Before she ever strode into the operating theater as the brilliant, yet complicated Dr. Addison Montgomery, Kate Walsh was already building a reputation in the volatile worlds of improv comedy and regional theater.
Her journey from the Chicago stage to a stint with the renowned New York comedy troupe Burn Manhattan established a foundation of fearless versatility—a crucial trait often obscured by her decade spent anchoring two successful medical dramas, Grey’s Anatomy and Private Practice.
Today, on the occasion of her 58th birthday, a wider lens is necessary to fully appreciate an actress who has consistently sought roles outside the bounds of a single, highly recognizable persona.
Grey’s Anatomy (2005-2012, 2021-2023) and Private Practice (2007-2013) | Role: Dr. Addison Montgomery

(Source: IMDb)
This is the definitive role that skyrocketed Walsh to global stardom. Her portrayal of the highly skilled, complex neonatal surgeon—initially conceived as a romantic rival—quickly won audience favor, leading to her own successful spin-off. Addison allowed Walsh to showcase a perfect blend of sophistication, vulnerability, and unmatched dry wit.
13 Reasons Why (2017–2019) | Role: Olivia Baker

(Source: IMDb)
In a sharp and critically acclaimed dramatic turn, Walsh delivered one of her most visceral performances as the grief-stricken, determined mother seeking justice for her daughter’s suicide. The role demanded immense emotional depth and gravitas, earning her widespread praise for the intensity and humanity she brought to the character.
The Umbrella Academy (2019–2024) | Role: The Handler

(Source: IMDb)
In this hit Netflix superhero drama, Walsh excels as the main antagonist. Her characterization is brilliantly theatrical, eccentric, and laced with dark humor, demonstrating her ability to thrive in high-concept fantasy and deliver memorable, scenery-chewing villainy.
The Perks of Being a Wallflower (2012) | Role: Mrs. Kelmeckis

(Source: IMDb)
In this acclaimed coming-of-age film, Walsh provides an understated, warm, and emotionally authentic performance as the supportive, yet worried, mother of the troubled protagonist, Charlie. Her presence emotionally anchors the family scenes, bringing sincerity and weight to the film’s serious themes.
Fargo (2014) | Role: Gina Hess

(Source: IMDb)
Her recurring role in the first season of the acclaimed FX miniseries was a masterclass in dark comedy. Portraying a loud, hilarious, and morally ambiguous divorcée, she proved her versatility by seamlessly blending into an ensemble of highly eccentric characters.
Sell By (2020) | Role: Dr. Evie

(Source: IMDb)
In this independent comedy, Walsh plays a quirky, blunt relationship therapist. The role, set in a comedic exploration of millennial relationships, provided a different avenue for her sharp comedic timing and allowed her to embody a more offbeat, independent film character.
3022 (2019) | Role: Jackie Miller

(Source: IMDb)
Taking on the lead role in this contained science-fiction thriller, Walsh plays a commander struggling for survival aboard a derelict space station. The film showcases her ability to carry a movie in a high-pressure dramatic setting, proving her versatility beyond Earth-bound narratives.
Emily in Paris (2020–present) | Role: Madeline Wheeler

(Source: IMDb)
In this popular Netflix series, Walsh plays Emily’s ambitious and traditional American boss. The role allows her to exploit comedic cultural clashes, acting as the perfect funny antagonist to the series’ Parisian settings.
Under the Tuscan Sun (2003) | Role: Grace

(Source: IMDb)
A significant supporting film role where she played the lesbian partner of the protagonist’s best friend (played by Sandra Oh). The character was progressive for a mainstream studio film of its era and demonstrated her ability to handle softer, more romantic material effectively.
Sometime Other Than Now (2021) | Role: Kate

(Source: IMDb)
This independent drama provided Walsh with a role centered on emotional reconciliation and small-town grit. Her performance as a motel owner who connects with a troubled man seeking his daughter solidified her skill in grounding intimate, realistic narratives.