<p>Cinema is often defined not by the entirety of a film’s runtime, but by the singular, lightning-in-a-bottle moments that change the way we perceive storytelling. These “rent-free” scenes are the ones that sparked playground rumors, redefined visual effects, or captured a universal emotion so perfectly they became cultural shorthand. </p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260106_SPEN_82330_1-3_65919604.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-82334"></figure><figcaption>Tom Cruise and Renée Zellweger in Jerry Maguire (1996) / IMDb</figcaption></figure>



<p>Whether it is a perfectly timed line of dialogue or a silent, haunting gaze, these moments represent the pinnacle of the craft. As we look back through decades of film history, these 25 sequences stand out as the definitive pillars of the medium, continuing to influence new generations of filmmakers and remaining etched into the consciousness of moviegoers worldwide.</p>



<h2><strong>1. The Rotating Hallway Fight – <em>Inception</em> (2010)</strong></h2>



<p>Christopher Nolan’s commitment to practical effects reached a breathtaking peak in this zero-gravity combat sequence. To achieve the disorienting effect, the production built a massive, 100-foot centrifugal laboratory that physically rotated while Joseph Gordon-Levitt performed his own stunts. The result is a seamless, physics-bending masterpiece that remains one of the most technically impressive action scenes ever filmed. It stripped away the reliance on digital trickery to provide a tactile, visceral experience that still leaves audiences wondering which way is up.</p>



<h2><strong>2. The “I’m the Captain Now” Confrontation – <em>Captain Phillips</em> (2013)</strong></h2>



<p>In his film debut, Barkhad Abdi delivered one of the most chillingly effective lines in modern cinema during the initial takeover of the Maersk Alabama. The scene was largely improvised, fueled by the raw tension between the veteran Tom Hanks and the then-unknown Abdi. This moment serves as the film’s pivot point, shifting the power dynamic in an instant and humanizing the desperation of the pirates. It is a masterclass in high-stakes minimalism, relying entirely on the piercing gaze and vocal command of its performers to create a permanent sense of dread.</p>



<h2><strong>3. The T-Rex Breakout – <em>Jurassic Park</em> (1993)</strong></h2>



<p>Few scenes have captured pure, primal terror as effectively as the moment the prehistoric titan steps through the disabled electric fence. Steven Spielberg utilized a revolutionary combination of full-scale animatronics and early CGI to create a creature that felt physically present and terrifyingly heavy. The subtle tension-building of the rippling water in the plastic cup remains a legendary example of visual foreshadowing. This sequence didn’t just scare audiences; it fundamentally changed what they believed was possible to depict on a movie screen.</p>



<h2><strong>4. The Joker’s Pencil Trick – <em>The Dark Knight</em> (2008)</strong></h2>



<p>Heath Ledger’s transformative performance as the Clown Prince of Crime was perfectly encapsulated in this brief, brutal, and darkly comedic moment. Entering a room full of seasoned mobsters, the Joker asserts his dominance not with a grand speech, but with a shocking display of low-tech violence. The scene is masterfully edited to emphasize the suddenness of the act, leaving the characters and the audience in a state of stunned silence. It established Ledger’s Joker as an unpredictable force of nature who could turn any mundane object into a lethal weapon.</p>



<h2><strong>5. The “Binary Sunset” – <em>Star Wars: A New Hope</em> (1977)</strong></h2>



<p>As Luke Skywalker gazes out at the twin suns of Tatooine, John Williams’ sweeping “Force Theme” elevates a simple visual into a monumental moment of cinematic yearning. This scene perfectly encapsulates the universal desire for adventure and the feeling of being trapped by one’s circumstances. The silhouette of a young farm boy looking toward a vast, unknown future remains the most iconic image in the entire franchise. It is a rare instance where music, cinematography, and character motivation align to create a sequence that feels both intimate and cosmically significant.</p>



<h2><strong>6. The Blood-Drenched Elevator – <em>The Shining</em> (1980)</strong></h2>



<p>Few images in horror history are as visceral or technically daring as the slow-motion deluge of blood bursting from the Overlook Hotel’s elevators. To achieve this, Stanley Kubrick’s team spent weeks rigging the set and used hundreds of gallons of red-dyed water, knowing they only had one take to get it right. The sheer volume and unnatural movement of the liquid created an abstract, terrifying vision of the hotel’s haunted history. It remains a pinnacle of practical effects, symbolizing an inevitable tide of violence that continues to haunt the nightmares of viewers.</p>



<h2><strong>7. The “Head in a Box” – <em>Se7en</em> (1995)</strong></h2>



<p>David Fincher’s nihilistic masterpiece concludes with a sequence that relies almost entirely on psychological suggestion rather than graphic gore. As Brad Pitt’s Detective Mills realizes the contents of the delivery in the desert, the audience experiences a masterclass in tension and tragic irony. The quick, almost subliminal flash of Gwyneth Paltrow’s face and Pitt’s agonizing “What’s in the box?” plea create an emotional gut-punch that stays with the viewer long after the screen goes black. It is a definitive example of how the imagination can be far more terrifying than anything shown on screen.</p>



<h2><strong>8. The Chestburster Sequence – <em>Alien</em> (1979)</strong></h2>



<p>The shock on the actors’ faces in this scene was largely authentic, as Ridley Scott famously kept the specifics of the mechanical puppet’s “birth” hidden from the cast. As the creature erupts from John Hurt’s chest during a mundane meal, it shattered the conventions of science fiction by introducing an element of biological horror that felt disturbingly real. The frantic camerawork and the visceral, messy nature of the effects established the Xenomorph as a terrifyingly invasive predator. This moment remains the gold standard for cinematic surprises, forever changing the landscape of the creature feature.</p>



<h2><strong>9. The “You Had Me at Hello” Reunion – <em>Jerry Maguire</em> (1996)</strong></h2>



<p>While many romantic scenes rely on grand gestures, this moment succeeds through the quiet, vulnerable delivery of its leads. Tom Cruise’s desperate, rambling speech about his realization of what truly matters is perfectly punctuated by Renée Zellweger’s iconic and simple response. It captured a specific kind of emotional exhaustion and relief that resonated deeply with global audiences, turning a standard romantic beat into a cultural touchstone. The line has since entered the common lexicon, representing the exact moment when two people finally find common ground amidst the chaos of life.</p>



<h2><strong>10. The Mirrored Diner Conversation – <em>Heat</em> (1995)</strong></h2>



<p>The first on-screen meeting between Al Pacino and Robert De Niro was a historic cinematic event that lived up to its massive hype. Michael Mann chose to film the scene with a simple, reverse-angle setup in a real Los Angeles diner, allowing the two titans of acting to simply exist in the same space. The dialogue is a high-stakes chess match where both men acknowledge their mutual respect and their inevitable, fatal collision. By stripped away the artifice of a typical action movie, the scene created an intimate, professional tension that redefined the crime thriller genre.</p>



<h2><strong>11. The Basement Reveal – <em>Parasite</em> (2019)</strong></h2>



<p>Bong Joon-ho masterfully pivoted the tone of his social thriller in a single sequence when the former housekeeper returns to the Park residence. The discovery of a hidden bunker—and the man living within it—shattered the audience’s expectations of a standard “con artist” comedy. This moment recontextualized the entire narrative, introducing a visceral commentary on class struggle that was both literal and metaphorical. The sudden shift from tension to dark, frantic violence remains one of the most shocking mid-film twists in modern international cinema.</p>



<h2><strong>12. The Omaha Beach Landing – <em>Saving Private Ryan</em> (1998)</strong></h2>



<p>Steven Spielberg redefined the war film with a twenty-minute opening that prioritized sensory overload and brutal realism over traditional heroism. Using hand-held cameras, desaturated colors, and an immersive sound design that captures the terrifying whiz of bullets, the sequence places the viewer directly in the chaos of the D-Day invasion. It was so effective and accurate that it reportedly triggered PTSD in some veterans who viewed it. This scene stripped away the Hollywood glamour of combat, leaving behind a harrowing, indelible tribute to the soldiers who were there.</p>



<h2><strong>13. The “Coin Toss” – <em>No Country for Old Men</em> (2007)</strong></h2>



<p>The Coen Brothers created a masterclass in suspense using nothing but a gas station counter and a handful of dialogue. As Anton Chigurh forces a bewildered clerk to bet his life on a coin flip, Javier Bardem’s cold, detached performance creates an almost unbearable level of dread. There is no music and no overt violence, yet the psychological weight of the moment is staggering. It perfectly encapsulates the film’s themes of fate and the senseless nature of evil, leaving the audience as breathless as the man behind the register.</p>



<h2><strong>14. The Hallway Hammer Fight – <em>Oldboy</em> (2003)</strong></h2>



<p>This South Korean masterpiece features a single-take side-scrolling action sequence that has been imitated dozens of times but never surpassed. As Oh Dae-su takes on an entire corridor of thugs with only a hammer, the choreography emphasizes exhaustion, pain, and messy reality over stylized grace. The lack of cuts forces the viewer to experience every blow and every gasp for air in real-time. It remains a definitive moment in global cinema, proving that a low-tech, well-planned stunt can be more impactful than any computer-generated spectacle.</p>



<h2><strong>15. The Shower Scene – <em>Psycho</em> (1960)</strong></h2>



<p>Alfred Hitchcock changed the rules of filmmaking forever by killing off his main character in the first act of the story. The sequence is a triumph of editing, featuring 78 rapid cuts that create a sense of extreme violence without the blade ever actually appearing to touch the skin. Bernard Herrmann’s screeching violin score provided a sonic signature for terror that is still recognized globally today. This scene didn’t just shock viewers in 1960; it fundamentally altered the audience’s sense of safety, making the most private space in a home feel suddenly and terrifyingly vulnerable.</p>



<h2><strong>16. The Disappearing Pencil – <em>The Dark Knight</em> (2008)</strong></h2>



<p>Heath Ledger’s transformative performance as the Joker was perfectly encapsulated in this brief, brutal, and darkly comedic moment. Entering a room full of seasoned mobsters, the Joker asserts his dominance not with a grand speech, but with a shocking display of low-tech violence that leaves the room in stunned silence. The scene is masterfully edited to emphasize the suddenness of the act, establishing the character as an unpredictable force of nature who views murder as a punchline. It remains a definitive example of how a villain can command a room through pure, chaotic intent.</p>



<h2><strong>17. The “I’m Flying” Bow Scene – <em>Titanic</em> (1997)</strong></h2>



<p>James Cameron captured the pinnacle of cinematic romanticism in this sequence as Jack and Rose stand at the prow of the ill-fated ship. The combination of the golden hour lighting, the sweeping crane shot, and the swelling orchestral score created an image that became the definitive shorthand for freedom and young love. It serves as the emotional heart of the film, providing a breathtaking moment of peace before the impending tragedy. Decades later, it remains one of the most parodied and celebrated visuals in movie history, representing the soaring heights of the human spirit.</p>



<h2><strong>18. The Night Vision Basement Chase – <em>The Silence of the Lambs</em> (1991)</strong></h2>



<p>The climax of Jonathan Demme’s thriller uses a terrifying POV shift to place the audience in the shoes of a predator. As Clarice Starling stumbles through the pitch-black basement of Buffalo Bill, the use of green-hued night vision creates a claustrophobic sense of helplessness. We see Clarice’s vulnerability through the eyes of the killer, watching his hand reach out toward her while she remains completely blind to his presence. It is a masterclass in building suspense through restricted perspective, making the viewer’s heart race alongside the protagonist’s.</p>



<h2><strong>19. The “Funny How?” Confrontation – <em>Goodfellas</em> (1990)</strong></h2>



<p>Joe Pesci’s improvisational brilliance turned a casual dinner conversation into a masterclass of psychological intimidation. What begins as a friendly anecdote quickly spirals into a life-or-death tension as Pesci’s Tommy DeVito feigns offense at being called “funny.” The silence that falls over the table—and the visible fear in Ray Liotta’s eyes—perfectly illustrates the hair-trigger volatility of the mob lifestyle. This scene solidified Pesci’s Oscar-winning performance and remains the gold standard for showing how quickly power dynamics can shift in a room full of dangerous men.</p>



<h2><strong>20. The Two-Mile Trench Run – <em>1917</em> (2019)</strong></h2>



<p>Sam Mendes and cinematographer Roger Deakins achieved a visceral feat of storytelling in this sequence where George MacKay’s character sprints across an active battlefield. As hundreds of soldiers leap out of the trenches and explosions rock the earth, the camera stays glued to the protagonist in what appears to be a single, unbroken shot. The scale of the practical effects and the sheer physicality of the performance create a sense of urgent, breathless survival. It is a modern technical marvel that captures the terrifying, expansive chaos of the Great War in a way that feels incredibly personal.</p>

20 Movie Scenes That Live Rent-Free in Our Minds

20 Movie Scenes That Live Rent-Free in Our Minds - Spoiler US

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<p>The 31st Annual <strong>Critics Choice Awards</strong> concluded last night, <strong>January 4, 2026</strong>, at the Barker Hangar in Santa Monica, and the results have sent shockwaves through the 2026 Oscar race. While Ryan Coogler’s <em>Sinners</em> led the night with 17 nominations and 4 wins (same victories as Guillermo Del Toro’s Frankenstein), it was Paul Thomas Anderson’s <strong>“One Battle After Another”</strong> that claimed the evening’s biggest prize: Best Picture. </p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260105_SPEN_82163_Sinners-1_9dfd4861.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-82167"></figure><figcaption>(L-R) Delroy Lindo, Michael B. Jordan, Francine Maisler, Wunmi Mosaku, Miles Caton and Omar Benson Miller, winners of the Best Casting and Ensemble Award for “Sinners,” attend the 31st Annual Critics Choice Awards at Barker Hangar on January 04, 2026 in Santa Monica, California. (Photo by Matt Winkelmeyer/Getty Images for Critics Choice Association)</figcaption></figure>



<p>The night was defined by a mix of expected victories and genuine surprises, most notably in the acting categories where <strong>Timothée Chalamet</strong> secured his status as the man to beat this season. As the industry looks toward the Golden Globes and the SAG Awards, last night’s winners have established a clear “power map” for the road to the Oscars.</p>



<h3><strong>The Full List of Film Winners</strong></h3>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260105_SPEN_82163_1.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-82166"></figure><figcaption><strong>Timothée Chalamet</strong> (Photo by Kevin Winter/Getty Images) // <strong>Jessie Buckley</strong> (Photo by Frazer Harrison/Getty Images) // <strong>Amy Madigan</strong> (Photo by Amy Sussman/Getty Images) // <strong>Jacob Elordi</strong> (Photo by Amy Sussman/Getty Images)</figcaption></figure>



<ul><li><strong>Best Picture:</strong> <em>One Battle After Another</em></li><li><strong>Best Director:</strong> <strong>Paul Thomas Anderson</strong> – <em>One Battle After Another</em></li><li><strong>Best Actor:</strong> <strong>Timothée Chalamet</strong> – <em>Marty Supreme</em></li><li><strong>Best Actress:</strong> <strong>Jessie Buckley</strong> – <em>Hamnet</em></li><li><strong>Best Supporting Actor:</strong> <strong>Jacob Elordi</strong> – <em>Frankenstein</em></li><li><strong>Best Supporting Actress:</strong> <strong>Amy Madigan</strong> – <em>Weapons</em></li><li><strong>Best Young Actor/Actress:</strong> <strong>Miles Caton</strong> – <em>Sinners</em></li><li><strong>Best Casting and Ensemble:</strong> <strong>Francine Maisler&nbsp;</strong><em>–</em> <em>Sinners</em></li><li><strong>Best Original Screenplay:</strong> <strong>Ryan Coogler</strong> – <em>Sinners</em></li><li><strong>Best Adapted Screenplay:</strong> <strong>Paul Thomas Anderson</strong> – <em>One Battle After Another</em></li><li><strong>Best Cinematography:</strong> <strong><strong>Adolpho Veloso</strong></strong> – Train Dreams</li><li><strong>Best Production Design:</strong> <strong><strong>Tamara Deverell, Shane Vieau</strong></strong> – <em>Frankenstein</em></li><li><strong>Best Editing:</strong> <strong><strong>Stephen Mirrione </strong></strong>– F1</li><li><strong>Best Costume Design:</strong> <strong><strong>Kate Hawley </strong></strong>– Frankenstein&nbsp;</li><li><strong>Best Hair and Makeup:</strong> <em><strong>Mike Hill, Jordan Samuel, Cliona Furey </strong>– Frankenstein</em></li><li><strong>Best Visual Effects:</strong> <em>Avatar: Fire and Ash</em></li><li><strong>Best Stunt Design: Wade Eastwood </strong>– Mission: Impossible – The Final Reckoning</li><li><strong>Best Comedy:</strong> <em>The Naked Gun</em></li><li><strong>Best Animated Feature:</strong> <em>KPop Demon Hunters</em></li><li><strong>Best Foreign Language Film:</strong> <em>The Secret Agent</em></li><li><strong>Best Score:</strong> <strong><strong>Ludwig Göransson </strong></strong>– Sinners&nbsp;</li><li><strong>Best Song:</strong> <strong>“Golden” – Ejae, Mark Sonnenblick, Ido, 24, Teddy </strong><em>– KPop Demon Hunters</em></li><li><strong>Best Sound:</strong> <strong>Al Nelson, Gwendolyn Yates Whittle, Gary A. Rizzo, Juan Peralta, Gareth John </strong>– F1</li></ul>

Critics Choice Awards 2026: ‘One Battle After Another’ Wins Best Picture; All the Film Winners

Critics Choice Awards 2026: 'One Battle After Another' Wins Best Picture; All the Film Winners - Spoiler US

<p>The 2026 awards season officially shifts into high gear tonight. The <strong>Critics Choice Association (CCA)</strong> gathers to honor the finest achievements in film and television. Hosted once again by the sharp-witted <strong>Chelsea Handler</strong>—marking her fourth consecutive year at the helm—the ceremony is widely regarded as one of the most accurate predictors for the eventual Academy Award winners. </p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260104_SPEN_82130_Sinners_2fc70a5d.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-82133"></figure><figcaption>IMDb</figcaption></figure>



<p>This year’s field is dominated by a clash between massive auteur-driven blockbusters and intimate, transformative dramas. While the film side sees an intense battle between Ryan Coogler’s record-breaking <strong><em>Sinners</em></strong> and Paul Thomas Anderson’s <strong><em>One Battle After Another</em></strong>, the television side is equally competitive, featuring heavyweights like <strong><em>Severance</em></strong> and <strong><em>Andor</em></strong>. As the stars descend upon Santa Monica, tonight is where the 2026 Oscar and Emmy narratives truly begin to solidify.</p>



<h3><strong>The 2026 Critics Choice Awards: Major Film Nominations</strong></h3>



<h4><strong>Best Picture</strong></h4>



<ul><li><em>Bugonia</em></li><li><em>Frankenstein</em></li><li><em>Hamnet</em></li><li><em>Jay Kelly</em></li><li><em>Marty Supreme</em></li><li><em>One Battle After Another</em></li><li><em>Sentimental Value</em></li><li><em>Sinners</em> (Leading with 17 nominations)</li><li><em>Train Dreams</em></li><li><em>Wicked: For Good</em></li></ul>



<h4><strong>Best Actor<sup></sup><sup></sup><sup></sup><sup></sup><sup></sup></strong></h4>



<ul><li><strong>Timothée Chalamet</strong> – <em>Marty Supreme<sup></sup><sup></sup><sup></sup><sup></sup><sup></sup></em></li><li><strong>Leonardo DiCaprio</strong> – <em>One Battle After Another<sup></sup><sup></sup><sup></sup><sup></sup><sup></sup></em></li><li><strong>Joel Edgerton</strong> – <em>Train Dreams<sup></sup><sup></sup><sup></sup><sup></sup><sup></sup></em></li><li><strong>Ethan Hawke</strong> – <em>Blue Moon<sup></sup><sup></sup><sup></sup><sup></sup><sup></sup></em></li><li><strong>Michael B. Jordan</strong> – <em>Sinners<sup></sup><sup></sup><sup></sup><sup></sup><sup></sup></em></li><li><strong>Wagner Moura</strong> – <em>The Secret Agent<sup></sup><sup></sup><sup></sup><sup></sup><sup></sup></em></li></ul>



<h4><strong>Best Actress<sup></sup><sup></sup><sup></sup><sup></sup></strong></h4>



<ul><li><strong>Jessie Buckley</strong> – <em>Hamnet</em></li><li><strong>Rose Byrne</strong> – <em>If I Had Legs I’d Kick You</em></li><li><strong>Chase Infiniti</strong> – <em>One Battle After Another</em></li><li><strong>Renate Reinsve</strong> – <em>Sentimental Value</em></li><li><strong>Amanda Seyfried</strong> – <em>The Testament of Ann Lee</em></li><li><strong>Emma Stone</strong> – <em>Bugonia</em></li></ul>



<h4><strong>Best Supporting Actor</strong></h4>



<ul><li>Benicio del Toro – One Battle After Another (Warner Bros.)</li><li>Jacob Elordi – Frankenstein (Netflix)</li><li>Paul Mescal – Hamnet (Focus Features)</li><li>Sean Penn – One Battle After Another (Warner Bros.)</li><li>Adam Sandler – Jay Kelly (Netflix)</li><li>Stellan Skarsgård – Sentimental Value (Neon)</li></ul>



<h4><strong>Best Supporting Actress</strong></h4>



<ul><li>Elle Fanning –&nbsp;<em>Sentimental Value</em></li><li>Ariana Grande – <em>Wicked: For Good</em></li><li>Inga Ibsdotter Lilleaas –&nbsp;<em>Sentimental Value</em></li><li>Amy Madigan –&nbsp;<em>Weapons</em></li><li>Wunmi Mosaku –&nbsp;<em>Sinners</em></li><li>Teyana Taylor –&nbsp;<em>One Battle After Another</em></li></ul>



<h4><strong>Best Young Actor / Actress</strong></h4>



<ul><li>Everett Blunck,&nbsp;<em>The Plague</em></li><li>Miles Caton,&nbsp;<em>Sinners</em></li><li>Cary Christopher,&nbsp;<em>Weapons</em></li><li>Shannon Mahina Gorman,&nbsp;<em>Rental Family</em></li><li>Jacobi Jupe,&nbsp;<em>Hamnet</em></li><li>Nina Ye,&nbsp;<em>Left-Handed Girl</em></li></ul>



<h4><strong>Best Director</strong></h4>



<ul><li>Paul Thomas Anderson,&nbsp;<em>One Battle After Another</em></li><li>Ryan Coogler,&nbsp;<em>Sinners</em></li><li>Guillermo del Toro,&nbsp;<em>Frankenstein</em></li><li>Josh Safdie,&nbsp;<em>Marty Supreme</em></li><li>Joachim Trier,&nbsp;<em>Sentimental Value</em></li><li>Chloé Zhao,&nbsp;<em>Hamnet</em></li></ul>



<h3><strong>Best Cinematography</strong></h3>



<ul><li>Claudio Miranda,&nbsp;<em>F1</em></li><li>Dan Laustsen,&nbsp;<em>Frankenstein</em></li><li>Łukasz Żal,&nbsp;<em>Hamnet</em></li><li>Michael Bauman,&nbsp;<em>One Battle After Another</em></li><li>Autumn Durald Arkapaw,&nbsp;<em>Sinners</em></li><li>Adolpho Veloso,&nbsp;<em>Train Dreams</em></li></ul>



<h4><strong>Best Visual Effects</strong></h4>



<ul><li>Joe Letteri, Richard Baneham, Eric Saindon, Daniel Barrett,&nbsp;<em>Avatar: Fire and Ash</em></li><li>Ryan Tudhope, Nikeah Forde, Robert Harrington, Nicolas Chevallier, Eric Leven, Edward Price, Keith Dawson,&nbsp;<em>F1</em></li><li>Dennis Berardi, Ayo Burgess, Ivan Busquets, José Granell,&nbsp;<em>Frankenstein</em><br>Alex Wuttke, Ian Lowe, Jeff Sutherland, Kirstin Hall,&nbsp;<em>Mission: Impossible – The Final Reckoning</em></li><li>Michael Ralla, Espen Nordahl, Guido Wolter, Donnie Dean,&nbsp;<em>Sinners</em><br>Stephane Ceretti, Enrico Damm, Stéphane Nazé, Guy Williams,&nbsp;<em>Superman</em></li></ul>



<h4><strong>Best Comedy</strong></h4>



<ul><li><em>The Ballad of Wallis Island</em></li><li><em>Eternity</em></li><li><em>Friendship</em></li><li><em>The Naked Gun</em></li><li><em>The Phoenician Scheme</em></li><li><em>Splitsville</em></li></ul>



<h4><strong>Best Animated Feature</strong></h4>



<ul><li>Arco (Neon)</li><li>Elio (Pixar Animation Studios)</li><li>In Your Dreams (Netflix)</li><li>KPop Demon Hunters (Netflix)</li><li>Little Amélie or the Character of Rain (GKIDS)</li><li>Zootopia 2 (Walt Disney Animation Studios)</li></ul>



<h4><strong>Best Score</strong></h4>



<ul><li>Hans Zimmer,&nbsp;<em>F1</em></li><li>Alexandre Desplat,&nbsp;<em>Frankenstein</em></li><li>Max Richter,&nbsp;<em>Hamnet</em></li><li>Daniel Lopatin,&nbsp;<em>Marty Supreme</em></li><li>Jonny Greenwood,&nbsp;<em>One Battle After Another</em></li><li>Ludwig Göransson,&nbsp;<em>Sinners</em></li></ul>



<h4><strong>Best Foreign Language Film</strong></h4>



<ul><li><em>It Was Just an Accident</em></li><li><em>Left-Handed Girl</em></li><li><em>No Other Choice</em></li><li><em>The Secret Agent</em></li><li><em>Sirāt</em></li><li><em>Belén</em></li></ul>

Critics Choice Awards 2026: ‘Sinners’ and ‘One Battle After Another’ Lead a Star-Studded Night

Critics Choice Awards 2026: 'Sinners' and 'One Battle After Another' Lead a Star-Studded Night - Spoiler US



        


<p>The Na’vi have done it again, proving that the world’s appetite for James Cameron’s epic sci-fi saga remains insatiable even three entries into the franchise. In a staggering display of box office dominance, <strong>“Avatar: Fire and Ash” officially crossed the $1 billion mark globally this weekend</strong>, reaching the milestone in record-breaking time. </p>



<p>Despite initial industry chatter regarding franchise fatigue, <strong>the film’s arrival has silenced skeptics</strong>, dominating the cultural conversation and reinvigorating the theatrical experience for audiences worldwide.</p>



<h2>A New Era of Box Office Dominance</h2>



<p>The picture’s meteoric rise is a testament to the sheer spectacle Cameron continues to deliver. Unlike many contemporary blockbusters that rely heavily on established nostalgia, “Fire and Ash” expanded the lore of Pandora by introducing the <strong>Ash People</strong>, a volcanic-dwelling clan that brought a grittier, more intense visual palette to the screen. </p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="82116" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260103_SPEN_82114_Avatar1-2_a7b12dc4.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-82116"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>This shift in tone clearly resonated with fans, <strong>as the film maintained an unusually high hold in its second and third weeks,</strong> fueled by repeat viewings and a massive surge in premium large-format ticket sales like IMAX and Dolby Cinema.</p>



<p>International markets played a pivotal role in reaching the ten-figure milestone. While domestic numbers remained robust, <strong>the title saw explosive returns across China, South Korea, and Western Europe.</strong> Analysts suggest that the universal themes of environmental preservation and familial loyalty, combined with cutting-edge visual effects that demand a theatrical viewing, have made the “Avatar” series a recess-proof brand in the global marketplace. The movie now sits comfortably among the highest-grossing sequels of all time, further cementing the franchise’s legacy.</p>



<p>Beyond the numbers, this achievement signals a healthy outlook for the future of the series. With <strong>“Avatar 4”</strong> and <strong>“Avatar 5”</strong> already in various stages of production, the billion-dollar success of “Fire and Ash”<em> </em>provides Disney and Lightstorm Entertainment with significant momentum. The Ash People have successfully transitioned the narrative from a story of exploration to one of internal conflict, leaving audiences eager to see how the war for Pandora evolves.</p>



<p>Critics and fans alike are already speculating on the picture’s potential for a deep awards season run, but for now, the story is the bottom line. <strong>James Cameron has once again proven that you should never bet against him. </strong>As the film continues its theatrical run, the industry is watching closely to see just how high the ceiling is for this new chapter.</p>

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<p>As we celebrate <strong>National Science Fiction Day</strong>—timed to honor the birth of the legendary Isaac Asimov—we look back at the genre that has always been the vanguard of cinematic innovation. Sci-fi is more than just “space movies”; it is a mirror held up to humanity, reflecting our deepest anxieties about technology and our wildest dreams of the stars. <strong>The following ten films didn’t just entertain audiences;</strong> they shattered technical glass ceilings and forced the industry to rethink what was possible on a projection screen.</p>



<h2>Metropolis (1927)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81999" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci9_14ff41fa.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81999"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Fritz Lang’s silent masterpiece remains the foundational DNA for almost every urban dystopia captured on film over the last century. Its staggering scale and expressionist architecture introduced the concept of the “city of the future” as a character in its own right. By blending social commentary with groundbreaking practical effects, Lang proved that science fiction could be a profound vehicle for political allegory.</p>



<h2>2001: A Space Odyssey (1968)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="82000" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci10_51426b12.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-82000"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Stanley Kubrick stripped away the campiness of 1950s rockets to deliver a transcendental, philosophical epic that still looks modern decades later. The film’s Star Gate sequence pushed slit-scan photography to its limit, creating a visual trip that redefined the theatrical experience as something purely sensory. It remains the gold standard for realism in orbital mechanics and the chilling potential of artificial intelligence.</p>



<h2>Star Wars: Episode IV – A New Hope (1977)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81998" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci8_8e3ada6b.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81998"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>George Lucas didn’t just launch a franchise; he birthed the modern blockbuster and the “lived-in” aesthetic of a galaxy far, far away. By utilizing motion-control photography and intricate miniatures, Industrial Light &amp; Magic fundamentally changed how action sequences were choreographed. This film shifted the industry’s focus toward high-concept merchandising and the power of the hero’s journey in a cosmic setting.</p>



<h2>Alien (1979)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81997" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci7_47e40a06.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81997"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Ridley Scott masterfully pivoted the genre into the realm of claustrophobic body horror, proving that space could be terrifyingly intimate. The design of the Nostromo, combined with H.R. Giger’s biomechanical creature, created a visceral nightmare that felt disturbingly organic. It broke the mold by featuring a blue-collar crew and a female protagonist who subverted every trope of the era.</p>



<h2>Blade Runner (1982)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81995" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci5_a917ec9b.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81995"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>The rain-slicked, neon-noir aesthetic of this film effectively invented the cyberpunk subgenre as we know it today. While it struggled at the box office initially, its philosophical inquiry into what constitutes a soul eventually cemented it as a cult phenomenon. The practical world-building and Vangelis’s haunting score created an atmosphere so thick you could almost breathe the smog.</p>



<h2>Terminator 2: Judgment Day (1991)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81996" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci6_37a0c165.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81996"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>James Cameron pushed the digital envelope by introducing the T-1000, a liquid-metal shapeshifter that signaled the arrival of the CGI revolution. This sequel balanced high-octane practical stunts with seamless computer-generated imagery in a way that had never been seen before. It proved that digital effects could be used to create characters with physical presence, forever changing the workflow of Hollywood post-production.</p>



<h2>Jurassic Park (1993)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81994" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci4_d4bab2d0.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81994"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>While often categorized as an adventure film, Steven Spielberg’s adaptation of Michael Crichton’s techno-thriller is the ultimate science gone wrong cautionary tale. The blend of Stan Winston’s animatronics and ILM’s digital dinosaurs created a sense of awe that remains the benchmark for creature features. When those raptors appeared on screen, the line between reality and animation vanished for audiences worldwide.</p>



<h2>The Matrix (1999)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81993" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci3_26381401.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81993"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>The Wachowskis fused Hong Kong action cinema with high-concept simulation theory to create a visual language that defined the turn of the millennium. “Bullet time” became an instant cultural shorthand, utilizing a rig of still cameras to manipulate time and space in a way that felt like a living comic book. It forced cinema to reckon with the digital age, both in its narrative themes and its technical execution.</p>



<h2>Children of Men (2006)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81991" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci1_644fb6ed.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81991"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Alfonso Cuarón’s vision of a fertile-less future brought a gritty, documentary-style realism to the genre through the use of breathtaking long takes. These “oners” immersed the viewer in a chaotic, decaying world, stripping away the shiny polish of traditional sci-fi in favor of raw human desperation. The film’s technical mastery lies in its ability to make the impossible look like a news broadcast from a nightmare.</p>



<h2>Avatar (2009)</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81992" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260102_SPEN_81985_Sci2_2a3860fc.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81992"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>The sheer technical audacity of James Cameron’s journey to Pandora cannot be overstated. By pioneering performance capture and a custom-built 3D camera system, it transformed the way actors interact with digital environments. It served as the ultimate proof of concept for the virtual production techniques that now dominate modern filmmaking.</p>

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<p>We are officially entering the “prestige gauntlet,” where the biggest movies of the last twelve months battle for a permanent spot in history. The 2025-2026 race has been one for the ages, marked by the return of legendary auteurs and the definitive arrival of new superstars. Whether you’re looking for a visceral horror-musical, a meditative historical drama, or an unhinged sports comedy, the current slate offers a level of variety we haven’t seen in years. </p>



<p>Grab your popcorn and clear your watchlist: here are the 10 films currently leading the pack for the 98th Academy Awards.</p>



<h2><strong>Marty Supreme</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-1-9_1f5b91ad.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81897"></figure><figcaption>IMDb</figcaption></figure>



<p>Fresh off its Christmas Day release, Josh Safdie’s solo directorial debut has set the industry on fire. <strong>Timothée Chalamet</strong> delivers what critics are calling a career-defining performance as Marty Mauser, a 1950s ping-pong hustler. It’s a frantic, stylish, and unexpectedly moving “screwball nightmare” that has Chalamet at the top of every Best Actor prediction list for 2026.</p>



<h2><strong>One Battle After Another</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-2-8_2a92198d.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81898"></figure><figcaption>IMDb</figcaption></figure>



<p><strong>Paul Thomas Anderson</strong> is back with a film that many are already calling the Best Picture frontrunner. Starring <strong>Leonardo DiCaprio</strong> and featuring a breakout turn by <strong>Chase Infiniti</strong>, this sprawling epic has dominated the critical conversation since the fall. It’s a technical marvel that serves as a reminder of why PTA remains one of the greatest living filmmakers.</p>



<h2><strong>Sinners</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-3-6_21683c1a.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81899"></figure><figcaption>IMDb</figcaption></figure>



<p><strong>Ryan Coogler</strong> and <strong>Michael B. Jordan</strong> proved that “genre” films can be high art. This 1930s-set vampire horror-musical was a box office phenomenon earlier in 2025 and has maintained incredible momentum. With its stunning cinematography by Autumn Durald Arkapaw, it is a locks for multiple technical nominations and a serious Best Picture threat.</p>



<h2><strong>Hamnet</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-6-6_9854701e.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81902"></figure><figcaption>IMDb</figcaption></figure>



<p>Directed by <strong>Chloé Zhao</strong>, this adaptation of the beloved novel is a masterclass in atmosphere and grief. <strong>Jessie Buckley</strong> is currently the woman to beat in the Best Actress race, delivering a haunting performance as Agnes Hathaway. Zhao’s naturalistic style perfectly complements this intimate look at the family behind Shakespeare’s greatest tragedy.</p>



<h2><strong>Frankenstein</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-9-5_38d4a4fd.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81908"></figure><figcaption>IMDb</figcaption></figure>



<p><strong>Guillermo del Toro’s</strong> “magnum opus” hit Netflix earlier this fall and has remained a staple of the awards conversation. Starring <strong>Oscar Isaac</strong> and <strong>Jacob Elordi</strong> (as the Creature), the film is a lush, soulful, and visually arresting reimagining of the classic tale. It is expected to dominate the craft categories, from Production Design to Makeup and Hairstyling.</p>



<h2><strong>Blue Moon</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-8-5_b678a053.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81903"></figure><figcaption>IMDb</figcaption></figure>



<p>The latest collaboration between <strong>Richard Linklater</strong> and <strong>Ethan Hawke</strong> is a deeply personal look at the life of lyricist Lorenz Hart. Hawke is currently a top-three contender for Best Actor, bringing a raw, musical vulnerability to the role that has resonated deeply with voters. It’s a quiet, beautiful film that reminds us why this duo is one of the best in cinema history.</p>



<h2><strong>Sentimental Value</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-7-6_b04bf2d7.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81904"></figure><figcaption>IMDb</figcaption></figure>



<p>Norway’s official entry for the 2026 Oscars, directed by <strong>Joachim Trier</strong>, is a witty and biting look at family dynamics and the theater world. <strong>Renate Reinsve</strong> continues to prove she is a global superstar, and the film is a heavy favorite to win Best International Feature—if it doesn’t sneak into the main Best Picture category first.</p>



<h2><strong>Jay Kelly</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-4-6_4a93d799.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81900"></figure><figcaption>IMDb</figcaption></figure>



<p><strong>Noah Baumbach</strong> returns to Netflix with a star-studded cast led by <strong>George Clooney</strong> and <strong>Adam Sandler</strong>. A “coming-of-age” story for the middle-aged, the film features Sandler in a supporting role that has generated significant buzz for its warmth and comedic timing. It’s a classic Baumbach script—sharp, talky, and deeply human.</p>



<h2><strong>Bugonia</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-5-6_d1274446.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81906"></figure><figcaption>IMDb</figcaption></figure>



<p>Yorgos Lanthimos continues his prolific streak with <strong><em>Bugonia</em></strong>, a sci-fi conspiracy thriller that reunites him with his <em>Poor Things</em> and <em>Kinds of Kindness</em> star <strong>Emma Stone</strong>, alongside <strong>Jesse Plemons</strong>. Based on the cult South Korean film <em>Save the Green Planet!</em>, the story follows two obsessed men who kidnap a high-powered CEO, convinced she is an alien leader planning an invasion. Given Lanthimos’s recent track record with the Academy, this film is expected to be a major player in the 2026 races for Best Director, Best Actress, and Adapted Screenplay, offering a bizarre yet socially relevant take on modern paranoia.</p>



<h2><strong>Song Sung Blue</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20260101_SPEN_81896_1-27_f1959700.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81901"></figure><figcaption>IMDb</figcaption></figure>



<p>Director Craig Gillespie (<em>I, Tonya</em>) returns with <strong><em>Song Sung Blue</em></strong>, a soulful musical drama based on the true story of a husband-and-wife Neil Diamond tribute band. Starring <strong>Hugh Jackman</strong> and <strong>Kate Hudson</strong>, the film has been hailed during its early screenings as a powerful “comeback” vehicle for both leads. Jackman, in particular, is drawing Best Actor buzz for his raw, vocally demanding performance that balances the kitsch of tribute acts with the heartbreaking reality of blue-collar struggle. It is the kind of transformative, performance-heavy biopic that Academy voters traditionally find irresistible.</p>

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<p>In a historic year for animation, “<strong>Zootopia 2</strong>” has officially ascended the throne at Walt Disney Animation Studios. As of the final box office tallies on New Year’s Eve 2025, the high-octane sequel starring Judy Hopps and Nick Wilde has amassed a staggering <strong>$1.464 billion</strong> worldwide. By crossing this threshold, it has narrowly edged out the previous record-holder, “Frozen 2” ($1.45 billion), to become the most successful film in the legendary studio’s century-long history.</p>



<h2>A Global Phenomenon: How the Mammal Metropolis Conquered the World</h2>



<p>The road to the record was paved with unprecedented international enthusiasm, particularly in <strong>China</strong>. While “Frozen 2” maintained a stronger hold on the domestic North American market, “Zootopia 2” became a cultural juggernaut in Asia, where it broke multiple records for non-local animated features. This massive surge in overseas ticket sales allowed the film to reach the $1 billion milestone in a record-breaking 17 days, the fastest ever for a PG-rated animated film.</p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81956" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251231_SPEN_81949_Zootopia1-2_f93d1620.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81956"></figure><figcaption>Source: IMDb</figcaption></figure>
</figure>



<p>This victory is a testament to the enduring appeal of the world created by Byron Howard and Jared Bush. Audiences returned to theaters in droves to see the evolution of <strong>Judy </strong>and<strong> Nick</strong>’s partnership, which was bolstered by a “Certified Hot” audience score and critical praise for its expansion of the city’s diverse districts. The film didn’t just capitalize on nostalgia; it utilized a clever marketing campaign that leaned into the <strong>buddy-cop</strong> <strong>energy</strong> that made the 2016 original a surprise hit.</p>



<p>The internal shift at Disney is also notable, as this marks the first time since 2013 that a franchise other than “Frozen” has held the top spot for the animation division. Industry analysts point to the film’s 5-day Thanksgiving opening of <strong>$556 million</strong> as the turning point that signaled a historic run was underway. Even with heavy competition from the holiday release of “Avatar: Fire and Ash,” the furry sequel maintained incredible legs throughout December.</p>



<p>Looking ahead, the success of “Zootopia 2” places it among the titans of the medium. It currently sits as the fourth-highest-grossing animated film of all time, trailing only Pixar’s <strong>“Inside Out 2,”</strong> the 2019 reimagining of <strong>“The Lion King,”</strong> and the recent international juggernaut <strong>“Ne Zha 2.”</strong> For Disney, this reinforces the strategy of high-budget, high-concept sequels, proving that the residents of Zootopia still have plenty of stories left to tell—and plenty of records left to break.</p>

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<p>After thirteen years of absolute dominance at the multiplex, Marvel Studios has concluded 2025 without a single entry in the global top ten highest-grossing films, <strong>signaling a definitive end to an era of box office inevitability.</strong></p>



<h2>The End of an Unprecedented Streak</h2>



<p>For over a decade, the Marvel Cinematic Universe (MCU) operated with a level of commercial consistency that defied Hollywood history. Since the game-changing success of “The Avengers” in 2012, <strong>at least one Marvel film found a permanent home among the year’s top ten earners. </strong></p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81909" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251231_SPEN_81892_Avengers-1-1_f629b4cb.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81909"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>However, the 2025 slate failed to generate the billion-dollar momentum required to compete with a revitalized field of animated sequels and rival franchise reboots. Despite releasing three major features, <strong>Marvel was squeezed out of the charts by global phenomena like “Zootopia 2,” “Avatar: Fire and Ash,”</strong> and the successful launch of DC’s <strong>“Superman.”</strong></p>



<p>The most telling sign of this decline was the performance of <strong>“Thunderbolts*</strong>,” which arrived in May to critical acclaim but failed to ignite the box office. Despite earning an 88% on Rotten Tomatoes—one of the franchise’s best scores in years—the film grossed just <strong>$382 million</strong> globally. The year’s other entries fared similarly, with <strong>“The Fantastic Four: First Steps”</strong> leading the pack at <strong>$521 million</strong> and <strong>“Captain America: Brave New World”</strong> trailing at <strong>$415 million</strong>. </p>



<p>Industry analysts point to this moment as a necessary ego check for the company. With Disney CEO Bob Iger previously signaling a pivot toward quality over quantity, <strong>2025 may be remembered as the year the studio took a step back to recalibrate. </strong>As we look toward a near future that includes the return of the Russo Brothers and Robert Downey Jr., the question is no longer whether Marvel can dominate, but whether it can reinvent itself to reclaim a throne that other franchises have now comfortably occupied.</p>

For the First Time Since 2011, No Marvel Film Reached the Global Box Office Top 10 - Spoiler US

<p>If you thought 2025 was a massive year for cinema, 2026 is looking to raise the stakes even higher. As studios lean into proven intellectual property, the release calendar is packed with a mix of gritty sci-fi epics, long-awaited animated returns, and shocking horror revivals. </p>



<p>Whether you’re waiting to see Timothée Chalamet continue his messianic journey in <em>Dune</em>, the next phase of the Marvel Multiverse, or the return of iconic characters like Andy’s toys and the “Devil” herself, Miranda Priestly, there is truly something for every kind of viewer. We’re breaking down the sequels that are already generating massive buzz, providing the release dates and plot details you need to start planning your 2026 movie marathons.</p>



<h2><strong>Sci-Fi and Superheroes</strong></h2>



<h3>Dune: Part Three (December 18, 2026)</h3>



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<p>Denis Villeneuve returns to complete his masterpiece. Adapting <em>Dune Messiah</em>, the film follows Paul Atreides (Timothée Chalamet) as he deals with the consequences of his holy war across the universe.</p>



<h3>Avengers: Doomsday (December 18, 2026) </h3>



<p>The MCU enters a terrifying new era. While details are under wraps, this film is set to introduce the reign of Doctor Doom, potentially setting the stage for a holiday box office battle against <em>Dune</em>.</p>



<h3>Spider-Man: Brand New Day (July 31, 2026) </h3>



<p>Tom Holland returns as Peter Parker in a fresh start for the web-slinger. Rumored to feature a more street-level focus, this Destin Daniel Cretton-directed flick is one of the summer’s most anticipated titles.</p>



<h3>The Mandalorian and Grogu (May 22, 2026)</h3>



<p><em>Star Wars</em> returns to the big screen! Following the hit Disney+ series, Din Djarin and his young apprentice Grogu take their adventures to a cinematic scale.</p>



<h3>The Super Mario Galaxy Movie (Holiday 2026)</h3>



<p>Following the billion-dollar success of the first film, Mario and Luigi head to the stars. Expect a visual feast inspired by the iconic Wii game, featuring new worlds and gravity-defying action.</p>



<h2><strong>Nostalgia and Comedy Revivals</strong></h2>



<h3>Toy Story 5 (June 19, 2026)</h3>



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<p>Woody and Buzz are back once more. Pixar’s flagship franchise returns to explore the relationship between toys and the evolving world of modern technology.</p>



<h3>The Devil Wears Prada 2 (May 1, 2026)</h3>



<p>Miranda Priestly (Meryl Streep) is back at the helm of <em>Runway</em>, but the magazine industry has changed. Anne Hathaway and Emily Blunt are expected to return for this high-fashion clash.</p>



<h3>Focker In-Law (November 25, 2026)</h3>



<p>Ben Stiller and Robert De Niro reunite for a hilarious new chapter. This time, the Fockers are dealing with the next generation of in-laws, promising plenty of awkward family tension.</p>



<h3>Scary Movie 6 (June 12, 2026)</h3>



<p>The Wayans brothers return to the franchise that redefined the parody genre. No modern horror hit is safe as they take aim at the “elevated horror” movement of the last decade.</p>



<h3>Practical Magic 2 (September 18, 2026)</h3>



<p>Sandra Bullock and Nicole Kidman reprise their roles as the Owens sisters. Decades later, a new generation of witches discovers that magic always comes with a price.</p>



<h3><strong>Thrillers and Heart-Pounding Drama</strong></h3>



<h3>28 Years Later: The Bone Temple (January 16, 2026)</h3>



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<p>Danny Boyle returns to the world of the “Rage” virus. Set nearly three decades after the original outbreak, this film explores a world that has fundamentally moved on—or has it?</p>



<h3>The Social Reckoning (Autumn 2026)</h3>



<p>A spiritual sequel to <em>The Social Network</em>. This film dives into the modern fallout of social media, privacy, and the tech giants who shaped our current digital reality.</p>



<h3>Peaky Blinders: The Immortal Man (March 2026)</h3>



<p>Tommy Shelby’s story concludes on Netflix. Set during World War II, Cillian Murphy returns for a feature-length epic that finally closes the book on the Shelby family.</p>



<h3>Heartstopper Forever (Summer 2026)</h3>



<p>The beloved Netflix series concludes with a feature-length finale. Based on the final volume of Alice Oseman’s graphic novels, it’s the graduation day fans have been waiting for.</p>



<h2><strong>Horror and Suspense</strong></h2>



<h3>Ready or Not 2: Here I Come (March 27, 2026)</h3>



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<p>Samara Weaving returns as Grace for another deadly game of hide-and-seek. This time, the hunter becomes the hunted in a sequel that promises even more gore and dark humor.</p>



<h3>Insidious 6 (August 21, 2026)</h3>



<p>The Further opens once again. Lin Shaye returns as Elise Rainier in a story that explores the origins of the franchise’s most terrifying entities.</p>



<h3>The Strangers – Chapter 3 (October 2026)</h3>



<p>The trilogy concludes. After the harrowing events of the first two chapters, the final survivors face one last stand against the masked trio.</p>



<h3>Return to Silent Hill (January 23, 2026)</h3>



<p>A fresh adaptation of <em>Silent Hill 2</em>. A man returns to the mysterious town in search of his lost love, only to find a psychological nightmare waiting for him.</p>



<h3>Fall 2 (Q1 2026)</h3>



<p>The height-induced terror returns. This sequel follows a new set of climbers stranded on a fragile plank 3,000 feet in the air in the mountains of Thailand.</p>



<h2><strong>Action and Adventure</strong></h2>



<h3>The Hunger Games: Sunrise on the Reaping (November 20, 2026)</h3>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251231_SPEN_81700_1-21_43f5daed.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81766"></figure><figcaption>Joseph Zada and Mckenna Grace / Murray Close/Lionsgate/Murray Close/Lionsgate – © 2025 Lionsgate</figcaption></figure>



<p>Panem calls again. This prequel focuses on the 50th Hunger Games—the “Second Quarter Quell”—and the victory of a young Haymitch Abernathy.</p>



<h3>Mortal Kombat II (May 15, 2026)</h3>



<p>Karl Urban joins the cast as Johnny Cage for the ultimate tournament. Expect more fatalities and the introduction of Shao Kahn in this high-octane sequel.</p>



<h3>Untitled Jumanji: The Next Level Sequel (December 11, 2026)</h3>



<p>The gang is back in the game! Dwayne Johnson, Kevin Hart, Jack Black, and Karen Gillan return for another jungle-hopping adventure with new avatars in the mix.</p>



<h2>Enola Holmes 3 (2026)</h2>



<p>Millie Bobby Brown returns as the sharp-minded teen sleuth. Netflix has confirmed a fresh case set in Malta, involving a Victorian-era conspiracy that Enola must untangle.</p>



<h3>Minions 3 (July 1, 2026)</h3>



<p>Illumination’s yellow troublemakers return for more slapstick chaos. This time, they are navigating a world without Gru, leading to their most unpredictable heist yet.</p>



<h3>Angry Birds 3 (December 23, 2026)</h3>



<p>The birds and pigs are back for a holiday-themed showdown. Expect new feathered friends and even more explosive slingshot action.</p>



<h3>Violent Night 2 (December 2026)</h3>



<p>David Harbour’s “bad Santa” is coming back for another round of festive justice. Expect more holiday-themed kills and a deep dive into the North Pole’s secret history.</p>

The Blockbuster Year: 26 Masive Sequels Hitting Screens in 2026

The Blockbuster Year: 26 Masive Sequels Hitting Screens in 2026 - Spoiler US



        


<p>The “Ocean’s” franchise has never truly gone quiet, even as its future splintered into prequels, spin-offs, and half-confirmed sequels spread across the past several years. Warner Bros. has kept the brand alive through multiple development tracks, from a 1960s-set prequel to long-discussed plans for a proper follow-up to “Ocean’s Thirteen.” While the idea of another Danny Ocean story has been public knowledge for some time, one major question remained unresolved: <strong>whether the original ensemble would actually return. </strong>In a new interview, Clooney finally provides a clear answer.</p>



<h2>The Original Crew Is Officially Coming Back</h2>



<p>Clooney confirmed to Variety that <strong>Brad Pitt, Matt Damon, Don Cheadle, and Julia Roberts will all return</strong>, framing the project as a character-driven continuation rather than a simple reunion. “There was something about the idea that we’re too old to do what we used to do,” he said, explaining why the script resonated with him after years of stalled development.</p>



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<p>Instead of leaning on nostalgia, Clooney emphasized how age reshapes the mechanics of a heist story. “We’re still smart enough to know how to get away with something,” he added, noting that the characters’ experience now matters more than physical precision. The result, he suggested, <strong>is a film built around problem-solving and adaptation rather than slick execution.</strong></p>



<p>That shift is central to how the returning ensemble fits into the story. <strong>“They’ve lost a step,”</strong> Clooney said, “and they need to find a way to work around their limitations,” a dynamic that applies across the group as a whole rather than to any single character.</p>



<p>With locations already being scouted <strong>and a hoped-for shoot beginning next October,</strong> the project is moving beyond speculation. For Clooney, the appeal is clear: revisiting Danny Ocean and his crew at a stage where pulling off the job is riskier, messier, and more interesting than ever.</p>

What Are the Chances of ‘Sinners’ at the 2026 Oscars? Award Experts Weigh In

Which Was Your Favorite? The 10 Most Popular Movies of 2025, According to IMDb

George Clooney Confirms Brad Pitt, Matt Damon, Julia Roberts, and Don Cheadle for New ‘Oceans’ Movie - Spoiler US

<p>Blockbuster cinema is built on expectation. Studios invest hundreds of millions of dollars into films designed to dominate theaters, generate franchises, and define cultural moments. However, history has shown that financial backing and brand recognition do not always translate into lasting impact. From creative miscalculations to audience fatigue, many large-scale releases fail to live up to the hype that surrounds them. This article explores fifteen blockbusters that, despite enormous ambition, ultimately fell flat.</p>



<h2>Mars Needs Moms (2011)</h2>



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<p>Despite its innovative motion-capture technology, “Mars Needs Moms”, the animated film from 2011, was a financial disaster for Disney. It failed to meet commercial expectations and faced criticism for its animation and tone, sparking discussions about storytelling and technology.</p>



<p>The story follows a young boy named Milo, whose relationship with his mother becomes strained due to her rules and responsibilities. However, everything changes when Martians kidnap Milo’s mother to steal her motherly discipline and transfer it to their own Martian offspring</p>



<h2>The Postman (1997)</h2>



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<p>“The Postman” is one of the works directed and starring Kevin Costner that was not a global success. The post-apocalyptic drama was widely criticized and underperformed at the box office. The film is still seen as an ambitious work with valuable ideas about the importance of communication and community in times of crisis.</p>



<p>The story is set in a dystopian future after an unspecified apocalyptic event, where society has collapsed and the United States has become a desolate and divided place. The filmmaker and actor portrays a nameless drifter who comes across the corpse of a mail carrier and decides to assume his identity to seek shelter and food in isolated towns.</p>



<h2>The 13th Warrior (1999)</h2>



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<p>Antonio Banderas stars in the historical action film that underwent extensive reshoots and a poor marketing campaign. It earned a place on the list of failures because it underwent significant modifications during post-production to improve its marketability and ultimately did not succeed.</p>



<p>Despite not meeting the initial expectations, “The 13th Warrior” has developed a cult following and is appreciated by fans of action and fantasy cinema. The production offers a fascinating portrayal of the Viking world and its myths, blending historical elements with fantasy narrative.</p>



<h2>Town and Country (2001)</h2>



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<p>“Town and Country” was released in 2001 and was a star-studded romantic comedy (featuring a cast led by Warren Beatty, Diane Keaton, Goldie Hawn and Garry Shandling) that suffered from extensive production problems and negative reviews upon its release.</p>



<p>The plot follows the intertwined lives of a group of Manhattan friends, each at different stages of their romantic relationships and marriages. The movie explores themes of love, infidelity, commitment, and the complexity of human relationships as these characters navigate their love lives.</p>



<h2>Speed Racer (2008)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="680" height="435" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81555_BB1muCQz_61e75dd5.webp&amp;width=680&amp;height=435" alt="" class="wp-image-81560"></figure><figcaption>IMDb</figcaption></figure>



<p>Despite Speed Racer’s striking visual style, this live-action adaptation of the classic anime series failed to attract a wide audience and was considered a box office disappointment. However, over time, it has developed a cult status among certain cinephiles due to its unique approach.</p>



<p>The plot follows a talented race car driver, played by Emile Hirsch, whose goal is to defeat the world’s best racers and uncover the truth behind his brother Rex’s mysterious death during a race. He teams up with his loyal crew, including his family and his girlfriend Trixie, to compete in the brutal and dangerous race known as the Casa Cristo 5000.</p>



<h2>The Lone Ranger (2013)</h2>



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<p>“The Lone Ranger” is an action-adventure film that was released in 2013. Directed by Gore Verbinski, it starred Armie Hammer as the Lone Ranger and Johnny Depp as Tonto. Despite its star-studded cast, it did not become a major success and fell short of expectations.</p>



<p>The story is based on the famous radio and television character of the same name, known as a hero of the Old West. It follows the lawyer and former ranger John Reid, who becomes the masked vigilante known as the Lone Ranger after a violent encounter that leads him to join forces with the Native American Tonto.</p>



<h2>Waterworld (1995)</h2>



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<p>“Waterworld” was released in 1995 and since then has elicited different opinions among viewers and critics. Although it was not a major commercial success upon its release, it has gained a cult status and is still remembered for its unique concept and impressive action sequences.</p>



<p>Kevin Costner starred in the post-apocalyptic action film, which centers around The Mariner and his encounter with Helen (played by Jeanne Tripplehorn) and a girl named Enola (played by Tina Majorino), who possess a map that could lead them to the legendary “Dryland”.</p>



<h2>John Carter (2012)</h2>



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<p>“John Carter” was released in 2012 and despite having all the elements to be a great film, Disney’s attempt to adapt Edgar Rice Burroughs’ novel into a blockbuster hit fell short and resulted in substantial losses for the studio. However, over the years, it has gained some recognition as an underrated movie by certain science fiction and fantasy fans, highlighting its imaginative world and potential.</p>



<p>The story follows a veteran of the American Civil War who mysteriously is transported to Mars. There, he discovers that he has superhuman abilities due to the planet’s different gravity, allowing him to leap great distances.</p>



<h2>The Bonfire of the Vanities (1990)</h2>



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<p>“The Bonfire of the Vanities” was a drama film released in 1990, directed by Brian De Palma and based on the novel of the same name by Tom Wolfe. Despite featuring a stellar cast and high expectations for success, it was a critical and commercial failure.</p>



<p>The plot explores themes of wealth, power, race, and morality in 1980s New York City, depicting the downfall of Sherman McCoy as he struggles to preserve his social status and faces public and media scrutiny. The film starred Tom Hanks, Bruce Willis, Melanie Griffith, Morgan Freeman and Kirsten Dunst, among others.</p>



<h2>Heaven’s Gate (1980)</h2>



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<p>“Heaven’s Gate” is known for being one of the most problematic and costly productions in the history of cinema. Director Michael Cimino had an initial estimated budget of around $11 million, but due to production problems and extended shooting, the cost soared to over $44 million. Ultimately, it ended up being a worldwide failure.</p>



<p>The story is set in the American West in the late 19th century and follows a group of European immigrants who face persecution and violence from wealthy farmers seeking to drive them off their land. Kris Kristofferson and Isabelle Huppert star in the plot.</p>



<h2>Final Fantasy: The Spirits Within (2001)</h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="680" height="435" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81555_BB1lp79m_320265a4.webp&amp;width=680&amp;height=435" alt="" class="wp-image-81566"></figure><figcaption>IMDb</figcaption></figure>



<p>Despite its innovative visual style and ambitious approach, “Final Fantasy: The Spirits Within” was a commercial failure. Despite receiving praise for its animation and visual effects, the film failed to resonate with a wider audience and was unable to recoup its high production costs.</p>



<p>The story is set in a dystopian future where Earth has been invaded by extraterrestrial beings known as the “Phantoms”. The protagonist, scientist Dr. Aki Ross, played by Ming-Na Wen, discovers a way to combat the Phantoms using alien spirits called “Gaia”.</p>



<h2>Ishtar (1987)</h2>



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<p>“Ishtar” featured big names like Warren Beatty and Dustin Hoffman, but the comedy was a major flop due to its high production costs (it had a budget of $55 million, which was quite substantial for the time) and its poor reception in 1987.</p>



<p>The story follows two unlucky musicians, Lyle Rogers and Chuck Clarke, who travel to Morocco in search of a musical opportunity. Unbeknownst to them, they become embroiled in an international political plot when they are mistaken for CIA agents and hired to carry out a covert mission.</p>



<h2>Cutthroat Island (1995)</h2>



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<p>“Cutthroat Island”, the pirate adventure film directed by Renny Harlin and released in 1995, was notorious for being one of the biggest box office flops of all time, failing to recoup its enormous budget of $98 million. It became a classic example of how an ambitious and costly project can result in a financial disaster, leading to the bankruptcy of the production studio Carolco Pictures.</p>



<p>The story follows Morgan Adams, played by Geena Davis, a fearless pirate who seeks the legendary treasure hidden on Cutthroat Island. To uncover the treasure’s location, she teams up with a former slave named William Shaw, played by Matthew Modine. Together, they embark on a perilous adventure, facing off against rival pirates, betrayals, and maritime dangers.</p>



<h2>The Adventures of Pluto Nash (2002)</h2>



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<p>“The Adventures of Pluto Nash” is a science fiction comedy that failed to meet expectations and was criticized for its overall quality. Although it was a failure upon its initial release, it has gained some notoriety as a memorable film for all the wrong reasons.</p>



<p>The plot is set in the year 2080 and follows Pluto Nash, played by Eddie Murphy, a former convict who has become the owner of a nightclub on the Moon. When a powerful gangster named Rex Crater tries to extort him into selling, Nash refuses and becomes embroiled in a series of dangerous events.</p>



<h2>Gigli (2003)</h2>



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<p>“Gigli” is a romantic comedy that has been heavily criticized and failed both at the box office and in general reception. It is considered one of the most infamous movies in Hollywood due to its negative impact on the careers of its stars and its place in popular culture as a notable failure.</p>



<p>Ben Affleck and Jennifer Lopez portrayed the main characters in the story, which follows Larry Gigli, a small-time gangster working for a criminal boss. Gigli is tasked with kidnapping the disabled brother of a prosecutor to ensure the silence of a key witness in a trial.</p>

15 Highly Anticipated Blockbusters That Disappointed

15 Highly Anticipated Blockbusters That Disappointed - Spoiler US



        


<p>The cinematic landscape of 2025 proved to be a fascinating battleground between nostalgic revivals and high-concept original stories. From the high-speed asphalt of Formula 1 tracks to the gothic laboratories of Victorian Europe, <strong>this year’s most popular films</strong> reflect a diverse appetite for spectacle, scares, and heartfelt storytelling.</p>



<h2>10 – F1</h2>



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<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81588" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB11_e97f1d0c.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81588"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Brad Pitt takes the wheel in this high-octane drama directed by Joseph Kosinski, who brings the same visceral energy he used for “Top Gun: Maverick” to the world of Grand Prix racing. The story follows a veteran driver coming out of retirement to mentor a rising prodigy, played by Damson Idris, amidst the real-life intensity of the F1 circuit. It’s a technical marvel that captured the fascination of sports fans and cinephiles alike this summer.</p>



<h2>9 – Mission: Impossible – The Final Reckoning</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81587" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB10_17b19cfa.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81587"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Tom Cruise returns for what is being billed as the ultimate swan song for Ethan Hunt, raising the stakes to a level that feels truly terminal. Following the cliffhanger of the previous installment, the IMF team races against a god-like AI in a globetrotting hunt that features some of the most death-defying practical stunts ever filmed. This chapter managed to secure its spot on the list by offering the kind of pure, big-screen adrenaline only this franchise can provide.</p>



<h2>8 – Thunderbolts*</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81584" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB9_9e72a3cb.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81584"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Marvel’s band of misfits and reformed villains finally stepped into the spotlight, proving that there is still plenty of life in the MCU when the focus shifts to more morally gray characters. Led by Florence Pugh’s Yelena Belova and Sebastian Stan’s Winter Soldier, the ensemble chemistry turned what could have been a standard superhero flick into a gritty, character-driven heist movie. Its popularity on IMDb peaked as fans dissected every Easter egg and the mysterious asterisk in the title.</p>



<h2>7 – Happy Gilmore 2</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81583" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB8_f4f2c05d.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81583"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Adam Sandler tapped into a deep well of nostalgia by returning to his most beloved character, and the result was a streaming sensation that dominated social media conversations. Seeing a middle-aged Happy navigate the modern world of professional golf provided a perfect mix of “Sandman” slapstick and genuine heart. The inclusion of high-profile cameos and the return of familiar faces made this sequel an inevitable hit for those seeking a comfort watch.</p>



<h2>6 – Frankenstein</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81582" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB7_cba11e80.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81582"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Guillermo del Toro finally realized his long-held dream of adapting Mary Shelley’s classic, delivering a gothic masterpiece that feels both timeless and terrifyingly new. Oscar Isaac’s tortured portrayal of Victor Frankenstein and Jacob Elordi’s haunting take on the Creature helped propel this film beyond the usual horror tropes. It became a massive talking point for its breathtaking production design and its deeply emotional exploration of what it means to be human.</p>



<h2>5 – Jurassic World: Rebirth</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81581" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB6_385b34c9.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81581"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Scarlett Johansson leads a fresh cast into a world where dinosaurs have become a permanent, if precarious, part of the global ecosystem. This soft reboot moved away from the sprawling chaos of the previous entries to focus on a high-stakes extraction mission in an equatorial “biosphere” where the most dangerous predators still rule. The film’s success stemmed from its return to the suspenseful, survival-horror roots that made the original 1993 picture a landmark.</p>



<h2>4 – One Battle After Another</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81580" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB5_b0f6c3e3.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81580"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Paul Thomas Anderson surprised everyone by delivering a sprawling, three-hour action epic that serves as a loose, high-energy adaptation of Thomas Pynchon’s “Vineland.” Starring Leonardo DiCaprio as a former revolutionary on the run, the film blended stylized combat with the director’s signature deep character work. It’s a rare breed of blockbuster that managed to satisfy both the art-house crowd and mainstream audiences looking for a wild ride.</p>



<h2>3 – Sinners</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81579" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB4_55b46234.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81579"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Ryan Coogler and Michael B. Jordan re-teamed for this eerie, 1930s-set supernatural thriller that kept audiences guessing until the final frame. Set in the Jim Crow South, the film follows twin brothers who return to their hometown only to find themselves hunted by an ancient, malevolent force. The combination of historical drama and terrifying folklore created a unique atmosphere that made it one of the most discussed theatrical releases of the spring.</p>



<h2>2 – Weapons</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81578" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB3_a1b7f02f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81578"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>Following the massive success of “Barbarian,” director Zach Cregger returned with an ambitious, multi-story horror epic that became an instant cult classic. The film uses a non-linear structure to tell a disturbing tale of missing children and small-town secrets, anchored by a powerhouse performance from Josh Brolin. Its high ranking on IMDb is a testament to the “puzzle-box” nature of the script, which had viewers returning for multiple viewings to piece the mystery together.</p>



<h2>1 – Superman</h2>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81577" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251230_SPEN_81573_IMDB2_1699229f.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81577"></figure><figcaption>Source: IMDb</figcaption></figure>
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<p>James Gunn officially kicked off a new era for DC with a film that traded grim grit for a vibrant, hopeful, and deeply sincere take on the Man of Steel. David Corenswet’s debut as Clark Kent won over skeptics by focusing on the character’s humanity and his struggle to reconcile his alien heritage with his Kansas upbringing. As the most searched and highest-rated movie of the year on the platform, it’s clear that the world was ready to believe a man could fly all over again.</p>

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<p>It seems nothing can bring this franchise down. Just weeks after its debut, <strong><em>Wicked: For Good</em></strong> (the second half of Jon M. Chu’s ambitious two-part adaptation) has joined the prestigious half-billion-dollar club, crossing <strong>$504 million worldwide</strong> as of today. </p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251229_SPEN_81613_Wicked_-For-Good_a768cb32.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81614"></figure><figcaption>IMDb</figcaption></figure>



<p>Starring <strong>Ariana Grande</strong> and <strong>Cynthia Erivo</strong>, the film has successfully navigated a competitive holiday season to become the second-highest-grossing musical adaptation of all time, trailing only its own predecessor. While the movie continues to draw crowds in theaters, Universal is ready to bring the Emerald City home. Tomorrow, December 30, marks the official <strong>VOD and digital release</strong>, offering fans the chance to own the film along with a treasure trove of bonus content just in time for New Year’s Eve.</p>



<h3><strong>Breaking Records in Oz</strong></h3>



<p>The $500 million milestone is a testament to the enduring power of the <em>Wicked</em> brand. With a massive <strong>$331 million</strong> coming from domestic audiences alone, the sequel has proven that the “Pink and Green” phenomenon was no fluke.</p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251229_SPEN_81613_Wicked_-For-Good-1_e58305be.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81615"></figure><figcaption>IMDb</figcaption></figure>



<p>It currently holds the title for the biggest opening weekend for a Broadway musical adaptation, surpassing the record set by the first film in 2024.</p>



<h3><strong>Digital Release: What to Expect Tomorrow</strong></h3>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251229_SPEN_81613_Wicked_-For-Good-3_7f58a5ae.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81617"></figure><figcaption>Jeff Goldblum, Michelle Yeoh, Jonathan Bailey, Ariana Grande, and Cynthia Erivo in Wicked: For Good (2025)</figcaption></figure>



<p>Starting <strong>December 30</strong>, viewers can buy or rent <em>Wicked: For Good</em> on major platforms like Amazon Prime Video, Apple TV, and Vudu. Universal is pulling out all the stops for the home release, including:</p>



<ul><li><strong>The Sing-Along Edition:</strong> A feature-length alternate version for fans who want to belt out “For Good” and “No Good Deed” at home.</li><li><strong>Bonus Content:</strong> Over an hour of extras, including <strong>“Making Wicked: For Good,”</strong> a 50-minute deep dive into the production, and several never-before-seen <strong>deleted scenes</strong>.</li><li><strong>The Wizard’s Secrets:</strong> Behind-the-scenes featurettes focusing on the set design of Kiamo Ko and the creation of the film’s mechanical creatures.</li></ul>



<h3><strong>The Final Word</strong></h3>



<p>For those holding out for physical media, the wait won’t be much longer—the 4K UHD, Blu-ray, and DVD editions are scheduled to hit shelves on <strong>January 20, 2026</strong>.</p>

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<p>In the high-stakes world of Hollywood blockbusters, James Cameron break records. </p>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251228_SPEN_81535_Avatar-1-1_1f029173.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81537"></figure><figcaption>IMDb</figcaption></figure>



<p>the <strong><em>Avatar</em></strong> <strong>franchise</strong> has become the highest-grossing trilogy of all time, crossing the monumental <strong>$6 billion</strong> threshold. The historic achievement comes just days after the release of <strong><em>Avatar: Fire and Ash</em></strong>, which has enjoyed a dominant holiday run. </p>



<p>By surpassing the cumulative totals of the <em>Star Wars</em> sequel trilogy and the original <em>Lord of the Rings</em> films, Cameron’s blue-hued epic has solidified its status as the most commercially successful narrative arc in the history of the moving image. For a series that was once doubted for its long gaps between releases, the message from the box office is clear: Never bet against James Cameron.</p>



<h2><strong>Pandora’s Holiday Power</strong></h2>



<figure class="wp-block-image size-full"><figure class="image"><img loading="lazy" width="1920" height="1080" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251228_SPEN_81535_Avatar-2-1_1cfa2ab2.webp&amp;width=1920&amp;height=1080" alt="" class="wp-image-81538"></figure><figcaption>James Cameron attends the European Premiere of 20th Century Studios “Avatar: Fire and Ash” on December 05, 2025 in Boulogne-Billancourt, France. (Photo by Lyvans Boolaky/Getty Images for Disney)</figcaption></figure>



<p>Avatar: Fire and Ash arrived as the focal point of the global box office this month. While $760 million in just 14 days is a staggering figure, the film’s success is even more impressive given the current market. It has successfully fended off Zootopia 2, which currently sits at $1.42 billion worldwide, and A24’s Marty Supreme, which just enjoyed a massive $30 million opening week. </p>



<p>According to industry analysts, families are once again “flocking to the biggest screens possible,” with IMAX and 3D formats accounting for a significant portion of the <em>Fire and Ash</em> revenue.</p>



<h2>Box Office</h2>



<p>The journey began in 2009 with the original <strong><em>Avatar</em></strong>, which was produced for <strong>$237 million</strong> and went on to become the highest-grossing film of all time with a staggering <strong>$2.923 billion</strong> worldwide. Its 2022 sequel, <strong><em>Avatar: The Way of Water</em></strong>, saw a significant jump in production costs to roughly <strong>$460 million</strong>, yet it justified the investment by earning <strong>$2.321 billion</strong>. The third installment, <strong><em>Avatar: Fire and Ash</em></strong>, which hit theaters on December 19, 2025, carrys a production budget of approximately <strong>$400 million</strong>; in just its first 14 days of release, it has already amassed over <strong>$760 million</strong></p>

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<p>While the Oscar season is traditionally reserved for the prestige dramas of late autumn, <strong>Ryan Coogler’s “Sinners” has shattered the calendar’s constraints,</strong> remaining the most talked-about film in the race nearly eight months after its April debut. </p>



<p>What began as a high-concept vampire thriller set in the 1930s Jim Crow South has transformed into a critical juggernaut, buoyed by a staggering <strong>17 Critics Choice nominations</strong> and a dual-role masterclass from <strong>Michael B. Jordan.</strong> </p>



<p>As major outlets like Variety and Awards Daily begin to solidify their shortlists, the conversation has moved beyond the movie’s <strong>$360 million box office success</strong> to its historical potential. Now, the industry is closely watching to see if this “spring miracle” can withstand the late-year surge of traditional awards bait.</p>



<h2>The Frontrunner Status: From Best Picture to Technical Dominance</h2>



<p>Industry experts from Variety and Next Best Picture <strong>currently position “Sinners” as a double-digit nomination threat,</strong> a feat that would place it in the rare company of historic sweeps like “Oppenheimer.” </p>



<figure class="wp-block-gallery has-nested-images columns-default is-cropped">
<figure class="wp-block-image size-large"><figure class="image"><img loading="lazy" width="1280" height="720" data-id="81488" src="https://ds-images.bolavip.com/news/image?src=https://images.bolavip.com/webp/spen/full/SPEN_20251227_SPEN_81484_Sinners-2-1_61f56dd1.webp&amp;width=1280&amp;height=720" alt="" class="wp-image-81488"></figure><figcaption>Source: Kate Green/Getty Images for Warner Bros.</figcaption></figure>
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<p>While its April release date was initially seen as a hurdle, the film’s box office haul and landmark “A” CinemaScore <strong>have sustained a narrative of popular prestige that is proving hard for Academy voters to ignore.</strong> As the 2026 race intensifies, pundits are specifically looking at Ryan Coogler’s potential to make history as the first Black director to win the top prize, a narrative that has only grown stronger as critics’ groups begin to announce their year-end honors.</p>



<p><strong>The most significant buzz currently surrounds Michael B. Jordan,</strong> whose dual-role performance as twins Smoke and Stack is being framed as the definitive career-best milestone needed to secure his first Oscar. </p>



<p>According to Screen Rant and Awards Daily, J<strong>ordan is locked into a high-stakes clash of the titans</strong> against Timothée Chalamet (Marty Supreme) and Leonardo DiCaprio (One Battle After Another). By playing two distinct characters in a single film, Jordan has provided the kind of degree of difficulty that historically captures the Actors Branch’s attention, shifting his status from a mere contender to a virtual lock for a Best Actor nomination.</p>



<p><strong>In the technical and craft categories, “Sinners” is projected to be a juggernaut,</strong> with experts predicting a near-clean sweep of “below-the-line” nominations. Ludwig Göransson’s score—which recently netted five Grammy nominations—is considered the frontrunner for the win, while Autumn Durald Arkapaw’s 70mm cinematography is being hailed as the year’s most striking visual achievement. </p>



<p>When combined with the high-pedigree production design of past Oscar winners Hannah Beachler and Ruth E. Carter, <strong>the film possesses the “craft armor” necessary to remain a heavyweight</strong> even if the late-year dramas attempt to steal the spotlight.</p>



<p>Despite the picture’s undeniable momentum, <strong>the industry remains curious about how it will fare against its own “studio sibling,”</strong> Paul Thomas Anderson’s “One Battle After Another.” Both titles are under the Warner Bros. banner, leading to speculation from Rotten Tomatoes and Sasha Stone about whether the studio will eventually have to prioritize one campaign over the other. </p>



<p>However, with “Sinners” leading the Critics Choice shortlists in over 13 categories, the consensus is that the film has moved past the horror movie stigma and is now being judged as a <strong>singular, historical epic destined for the Dolby Theatre stage.</strong></p>

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