According to The Hollywood Reporter, the new feature adaptation has locked in both its leading men and a clearer creative blueprint, drawing directly from the original show’s pilot and first season while aiming for a theatrical release through Universal Pictures on Aug. 6, 2027. 



<h2>A Stylish Revival Takes Shape</h2>



Joseph Kosinski’s take on “Miami Vice” now carries the title “Miami Vice ’85,” anchoring the film firmly within the decade that made the original series a cultural force. 



The period setting is more than cosmetic. It points to a return to the aesthetic identity that distinguished the show during its NBC run from 1984 to 1989, when pastel fashion, pop music, and sleek excess became as central as the crime stories themselves.



That identity is closely tied to the characters of Sonny Crockett and Ricardo Tubbs, originally played by Don Johnson and Philip Michael Thomas. The new film hands those roles to Michael B. Jordan and Austin Butler, who have now formally committed after an extended negotiation process.



Both actors arrive at a moment of significant career momentum. Jordan has been balancing studio ambitions with auteur-driven projects, recently earning the Best Actors Oscar for “Sinners” while expanding his footprint behind the camera. 



Butler, meanwhile, has transitioned from breakout acclaim in “Elvis” to a steady run of high-profile roles, including “Dune: Part Two” and “The Bikeriders,” positioning himself as one of the industry’s most closely watched leading men.



The original “Miami Vice,” created by Anthony Yerkovich and shaped by executive producer Michael Mann, broke from traditional police procedurals by leaning into music, mood, and visual storytelling. Its influence stretched far beyond television, helping define the look and sound of 1980s pop culture while inspiring everything from fashion trends to video games like “Grand Theft Auto: Vice City.”

‘Miami Vice’ Reboot Confirms Michael B. Jordan and Austin Butler as Leads

Jon Favreau Says He Tried to Stop Iron Man’s Death in ‘Endgame’ but “Was Wrong”

‘Leaving Neverland’ Director Says Fans “Turn a Deaf Ear” to Michael Jackson Accusations: “People Just Don’t Care”

‘Miami Vice’ Reboot Confirms Michael B. Jordan and Austin Butler as Leads - Spoiler US

thumbnail

The conversation around the upcoming “Michael” biopic arrives alongside renewed scrutiny of Michael Jackson’s legacy, but one of the most prominent voices from that debate suggests the cultural reaction has remained largely unchanged. 



Speaking with The Hollywood Reporter, Dan Reed addressed the impact of his documentary “Leaving Neverland” and the audience response that followed.



<h2>A Debate That Didn’t Shift the Audience</h2>



Reed pointed to a disconnect between expectations and reality after the release of his production, which centered on accounts brought forward by Wade Robson and James Safechuck against the pop star. Asked what it meant that Michael Jackson’s stature not only endured but continued to grow, his response was blunt: “People just don’t care.”



The director also maintained that the central claims presented in the documentary have not been meaningfully contested, while acknowledging the broader online discourse that followed. “None of the allegations in Leaving Neverland have been seriously challenged, right? But there was enough noise online from those simplistic debunking [videos] that people found it easy to give themselves permission to like Michael Jackson’s music again, if they ever stopped liking it.”



Reed then framed the situation as one driven largely by enduring attachment to the music itself. “I think a lot of people just love his music and turn a deaf ear.”



His comments are about to be tested, as it has already been revealed that “Michael” neither mentions nor includes anything about Michael Jackson’s legal battles, instead ending with his 1988 Wembley Stadium performance during the Bad tour, a choice that has already been enough to spark criticism even ahead of its release.

Darrell Sheets, Longtime ‘Storage Wars’ Cast Member, Dies at 67

Michael Jackson’s Nephew Slams Media: “You Don’t Get to Control the Narrative Anymore” as Biopic Debuts

‘Leaving Neverland’ Director Says Fans “Turn a Deaf Ear” to Michael Jackson Accusations: “People Just Don’t Care” - Spoiler US

In hindsight, even architects of the Marvel Cinematic Universe had their doubts. During a recent late-night appearance, Jon Favreau opened up about a creative disagreement that nearly altered one of the franchise’s most defining moments.



Speaking on Jimmy Kimmel Live!, where he was promoting his upcoming “The Mandalorian and Grogu,” the director admitted he initially resisted the idea of killing off Tony Stark in “Avengers: Endgame.”



<h2>A Second Thought on a Defining Ending</h2>



Favreau, who helped launch the MCU with 2008’s “Iron Man,” said he reached out directly to Anthony Russo and Joe Russo when he learned of their plans for Stark’s final arc. “I talked to the Russos, I said ‘I don’t know if people are gonna like … I don’t know, it’s really going to impact people because they were kids that grew up with that character,” he recalled.



Years later, his view has shifted. Reflecting on the finished film, he credited the filmmakers and cast for delivering a conclusion that resonated. “But I have to tell you, it was handled so well by them,” he said, pointing to work of the directors.



He also singled out Downey and Gwyneth Paltrow, adding, “they did such a wonderful job acting, and I think it added a poignancy to it. I think they did a wonderful job. I was wrong”



Released in 2019, “Avengers: Endgame” served as a culmination of more than a decade of interconnected storytelling, closing out major arcs while setting the stage for what followed. Stark’s final act, once a point of concern behind the scenes, has since become central to the picture’s legacy.

The Movie Hollywood Tried to Erase: How ‘Coyote vs. Acme’ Survived Against the Odds

Jon Favreau Says He Tried to Stop Iron Man’s Death in ‘Endgame’ but “Was Wrong” - Spoiler US

Darrell Sheets, a longtime fixture on reality television, has died at the age of 67. According to Variety, the former “Storage Wars” cast member passed away Wednesday in Lake Havasu City, Arizona, with authorities reporting that the death appeared to involve a self-inflicted gunshot wound.



<h2>A Defining Presence on ‘Storage Wars’ for Over a Decade</h2>



Sheets was widely recognized as one of the original buyers on “Storage Wars,” where his approach to auctions helped shape the tone of the series during its early years. Appearing in 163 episodes across more than a decade, he built a reputation for taking risks on storage units that others might have overlooked, earning him the nickname “The Gambler.”



His time on the show frequently placed him alongside his son, Brandon Sheets, and in competition with other regulars, including Dave Hester. The dynamic among buyers became a central element of the program’s appeal, with Sheets often leaning into bold decisions that occasionally resulted in high-value discoveries.



Among the most notable moments tied to his run was the uncovering of a storage unit containing hundreds of artworks by Frank Gutierrez, a find that became one of the most talked-about in the show’s history. His on-screen persona, marked by confidence and a willingness to take chances, made him a consistent presence throughout the series’ peak years.



Away from television, Sheets stepped back from the spotlight following his departure from the show in 2021. He relocated to Arizona, where he operated an antique business, shifting his focus from televised auctions to a more local venture tied to the same trade.



Police in Lake Havasu City confirmed that officers responded to a residence early Wednesday morning, where Sheets was found deceased. The case remains under investigation, with authorities indicating that further details may be released as it develops.

Darrell Sheets, Longtime ‘Storage Wars’ Cast Member, Dies at 67 - Spoiler US

Taj Jackson, nephew of Michael Jackson, has taken to social media to challenge how the late singer has been portrayed over the years, framing the film’s release as a turning point in who gets to shape that story.



<h2>A Family Voice Enters the Conversation as ‘Michael’ Reaches Theaters</h2>



With “Michael” arriving in theaters, Taj Jackson used the moment to address what he sees as a longstanding imbalance between media narratives and public perception. Posting online as anticipation builds, he wrote, “Sorry media, u don’t get to control the narrative anymore of who Michael Jackson truly was.”



Directed by Antoine Fuqua and led by Jaafar Jackson in his first major screen role, the film traces Michael Jackson’s rise from his early days with the Jackson 5 through his emergence as a solo star. Its focus on formative years and career milestones has already sparked discussion about what is included and what is left out.



Taj Jackson’s comments lean into that broader debate. “The public gets to watch this movie…they will decide for themselves. And you can’t handle that,” he added.



The post also carried a more pointed edge toward early reactions surrounding the film: “Can’t wait till some critics have to eat crow. And yes I will be that petty.” Currently, the title holds a 37% critics score on Rotten Tomatoes, based on 113 reviews.



Produced by Lionsgate, the picture arrives after years of development, casting attention, and scrutiny over how it would depict one of the most scrutinized figures in pop culture history. With its theatrical debut now underway, the conversation surrounding “Michael” appears set to extend well beyond the box office.

‘Elden Ring’ Becomes A24’s Biggest Gamble Yet With $100M+ Budget and 100-Day Shoot

Michael Jackson’s Nephew Slams Media: “You Don’t Get to Control the Narrative Anymore” as Biopic Debuts - Spoiler US

The conversation around “Coyote vs. Acme” has intensified following the release of its first trailer, with much of the renewed attention tied to the film’s unlikely path to theaters.



The project was at one point effectively written off despite being fully completed, before a series of reversals, negotiations, and public pressure brought it back into circulation.



<h2>A Studio Film That Nearly Disappeared</h2>



Directed by Dave Green and written by Samy Burch, the live action and animation hybrid reimagines Wile E. Coyote as a plaintiff taking legal action against the Acme Corporation, the fictional manufacturer behind decades of malfunctioning gadgets. 



The story pairs the character with a struggling attorney, played by Will Forte, while John Cena appears as the corporate lawyer opposing him, and Lana Condor rounds out the central cast.



The project had been in development in various forms since the late 2010s, with multiple writers contributing before Burch received final screenplay credit alongside story input from James Gunn and Jeremy Slater. 



Filming took place in New Mexico in 2022, and the production combined digital animation with traditional techniques, drawing comparisons to “Who Framed Roger Rabbit” in its approach to integrating animated characters into a live action setting.



Despite reaching completion, the picture’s future shifted abruptly in November 2023 when Warner Bros. Discovery opted not to release it, citing a financial strategy that would allow the studio to claim a tax benefit. 



The decision placed the film alongside other high profile cancellations and prompted backlash from filmmakers, talent representatives, and audiences, particularly as reports indicated the film had tested positively.



Within days, the studio altered course, allowing the filmmakers to present the project to potential buyers. Interest reportedly came from several major distributors, but negotiations stalled over valuation, leaving the movie in limbo for months. During that period, online campaigns calling for its release gained traction, and industry figures publicly advocated for the project to find a distributor.



A resolution arrived in March 2025 when Ketchup Entertainment acquired the rights, positioning the film for a theatrical release. The company had previously handled distribution for “The Day the Earth Blew Up,” and framed the acquisition as an opportunity to bring a completed project to audiences after an extended period of uncertainty. The picture is now scheduled to debut on August 28, closing a chapter that has become as notable as the movie itself.

‘Top Gun 3’ in Development with Tom Cruise Set to Star, Paramount Confirms

The Movie Hollywood Tried to Erase: How ‘Coyote vs. Acme’ Survived Against the Odds - Spoiler US

The film adaptation of “Elden Ring” is moving forward with a scale rarely associated with A24’s slate. 



According to The Hollywood Reporter, the company has assembled a large ensemble cast and begun production in the United Kingdom, positioning the project as its most expansive undertaking to date, with a theatrical release set for March 3, 2028.



<h2>A24 Scales Up With ‘Elden Ring’ as Production Gets Underway</h2>



Alex Garland, coming off “Civil War,” is both writing and directing the picture, placing him at the center of what has become the company’s most demanding production. 



Filming has started in the U.K., with additional location work expected as the shoot unfolds across roughly 100 days. The budget, reported to exceed $100 million, marks a significant jump from the studio’s usual range.



The cast reflects that ambition. Newly confirmed additions include Emma Laird, Jefferson Hall, Tom Burke, Nick Offerman, Ruby Cruz, Peter Serafinowicz, Havana Rose Liu, John Hodgkinson, Sonoya Mizuno and Jonathan Pryce. They join an existing lineup led by Cailee Spaeny, Kit Connor and Ben Whishaw. Character details remain under wraps.



The project draws from one of the most influential titles in modern gaming, a 2022 release from FromSoftware that blends open-world exploration with a deliberately opaque narrative. Set in a fractured realm known as the Lands Between, the story unfolds in the aftermath of a cataclysm that splintered a powerful force once tied to order itself. 



Players step into the role of an outcast summoned back to this broken world, navigating hostile territories, clashing with corrupted rulers, and piecing together a mythos shaped in part by fantasy author George R. R. Martin. The game’s scale, emphasis on player choice, and environmental storytelling helped drive both its critical acclaim and its commercial reach, with more than 30 million copies sold worldwide.

Adrien Brody Calls Himself a “Terrible Actor,” Says He Has to Work to Fix It

‘Elden Ring’ Becomes A24’s Biggest Gamble Yet With $100M+ Budget and 100-Day Shoot - Spoiler US

When “Sinners” first emerged from the veil of secrecy that defined its production, audiences weren’t just treated to another vampire flick; they were thrust into a visceral, sweat-soaked vision of the 1930s Jim Crow South that felt both ancient and urgent. 



Ryan Coogler took the high-stakes intensity he perfected in the “Black Panther” franchise and distilled it into a claustrophobic, R-rated nightmare that prioritized atmosphere and practical dread over cheap jump scares. By blending historical trauma with supernatural folklore, Coogler managed to create a cinematic experience that felt like a lost piece of American mythology, proving that original stories can still command the cultural conversation.



<h2>A New Blueprint for the Gothic Epic</h2>



The brilliance of “Sinners” lies in its refusal to play by the established rules of the supernatural thriller, opting instead to build a world where the monsters are secondary to the mounting tension of the setting. Coogler utilized the isolation of the rural South to create a pressure cooker environment where the heat is almost palpable through the screen. By stripping away the gloss often found in big-budget horror, he anchored the supernatural elements in a gritty, tactile reality that made the eventual arrival of the macabre feel earned rather than gimmicky.



One year later, the film’s influence is most visible in how it balanced its heavy themes with pure, unadulterated spectacle. While many contemporary horror picture lean heavily into elevated horror metaphors at the expense of genuine thrills, “Sinners” embraced its identity as a pulse-pounding action-thriller. 



Furthermore, the movie’s technical execution remains a talking point for cinephiles and critics alike. The collaboration between Coogler and cinematographer Autumn Durald Arkapaw created a visual language that used darkness not just to hide the monsters, but to emphasize the moral ambiguity of the characters. Every frame of the film feels intentional, utilizing a color palette of deep ambers and bruised purples that differentiates it from the cold, blue hues typically associated with the vampire subgenre. This aesthetic boldness helped the picture carve out a unique space in the cultural lexicon that remains vibrant a year later.



Ultimately, “Sinners” redefined the genre by proving that a supernatural story is only as strong as the human stakes at its center. By focusing on the bond between brothers and the weight of ancestral choices, Coogler ensured that the audience was emotionally invested long before the first drop of blood was spilled.



As we look back on its first anniversary, it is clear that the film wasn’t just a seasonal hit but a foundational shift in how we perceive the intersection of history, race, and the paranormal. It remains a defiant reminder that the most terrifying stories are the ones that feel like they could actually happen in the dark corners of our own history.

‘Sinners’ Turns A Year Old: How Ryan Coogler Redefined the Supernatural Thriller

Charles Dance in Talks to Join ‘The Batman Part II’ as Harvey Dent’s Father

Charlize Theron Says “In 10 Years, AI Is Going to Be Able to Do” Timothée Chalamet’s Job, Defends Ballet

‘Sinners’ Turns A Year Old: How Ryan Coogler Redefined the Supernatural Thriller - Spoiler US

In a recent conversation with Entertainment Tonight, Jaafar Jackson has revealed that a follow-up to “Michael” is already taking shape, even before audiences have seen the first installment.



<h2>A Story Too Big for One Film</h2>



While anticipation builds for “Michael,” its leading man is already looking beyond opening weekend. Speaking about the scale of the project, Jaafar Jackson made it clear that the creative team never viewed the material as something easily contained. “You can’t fit it all in one movie…it’s impossible,” he said, pointing to the breadth of Michael Jackson’s life and career.



That ambition appears to be translating into concrete plans. The actor confirmed that a continuation is not just theoretical, adding, “It’s in early development.”



Directed by Antoine Fuqua and written by John Logan, the picture traces Jackson’s rise from his childhood with the Jackson 5 through the early stages of his solo superstardom. The production, backed by Lionsgate, arrives with an ensemble cast that includes Colman Domingo, Nia Long, Miles Teller, and Laura Harrier.



The idea of expanding the narrative has been circulating behind the scenes for some time. Reports tied to the film’s extended runtime and evolving post-production process have hinted that a single release might not fully accommodate the material, with portions of earlier cuts potentially carrying over into a future chapter.



For now, the first entry stands on its own as a major theatrical event following its Berlin premiere and ahead of its wide release. But if Jackson’s comments are any indication, the story being told on screen may only be the opening act of a much larger cinematic portrait.

Jaafar Jackson Says a ‘Michael’ Sequel Is Already in the Works: “It’s in Early Development”

Jaafar Jackson Says a ‘Michael’ Sequel Is Already in the Works: “It’s in Early Development” - Spoiler US

Two months after comments that many believe cost him the Oscar, Charlize Theron is weighing in on the debate that has unexpectedly bridged Hollywood and the performing arts, pushing back on the “Dune” actor’s widely criticized remarks.



According to Variety, her comments came during a conversation with The New York Times, where she addressed both the physical demands of dance and took aim at the young A-lister.



<h2>Charlize Theron Pushes Back on Timothée Chalamet and Defends Ballet</h2>



Theron’s statements arrive in the wake of backlash directed at Chalamet earlier this year, after he suggested that ballet and opera struggle for relevance. The response from across the arts world was swift, with institutions and audiences alike rejecting the idea that those disciplines have lost their place. 



Theron aligned herself firmly with that defense, calling his take “very reckless” and stressing the need to support forms that depend on live audiences.



The conversation began with her reflecting on her own experience with physically demanding roles, where she highlighted the intensity of dance training. “Dance is probably one of the hardest things I ever did,” she said, adding, “Dancers are superheroes. What they put their bodies through in complete silence.” 



From there, the interviewer raised Chalamet’s comments, and the actress answered bluntly. “Oh, boy, I hope I run into him one day,” she said, before defending ballet and opera, noting that “yes, they do have a hard time” attracting audiences.



She then sharpened her point with a pointed comparison: “But in 10 years, AI is going to be able to do Timothée’s job, but it will not be able to replace a person on a stage dancing live.”



Theron also emphasized the need for respect across creative fields. “We shouldn’t [expletive] on other art forms,” she said, before reflecting on how dance shaped her own work ethic. “It taught me discipline. It taught structure. It taught hard work. It taught me to be tough.”



She went on to describe the physical toll behind that discipline in stark terms, recalling injuries that never fully healed and the relentless pace of training. “There were several times that I had blood infections from blisters that just never healed… I’m literally talking about bleeding through your shoes,” Theron said, capturing the reality behind an art form that often appears effortless on stage.



Immediately after the Oscars concluded, where Chalamet lost the Best Actor award to Michael B. Jordan, he moved on to promoting “Dune: Part Three.” However, it seems those within his own industry are not letting his earlier criticism fade. Time will tell if the actor can finally move past the controversy when the third installment of Denis Villeneuve’s revived franchise arrives on December 18.

Charlize Theron Says “In 10 Years, AI Is Going to Be Able to Do Timothée Chalamet’s Job,” Defends Ballet

Iron Maiden Will Skip Their Rock and Roll Hall of Fame Induction: “Fans Always Come First”

Charlize Theron Says “In 10 Years, AI Is Going to Be Able to Do” Timothée Chalamet’s Job, Defends Ballet - Spoiler US

The possibility of the long-discussed sequel to “White Chicks” is back in circulation, with Marlon and Shawn Wayans signaling renewed interest in revisiting the 2004 comedy. 



In a recent interview with Entertainment Tonight, the brothers say any forward movement is tied directly to the performance of the upcoming “Scary Movie 6.”



<h2>A Box Office Test for a Cult Favorite Revival</h2>



The Wayans brothers are not closing the door on “White Chicks 2,” but they are not rushing through it either. Marlon Wayans made their position plain, offering a simple “I’ll put it this way; we’re game,” while stopping short of confirming anything concrete.



That willingness comes with a condition. Shawn Wayans pointed to their next project as the deciding factor, saying a sequel “can happen” if audiences show up for “Scary Movie 6.” The film, scheduled for release on June 5, marks a major return for the family to the franchise they helped define in its early years.



The upcoming installment reunites several familiar faces, including Anna Faris and Regina Hall, and brings the Wayans brothers back as writers, producers, and on-screen regulars. It also represents their first hands-on involvement in the series since “Scary Movie 2” in 2001, following a long absence tied to earlier creative disputes.



Released in 2004, “White Chicks” starred the brothers as FBI agents who go undercover in disguise, becoming one of their most recognizable projects. While it faced a rough critical reception at the time, the picture found a second life in the years after its release and has remained a persistent fan favorite.



For now, the message is straightforward. The interest is there, the idea is alive, but the next move depends on whether moviegoers show up when the Wayans brothers return to theaters this summer.

Wayans Brothers Say ‘White Chicks 2’ Could Happen If ‘Scary Movie 6’ Succeeds: “We’re Game”

Wayans Brothers Say ‘White Chicks 2’ Could Happen If ‘Scary Movie 6’ Succeeds: “We’re Game” - Spoiler US

The next chapter in Matt Reeves’ “Batman” saga is beginning to fill out its extended ensemble, with an iconic name potentially joining the world surrounding Bruce Wayne. 



According to Deadline, Charles Dance is in early talks to appear in the upcoming sequel, marking another high-profile addition to DC Studios’ evolving lineup.



<h2>Charles Dance Eyed for Key Role in Gotham’s Dent Family</h2>



Dance, widely recognized for his commanding turn as Tywin Lannister in “Game of Thrones,” is being considered for a pivotal supporting role tied to Gotham’s political sphere. If negotiations are finalized, he would join Robert Pattinson, who is set to return as Bruce Wayne and Batman under Reeves’ direction.



While the studio has not publicly confirmed the casting, industry chatter points to Dance portraying Charles Dent, the father of Harvey Dent. The character would place him at the center of a family storyline that connects directly to Gotham’s legal system and its recurring themes of power and corruption.



In DC Comics, Harvey’s father is most commonly depicted as Christopher Dent, an abusive and unstable figure whose violent behavior and reliance on a coin toss to dictate his actions leave a lasting psychological imprint on his son. That traumatic upbringing is often cited as a key factor in Harvey’s eventual transformation into Two-Face.



Sebastian Stan is expected to take on the role of the city’s district attorney, with Scarlett Johansson reportedly cast as his wife. Together, the trio would establish a prominent new family dynamic within the sequel, potentially shaping a major narrative thread as Gotham’s institutions continue to fracture.



The film, scheduled for release on October 1, 2027, will again be directed and co-written by Reeves alongside Mattson Tomlin. Returning cast members are expected to include Jeffrey Wright as Jim Gordon, Andy Serkis as Alfred Pennyworth, and Colin Farrell as Oz Cobb, also known as the Penguin, with Barry Keoghan anticipated to reprise his role as the Joker.



Following the events of 2022’s “The Batman,” which centered on a conspiracy rooted in Gotham’s elite, the sequel is set to shift further into Bruce Wayne’s personal life while continuing to explore systemic corruption across the city. Production is currently slated to begin in mid 2026, with filming planned in the United Kingdom.

‘Sinners’ Standout Li Jun Li Joins ‘The Last of Us’ Season 3 as Miriam, Lev and Yara’s Mother

Charles Dance in Talks to Join ‘The Batman Part II’ as Harvey Dent’s Father - Spoiler US

Iron Maiden’s long-awaited induction into the Rock &amp; Roll Hall of Fame will arrive without the band in the room. 



According to an email sent to Billboard by manager Rod Smallwood, the group has confirmed it will not attend November’s ceremony in Los Angeles, opting instead to stay committed to a run of tour dates already locked into their 50th anniversary schedule.



<h2>Iron Maiden Chooses the Road Over the Red Carpet</h2>



The decision comes down to timing, not sentiment. Smallwood made clear that the band’s calendar leaves no practical window for a transpacific detour. “As the most observant have already noticed, the band will be on tour in Australia around the November date of the Induction ceremony,” he said.



The message from the Iron Maiden camp is consistent with a career built on relentless touring. “In accepting, Iron Maiden made it very clear to the R&amp;R HoF that the fans always come first and that the shows will of course go on.” 



The scheduling conflict, as reported by Ultimate Classic Rock, effectively rules out a full-band appearance, though it leaves open the possibility that a representative could attend on their behalf.



For ticket holders, the reassurance is explicit. “We would like to assure all our fans in Australasia that the Australian and New Zealand dates will remain unaffected,” Smallwood added.



This year’s ceremony is set for November 14 at the Peacock Theater. Iron Maiden joins a diverse 2026 class that includes Phil Collins, Billy Idol, Oasis, Sade, Luther Vandross, Wu-Tang Clan, and Joy Division/New Order, marking one of the more stylistically varied lineups in recent years.

Eminem Becomes a Grandfather Again as Alaina Scott Welcomes a Baby Girl Named Scottie Marie

Iron Maiden Will Skip Their Rock and Roll Hall of Fame Induction: “Fans Always Come First” - Spoiler US

Li Jun Li is heading from the world of prestige horror to one of television’s most closely watched dramas. According to Variety, the “Sinners” breakout has been cast in Season 3 of “The Last of Us,” taking on a newly introduced role that connects directly to one of the story’s central threads.



<h2>Li Jun Li Joins ‘The Last of Us’ Season 3 in Key Seraphite Role</h2>



Li will portray Miriam, a member of the Seraphites, the religious faction operating in Seattle. The character is also the mother of siblings Lev and Yara, who become closely linked to Abby during a defining stretch of the storyline set to be brought to the small screen next. Michelle Mao and Kyriana Kratter have already been cast to play the duo.



Miriam represents a character created specifically for the television adaptation, rather than one drawn directly from the original video game. Her inclusion signals the show’s continued approach of deepening the source material by introducing new perspectives within established arcs.



Li’s casting follows her breakout turn in “Sinners,” Ryan Coogler’s 2025 period horror film set in the Mississippi Delta. In the picture, she portrayed Grace Chow, a Chinese American shopkeeper who runs a grocery store with her husband. Positioned as a pragmatic and determined presence, the character is drawn into a deadly confrontation with a supernatural threat, ultimately making a high stakes decision in an effort to protect her daughter.



“The Last of Us,” created by Craig Mazin and Neil Druckmann, has become one of HBO’s defining series, with its first two seasons drawing large audiences and critical recognition. The third season is expected to continue adapting the events of the second game, with a narrative shift toward Abby’s perspective and an expanded ensemble supporting that storyline.

‘Sinners’ Standout Li Jun Li Joins ‘The Last of Us’ Season 3 as Miriam, Lev and Yara’s Mother - Spoiler US

Eminem has entered grandfather territory once again, as his eldest daughter Alaina Scott has welcomed her first child. 



Scott and her husband Matt Moeller announced the birth of their daughter, Scottie Marie, days after her arrival, sharing the news publicly through social media along with a glimpse of their expanding family.



<h2>A New Chapter for Alaina Scott and the Mathers Family</h2>



Scott, 32, revealed that her daughter was born on April 14. The announcement came shortly after, accompanied by early photos of the newborn and a look at life as a family of three. 



In sharing the news, Scott offered a deeply personal explanation behind her daughter’s name. Scottie Marie is a tribute to the “Scott sisters,” a reference to the women in her family who have shaped her identity and life experience. The name, she noted, carries both legacy and intention, with hopes that her daughter will one day define it in her own way.



The moment also underscores Eminem’s evolving role beyond music, as the rapper, born Marshall Mathers, continues to see his family grow into a new generation. Already a grandfather through his daughter Hailie Jade, the arrival of Scott’s child adds another layer to a family story that has long been part of his public narrative.



The rapper shares Jade with ex-wife Kim Scott and later adopted Alaina, the daughter of Kim’s late sister, as well as Stevie Laine, Kim’s child from another relationship.

Rick Moranis Makes First High-Profile Appearance in 29 Years to Promote ‘Spaceballs 2’

Eminem Becomes a Grandfather Again as Alaina Scott Welcomes a Baby Girl Named Scottie Marie - Spoiler US

Clara is about to graduate with a Bachelor's degree in Writing Arts at the National University of Arts in Buenos Aires, Argentina. In her role as a writer for Spoiler US, she covers movies, TV shows, streaming platforms, celebrities, and other topics of entertainment and general interest. Since 2021, she has been working as a film critic for Bendito Spoiler, Cinema Saturno, and Peliplat, attending festivals, conducting interviews, and regularly participating in cinematic debate podcasts. Her main focus of work is in the horror genre.

Clara Migliardo

experience

latest articles by Clara Migliardo