Music

Debbie Harry Turns 80: 10 Blondie Songs That Changed Pop Music Forever

Debbie Harry turns 80 today, and her impact on music remains as bold and relevant as ever.

Debbie Harry attends Billboard Women In Music 2016
© Ilya S. Savenok/Getty Images for A+EDebbie Harry attends Billboard Women In Music 2016

In an era dominated by rigid genres and male-fronted rock bands, Debbie Harry burst onto the scene as a fearless force. She was equal parts punk rebel, disco queen, and pop innovator.

With Blondie, she blurred the lines between underground grit and mainstream polish, creating songs that sounded like the future and looked like a revolution. Her icy glamour, sharp wit, and raw authenticity made her a singular frontwoman in a music world that had rarely seen someone quite like her.

Blondie was not just a band. It was a cultural shift. From sweaty CBGB nights to global chart-toppers, the group helped usher in everything from new wave to early hip-hop crossovers. To celebrate Debbie Harry’s 80th birthday, here are 10 Blondie tracks that did more than define a band. These songs changed the course of pop music itself.

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“Heart of Glass” (1979)

Source: IMDb

Source: IMDb

This disco-infused track shocked punk purists but expanded Blondie’s audience worldwide. Its blend of dance rhythms and new wave attitude helped bridge punk and pop, paving the way for dance-rock crossover hits for decades.

“Call Me” (1980)

Source: Instagram ( @blondieofficial)

Source: Instagram ( @blondieofficial)

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A collaboration with Giorgio Moroder for the movie “American Gigolo,” this song became a defining anthem of the early ’80s. Its slick production and Debbie’s cool vocal delivery helped bring synth-driven pop and rock together in a way that shaped the decade’s sound.

“One Way or Another” (1979)

Source: YouTube (Blondie)

Source: YouTube (Blondie)

Raw, urgent, and filled with attitude, this track showcased Blondie’s punk roots while appealing to a mainstream audience. Its relentless energy and memorable riff have made it a perennial favorite in rock history.

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“Rapture” (1981)

Source: Wikipedia

Source: Wikipedia

One of the first songs to feature rap vocals on a mainstream rock track, “Rapture” broke barriers and introduced hip-hop elements to a wider audience. Debbie Harry’s playful delivery and the song’s futuristic vibe were groundbreaking at the time.

“Sunday Girl” (1979)

Source: Pinterest

Source: Pinterest

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With its catchy melody and storytelling lyrics, “Sunday Girl” highlighted Blondie’s pop sensibility and helped define the power of a well-crafted hook in new wave music.

“Atomic” (1980)

Source: Wikipedia

Source: Wikipedia

This song’s fusion of rock, punk, and electronic elements exemplified Blondie’s genre-blending style. Its futuristic sound and Debbie’s commanding voice made it a standout track that influenced countless alternative and dance acts.

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“Maria” (1999)

Source: YouTube

Source: YouTube

Marking a successful comeback, “Maria” captured Blondie’s ability to evolve with the times while maintaining their signature energy. It showed that Debbie Harry’s influence extended well beyond the ’70s and ’80s.

“Hanging on the Telephone” (1978)

Source: YouTube

Source: YouTube

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Originally by The Nerves, Blondie’s version turned this punky power-pop song into a hit. The track’s sharp guitars and catchy chorus helped define the new wave sound.

“Dreaming” (1979)

Source: Wikipedia

Source: Wikipedia

With its upbeat tempo and soaring vocals, “Dreaming” showcased Blondie’s knack for combining pop accessibility with rock intensity, inspiring future generations of artists to blur those lines.

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“Picture This” (1978)

Source: YouTube

Source: YouTube

One of the earliest Blondie singles, “Picture This” displayed the band’s raw energy and Debbie Harry’s distinctive voice. It laid the groundwork for their signature style and proved that punk could be melodic and catchy.

Clara is about to graduate with a Bachelor's degree in Writing Arts at the National University of Arts in Buenos Aires, Argentina. In her role as a writer for Spoiler US, she covers movies, TV shows, streaming platforms, celebrities, and other topics of entertainment and general interest. Since 2021, she has been working as a film critic for Bendito Spoiler, Cinema Saturno, and Peliplat, attending festivals, conducting interviews, and regularly participating in cinematic debate podcasts. Her main focus of work is in the horror genre.

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