According to NBC News, a Las Vegas-based performer has filed a trademark infringement lawsuit against Taylor Swift, arguing that the branding behind her album The Life of a Showgirl overlaps too closely with a long-running, trademarked project of her own.

A Trademark Fight Over “Showgirl” Identity

The complaint, filed in federal court in California, comes from singer and writer Maren Wade, who claims Swift’s album title and visual identity echo her own brand, Confessions of a Showgirl. Wade has used that name since 2014 for a Las Vegas Weekly column that later expanded into a podcast and a live cabaret production, with a registered trademark secured the following year.

At the center of the case is the argument that both properties rely on a similar naming structure and evoke a comparable commercial impression. The lawsuit contends that the overlap is not just linguistic but also market-based, suggesting both are aimed at audiences interested in entertainment narratives rooted in the showgirl persona.

Wade’s legal team further alleges that the U.S. Patent and Trademark Office had already flagged potential confusion when Swift’s camp sought to register The Life of a Showgirl. Despite that warning, the filing claims, the project moved forward without outreach to Wade, who says she spent years building her brand.

The suit also emphasizes the imbalance in visibility between the two parties. It argues that Swift’s global reach could overshadow Wade’s work to the point where consumers might mistakenly assume the earlier brand is derivative of the newer, higher-profile one. As part of the complaint, Wade is seeking to block further use of the album’s branding in commercial contexts and is requesting profits tied to merchandise bearing the title, along with additional damages.

Notably, the lawsuit names multiple entities tied to Swift’s business operations, including her trademark management company and a major merchandise division under her record label. NBC News informs that representatives for those parties have not publicly responded. The filing also points to Swift’s own history of aggressively protecting her intellectual property, framing the dispute as one grounded in principles the defendants are already familiar with.