“It’s What’s Inside” is the new horror-comedy and science fiction film directed and written by the talented Greg Jardin. The title has arrived on Netflix but was previously a huge success at the Sundance and SXSW festivals.
The story revolves around a group of friends who gather to celebrate a pre-wedding party at a mansion, where things take a strange turn due to a device that allows them to swap bodies.
This unexpected plot triggers a night filled with revelations, hidden truths and tensions that arise among the friends, played by stars like Brittany O’Grady, James Morosini and Gavin Leatherwood, among others.
It’s What’s Inside Soundtrack | All the songs and artists
- Coppelia: Act I: Valse by Slovak Radio Orchestra and Andrew Mogrelia
- L’Italiana in Algeri: Sinfonia by Christian Benda and Prague Sinfonia
- Guilty One by Jim Straiton
- Down in the Country by Tee Fletcher
- Veglia Funebre & Macabro Ricordo by Bruno Nicolai
- What’s A Matter Baby (Is It Hurting You) by Timi Yuro
- Theme from ‘The Apartment’ by Ferrante & Teicher
- Grits and Gravy by Gregory Reeves
- I’ll Be True by The Orions
- In My Room by The Walker Brothers
- No Other Love by Jo Stafford
- Bellini: Ah, Non Credea Mirarti [La Sonnambula/Act 2] by Cecilia Bartoli
- Don’t You Know by Della Reese
- Ufficio Vuoto by Bruno Nicolai
- C’est: Les Vacances by Sacha Distel
- Okasa-Bushi by Chiemi Eri
- Canadian Sunset by Eddi Heywood
- Shangri-La by Robert Maxwell
- Forget Him by Bobby Rydell
- Harbor Lights by The Platters
- Servizio Fotografico by Bruno Nicolai
Who composed the score of It’s What’s Inside?
The music for “It’s What’s Inside”, directed by Greg Jardin (Floating), is composed by Andrew Hewitt, who is known for his ability to create sounds that complement the narrative and atmosphere of movies.
The soundtrack plays a crucial role in establishing the atmosphere, especially since the comedy is set at a pre-wedding party in a mansion, where tensions and the characters’ secrets are gradually revealed.
The tracks reflect the vibrant and sometimes chaotic tone of the story, helping to immerse the audience in the film’s experience. Through “needle drops”, a rhythm is established that supports the transitions between moments.
