As we kick off the 2026 film season, the industry’s focus is gravitating toward “Project Hail Mary,” the massive science fiction epic from directors Phil Lord and Christopher Miller.
Starring Ryan Gosling as Ryland Grace, a middle-school teacher turned molecular biologist who awakens on an interstellar ship with no memory of his mission, the title is an adaptation of Andy Weir’s 2021 bestseller. While audiences are still two months away from its March 20 theatrical debut, the buzz has been tracked by World of Reel, which has highlighted the picture’s evolution into a genuine awards-season frontrunner.
The ‘Masterpiece’ Buzz and Justin Kroll’s Confirmation
The speculation began in November when Deadline’s Justin Kroll teased a potential heavyweight contender on social media, writing, “I know we are in the middle of this awards season, but looking ahead, a certain film coming out in the first half of 2026 has started screening around town for execs and reps, and the early word is it’s not just in the mix but will be a top contender by year’s end. What could it be?”

Source: IMDb
According to reports from World of Reel, Kroll recently confirmed on the My Mom’s Basement podcast that the mystery project is indeed Project Hail Mary. He revealed that he has heard the word “masterpiece” used multiple times by sources who have seen the current cut, a level of praise he notes is exceptionally rare in his circles.
This early acclaim suggests that Lord and Miller have successfully navigated the tonal balance required for a story that is as scientifically rigorous as it is emotionally resonant. The movie features a powerhouse supporting cast including Sandra Hüller as the mission’s uncompromising leader, Eva Stratt, alongside Ken Leung, Milana Vayntrub, and Lionel Boyce. With a screenplay by Drew Goddard, who previously turned Weir’s “The Martian” into a multi-Oscar nominee, the project carries a prestige pedigree that is clearly hitting the mark with early viewers.
Beyond the performances, the film’s technical ambition is being cited as a primary reason for the “masterpiece” label. Shot by cinematographer Greig Fraser and featuring a score by Daniel Pemberton, the production reportedly utilizes groundbreaking visual effects to bring the Tau Ceti solar system to life. If these early reactions hold steady through the March release, “Project Hail Mary” could follow the path of recent sci-fi giants like “Dune” or “Avatar,” proving that intellectual blockbusters can dominate both the global box office and the Academy’s ballot.





