal of a truly unique science fiction concept executed with high-level cinematic quality, evidenced by the show’s reported $15 million per-episode budget.</p>



<p>The core concept of <strong><em>Pluribus</em></strong> (styled <em>PLUR1BUS</em>) is drawn from the Latin phrase <em>e pluribus unum</em>, meaning ‘out of many, one.’ The story centers on Carol Sturka (<strong>Rhea Seehorn</strong>), an American fantasy romance author and one of only thirteen people worldwide who are immune to “the Joining.” This event resulted from an extraterrestrial RNA virus that transformed the rest of humanity into a harmonious collective consciousness, the “Others.” </p>



<p><strong>The Others</strong> are non-violent and seek to amicably assimilate the few immune individuals, placing Carol in a terrifying and deeply lonely position as the last vestige of independent thought in a world suddenly filled with content, interconnected people—including her recently deceased partner, whose memories now live within the hive mind.</p>



<p>The show’s stylistic influences, including <em><strong>The Twilight Zone</strong></em> and <em><strong>Invasion of the Body Snatchers</strong></em>, are evident, yet critics agree that <em>Pluribus</em> stands as its own thing, offering a unique and resonant allegory for contemporary concerns, especially the modern lure and potential dangers of artificial intelligence.</p>

Vince Gilligan’s ‘Pluribus’ Shatters Apple TV Viewership Records in Week One

Vince Gilligan’s ‘Pluribus’ Shatters Apple TV Viewership Records in Week One - Spoiler US

miniaturas

<p>As <strong><em>A Knight of the Seven Kingdoms</em></strong> heads into its second season, the wider Westerosi canon gains a renewed sense of continuity. The strongest episodes across <strong><em>Game of Thrones</em></strong>, <strong><em>House of the Dragon</em></strong> and the first season of A Knight of the Seven Kingdoms form a kind of unofficial spine—chapters that illuminate shifting loyalties, ancestral wounds and the quiet traditions that bind each era together.</p>



<p>These standout installments are not united by scale alone. Some deliver political precision, others reveal the vulnerabilities of dynasties on the brink, while a few capture the intimate choices that alter the course of history.</p>



<h2>“Blackwater” — Game of Thrones (Season 2, Episode 9)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_Blackwater_9df6aad1.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77980"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>A landmark hour in the early seasons, “Blackwater” captures the raw mechanics of power in Westeros long before Dunk and Egg’s era. The episode unfolds almost entirely within King’s Landing as Stannis Baratheon attempts to seize the Iron Throne. Through strategy, wildfire, and desperate alliances, it reveals how political control is won not only in council rooms but in moments of visceral chaos. It remains one of the clearest illustrations of how war shapes dynasties for generations.</p>



<h2>“The Door” — Game of Thrones (Season 6, Episode 5)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_The-Door_5eb18d70.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77979"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Both mystical and devastating, “The Door” bridges past and present through Bran’s visions, revealing how histories are not merely inherited but created through accidental tragedies. It offers a rare look at the mechanics of prophecy and memory—forces that subtly echo through the world Dunk and Egg will one day navigate. The narrative weight of this episode underscores the idea that even the smallest characters carry legacies no one expected.</p>



<h2>“The Laws of Gods and Men” — Game of Thrones (Season 4, Episode 6)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_The-Laws-of-Gods-and-Men_a8186e81.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77978"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Centered on Tyrion Lannister’s unforgettable trial, this episode explores the moral contradictions of Westerosi justice. What emerges is not just a courtroom drama but a study of power disguised as righteousness. The writing cuts to the heart of political performance, exposing how truth bends under the influence of alliances and history. Its themes resonate deeply with the feudal tensions present in the age of Dunk and Egg.</p>



<h2>“Baelor” — Game of Thrones (Season 1, Episode 9)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_Baelor_efa3d381.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77977"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>“Baelor” marks the moment Game of Thrones redefined itself—and modern television storytelling. The execution of Ned Stark shatters assumptions about narrative safety and sets off a chain of political ruptures that reverberate for decades. Nothing in Westeros remains untouched by this event, and the shockwaves ripple all the way into the quieter, humbler stories told in A Knight of the Seven Kingdoms. It is essential because it shapes the conditions of a realm that is always recovering from old wounds.</p>



<h2>“Fire and Blood” — Game of Thrones (Season 1, Episode 10)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_Fire-and-Blood_f510eee4.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77976"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>This finale widens the scope of the world after Ned Stark’s death. As the Starks splinter and King’s Landing tightens its grip, Daenerys Targaryen claims a destiny that will redefine her house. The birth of her dragons marks the reawakening of ancient magic and signals the long arc of Targaryen influence—an arc whose roots stretch directly into the events depicted in House of the Dragon and indirectly into the political climate inherited by Dunk and Egg.</p>



<h2>“The Old Gods and the New” — Game of Thrones (Season 2, Episode 6)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_The-Old-Gods-and-the-New_3613409a.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77975"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Combining urban unrest, shifting loyalties, and religious tension, this episode reveals how fragile political authority can be. The dramatic riot in King’s Landing showcases how quickly the common people can change the direction of power, while Theon’s storyline highlights how identity fractures under pressure. Its thematic focus on tradition versus survival complements the moral dilemmas at the heart of A Knight of the Seven Kingdoms.</p>



<h2>“Hardhome” — Game of Thrones (Season 5, Episode 8)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_Hardhome_b717c522.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77974"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>A turning point in the series’ approach to scale and threat, “Hardhome” elevates the conflict beyond human politics. The chilling confrontation north of the Wall reframes the story by reminding viewers that Westeros is shaped not only by thrones and wars, but by forces ancient and merciless. Its spectacle, dread, and emotional stakes make it an indispensable chapter in the broader mythology the Dunk and Egg tales quietly inherit.</p>



<h2>“Battle of the Bastards” — Game of Thrones (Season 6, Episode 9)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_Battle-of-the-Bastards_5b8d305c.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77973"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Beyond being a technical masterpiece, this episode distills the brutality and honor codes underlying Westerosi warfare. Jon Snow’s confrontation with Ramsay Bolton is as much about reclaiming Winterfell as it is about fighting for the soul of the North. With its suffocating visuals and human cost, it serves as a modern reminder of the knightly values and battlefield ethics that characters like Ser Duncan the Tall embody in an earlier age.</p>



<h2>“The Lord of the Tides” — House of the Dragon (Season 1, Episode 8)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_The-Lord-of-the-Tides_55c279e8.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77972"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>A rich, dialogue-driven episode that reveals the slow unraveling of Targaryen stability. Succession debates tear at the Velaryon family, and an aging Viserys attempts one final act of unity. The dinner scene—tender, awkward, and foreboding—perfectly captures how dynasties collapse not with explosions but with accumulated wounds. For anyone tracing the roots of the Targaryen downfall, this episode is indispensable.</p>



<h2>“Driftmark” — House of the Dragon (Season 1, Episode 7)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251121_SPEN_77965_Driftmark_98e656d4.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-77971"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Dark, atmospheric, and charged with family tension, “Driftmark” stands as one of the most emotionally volatile episodes of the prequel series. The Velaryon funeral sets the stage for old grievances to resurface, leading to dragon claims, violent confrontations, and alliances sealed in shadow. The episode’s tone—somber, symbolic, storm-lit—captures the kind of generational conflict that shapes Westeros long before the events of Dunk and Egg.</p>

Game of Thrones Universe: The Essential Episodes Ahead of ‘A Knight of the Seven Kingdoms’ S2

Game of Thrones Universe: The Essential Episodes Ahead of 'A Knight of the Seven Kingdoms' S2 - Spoiler US

<p>At 47, <strong>Rachel McAdams</strong> stands as one of the rare performers whose career has unfolded in quiet, deliberate chapters rather than loud reinventions. Emerging in the early 2000s with roles that quickly defined an era, she moved fluidly from cultural touchstones to prestige dramas, shaping a filmography marked by range rather than repetition.</p>



<p>Across romances, thrillers, comedies, and ensemble pieces, she built a presence anchored in emotional clarity—often elevating stories through subtleties that linger long after the credits. Her most striking roles reveal not just a familiar star, but an actress whose versatility has continually reshaped her place in modern cinema.</p>



<h2>Regina George – Mean Girls (2004)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145320/mean-girls-1920x1080.webp" alt="" class="wp-image-77454"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>The role that instantly enshrined Rachel McAdams in pop culture history, Regina George remains the definitive high school antagonist. McAdams played the perfectly manipulative, exquisitely cruel Queen Bee of The Plastics with such razor-sharp comedic timing and effortless confidence that she transcended the typical teen villain. Her performance is a masterclass in controlled spite, making Regina not just evil, but captivatingly watchable, forever setting the standard for the iconic “mean girl” archetype.</p>



<h2>Allie Hamilton – The Notebook (2004)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145325/the-notebook-1-1920x1080.webp" alt="" class="wp-image-77455"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Released in the same pivotal year as Mean Girls, this film showcased McAdams’ breathtaking range by casting her as the passionate and conflicted heroine of a sweeping, epic romance. Allie Hamilton’s journey through class differences, war-time separation, and profound love demanded deep emotional commitment. McAdams brought a palpable yearning and intensity to the role, cementing her status as a leading lady capable of anchoring a major Hollywood tearjerker and creating an on-screen relationship that defined a generation’s romantic ideal.</p>



<h2>Sacha Pfeiffer – Spotlight (2015)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145332/spotlight-1920x1080.webp" alt="" class="wp-image-77456"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>In a departure from grand romantic gestures, McAdams delivered a subtle yet incredibly powerful performance as Sacha Pfeiffer, one of the tenacious Boston Globe investigative journalists. This role earned her an Academy Award nomination for Best Supporting Actress. McAdams grounded the complex, high-stakes drama with quiet professionalism and palpable moral conviction, demonstrating a profound skill for understated, authentic character work necessary to portray real-life heroes.</p>



<h2>Irene Adler – Sherlock Holmes (2009) and A Game of Shadows (2011)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145344/sherlock-holmes-1920x1080.webp" alt="" class="wp-image-77457"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>McAdams brought a modern, sophisticated allure to the legendary “The Woman,” Irene Adler, who is the only woman to have genuinely outwitted Sherlock Holmes. She portrayed Adler as a cunning, charismatic, and emotionally complex figure—the ultimate intellectual rival and romantic entanglement for the eccentric detective. Her presence added a necessary spark of danger and glamour to Guy Ritchie’s stylized action franchise.</p>



<h2>Christine Palmer – Doctor Strange (2016) and Multiverse of Madness (2022)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145352/doctor-strange-1920x1080.webp" alt="" class="wp-image-77458"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>As Dr. Stephen Strange’s dedicated colleague and former romantic partner, McAdams served as the indispensable human anchor for the MCU’s descent into multiversal magic. Christine Palmer is portrayed with intelligence, skepticism, and warmth, often acting as the moral compass and emotional sounding board for the arrogant hero. Her return in the sequel allowed her to explore alternate-reality versions of the character, highlighting her ability to fit seamlessly into blockbuster fantasy while maintaining dramatic integrity.</p>



<h2>Amy Stone – The Family Stone (2005)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145400/The-Family-Stone-1920x1080.webp" alt="" class="wp-image-77459"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>A key player in this ensemble holiday dramedy, McAdams’ Amy Stone is the fiercely protective, quick-witted, and often judgmental younger sister. This role allowed her to tap into a sharper, more neurotic comedic vein, as Amy immediately and hilariously dislikes her brother’s fiancée. McAdams delivered a performance rich with the complex, sometimes painful, dynamics of a tightly knit family unit.</p>



<h2>Mary – About Time (2013)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145405/About-Time-1920x1080.webp" alt="" class="wp-image-77460"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>In this beloved time-travel romance, McAdams plays Mary, the woman the protagonist falls in love with. Her portrayal is notable for its warmth, sweetness, and endearing awkwardness. McAdams made Mary feel entirely real and accessible, proving that even amidst the high-concept fantasy of time manipulation, she could ground the story in genuine, heartwarming human connection and romantic chemistry.</p>



<h2>Clare Abshire – The Time Traveler’s Wife (2009)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145411/The-Time-Travelers-Wife-1920x1080.webp" alt="" class="wp-image-77461"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>McAdams embodied the deeply patient and profoundly lonely wife of a man cursed with involuntary time travel. Clare Abshire is a demanding role that requires constant emotional resilience and melancholic acceptance. McAdams successfully conveyed the enduring commitment and quiet suffering of loving someone who constantly disappears and reappears, lending an essential romantic gravity to the narrative.</p>



<h2>Lisa Reisert – Red Eye (2005)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145418/red-eye-1920x1080.webp" alt="" class="wp-image-77462"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>This intense Wes Craven thriller saw McAdams taking on a demanding, high-stakes action role as a hotel manager who finds herself held hostage on an overnight flight. Lisa Reisert is forced to use her wits to fight back against her captor, and McAdams delivered a taut, suspenseful performance, proving her capability to carry a genre film with credible intensity and intelligence.</p>



<h2>Inga Vengen – A Most Wanted Man (2014)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17145423/A-Most-Wanted-Man-1920x1080.webp" alt="" class="wp-image-77463"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>In this somber, critically praised espionage thriller, McAdams adopted a much more restrained and serious dramatic tone as Inga Vengen, a dedicated human rights lawyer. Stripping away all glamour and overt emoting, she delivered a quiet, methodical performance that fit perfectly into the film’s atmosphere of paranoia and moral ambiguity, showcasing her seriousness and range as a character actress.</p>

Rachel McAdams Turns 47: Her Most Striking Film Roles

Rachel McAdams Turns 47: Her Most Striking Film Roles - Spoiler US

<p>The release of “<em><strong>Wicked: For Good</strong></em>” with <strong>Ariana Grande</strong> and <strong>Cynthia Erivo</strong> has renewed interest in films that blend fantasy with emotional sweep—stories where magic isn’t just spectacle, but a way to explore ambition, friendship and the tension between destiny and choice.</p>



<p>Across recent decades, certain titles have captured that same balance: lush visual fantasy anchored by heartfelt stakes, musical or mythic elements that amplify the storytelling and worlds built with enough detail to feel lived-in rather than distant.</p>



<h2>Into the Woods (2014)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141708/into-the-woods-1920x1080.webp" alt="" class="wp-image-77428"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Rob Marshall’s musical twists familiar fairy tales into a lush, intertwined narrative about ambition, sacrifice, and the cost of wishes fulfilled. With its layered characters and bittersweet tone, the film captures the same blend of spectacle and emotional depth that defines Wicked: For Good, offering a world where magic is dazzling but never without consequences.</p>



<h2>The Greatest Showman (2017)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141702/the-greatest-showman-1-1920x1080.webp" alt="" class="wp-image-77427"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Vibrant, theatrical, and emotionally charged, this musical builds an entire universe out of resilience and reinvention. Its sweeping choreography and anthem-like numbers mirror the empowering energy fans crave—where characters reshape their destinies under the bright glow of the spotlight.</p>



<h2>Maleficent (2014)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141654/maleficent-1920x1080.webp" alt="" class="wp-image-77426"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>A reimagining that turns a well-known villain into a complex, wounded heroine, Maleficent shares a thematic link with the duality explored in Wicked. Its moody magic, lush visual language, and emotional backstory bring surprising nuance to a classic fantasy tale rewritten through empathy.</p>



<h2>Enchanted (2007)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141648/ella-enchanted-1920x1080.webp" alt="" class="wp-image-77425"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>This whimsical blend of animation and live-action celebrates fairy-tale tropes while gently subverting them. With its mix of humor, romance, and musical charm, the film thrives in that sweet spot where magic feels both joyous and self-aware—much like the tonal balance audiences loved in Wicked: For Good.</p>



<h2>Stardust (2007)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141641/stardust-1920x1080.webp" alt="" class="wp-image-77424"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Neil Gaiman’s universe bursts with enchantment, danger, and unexpected tenderness. Stardust builds an adventurous narrative where star-crossed journeys, sorcery, and reinvention collide, echoing the emotional sweep and world-building grandeur of modern fantasy musicals.</p>



<h2>Cinderella (2021)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141635/cinderella-1920x1080.webp" alt="" class="wp-image-77423"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>This contemporary musical spin reframes its heroine as a creator with dreams beyond the throne. Its modern soundtrack, bright energy, and focus on self-determination align with the empowering arc that fans of Wicked gravitate toward.</p>



<h2>Ella Enchanted (2004)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141628/ella-1920x1080.webp" alt="" class="wp-image-77422"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Lighthearted but meaningful, this tale follows a young woman forced into magical obedience who fights to reclaim her autonomy. Its blend of humor, charm, and a quietly rebellious spirit mirrors the heart of stories that question destiny through a magical lens.</p>



<h2>The Nutcracker and the Four Realms (2018)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141619/The-Nutcracker-and-the-Four-Realms-1920x1080.webp" alt="" class="wp-image-77421"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Visually sumptuous and anchored in world-building, this reimagining expands a familiar story into a sweeping fantasy filled with discovery and danger. Its ornate settings and orchestral grandeur evoke the feeling of stepping into a live musical brought to life on screen.</p>



<h2>Mirror Mirror (2012)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141613/mirror-mirror-1920x1080.webp" alt="" class="wp-image-77420"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Colorful, theatrical, and delightfully eccentric, Tarsem Singh’s take on Snow White offers a stage-like aesthetic where costume and choreography help shape the narrative. The film’s playful magic and modernized character arcs echo the whimsical yet purposeful tone of stage-inspired fantasies.</p>



<h2>Frozen II (2019)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://media.futbolsites.net/wp-content/uploads/sites/29/2025/11/17141603/frozen-2-1920x1080.webp" alt="" class="wp-image-77419"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>While animated, the sequel leans heavily into musical world-building, mythic lore, and themes of identity, change, and emotional growth. Its sweeping ballads and atmospheric storytelling resonate strongly with the melodic introspection central to Wicked: For Good’s appeal.</p>

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<p>For years, the future of “Star Trek” on the big screen has felt like a distant, uncharted star system. While the franchise has flourished with new adventures on television, movie fans have been left waiting for the next mission. <strong>That waiting game is finally over.</strong> Following years of speculation, starts, and stops, Paramount Pictures is charting a definitive new course for the venerable sci-fi saga.</p>



<h2>To Boldly Go… Back to the Big Screen!</h2>



<p>According to an exclusive by Deadline, the news that Paramount is pushing ahead with a fresh “Star Trek” cinematic venture comes with a potentially exciting creative shake-up. Stepping into the writer, producer, and directing roles are the talented duo of<strong> Jonathan Goldstein</strong> and<strong> John Francis Dagley. </strong></p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="77317" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251114_SPEN_77315_Star1_b6bdc07f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-77317"></figure><figcaption>Source: Phillip Faraone/Getty Images for Paramount Pictures</figcaption></figure>
</figure>



<p>While perhaps best known for their sharp comedic sensibilities—including writing credits on <strong>“Spider-Man: Homecoming”</strong> and directing the hit movie <strong>“Dungeons and Dragons: Honor Among Thieves”</strong>—their attachment signals a bold willingness by the studio to explore new tones and perspectives within the highly established science fiction universe.</p>



<p>The most intriguing detail surrounding this development is the studio’s commitment to a truly original narrative. The sources of Deadline indicate that the Goldstein/Daley project is being conceived <strong>as a completely new take on the “Star Trek” universe.</strong> This is a major pivot, as it assures fans that this film will stand entirely on its own, confirmed not to be connected to the flagship television series, the streaming spin-offs, or any previously discussed, stalled film concepts. <strong>Paramount is essentially clearing the slate.</strong></p>



<p>While the plot remains shrouded in Starfleet secrecy, one detail suggests a major overhaul of the ensemble. It is hinted that this film is poised to introduce an entirely new crew, <strong>featuring new characters that haven’t been seen before.</strong> If true, this represents a significant commitment to expansion beyond the beloved crews of the Enterprise, offering the filmmakers ultimate freedom to define a fresh dynamic and explore new corners of the galaxy without the pressure of established canon figures.</p>



<p>The selection of Goldstein and Daley, coupled with the insistence on a self-contained, original story and a new cast, signals a clear strategic move by Paramount Pictures. After the Kelvin timeline successfully rebooted the franchise but struggled to maintain momentum, <strong>the studio is now seeking a definitive new path forward.</strong></p>

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<p>At just 26 years of age, <strong>Kiernan Shipka</strong> carries a career that, in many ways, feels decades deep. From her early break as the poised yet quietly wounded daughter on <strong><em>Mad Men</em></strong>, to the spell-casting title role in <em><strong>Chilling Adventures of Sabrina</strong></em> and beyond, she has navigated childhood stardom and adult reinvention with an assuredness that belies her years.</p>



<p>In her journey ahead of this milestone birthday, the versatility she has displayed—whether in period drama, supernatural fantasy or genre-bending indie fare—suggests something more than youthful promise: a developing force.</p>



<h2>Sally Draper | Mad Men (2007–2015)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_Mad-men_5b367edf.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76831"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>The role that defined her early years and established her as a formidable dramatic actress. Shipka took the character of Sally Draper, the daughter of the enigmatic Don Draper, and transformed her from a quiet, background child into the moral compass and eventually the most disillusioned figure of the series. </p>



<p>Her portrayal was a masterclass in silent commentary, charting the painful, often heartbreaking journey of a girl navigating the crumbling façade of the 1960s American family. By the final seasons, Shipka commanded the screen, delivering performances of such maturity and emotional complexity that critics called for her Emmy nomination.</p>



<h2>Sabrina Spellman | Chilling Adventures of Sabrina (2018–2020)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_sabrina_389e3fb6.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76830"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>This role cemented Shipka’s status as a leading star, plunging her into the world of dark fantasy and horror. Unlike the previous, lighter take on the character, her Sabrina was a fierce, conflicted half-witch caught between the mortal and supernatural realms. </p>



<p>Shipka brilliantly balanced teen angst, genuine heroism, and cosmic responsibility. The performance required her to be seductive, terrified, powerful, and vulnerable—often within the same episode—proving her ability to carry a massive production on her shoulders.</p>



<h2>Kat | The Blackcoat’s Daughter (2015)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_the-blackcoat-daughter_53930591.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76832"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>In this chilling and atmospheric independent horror film, Shipka delivered a performance of profound, quiet dread. Playing a seemingly isolated boarding school student over Christmas break, her character’s descent into a deeply unsettling state is slow and meticulously crafted. </p>



<p>This role showcased her command of psychological tension and her ability to convey absolute desolation, marking a crucial, highly-praised pivot into the indie horror space that relies on nuance over jump scares.</p>



<h2>Lou Simms | Swimming with Sharks (2022)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_Swimming-with-Sharks_cabc21d9.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76833"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>A departure from the heroic or the haunted, Shipka’s Lou Simms is an ice-cold study in calculated ambition. As a young intern who methodically dismantles her toxic, high-powered boss, she is sharp, manipulative, and entirely remorseless.</p>



<p>This performance allowed Shipka to shed any lingering vestiges of her youthful roles, presenting a character whose intelligence is as dangerous as her determination, proving she can play the villain with chilling conviction.</p>



<h2>Jamie Hughes | Totally Killer (2023)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_Totally-Killer_0aeb7d27.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76834"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Shipka took a sharp turn toward the comedic and action-oriented with this time-travel slasher movie. She effortlessly blended the comedic shock of a modern teen (Jamie) dropped into the anachronistic landscape of the 1980s with the high-stakes intensity required of a slasher protagonist. The role required physical comedy, high-octane running, and delivering genuinely funny one-liners, demonstrating her versatility in a genre-blending context.</p>



<h2>Ally Andrews | The Silence (2019)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_the-silence_2f2ed0d0.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76835"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>In this post-apocalyptic horror feature, Shipka took on the challenge of playing a deaf teenager whose essential difference becomes her family’s greatest asset for survival. </p>



<p>The performance was largely physical and non-verbal, relying on visual cues and deeply expressed emotion to convey trauma and resilience in a world where sound means instant death. It was a testament to her range outside of dialogue-heavy dramatic roles.</p>



<h2>B. D. Hyman | Feud: Bette and Joan (2017)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_freud_0e1991da.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76836"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Appearing in a limited series full of Hollywood royalty, Shipka held her own as the observant, long-suffering daughter of Bette Davis (played by Susan Sarandon). Her portrayal of B. D. was marked by a quiet, world-weary sorrow, acting as the unwilling witness to one of Hollywood’s most toxic and legendary rivalries. It was a supporting role that added necessary emotional grounding and moral weight to the flamboyant drama.</p>



<h2>Carrie Anne Camera | Longlegs (2024)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_longlegs_c1a215fc.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76837"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>While a brief appearance, her role as the sole survivor of a killer is an instant, unsettling classic. Shipka delivered a tightly controlled, deeply unnerving performance as a woman damaged and seemingly hypnotized by a traumatic past. The role required her to communicate immense psychological horror with minimal screen time, leaving an indelible, chilling mark on the film’s atmosphere.</p>



<h2>Jinora (Voice) | The Legend of Korra (2012–2014)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_The-Legend-of-Korra_f3566c0c.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76838"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>An essential reminder of her early versatility, Shipka voiced the thoughtful and gifted airbending master Jinora in the acclaimed animated series. The role allowed her to embody spiritual maturity and leadership through voice alone, showing she could create a beloved and powerful character without appearing on screen.</p>



<h2>Cathy Dollanganger | Flowers in the Attic (2014)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251110_SPEN_76826_Flowers-in-the-Attic_2c6c30d7.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-76839"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>In this TV film adaptation of the infamous gothic novel, Shipka faced the melodramatic and emotionally fraught task of portraying Cathy, one of the children secretly locked away by their cruel relatives. </p>



<p>She conveyed the intense isolation, burgeoning young adult feelings, and deep sense of abandonment central to the story, tackling dark, adult themes with a compelling intensity.</p>

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<p>After over a decade of anticipation, <strong>the beloved science-fiction franchise is back with a new installment: “Tron: Ares.”</strong> Starring Jared Leto in the title role, the film takes the series in a fresh direction, with a story centered on a highly advanced program from the Grid entering the real world. </p>



<p>Fans are excited to return to the iconic digital universe, but the long wait and the new creative approach have sparked a key question: <strong>Is this a true continuation of the story we know, or a fresh start for a new generation?</strong></p>



<h2>Is ‘Tron: Ares’ a Follow-Up or a Fresh Take?</h2>



<p>The answer, as it turns out, is a bit of both. Disney has billed the film as a “soft reboot” or “follow-up,” <strong>a classification that aims to honor the established lore while forging a new narrative path.</strong> It’s an approach that keeps the foundational elements of the “Tron” world intact—the iconic digital Grid, the light cycles, and the glowing Identity Discs—while introducing a fresh conflict and a new cast of characters.</p>



<p>Directed by Joachim Rønning,<strong> “Tron: Ares” is technically a sequel to 2010’s “Tron: Legacy,”</strong> picking up the story where the previous film left off. However, the picture differentiates itself by flipping the core premise on its head. While the original films saw humans entering the digital world, “Ares” explores the profound consequences when a highly sophisticated program, played by Jared Leto, crosses over from the Grid into our reality. </p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" data-id="74524" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251007_SPEN_74522_Tron4-1024x576_8d782e60.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74524" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>While the new title introduces a fresh ensemble led by Leto, Greta Lee, and Evan Peters, it maintains a critical connection to its predecessors. <strong>The most significant link is the return of Jeff Bridges,</strong> who reprises his role as Kevin Flynn, the legendary architect of the Grid. His presence alone signals that the events of the previous entries have not been erased, but rather serve as the foundation for this new story. </p>



<p>This balance between old and new is designed to appeal to both long-time aficionados who appreciate the lore and a new audience encountering the franchise for the first time. The picture <strong>aims to be an evolution of the series, rather than a total erasure of its legacy.</strong></p>

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<p>Nearly 15 years after the visually stunning “Tron: Legacy” reignited the Grid for a new generation, Disney is taking us back to the world of advanced programs and digitized reality. But this time, the journey is in reverse.<strong> “Tron: Ares” is the long-awaited third installment in the sci-fi franchise</strong>, and it’s set to flip the script entirely when it arrives in theaters on October 10. </p>



<p>Directed by <strong>Joachim Rønning</strong> and starring <strong>Jared Leto</strong> as the titular character, the new film trades a human entering the digital world for a highly sophisticated AI program being unleashed upon our own.</p>



<p>This premise promises a fresh take on the classic story, and the buzz surrounding the movie’s cutting-edge special effects and an original score from Nine Inch Nails has been building for months. But with a legacy to live up to, the question remains: <strong>does “Tron: Ares” deliver?</strong></p>



<h2>The Verdict on ‘Tron: Ares’ from Top Film Critics</h2>



<p>Based on the initial reactions following the world premiere, the critical reception for “Tron: Ares” is decidedly mixed, echoing the divided opinions that followed “Legacy.” The consensus is clear on one point: <strong>the film is a feast for the eyes and ears. </strong>Reviewers universally praise the stunning visuals and the Nine Inch Nails soundtrack. </p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" data-id="74519" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251007_SPEN_74510_Tron1-1024x576_04ddc4a9.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74519" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>Many critics have noted that the production is a must-see in IMAX 3D, highlighting the breathtaking visuals and the strength of the musical score. However, where the picture excels in its aesthetic, <strong>it appears to stumble in its narrative.</strong></p>



<p>The primary criticisms levied against the movie center on its plot and pacing. Several reviewers have labeled the story as uneven, <strong>with a clunky script that doesn’t live up to the visual spectacle.</strong> Specific issues raised include sloppy hand-to-hand fights and a feeling of nostalgic pandering that detracts from the new storyline. </p>



<p>The emotional core of the movie, which director Joachim Rønning aimed to connect with, seems to have been lost on some critics <strong>who</strong> <strong>didn’t care about any of the characters.</strong> While the action on the Grid is described as solid, the title reportedly doesn’t reach the highs of its predecessors, and the story gets bogged down in the third act with exposition. </p>



<p>Ultimately, critics are split on whether the dazzling visuals and sound are enough to compensate for what they see<strong> as a hollow or uninspired plot.</strong></p>

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<p>The relationship between a beloved novel and its inevitable cinematic twin is a dance of anticipation, speculation and fervent hope. For the next two years, the page-to-screen pipeline is surging with projects that span the entire emotional spectrum, offering a rich and contrasting feast for audiences.</p>



<p>This remarkable confluence of adaptations—ranging from gothic literary giants like <strong>Mary Shelley’s Frankenstein</strong>, now guided by <strong>Guillermo del Toro</strong>‘s masterful hand, to the deeply personal, small-town tragedies of a <strong>Colleen Hoover</strong> novel—underscores a shift in Hollywood’s focus.</p>



<p>The most anticipated stories are those that carry the emotional weight of their written form, translating deep psychological tension, generational trauma or the yearning for simple connection onto the screen.</p>



<h2>Die My Love | Release: November 2025</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_Die-My-Love-2-1024x576_9da25742.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74489" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Based on the harrowing, visceral novel by Ariana Harwicz, this psychological dark comedy-drama is one of the most highly anticipated films of 2025. It stars Jennifer Lawrence and Robert Pattinson as a married couple whose lives fracture in isolated rural Montana. Directed by the visionary Lynne Ramsay and produced by Martin Scorsese, the film is expected to be a brutally intense, awards-season contender that explores motherhood and madness.</p>



<h2>Frankenstein | Release: November 7, 2025</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_frankenstein-1024x576_8fb799c4.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74495" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Guillermo del Toro, an expert in gothic beauty and humanist horror, tackles Mary Shelley’s timeless classic. This highly anticipated Netflix film boasts a powerhouse cast with Oscar Isaac as Victor Frankenstein and Jacob Elordi as the Monster. Del Toro has promised an adaptation that captures the novel’s deepest tragedy, setting it up as a major cinematic event in the gothic horror genre.</p>



<h2>People We Meet on Vacation | Release: January 9, 2026</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_people-we-met-on-vacation-1024x576_97453cbf.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74494" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>The adaptation of Emily Henry’s globally best-selling romantic comedy is set to be a key release for Netflix. The film follows the “friends-to-lovers” narrative of Poppy and Alex, two best friends who have traveled together for a decade until a falling out separates them. Starring Emily Bader and The Hunger Games’ Tom Blyth, this film carries massive fan expectation as the first of Henry’s popular novels to hit the screen.</p>



<h2>Project Hail Mary | March 20, 2026</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_Project-Hail-Mary-1024x576_88d1f040.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74496" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Andy Weir’s sci-fi novel, known for its mix of smart humor and existential suspense, is on track for a major film adaptation. The story centers on an astronaut who wakes up with amnesia and must save the Earth. With Ryan Gosling already attached to star and the directing duo behind The Martian involved, this project is anticipated to be the next big cerebral blockbuster.</p>



<h2>Regretting You | Release: October 24, 2025</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_regretting-you-1024x576_b81cdaa5.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74493" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Following the massive success of It Ends With Us, another Colleen Hoover novel is making its way to theaters. This emotional drama, which explores the strained relationship between a mother and her teenage daughter after a family tragedy, stars Allison Williams and McKenna Grace. The adaptation aims to replicate the author’s signature blend of heartbreak and profound family secrets.</p>



<h2>The Woman in Cabin 10 | Release: October 10, 2025</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_The-Woman-in-Cabin-10-1024x576_0b7a4366.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74492" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Based on Ruth Ware’s claustrophobic psychological thriller, this Netflix adaptation promises high-stakes tension set on the open sea. Keira Knightley stars as a journalist on a luxury cruise who witnesses a passenger thrown overboard, only to find that all the other passengers are accounted for. The film uses the confined setting to build paranoia and a twisty, unreliable narration.</p>



<h2>Wuthering Heights | February 13, 2026</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_Wuthering-Heights-2-1024x576_677c5d71.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74491" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Emily Brontë’s dark gothic romance is slated for a new, highly anticipated cinematic interpretation, timed for a Valentine’s weekend release. Starring Margot Robbie and Jacob Elordi in the central roles of the fiercely passionate Cathy and Heathcliff, this classic adaptation is expected to blend the enduring tragic nature of the novel with a sleek, modern aesthetic.</p>



<h2>The Housemaid | January 1, 2026</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_The-Housemaid-1024x576_042b89c0.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74490" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>The viral thriller novel by Freida McFadden is being adapted into a TV series or movie. The story, known for its extreme plot twists, centers on a troubled woman who takes a job as a live-in housekeeper for a seemingly perfect, wealthy couple, only to uncover dark secrets. The project is highly anticipated among thriller fans for its shocking reversals and domestic suspense.</p>



<h2>Narnia | November 26, 2026</h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251006_SPEN_74481_Narnia-1024x576_f209f1a7.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-74497" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>(Source: IMDb)</figcaption></figure>



<p>Following her massive success with Barbie, Greta Gerwig is set to direct a new cinematic universe based on C.S. Lewis’s fantasy series for Netflix. Starting with the chronological first book, this adaptation carries high expectations as Gerwig attempts to bring her unique, whimsical, and deeply human touch to the beloved fantasy epic.</p>



<h2>Klara and the Sun | 2026</h2>



<p>Nobel laureate Kazuo Ishiguro’s futuristic novel is being adapted into a feature film. The story is a thoughtful science-fiction drama that explores what it means to be human through the eyes of Klara, an “Artificial Friend” companion to a young girl. Starring Jenna Ortega, the adaptation is expected to be a meditative and emotionally profound cinematic experience.</p>

Most Anticipated Adaptations: Die My Love, People We Meet on Vacation and More

Most Anticipated Adaptations: Die My Love, People We Meet on Vacation and More - Spoiler US



        


<p><strong>The “Alien” franchise has long been a benchmark for sci-fi horror</strong>, blending terrifying extraterrestrial creatures with high-stakes storytelling. Since Ridley Scott’s original 1979 masterpiece, the series has expanded across films, comics, and television, cementing its place in pop culture as one of the most influential sci-fi sagas of all time. With each installment, audiences have eagerly followed humanity’s encounters with the relentless Xenomorphs, while filmmakers experimented with tone, design, and narrative scope.</p>



<p>“Alien: Romulus,” released in 2024, continued this tradition, delivering both suspenseful horror and fresh character-driven storytelling. Fans were particularly drawn to the survival arcs of Rain and Andy, played by Cailee Spaeny and David Jonson, who quickly became central figures in the latest chapter of the franchise. While excitement remains high for where the story could go next, developments behind the scenes<strong> have now set the stage for a major change in the series’ creative team.</strong></p>



<h2>Inside the Plans for the Sequel and the Search for a New Director</h2>



<p>According to TooFab, <strong>Fede Álvarez has confirmed that he will not be directing the upcoming “Alien: Romulus” sequel</strong>, though he will remain involved as a producer alongside Ridley Scott. “We just finished the script, actually, for a sequel for Romulus. But I’m gonna pass the torch on this one as director,” he told TooFab. “I’m going to produce it, with Ridley Scott, we’re gonna produce it together and we’re right now trying to find a new filmmaker to come in.”</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" data-id="72903" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20250905_SPEN_72884_Fede1-1024x576_2fcac99e.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-72903" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>Source: Jesse Grant/Getty Images for 20th Century Studios</figcaption></figure>
</figure>



<p>Álvarez made it clear that he and Scott remain deeply invested in the story they began with Romulus. “We wrote the story because we really love what we started with Romulus and we want to continue the story. <strong>We love the story and now we just want to find a director that really wants to go for the jugular,” </strong>he explained, emphasizing that the sequel will maintain the franchise’s intense horror elements.</p>



<p>Looking ahead, Álvarez shared that he plans to focus on a personal creation. “I want to work on a personal project that me and my co-writer, we’ve been keeping on the back burner for a while <strong>and we feel it’s the right time to go and work on an original,”</strong> he said, though he didn’t reveal any details.</p>

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<p>Attention, time travelers and cinephiles! Get ready for a dose of nostalgia and adventure, because one of the most iconic movies of all time, <em>Back to the Future</em>, is set to make a triumphant return to the big screen.</p>



<p>The screening will be on <strong>October 31st</strong>, just in time to celebrate Halloween with a classic that has captivated generations.</p>



<p>For those who grew up with Marty McFly and Doc Brown, this is a can’t-miss opportunity to relive the magic in a premium theatrical format. And for new generations, it’s the perfect chance to experience for the first time why this film is still a cultural phenomenon 40 years after its release. Get your hoverboards and your DeLorean ready!</p>



<h2>Plot</h2>



<p><em>Back to the Future</em> introduces us to Marty McFly (Michael J. Fox), a regular teenager in 1985 with a peculiar friend: the eccentric scientist Dr. Emmett “Doc” Brown (Christopher Lloyd). Doc has invented a time machine using a DeLorean, and accidentally sends Marty to the ’50s.</p>



<p>There, Marty meets younger versions of his own parents, Lorraine Baines (Lea Thompson) and George McFly, before they fall in love. By accident, he interferes with their first meeting, jeopardizing his own existence. With the help of a young Doc Brown, Marty must make sure his parents fall in love to secure his future, avoid changing history, and find a way to get back to 1985 before it’s too late.</p>



<h2><strong>Where Are the Stars of Hill Valley Now?</strong></h2>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20250829_SPEN_72699_Michael-J.-Fox-1024x576_8dfe04e6.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-72700" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>&nbsp;Michael J. Fox attends “A Country Thing Happened On The Way To Cure Parkinson’s” benefitting The Michael J. Fox Foundation at The Fisher Center for the Performing Arts on April 16, 2025 in Nashville, Tennessee. (Photo by Jason Kempin/Getty Images)</figcaption></figure>



<p><strong>Michael J. Fox (Marty McFly):</strong> Fox’s career continued to soar with films like <em>Teen Wolf</em> and the series <em>Family Ties</em>. However, in 1991, he was diagnosed with Parkinson’s disease, which he made public in 1998. Since then, Fox has become an tireless advocate and fundraiser for Parkinson’s research through his foundation, The Michael J. Fox Foundation. Despite the challenges of the disease, he has continued to act in recurring roles in series like <em>Spin City</em>, <em>Rescue Me</em>, and <em>The Good Wife</em>.</p>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20250829_SPEN_72699_C-1024x576_4d2b8e18.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-72701" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>Actor Christopher Lloyd arrives at Spike TV’s “Scream 2010” at The Greek Theatre on October 16, 2010 in Los Angeles, California. (Photo by Frazer Harrison/Getty Images)</figcaption></figure>



<p><strong>Christopher Lloyd (Dr. Emmett “Doc” Brown):</strong> Lloyd, who was born in 1938, has had a prolific career and remains active in Hollywood, with more than 200 film and television credits. He has appeared in movies as diverse as <em>Who Framed Roger Rabbit?</em>, <em>The Addams Family</em>, and <em>Piranha 3D</em>. His distinctive voice has also led to numerous voice acting roles in animation, including <em>Hey Arnold!</em>.</p>



<p>Are you planning on going to the cinema this October?</p>

Great News! “Back To The Future” Returns to Cinemas This October

Great News! "Back To The Future" Returns to Cinemas This October - Spoiler US



        


<p>There are few things harder than declaring a contemporary film has truly reshaped the already vast and well-established landscape of science fiction. <strong>But Denis Villeneuve’s “Dune” franchise has managed just that.</strong> Since its debut in 2021, the epic saga led by Timothée Chalamet has captivated audiences, many of whom were already familiar with earlier adaptations by David Lynch and John Harrison. </p>



<p>Now the franchise that has become the face of 21st-century science fiction is moving into its third chapter. “Dune: Messiah,” scheduled for release on December 18 next year, officially began filming today in Budapest, Hungary. Expectations were already sky-high, <strong>but new production details have made its ambition even clearer.</strong> </p>



<h2>Why Shooting ‘Dune: Messiah’ Entirely in IMAX Is a Big Deal</h2>



<p>In an interview with CNBC Television, IMAX CEO Bob Gelfond confirmed that <strong>“Dune: Messiah” will be shot entirely on IMAX film cameras</strong>. Just when it seemed like cinema technology could not push further, Denis Villeneuve’s upcoming installment promises an immersive experience unlike anything audiences have seen before.</p>



<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1024" height="576" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20250708_SPEN_71108_Dune2-1024x576_88f59c80.webp&amp;width=1024&amp;height=576" alt="" class="wp-image-71112" srcset="https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2-1024x576.jpg 1024w, https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2-300x169.jpg 300w, https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2-768x432.jpg 768w, https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2-1536x864.jpg 1536w, https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2-740x416.jpg 740w, https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2-490x275.jpg 490w, https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2-250x140.jpg 250w, https://images.futbolsites.net/wp-content/uploads/sites/29/2025/07/07200359/Dune2.jpg 1920w" sizes="(max-width: 1024px) 100vw, 1024px"></figure><figcaption>Source: IMDb</figcaption></figure>



<p>It is worth noting that “Dune: Messiah” came extremely close to being the first major picture ever shot from start to end with IMAX cameras. However, <strong>Christopher Nolan’s “The Odyssey” narrowly beat it to the milestone.</strong> Scheduled for release on July 17, 2026, Nolan’s adaptation of the ancient Greek epic stars Matt Damon as Odysseus and Tom Holland as Telemachus. Like “Messiah,” it was all crafted with IMAX and has already begun showing its first trailer in select theaters.</p>



<p>This raises a fair question. If “The Dark Knight,” “Interstellar,” “Avengers: Endgame,” and “Oppenheimer” were praised for their IMAX visuals, were they exaggerating? Not exactly. <strong>Those movies used IMAX cameras only for select scenes—often the most visually spectacular ones.</strong> </p>



<p>Traditional IMAX 65mm film cameras are enormous, noisy, and hard to handle. They make close-quarters or dialogue-driven scenes incredibly difficult to shoot. In fact, during some of Nolan’s earlier IMAX efforts, <strong>actors had to re-record their lines in post-production</strong> because the cameras were too loud on set.</p>



<p><strong>There are more reasons why full-IMAX shoots have been rare. </strong>IMAX film stock is extremely expensive to produce and process. Most directors use it sparingly to highlight large-scale moments or action sequences. Additionally, IMAX film reels only last a few minutes before needing to be changed. Even with digital IMAX formats, the data load is massive, making full-length production a technical headache until very recently.</p>



<p>According to World of Reel, <strong>IMAX recently addressed many of these challenges by developing a new generation of cameras. </strong>These upgraded models are about 30 percent quieter, making it possible to capture usable dialogue during filming. They are also lighter, built with carbon fiber materials, and allow for faster film scanning and even real-time playback of dailies on set. All of this has opened the door for a new era of full-IMAX productions.</p>



<p>So, it looks like “Dune: Messiah” will be presented in full-frame IMAX 1.43:1 aspect ratio for its entire runtime. <strong>The next challenge lies with theaters around the world.</strong> While some are already equipped for this format, others will need to upgrade or adapt in order to meet the demands of what may become one of the most visually advanced productions ever released.</p>

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<p>After becoming one of the most talked-about actors of 2023 with “Barbie” and portraying a stuntman in 2024’s “The Fall Guy,” <strong>Ryan Gosling is now diving into “Project Hail Mary.”</strong> Based on the bestselling novel by Andy Weir, the film is set to hit theaters on March 20, 2026.</p>



<p>This project has all the ingredients to be the blockbuster of the year. Produced and directed by Phil Lord and Christopher Miller in their first directing effort since “22 Jump Street” and written by Drew Goddard who previously adapted Weir’s “The Martian,” their upcomig collaboration carries big expectations. But beyond the star-studded team, <strong>the newly released trailer speaks for itself. </strong>Watch it below.</p>



<h2>Ryan Gosling Goes Galactic in First Trailer for ‘Project Hail Mary’</h2>



<p>The epic sci-fi film, set in the near future, <strong>follows junior high school teacher turned astronaut Ryland Grace</strong>, who awakens from a coma suffering from amnesia. As his memories slowly return, he recalls being sent to the Tau Ceti solar system, 12 light-years from Earth, on a critical mission to find a solution for reversing a solar dimming event that threatens to cause humanity’s extinction.</p>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<div class="ck-youtube"><iframe loading="lazy" title="Project Hail Mary - Official Trailer" width="500" height="281" src="https://www.youtube.com/embed/m08TxIsFTRI?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen=""></iframe></div>
</div></figure>



<p>Joining Ryan Gosling are <strong>Sandra Hüller, Milana Vayntrub, Lionel Boyce</strong>, and <strong>Ken Leung.</strong> Sandra Hüller’s involvement has generated significant excitement, especially after her acclaimed performances in “Anatomy of a Fall” and “The Zone of Interest” in 2023, which captivated audiences worldwide and earned Oscar recognition.</p>



<p>Looking ahead, <strong>this will not be the last collaboration between Phil Lord and Christopher Miller and Andy Weir’s work.</strong> The duo is set to direct “Artemis,” a story set in the late 2080s in the Moon’s first city, following porter and smuggler Jasmine “Jazz” Bashara as she becomes entangled in a conspiracy for control of Artemis. </p>



<p>Additionally, <strong>another film originally written by Weir</strong> and directed by Lord and Miller is also in development. With multiple projects on the horizon, exciting things are coming for sci-fi fans.</p>

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<p>Netflix has consistently invested in international content that resonates globally, and “The Eternaut” is no exception. Since its release on April 30, <strong>the Argentinian sci-fi series has maintained a spot in the global Top 10</strong>, according to data from FlixPatrol.</p>



<p>The production’s success can be attributed to two key factors. First,<strong> Ricardo Darín stars as the lead</strong>—a revered actor not only in Argentina but throughout Latin America. Second, <strong>Netflix audiences</strong> <strong>have shown a strong appetite for sci-fi</strong>, especially when it comes from unique perspectives outside of Hollywood.</p>



<p>“The Eternaut” has garnered widespread acclaim across many countries, with notable figures like acclaimed Japanese video game designer Hideo Kojima praising it. <strong>Here’s everything you need to know about this standout title.</strong></p>



<h2>‘The Eternaut’: The Argentinian Sci-Fi Series Netflix Can’t Stop Streaming</h2>



<p>The show is set in Buenos Aires, <strong>where a mysterious snowfall suddenly descends one night</strong>, killing most of the population almost instantly. Juan Salvo and his friends are among the few survivors, but life quickly becomes a struggle in the aftermath. Soon, they discover that the deadly snow was only the beginning—an early strike in a much larger extraterrestrial invasion.</p>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<div class="ck-youtube"><iframe loading="lazy" title="The Eternaut | Official Trailer | Netflix" width="500" height="281" src="https://www.youtube.com/embed/TqT4fDQQqCc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen=""></iframe></div>
</div></figure>



<p>“The Eternaut” is based on the iconic Argentine science fiction comic created by Héctor Germán Oesterheld and illustrated by Francisco Solano López. Originally serialized in Hora Cero Semanal between 1957 and 1959, <strong>the story holds a special place in Argentine culture. </strong>It’s often taught in schools as required reading, making it a story most Argentinians know from a young age.</p>



<p>The Netflix adaptation spans six episodes, and the creators have advised against binge-watching it. Instead, they recommend savoring the story slowly. Naturally, given the show’s success and Netflix’s usual approach to hit content, <strong>a second season has already been confirmed.</strong></p>



<p>While the comic is set in 1963, <strong>series creator Bruno Stagnaro chose to update the setting to the present day. </strong>This modern take allows the story to reflect current social and political tensions, a bold creative decision that has been widely praised by both viewers and critics.</p>



<p>As for the second part’s release, there is no official date yet. However, based on Netflix’s usual production timelines, fans can likely expect new episodes to arrive <strong>in the second half of 2026 or the first half of 2027.</strong></p>

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<p>“<strong>Goosebumps: The Vanishing</strong>” had its grand debut on <strong><a href="https://spoiler.bolavip.com/en/disney-plus">Disney+</a></strong> in 2023 and since then has been steadily gaining new fans. Its success was so great that it was renewed and a second season was announced, set to arrive in January 2025.</p>



<p><strong>David Schwimmer</strong>, the iconic actor known for his role as Ross Geller in Friends, stars in the series, but he’s not the only talented one bringing this incredible story of science fiction, <a href="https://spoiler.bolavip.com/en/topic/horror">horror</a> and drama to the screen.</p>



<p><strong>Zack Morris</strong>, <strong>Isa Briones</strong>, <strong>Miles McKenna</strong>, <strong>Ana Yi Puig</strong> and <strong>Justin Long</strong> are among the stars joining him, portraying important characters. Here, check out how much they will earn for the new episodes…</p>



<h2>Goosebumps: The Vanishing rumored cast salary</h2>



<p>Disney+ original productions typically have significant budgets to ensure high quality in production, special effects and acting, so “<strong>Goosebumps: The Vanishing</strong>” is no exception.</p>



<p>The <a href="https://spoiler.bolavip.com/en/topic/series">series</a>, which currently has only 10 episodes and has been directed by <strong>Rob Letterman</strong> and<strong> Nicholas Stoller</strong>, has a <strong>budget of $40 million</strong>, ensuring that the new episodes will come loaded with great quality.</p>



<figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper">
<div class="ck-youtube"><iframe loading="lazy" title="Official Trailer | Goosebumps: The Vanishing | Disney+ and Hulu" width="500" height="281" src="https://www.youtube.com/embed/-NsYcYtDBtc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen=""></iframe></div>
</div></figure>



<p>Showbiz Galore reported that the <a href="https://spoiler.bolavip.com/en/topic/sci-fi">science fiction</a> drama has not only received a substantial amount of money for production but also for the actors’ salaries. Apparently, <strong>David Schwimmer</strong> was the highest-paid cast member.</p>



<p>Although the figures have not been confirmed by the team behind the project, the site reported that the actor playing Anthony took home a <strong>salary of $2 million</strong>, significantly outpacing his co-stars.</p>



<p>Here, check out how much the stars of “Goosebumps: The Vanishing” would have earned for their respective roles:</p>



<ul><li>David Schwimmer as Anthony | $2 million</li><li>Ana Ortiz as Jen | $45,000 per episode</li><li>Sam McCarthy as Devin | $35,000 per episode</li><li>Jayden Bartels as Cece | $30,000 per episode</li><li>Elijah M. Cooper as CJ | $20,000 per episode</li><li>Galilea La Salvia as Frankie | $20,000 per episode</li></ul>

'Goosebumps: The Vanishing' cast salary: David Schwimmer and all the main stars' earnings

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Goosebumps: The Vanishing cast salary: How much did David Schwimmer and his co-stars charge?

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