Music

The Decade of the Algorithm: 25 Songs That Defined the 2010s

The 2010s were a decade of massive sonic upheaval. We rank the 25 tracks that didn't just top the charts, but fundamentally altered the DNA of popular culture.

Singer Adele, winner of the GRAMMYs for Record of the Year for "Rolling In The Deep", Album of the Year for "21", Song of the Year for "Rolling In The Deep", Best Pop Solo Performance for "Someone Like You", Best Pop Vocal Album for "21" and Best Short Form Music Video for "Rolling In The Deep", poses in the press room at the 54th Annual GRAMMY Awards at Staples Center on February 12, 2012 in Los Angeles, California.
© (Photo by Kevork Djansezian/Getty Images)Singer Adele, winner of the GRAMMYs for Record of the Year for "Rolling In The Deep", Album of the Year for "21", Song of the Year for "Rolling In The Deep", Best Pop Solo Performance for "Someone Like You", Best Pop Vocal Album for "21" and Best Short Form Music Video for "Rolling In The Deep", poses in the press room at the 54th Annual GRAMMY Awards at Staples Center on February 12, 2012 in Los Angeles, California.

The 2010s began with the high-gloss, four-on-the-floor energy of electropop and ended with the moody, bass-heavy dominance of “Spotify-core” and viral TikTok hits. It was the decade where the gatekeepers fell; where a teenager from New Zealand could dismantle consumerism from her bedroom, and a country-trap remix could spend 19 weeks at Number One.

Between 2010 and 2019, we witnessed the birth of the “surprise album,” the mainstreaming of K-pop, and the emergence of hip-hop as the planet’s undisputed linguistic currency. As we look back from 2026, these 25 songs stand as the sonic monuments of an era that moved faster than any before it.

“Rolling in the Deep” – Adele (2010)

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In an era of synthesizers and Auto-Tune, Adele’s foot-stomping soul anthem was a shock to the system. It proved that raw, unadulterated vocal power still had a place at the top of the charts, setting the stage for her album 21 to become the definitive blockbuster of the decade.

“Dancing on My Own” – Robyn (2010)

The “sad banger” was born here. Robyn’s synth-pop masterpiece created a template for the 2010s: crying on the dance floor. Its influence can be felt in everything from Lorde to Carly Rae Jepsen, prioritizing emotional vulnerability over traditional club bravado.

“The Time (Dirty Bit)” – The Black Eyed Peas (2010)

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Released as the decade dawned, this track perfectly captured the industry’s shift into the EDM-pop crossover era. By sampling the iconic Dirty Dancing theme and injecting it with a heavy, pixelated “Dirty Bit” drop, the Black Eyed Peas signaled the end of traditional song structures in favor of club-ready, maximalist production that defined early 2010s nightlife.

“Super Bass” – Nicki Minaj (2011)

The song that officially made Nicki Minaj a household name. With its bubblegum-pink aesthetic and rapid-fire verses, it bridged the gap between hardcore rap and mainstream pop, paving the way for the female-led rap renaissance that followed.

“Video Games” – Lana Del Rey (2011)

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Lana Del Rey didn’t just release a song; she launched an entire subculture. The hazy, cinematic nostalgia of “Video Games” introduced the “Tumblr-era” aesthetic, favoring a moody, vintage melancholia that challenged the high-energy pop of the time.

“Levels” – Avicii (2011)

The anthem of the EDM boom. Avicii’s blend of Etta James’ soulful vocals with a euphoric, stadium-sized synth hook brought electronic dance music into the heart of the American mainstream, turning DJs into the new rock stars.

“We Found Love” – Rihanna ft. Calvin Harris (2011)

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The ultimate marriage of a pop titan and an EDM mastermind. Its “drop” became the most influential sonic structure of the early 2010s, defining the sound of radio for years and cementing Rihanna’s status as the decade’s hit-making chameleon.

“Somebody That I Used to Know” – Gotye ft. Kimbra (2011)

An art-pop anomaly that became a global phenomenon. Its minimalist production and xylophone hook proved that the internet could propel “weird” music to the top of the Billboard Hot 100, marking the beginning of the “viral hit” era.

“Call Me Maybe” – Carly Rae Jepsen (2012)

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The purest pop song of the decade. Its inescapable hook and the wave of viral lip-sync videos that followed signaled a shift in how music was marketed—moving from radio play to social media participatory culture.

“Gangnam Style” – Psy (2012)

The first video to hit one billion views on YouTube. Beyond the horse dance, it was a watershed moment for K-pop, proving that language was no longer a barrier to global dominance in the digital age.

“Wrecking Ball” – Miley Cyrus (2013)

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One of the most culturally disruptive moments of the decade. Beyond the headline-grabbing video, “Wrecking Ball” was a powerful power ballad that signaled Miley’s permanent departure from her Disney roots. It proved that a well-crafted song combined with a viral visual could stop the global conversation in its tracks.

“Royals” – Lorde (2013)

At just 16, Lorde dismantled the excess of pop music with a minimalist beat and a critique of “Grey Goose, cherry wine.” It cleared the path for “anti-pop” stars like Billie Eilish to dominate later in the decade.

“Uptown Funk” – Mark Ronson ft. Bruno Mars (2014)

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A masterclass in nostalgia. This track bypassed modern trends to deliver pure, 80s-inspired funk, becoming one of the best-selling singles of all time and proving that live instrumentation still had “soul” in a digital world.

 “Blank Space” – Taylor Swift (2014)

The moment Taylor Swift fully shed her country skin to become a pop juggernaut. With 1989, she claimed the throne of the decade, and “Blank Space” was her witty, self-aware manifesto against the media’s perception of her.

“Hotline Bling” – Drake (2015)

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Drake’s ability to create “memorable” music reached its peak here. From the “dad dancing” in the video to the soft, Nintendo-esque beat, the song was engineered for the Instagram-caption era, solidifying Drake as the “King of Streaming.”

“Formation” – Beyoncé (2016)

Released with a surprise visual album, “Formation” was Beyoncé at her most politically and culturally defiant. It shifted the “surprise drop” from a gimmick to a high-art event, forever changing how major artists release music.

“Sign of the Times” – Harry Styles (2017)

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Harry Styles’ debut solo single was a grand, six-minute bow to 70s rock legends like David Bowie and Pink Floyd. It was a massive artistic risk that paid off, proving that a former boy band star could pivot to serious, cinematic rock and lead the cultural conversation with depth and ambition.

“Despacito” – Luis Fonsi ft. Daddy Yankee & Justin Bieber (2017)

The “crossover” of the century. It shattered the record for most-viewed video on YouTube and ushered in a new “Latin Explosion” in the U.S. charts, making Spanish-language hits a permanent fixture on global radio.

“Bodak Yellow” – Cardi B (2017)

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The arrival of a new rap royalty. Cardi B’s raw charisma and the song’s relentless energy made her the first solo female rapper to hit Number One since Lauryn Hill, signaling a massive shift in the genre’s gender dynamics.

“Humble” – Kendrick Lamar (2017)

With a piano riff that felt like a punch to the gut, Kendrick Lamar claimed his spot as the greatest rapper alive. The song’s visual and sonic impact dominated 2017, proving that high-concept art could still be a commercial smash.

“God Is A Woman” – Ariana Grande (2018)

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Ariana Grande’s vocal peak. The song blended trap beats with ethereal choir arrangements, cementing her transition from a “teen star” to a vocal powerhouse who could lead the pop conversation with authority.

“Thank U, Next” – Ariana Grande (2018)

A masterclass in public relations through song. By naming her exes and preaching self-love, Ariana turned personal tabloid fodder into a universal empowering anthem, released just weeks after a public breakup.

“Old Town Road” – Lil Nas X (2019)

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The song that broke the system. By blending country and trap via TikTok, Lil Nas X exposed the “gatekeeping” of the Billboard charts and went on to spend a record 19 weeks at Number One, defining the “Gen Z” approach to stardom.

“Bad Guy” – Billie Eilish (2019)

The whisper heard ’round the world. Billie Eilish’s “Bad Guy” was the antithesis of the 2010s’ early pop belts—mumbled, dark, and playful. It signaled the arrival of a new, bedroom-produced era of music that prioritized mood over polish.

“Shallow” – Lady Gaga & Bradley Cooper (2018)

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A late-decade reminder of the power of the “Big Movie Song.” Gaga’s belt in the bridge became an instant meme and a classic vocal moment, proving that a traditional power ballad could still stop the world in its tracks.

Carolina is a bilingual entertainment and sports writer fluent in English and Spanish. She holds a Bachelor's degree in Communication from Universidad de Ciencias Empresariales y Sociales (UCES) in Buenos Aires and has a solid background in media and public affairs. In 2020, she won first place in journalistic feature writing at the EXPOCOM-FADECCOS competition, which brings together student work from universities across Argentina. She also completed a year-and-a-half internship in the Public Affairs Section of the U.S. Embassy in Argentina, where she worked closely with journalists and media operations. Carolina specializes in entertainment writing, with a focus on celebrity news, as well as romantic and drama films.

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