Films

Box Office Redemption: 10 Flops That Became the Most-Watched Movies on Streaming

They bombed in theaters, then found massive second lives once audiences discovered them at home.

Margot Robbie.
© IMDbMargot Robbie.

A theatrical failure used to be the end of the road, but the streaming era has completely rewritten that rulebook. In recent years, a surprising number of big-budget misfires and misunderstood releases have exploded in popularity after landing on streaming platforms, sometimes pulling viewership numbers that dwarf their original box office runs. Here are ten movies that flopped in theaters—only to become some of the most-watched titles in streaming history.

Argylle

Apple’s $200 million spy thriller was widely dismissed in February 2024 after a lackluster theatrical run that failed to recoup its massive investment. However, once the film landed on Apple TV+, its colorful, meta-narrative and Sam Rockwell’s kinetic performance found a much more forgiving audience. Free from the burden of high ticket prices, home viewers embraced the movie’s chaotic energy, propelling it to the top of the global streaming charts for weeks and proving that Matthew Vaughn’s quirky style is a perfect fit for the comfortable binge environment.

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The Fall Guy

Despite a glowing 82% critical rating, David Leitch’s love letter to stunt work underperformed in the summer of 2024, leaving Universal with an estimated $50 million loss. The narrative shifted dramatically when it arrived on Peacock and later Prime Video, where it shattered debut records previously held by Oppenheimer. The undeniable chemistry between Ryan Gosling and Emily Blunt seemed to resonate more deeply with audiences in a home setting, where the film’s romantic-comedy bones could shine without the blockbuster expectations that hampered its theatrical launch.

The Northman

Robert Eggers’ brutal, $90 million Viking saga was far too uncompromising for the mainstream 2022 theatrical audience, grossing just $70 million worldwide. Yet, in 2023, the film saw a massive resurgence on Max, frequently appearing in the global Top 10 alongside family-friendly animated hits. Its atmospheric world-building and Alexander Skarsgård’s visceral transformation have turned it into a digital cult classic.

Dungeons and Dragons: Honor Among Thieves

Paramount’s 2023 fantasy heist was a critical triumph but a commercial casualty, largely due to a release window sandwiched between John Wick 4 and The Super Mario Bros. Movie. Since then, the film has become a permanent fixture on Paramount+, consistently racking up millions of hours viewed well into 2025. This steady digital performance has kept the brand alive in the cultural conversation, turning what was once a financial disappointment into a cornerstone of the platform’s library.

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Babylon

Damien Chazelle’s polarizing, three-hour epic about the decadence of early Hollywood was declared dead on arrival in 2022 after grossing a mere $15 million domestically. However, the film has undergone a stunning reputational pivot on Paramount+ and Netflix, where its maximalist visuals and Margot Robbie’s volcanic performance have garnered a massive following. What was once considered overindulgent for a theater seat has become must-watch spectacle for home viewers who appreciate the ability to pause and absorb the picture’s dizzying scale.

The Bikeriders

Jeff Nichols’ gritty look at 1960s counterculture featured an A-list cast including Austin Butler and Tom Hardy, yet it struggled to make a dent at the 2024 box office. The film found its stride almost immediately upon its digital release on Peacock, where it was discovered by a wider audience that had missed its brief theatrical window. The movie’s focused, character-driven storytelling proved to be exactly what home viewers were looking for, transforming a quiet theatrical exit into a loud streaming success.

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Madame Web

Often cited as a punchline for its 2024 box office failure, this Spider-Man spinoff ironically became a viral sensation once it hit Netflix. While it couldn’t convince audiences to buy theater tickets, its meme-able dialogue and unique tone made it an irresistible click for curious streamers. By mid-2025, it had become one of the most-watched Sony titles on the platform, proving that even a critical drubbing can lead to high-volume viewership in the age of ironic streaming.

Horizon: An American Saga – Chapter 1

Kevin Costner’s ambitious return to the Western genre was a risky theatrical gamble that didn’t immediately pay off in 2024 ticket sales. However, the film’s transition to Max saw a level of engagement that mirrored the success of Costner’s television work like Yellowstone. The saga format, which felt daunting in a theater, felt perfectly natural for home audiences who treated the three-hour epic as a premium miniseries event, validating Costner’s long-term vision.

The First Omen

Released into an oversaturated market for religious horror in 2024, this prequel was largely overlooked by the general public during its initial run. Once it migrated to Hulu and Disney+, word-of-mouth regarding its high-brow cinematography and terrifying practical effects finally caught fire. By 2025, it was being cited as one of the best horror prequels of the decade, seeing viewership numbers that far eclipsed its modest box office earnings.

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Borderlands

Released in August 2024, Eli Roth’s star-studded adaptation of the looter-shooter game was met with a chorus of critical groans and a disastrous $33 million worldwide haul against a $110 million budget. However, late 2025 data revealed a massive curiosity surge once the film landed on digital platforms. Despite the negative reviews, the combined star power of Cate Blanchett, Kevin Hart, and Jack Black acted as an effective click-magnet, making it one of the most-watched action titles for home viewers who simply wanted to see if the backlash was justified.

Clara is about to graduate with a Bachelor's degree in Writing Arts at the National University of Arts in Buenos Aires, Argentina. In her role as a writer for Spoiler US, she covers movies, TV shows, streaming platforms, celebrities, and other topics of entertainment and general interest. Since 2021, she has been working as a film critic for Bendito Spoiler, Cinema Saturno, and Peliplat, attending festivals, conducting interviews, and regularly participating in cinematic debate podcasts. Her main focus of work is in the horror genre.

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